‘Avengers’ Cast And Stingy Marvel Ready To Rumble Over Sequel Cash & Strong-Arming

EXCLUSIVE: Robert Downey Jr is set for another huge payday from a mega-hit Marvel movie, this time Iron Man 3. I’ve learned he’s already made $35 million from the actioner, which grossed $680 million worldwide in its first 12 days. He should exceed his biggest payday to date — that $50M from The Avengers which I’ve learned was more like $70M-$80M now that the film is all in. But it’s really Avengers 2 where he’ll clean up big-time — if he wants to reprise the role. He’s hinting to some media it may be time to retire Tony Stark. And saying to other outlets that Marvel better show him more money for Avengers 2. ”I don’t know,” he said on The Daily Show. ”I had a long contract with them and now we’re gonna renegotiate.” (“You are Iron Man! You are!” cheered Jon Stewart.) I’ve learned that Marvel and therefore owner Disney are going to run into big trouble on that sequel because the upfront pay, backend compensation, break-even points and box office bonuses aren’t pinned down yet for several big stars and castmates. This is major hurdle that Walt Disney Co Chaiman/CEO Bob Iger hasn’t even mentioned to Wall Street or shareholders though he’s already been hyping Avengers 2 for more than a year now.

First and foremost Marvel does not have Downey in place yet. ”They need him, and they don’t have him. He’s got a lot of leverage,” one insider tells me. Much less so Scarlett Johannsen (paid to pop up in Marvel movie after movie), Chris Evans (whom some sources say made his deal for Avengers 2 when he signed for Captain America 2), Chris Hemsworth (a much bigger star now than before and unsigned for Avengers 2), Mark Ruffalo (whose Hulk role already was cast 3 times and could be the most vulnerable), Jeremy Renner (probably grateful for more exposure), Samuel L. Jackson (Scarlett’s doppelganger) among others who were paid pittances for their first movies, not much better for the sequels, and are counting on at least $5 million upfront and better back ends for Avengers 2. That means much better than what Marvel claimed was Avengers’ break-even point: a whopping $1.1 billion in global grosses. (“If Avengers wasn’t profitable until then, why would you make it?” one rep pointedly asked Marvel top execs Kevin Feige and Louis Esposito.) In a business where studio accounting is known as fatal subtraction and even worldwide blockbusters are still supposedly in the red, Marvel and its famously frugal CEO Ike Perlmutter still give new meaning to the term stingy. I’ve learned that one reason why The Avengers was nominated for only one Oscar – Best Visual Effects – in the 85th Academy Awards contest was because Marvel refused to pay for an awards season campaign for the picture. And even when Disney offered to foot the bill, Marvel still wouldn’t budge. (Yet the Academy Of Motion Picture Arts & Sciences assembled the cast onstage to create buzz.) Here’s how one exec describes any negotiation with Marvel: “I wouldn’t say it’s brutal. It’s uncompromising, not mean or draconian. The fact is this is the reality of the world we’re living in right now.”

Related: Disney And Marvel Do Damage Control After Media Scrutiny Of Ike Perlmutter

But The Avengers cast are ready to rumble with Marvel for the Avengers sequel slated for a May 2015 release. “Some received only $200,000 for Avengers and Downey got paid $50M. On what planet is that OK?” an insider tells me. CAA represents an overwhelming majority of the Marvel stars and is trying hard to keep the negotiations out of the public limelight and media headlines. But that may not be possible with some reps blaming the studio for ’scorched earth’ tactics past and present. ”Marvel has created so much animosity by strong-arming and bullying on sequels already. It’s counterproductive,” one source tells me. Says another, “I’m sick of Kevin Feige telling me again and again how Marvel is ‘reinventing the movie business’. It doesn’t work like this. They’re reinventing business, period.” I’ve learned Marvel already has threatened to sue or recast when contracts and/or options are challenged. That prompted a few cast members to respond, “Go ahead.” I hear Hemsworth especially wasn’t anxious to go back into that arduous diet and training regimen and subsist primarily on egg whites for Thor: Dark World which hits theaters November 8th. I also understand that Scarlett Johanssen told castmates she’s “not going to cut her quote” for Marvel’s Avengers 2. The actress as butt-kicking operative Black Widow in The Avengers and Iron Man 2 is wrapping Captain America: The Winter Soldier and has a whopping 8 options total.

