In this week’s podcast, Deadline International Editor Nancy Tartaglione speaks from the Mip-TV conference in Cannes with host David Bloom. With lots of news coming out the show’s first couple of days, highlights include the panel Nancy moderated Monday featuring Amy Poehler and the team behind Comedy Central’s Broad City. Nancy and David also discuss some of the increasingly out-there reality formats built on surreal social experiments, a big content deal for Sony in Scandinavia and yet another hot format for sale from Israel’s Keshet. Nancy and David also look at filmmaking in Rwanda 20 years after the genocide that killed 800,000 people, and nominees for this year’s BAFTA TV Awards. Finally, they wrap up the week’s international box office.
Global Showbiz Watch podcast 33 (.MP3 version)
Global Showbiz Watch podcast 33 (.M4A version)
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Channel 4 drama Southcliffe leads the nominations for the British Academy of Film and Television Arts TV Awards. The miniseries has four nods including for Leading Actor Sean Harris and Supporting Actor Rory Kinnear. Comedy The IT Crowd also has four nominations, with stars Richard Ayoade and Chris O’Dowd competing with The Wrong Mans’ Mathew Baynton and James Corden in the Male Performance in a Comedy Programme category. Broadchurch and The Village scored three nods, including for Drama Series where they are joined by My Mad Fat Diary and the BBC’s Top Of The Lake. Other notable mentions include Dominic West for Leading Actor in Burton And Taylor;Helena Bonham Carter is also nommed for her role as Elizabeth Taylor in the mini. Among other British shows with nominations are the BBC’s The Fall, Ripper Street and the Doctor Who anniversary movie An Adventure In Space And Time. The International category features Breaking Bad, House Of Cards, Denmark’s Borgen, and France’s The Returned. This year’s ceremony will be held at the Theatre Royal, Drury Lane in London on May 18. A list of the major drama and comedy nominees follows (the full list is here): Read More »
UK omnibus 50 Kisses is entering the Guinness Book of World Records for the largest roster of co-writers on a feature film. The 51 scribes will gather today at BAFTA headquarters in London for a special screening of the film that beat the previous record holder, 1943’s Forever And A Day. That film had 21 writers including an uncredited Alfred Hitchcock. The British 50 Kisses was produced by the London Screenwriters’ Festival. Two years ago, it invited writers to submit two-page scripts featuring at least one kiss and set on Valentine’s Day. The 50 best scripts were released online with an open invitation for filmmakers to produce them. Ultimately, 127 shorts were made and those were edited down to produce 50 Kisses. The finished product was released on February 13 this year, earning a per-screen average of nearly £9,500. The end credits run for 17 minutes. Read More »
Jesus Perezagua Exiting Fox International Channels
Fox International Channels President of Europe and Africa Jesus Perezagua has announced his departure. The exec has been at the company since 2003. He joined as managing director of FIC Spain and Portugal and in 2005 took over the company’s expansion plan in Eastern and Central Europe, Turkey and Greece. Perezagua became President of FIC Europe and Africa in 2011. He will step down from the role on April 30 but will continue to consult FIC. The search is on for a successor. Prior to FIC, Perezagua held posts at Iberian Channels and Online for Fox Kids Entertainment Espana and was Managing Director of Bandai Espana, a Japanese toy company specializing in TV marketing concepts. Read More »
UPDATE, 10:25 AM: BAFTA has made the audio of Paul Greengrass‘ David Lean Lecture available. Check it out:
PREVIOUS, MONDAY PM: Paul Greengrass tonight delivered BAFTA’s David Lean Lecture — the London-based org’s annual talk for the world’s leading filmmakers — and issued stark warnings for the health of the UK’s directing industry. The British filmmaking scene was in good shape, he said, thanks to the area’s “simple and transparent tax breaks” which encourage Hollywood studios to invest. But he warned the industry must leverage the studios’ buying power to encourage some of that Hollywood money back into UK content.
To a full house that included British talent like Richard Curtis, Miranda Richardson and Mat Whitecross, Greengrass offered a wide-ranging talk that covered his first steps into filmmaking and his vision of the future of the business. He heaped praise on Hollywood, and said “a lot of baloney” was talked about the U.S. industry’s priorities. Hollywood is not a place run entirely by cynical hacks, he said. “It’s full of smart and committed people, who understand filmmakers… And it also has guilds and trade unions with power and voice. That’s why the studios are looking for places that don’t, and that’s why they come [to the UK].”
