AMC introduced the live companion after-show to a hit serialized drama with the successful Talking Dead and Talking Bad (to be followed by Talking Mad?). Now A&E is taking a page from the playbook with Bates Motel: After Hours, which hails …
A&E’s Bates Motel gang was still riding high on star Vera Farmiga‘s Best Actress Emmy nomination Saturday morning at Comic-Con, where Farmiga explained her approach to playing the mother of Hitchcock’s most famous psycho. “I Googled ‘parents of psychopaths,” she said. “That’s where my compassion for the character comes from. She’s incredibly flawed, she comes with an incredibly warped history and a lot of pain that she’s damming up. But in her defense, she’s the mother of a child with mental issues. There’s no way that a parent can say my child has a mental illness without their spirit imploding. So I always approach Norma with a great sense of compassion and reverence.”
The drama series’ panel opened with a pre-filmed bit of fun with a gag video featuring Freddie Highmore as himself visiting the Bates Motel writers room; there he finds that all screen time and ads are devoted to Farmiga and takes over the Universal Studios Psycho tram stop as the Norman Bates persona seeps into his identity. Highmore joined Farmiga, Nestor Carbonell, Olivia Cooke, Max Thierot and EPs Carlton Cuse and Kerry Ehrin to talk up the modern-day Psycho prequel/reimagining. The show returns for its sophomore season next year, when Cuse teased romances on the horizon for Norma and Norman. “And not with each other, OK?” joked Cuse. “Not yet.” The hint of incest between the pair remains ambiguous. “It’s just a form of Norma’s holding therapy,” said Farmiga. “Every mother in the audience will tell you they grow up so quickly you’ve got to slather it on while you can.” Another member of the Bates family could add another complex relationship to the show soon. “We made reference to Norma’s brother last season,” teased Cuse. “That character might show up this season.”
Christy Grosz edits Deadline’s awards publication Awardsline.
Vera Farmiga admits she was skeptical when she first heard about Bates Motel, the series that serves as a modern-day prequel to Alfred Hitchcock’s Psycho. But playing a character who was merely an idea in the original source material has proven to be the right role at the right time for her. The Oscar-nominated actress is almost protective in describing Norma as the parent of a mentally ill child, choosing to see the single mother as sympathetic. While the A&E series has been picked up for a second season, Farmiga also will star in July’s The Conjuring, in which she plays a paranormal investigator.
AwardsLine: When Bates Motel came to you, were you looking for a TV project specifically?
Farmiga: I think I was looking for a career tweak. I have so many other interests in life, and no role is more challenging, rewarding and inspiring than my real-life role as a mom and a wife, so I pretty much just look at the most remunerative offers these days. (Laughs.) But seriously, if I’m going to step away for 18 hours a day, there better be some sort of a paycheck or spiritual salary being offered. And Bates Motel surprised me. (The role) made me reflect so deeply on the love I feel for my children. I was craving a deeper level of, I don’t know, virtuosity. The writers presented me with this deeper level of sophistication, the creation of Norma, and I pounced on the opportunity. Also, I was craving all that cable serial television has to offer, which is the risk and the wackiness, the unorthodox.
During a Bates Motel panel discussion Friday, Carlton Cuse was blunt about borrowing from a classic. No, not Hitchcock’s Psycho; TV’s Twin Peaks. “We pretty much ripped off Twin Peaks,” joked Cuse, executive producer of the A&E series with Kerry Ehrin, in response to a question about the similarities from panel moderator Shawn Ryan. “If you wanted to get that confession, the answer is yes,” he continued, tongue in cheek. “I loved that show. They only did 30 episodes. Kerry and I thought we’d do the 70 that are missing.” Cuse appeared on the Paley Center panel “Inside Bates Motel: Reimagining A Cinema Icon” with Ehrin, Vera Farmiga (who portrays Norma Bates), Freddie Highmore (Norman), Max Thieriot (Norman’s half-brother Dylan), Nicola Peltz (popular teen Bradley Martin) and Nestor Carbonell (Sheriff Alex Romero). English actress Olivia Cooke, who plays Norman’s friend Emma Decody, who battles cystic fibrosis, was a no-show because of “visa snafus,” Ryan said. Once it was acknowledged that both TV shows are plenty creepy and set in the foggy Northwest, Cuse, Ehrin and the cast spent more time during the freewheeling discussion citing the similarities and differences of Bates Motel from Hitchcock’s iconic 1960 film.