Already a lot of brinkmanship played out for Captain America 2 and Thor 2. Calling it the “weirdest experience”, one rep still can’;t believe Marvel offered “only a $500,000 raise and then would pay another $500,000 when the movie hits $500M. Are they out of their minds?” When it was pointed out to Marvel that Hemsworth already had received $5M for his starring role in Snow White And The Huntsman, the studio shot back, ”I don’t know why you’re complaining when Marvel only has hit movies.” To which the response was, “He’s happier working at a place like Universal.” After hard-fought bargaining, Chris Evans for Captain America 2 and Chris Hemsworth for Thor 2 wound up with deals still weighted on the back end but at least with attainable break-even numbers and small upfront guarantees and box office bonuses.

The issue going forward is how many of the Avengers stars and starlets are still bound by early agreements and longterm options which Marvel can continue to exploit individually. To counter, I’ve learned the Avengers cast are becoming united behind Robert Downey Jr who is seen as the “leader” – like “a big brother” in the words of one rep - for all the younger actors in the ensemble. “He’s the only guy with real power in this situation. and balls of steel, too. He’s already sent a message that he’s not going to work for a place where they treat his colleagues like shit,” one source explains. Another rep tells me, “I have four words for Marvel – ‘Fuck you, call Robert.’”  Read More »

Comments 294

Joss Whedon Q&A On Eve Of SXSW

By | Thursday March 7, 2013 @ 11:25pm PST

RELATED: Hot Trailer: ‘Much Ado About Nothing’

THURSDAY PM: Joss Whedon is making a much anticipated appearance at SXSW to present his indie modern retelling of the Shakespeare comedy Much Ado About Nothing. That’s the microbudgeted pic he shot in 12 days in secret under his Bellwether Pictures banner while working on Marvel‘s The Avengers. Picked up after its Toronto debut, the film screens in Austin with a panel  on Saturday in front of his rabid fanbase – then hits theaters June 7 via Lionsgate/Roadside Attractions. (The film releases June 14 in the UK via Kaleidoscope, which is also handling international sales.) Joss Whedon

Whedon recently wrapped his pilot for Marvel’s S.H.I.E.L.D. series and is set to work on The Avengers 2 for a 2015 release. He’s also contracted for three years as a creative consultant to Marvel, helping studio head Kevin Feige develop the sprawling superhero universe. Whedon admits the Marvel commitments may not leave time anymore for passion projects like Much Ado because he’s “in constant danger of burning out”. He also talks to Deadline’s Jen Yamato and contributor Joe Utichi about what could have been – Wonder WomanStar Wars  – and what might still be for The Hulk:

DEADLINE: Most directors helming a giant summer blockbuster wouldn’t choose to use their 2-week break to make a small Shakespeare film.
WHEDON: Making The Avengers was very important to me, but it was also extremely arduous. I missed my friends and I missed my home, so I decided to throw them all on camera which is the only way I seem to know to relate to people. But I was blissfully happy when we were shooting Much Ado About Nothing – and it was actually one week and three weekends – and then I went back to cutting Avengers much better. I was in the very early process – my first assembly was very long. When I came back from Much Ado, without any rancor or confusion, I was able to cut the film down to length and readily focus on the things that mattered. I think I would have come to that one way or another, but Much Ado sped it up. Here I was making absolute giddy ridiculous art with no expectations, and nothing but joy – and wishing that my neighbors’ dogs would shut up.
Read More »

Comments (16)