But he warned that UK directors have a hard time making follow-up features at home after their debuts, and that the situation in British TV is especially dire. He claimed directors earn less in residuals for helming the likes of Doctor Who and Downton Abbey than stunt performers.
Related: Fleming Q&As Paul Greengrass On Oscar Contender ‘Captain Phillips’, MLK, And Why He’ll Never Make Another Bourne Film
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The British Academy of Film and Television Arts has scheduled the 2015 EE British Academy Film Awards for Sunday, February 8 at London’s Royal Opera House to be broadcast live in the UK on the BBC. The awards … Read More »
‘The Inbetweeners 2′ Coming To The UK & Ireland On August 6
Entertainment Film Distributors said Tuesday that The Inbetweeners 2 will hit theaters in the UK and Ireland on August 6. Simon Bird, James Buckley, Blake Harrison and Joe … Read More »
Breathing a sigh of relief once again Fox Searchlight’s 12 Years A Slave pulled out another squeaker at the BAFTA Awards just as it did at the Golden Globes, Critics Choice Awards and the Producers Guild (where it tied Gravity). Going into the BAFTAs with ten nominations and favored status, as it was directed by Brit Steve McQueen and starred Brit Chiwetel Ejiofor, it looked like a total shutout losing award after award and going 0 for 7 (including surprising losses for Adapted Screenplay, Supporting Actress and Supporting Actor) but finally getting on the board with Ejiofor’s Best Actor win and then pulling off Best Film shortly after in a ceremony that reflected the kinds of splits we have seen all season. At the Globes you may recall it went 0 for 6 before nabbing Best Drama Picture at the end of the evening. Somehow McQueen winds up on stage at the end of all these shows making an acceptance speech and that’s what counts.
Related: BAFTA Awards: ‘12 Years A Slave’ Wins Best Film But ‘Gravity’ Carries Most Weight With Six Total Nods; Chiwetel Ejiofor & Cate Blanchett Take Actor Wins; ‘American Hustle’ Scores 3 Including For Jennifer Lawrence
This is an unusual year to say the least and the BAFTA win for 12 Years A Slave where it helps the most gives it bragging rights as Oscar voting is getting underway this weekend. But these kinds of narrow victories might be a little tension-headache inducing for Searchlight as it now heads to the Oscars in the tightest race in years. Slave was expected to do much better here than it did overall. The results indicate voting was all over the map. BAFTA is important as there may be as many as 500 members that it shares in common with the motion picture Academy. The outcome really did nothing to add more clarity or certainty in a see-sawing Best Picture Oscar race with Gravity’s six BAFTA wins including Best Director for Alfonso Cuaron and Outstanding British Film keeping it in strong contention. Perhaps BAFTA voters thought they could offer up their own PGA-style split by giving these two films their own producing prize? Who knows? Here’s the good news for Slave . The BAFTA Best Film winner has gone on to win the Oscar for Best Picture for the past five years a row. However in the four previous years before that streak it failed to match Oscar’s top winner, so into which camp will Slave fall? Again, who knows? Makes things exciting though. Read More »
Joe Utichi is contributing to Deadline’s BAFTA Awards coverage
Given that so many Oscar contenders figure in the BAFTA races this year, expect London’s tony Mayfair neighborhood to turn into Hollywood-on-Thames this weekend. With the American Academy’s … Read More »
Peter Greenaway To Be Honored At BAFTA Film Awards
British director Peter Greenaway will receive the 2014 Outstanding British Contribution to Cinema Award at the BAFTA Film Awards on Sunday. Greenaway, who originally trained as a painter, is known for his exploration … Read More »
BAFTA Assembles Feature-Length Package Of Shorts For Cinemas
BAFTA is putting together a feature-length package of films nominated in the British Short Film and British Short Animation categories at this year’s BAFTA Film Awards. The pics will be screened in UK cinemas from February 28 and also tour in 110 countries internationally. Selected screenings will be followed by Q&As with nominated filmmakers. BAFTA is repeating the initiative after an inaugural run in 2013. The org is partnered with specialist distributor the Independent Cinema Office and the British Council. Interviews with the nominated filmmakers and other additional content will be available in March on BAFTA Guru. The BAFTAs will be held February 16 in London. All the nominees can be found here. Read More »
Deadline International Editor Nancy Tartaglione and host David Bloom discuss the latest enticement to film Britain, a marketing and distribution incentive package from the British Film Institute designed to give UK indie movies a better chance at a Sundance deal; why BAFTA thinks Gravity is a British film; prominent new roles for veteran media execs Pierre Lescure and James Schamus at two of Europe’s biggest film festivals and a Despicable villain’s big Chinese debut, half a year after his U.S. run.