Former Walt Disney Television International and Nickelodeon exec Nicky Douglas will oversee Universal Networks International’s Universal Channel, Syfy, E! Entertainment Television, The Style Network and Movies 24 in the UK. The group of …
Global Showbiz Briefs: ‘Bates Motel’ In UK; ‘Not Another Happy Ending’ To Close Edinburgh; BBC Worldwide & Foxtel
In a significant first-run deal, Universal Channel has acquired A&E Network‘s Bates Motel for the UK. Handled overseas by NBCUniversal International Television Distribution, the series is a contemporary prequel to the Alfred Hitchcock feature Psycho and stars Vera Farmiga, Freddie Highmore, Max Thieriot, Olivia Cooke, Nicola Peltz and Nestor Carbonel. It debuted in the U.S. on March 18 and was renewed for a second run last week. Universal Channel acquired both seasons. Bates Motel is produced by Universal Television for A&E. Carlton Cruse, and Kerry Ehrin are exec producers.
Just a few weeks after its March 18 debut, Bates Motel was been picked up for a second season, A&E announced today. Production on Season 2 is set to start later this year on the Psycho prequel of a sorts, with 10 new episodes to air in 2014. Read the release from A&E here:
NEW YORK – April 8, 2013 – A&E Network has picked up a second season of the acclaimed drama series, “Bates Motel” starring Vera Farmiga and Freddie Highmore from executive producers Carlton Cuse and Kerry Ehrin, it was announced today by Bob DeBitetto, President and General Manager of A&E Network and BIO Channel. The premiere of “Bates Motel” garnered 4.5 million total viewers and 2.5 million adults 25-54 and 18-49, based on Live+7 viewership, making it the most-watched original drama debut in the key demos in the network’s history.
SXSW 2013: Line-Up Includes Joss Whedon’s ‘Much Ado About Nothing’ U.S. Premiere & ‘Bates Motel’ Pilot Preview
It’s not The Avengers 2 but Joss Whedon’s other new movie is making its stateside premiere at this year’s SXSW Film Festival. Much Ado About Nothing, which debuted at the Toronto Film Festival last year, joins 108 other feature films at the March 8-16 fest in Austin, SXSW announced today. Along with the previously announced world premieres of The Incredible Burt Wonderstone, starring Steve Carell, Steve Buscemi and Jim Carrey, and the reimagined Evil Dead, this year’s SXSW has an on-stage interview with sometimes Austin resident Matthew McConaughey, new films from John Sayles and Nick Cassavetes, a preview of A&E’s Bates Motel pilot, a documentary about home movies from the Nixon White House and, Austin being Music City, a lot of music movies. Here are SXSW’s descriptions of the movies, panels and other events unveiled today:
High profile narrative features receiving their World, North American or U.S. Premieres at SXSW.
Much Ado About Nothing
Director: Joss Whedon
Shakespeare’s classic comedy is given a contemporary spin in Joss Whedon’s film, Much Ado About Nothing. Cast: Amy Acker, Alexis Denisof, Nathan Fillion, Fran Kranz, Jillian Morgese (U.S. Premiere)
Diane Haithman is contributing to Deadline’s TCA coverage.
At today’s TCA panel on A&E’s new original scripted drama series Bates Motel, most questions had to do with how the series, from executive producers Carlton Cuse and Kerry Ehrin, would or would not pay homage to the movie Psycho. For the record, the producers say it won’t but various Psycho incarnations are used as inspiration to create an original story.
“We don’t really view any of that as canon,” Cuse said. He called a desire to avoid “homage” a reason why the story has a contemporary setting, rather than being set in the ’60s. He added that the story of how young Bates becomes a murderous adult “will not be what you expect it to be.” (He did confirm that the story would be serialized but “have a beginning, middle and end” and will not focus on a single individual mystery or story point.) Although Cuse rejects the idea of “homage,” he said that show producers used the original plans for the movie Bates Motel that stands on the Universal Studios lot to recreate the motel on location in Vancouver.
But not surprisingly, a question arose about whether post-Newtown is a bad time to introduce an entertainment series about a disturbed young man with a troubled relationship with his mother who eventually turns violent. Said Ehrin: “I think the only thing anyone thought about that was that it was horrible and sad. This show is not about violence, it’s about a mother and son.” She said that the story is trying to “explain” violence rather than promote it.