Global Showbiz Watch podcast 22 (.MP3 version)
Global Showbiz Watch podcast 22 (.M4A version)
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Gravity leads Britain’s BAFTA nominations which were unveiled earlier this week, and “thanks to overwhelming demand from cinemagoers,” IMAX is bringing it back to UK theaters as of today. The film opened in October last … Read More »
In this week’s podcast, Deadline Awards Columnist Pete Hammond and host David Bloom wrap up all the guild and other award nomination announcements that landed left and right this past week, including those from BAFTA, the Writers Guild, Directors Guild, Producers Guild, Cinematographers Society and Costume Designers Guild.
They also discuss some of the trends that may be emerging among all those award nominations, clues about where the Oscar races may be headed, whether American Hustle will benefit from that big ensemble cast, and what to expect from this weekend’s Golden Globes.
Deadline Awards Watch podcast 58 (.MP3 version)
Deadline Awards Watch podcast 58 (.M4A version)
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UPDATE, 12:16 AM PT: Alfonso Cuaron’s Gravity scored 11 nominations from the British Academy this morning including Best Film, Best British Film, Best Director and Leading Actress for Sandra Bullock. It led the pack … Read More »
Deadline’s International Editor Nancy Tartaglione and host David Bloom wrap up the major box office trends across Europe, China and South America this past year and moving into 2014, including what impacts the 2014 World Cup will have on the film business in host country Brazil and other soccer-mad countries; ponder the just-breaking news about a change of Hollywood “gatekeepers” at the top of China Film Group; look at two hugely successful films burning hot and cold across the global box office this past week; and put the telescope on the Rising Stars reaching for one of BAFTA’s coolest awards.
Global Showbiz Watch podcast 21 (.MP3 version)
Global Showbiz Watch podcast 21 (.M4A version)
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BAFTA‘s EE Rising Star Award nominees are actors and actresses who have “demonstrated exceptional talent” and are “destined to be bright stars in the future of cinema,” the British Academy says. This year’s crop of five includes … Read More »
Listen to (and share) episode 16 of Deadline’s audio podcast Global Showbiz Watch, With Nancy Tartaglione. Deadline’s international editor talks from London with host David Bloom about a series of UK-based stories the past several days, including the very big audiences that turned out for Doctor Who’s 50th anniversary celebration on the BBC, BBC America and in dozens of other countries; what the BBC has planned at Christmas time for the newest doctor in Doctor Who, and the much-awaited third season of Sherlock; Oscar winner Emma Thompson’s long look back with BAFTA at her career so far, even as her latest film, Saving Mr. Banks, builds its own awards buzz; and Pinewood Shepperton, busy counting its cash after a strong quarter, presses for approval of a major expansion of its London facilities amid a serious studio capacity crunch that’s turning away work in the city.
Global Showbiz Watch, Episode 16 (.MP3 version)
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Following in the recent footsteps of her Saving Mr Banks co-star Tom Hanks, Emma Thompson sat down in London on Sunday afternoon for a trip down memory lane. At a BAFTA Life in Pictures event at the British Academy’s headquarters, Thompson spoke of the important role that comedy played in her early career, and touched on her collaborations with the likes of Merchant Ivory, Richard Curtis and Ang Lee. The Oscar-winning actress and screenwriter also peppered in some stark feelings about Hollywood.
Thompson has steadily worked across borders since the 90s and while she feels there’s no real difference between great actors in the States and Britain – “Dustin Hoffman is as exquisite as Anthony Hopkins” – the star system in Hollywood “is not a good system.” Thompson called it “hierarchical” and said it was “just revolting for people who are actors to become grand and unattractive to watch.” She recalled that while working on Last Chance Harvey, Hoffman had been stuck in traffic one day and, so concerned with being late to set, ran there in his socks once he’d arrived at the location. “Those are the people you want to work with. You find some young actors who really can’t be bothered and you think well, let someone else do it,” she said to the largely British crowd. Thompson noted that “some of the most intelligent people” she knows live in Hollywood, but lamented that the town “always finds a way to make you feel bad.” At parties, there’s “always some bit that’s penned off that you’re not allowed into,” she mused, adding that it’s the “better than/less than judgment you’re making upon yourself and others that Hollywood is particularly good at and that’s the one thing I really hate.” Read More »