Top honors at the 57th BFI London Film Festival went to Pawel Pawlikowski‘s Poland-set Holocaust drama Ida, adding to the FIPRESCI International Critics’ Award the pic collected at Toronto. Pawlikowski previously won the BAFTA for his Last Resort and My Summer Of Love. Last month Music Box Films picked up North American rights to Ida, which will hit theaters in early 2014. Here’s the full list of 2014 BFI Film Festival winners: READ MORE »
Global Showbiz Briefs: EFA Reveals Debut-Feature Nominees; ‘Rising Star’ Sold To Nordic Territories; More
EFA Unveils FIPRESCI Nominees For Best First Feature
The European Film Academy has unveiled nominees for the European Discovery 2013 FIPRESCI Prize. The award is presented annually as part of the European Film Awards to a young and upcoming director for a first full-length feature film. This year’s nominees are Sweden’s Eat Sleep Die by Gabriela Pichler, Mikael Marcimai’s Sweden/Norway/Ireland/Finland co-production Call Girl, Italian actress-turned-director Valeria Golino’s Cannes Un Certain Regard title Miele, Germany’s Oh Boy from Jan Ole Gerster, and Spain’s The Plague by Neus Ballús. The nominated films soon will be submitted to the 2,900 EFA Members to select the winner. The prize will be awarded December 7 at the European Film Awards Ceremony in Berlin.
EXCLUSIVE: Ever since its debut at the Telluride Film Festival over the Labor Day weekend, Fox Searchlight‘s 12 Years A Slave has been annointed, at least by some eager-to-call-the-race-early media members, as the movie that could take it all at the Oscars. Though it is far too early to say that with any conviction (it doesn’t open in theaters until next week and hasn’t even played its official Academy screening yet), it continues to register strongly on the Fest circuit. It hit the New York Film Festival Tuesday night where the cast led by Chiwetel Ejiofor, director Steve McQueen and other key creative players received a standing ovation, just as they did in Telluride and Toronto. Next week the film hits the BFI London Film Festival on October 18th, home turf for its British star and director, but telling a very American story. Searchlight clearly would be more comfortable not to be shackled with the front-runner label before the movie is able to catch its boxoffice wind. It’s always a perilous position as there is nowhere to go but down (just ask Social Network about that), but the film has drawn critical raves wherever it’s played and early audiences are clearly moved. The subject matter however is not easy, often gut-wrenching to watch, and needs to be carefully nurtured by Fox Searchlight which plans a slow rollout beginning next Friday.
Putting its stamp of approval on streaming, the British Film Institute is getting into the VOD business. Its new BFI Player will offer both day-and-date releases and a selection of the vast archives at its disposal. Seven channels will showcase different themes including the best of British cinema, …
Stephen Frears’ Philomena starring Judi Dench and Steve Coogan is set for a high-profile Gala slot October 16 at the BFI London Film Festival, which runs from October 9-20. The relationship drama about a mother’s search for her long-lost …
Venice Film Festival Rounds Out Lineup, Adds Carrie Fisher To Jury
The 70th Venice Film Festival’s lineup is complete with the addition of five titles including Une Promesse, writer-director Patrice Leconte drama starring Rebecca Hall, Alan Rickman, and Richard Madden, which will screen Out of Competition. The fest also announced that the collective film Venezia 70 – Future Reloaded — composed of 70 short films lasting 60 to 90 seconds made by 70 directors from all over the world to celebrate the 70th anniversary of the festival — will be the second opening film at the inaugural ceremony. Also, Carrie Fisher and Mexican director Amat Escalante have been added to the International Jury. The fest runs August 20 to September 7.
‘Saving Mr. Banks’ Set For Closing Night At BFI London Film Festival
The 57th BFI London Film Festival will close with the European premiere of Disney’s Saving Mr. Banks. Tom Hanks stars as Walt Disney and Emma Thompson as Mary Poppins author P.L. Travers in John Lee Hancock’s drama about the effort to bring Mary Poppins to the screen. The fest, which runs October 9-20, will open with the continental bow of another Hanks film, the Somali pirate drama Captain Phillips from director Paul Greengrass.
Global Showbiz Briefs: GAP2000 Sets ‘Retardation’; ‘Captain Phillips’ To Open 57th BFI London Film Fest
Gap2000 Partners With Vladar On ‘Retardation’
Former recruitment exec Premila Puri Makh was born in Mumbai, grew up in the Netherlands and now lives in London, which she uses as a production base for a burgeoning slate of feature projects from her GAP2000 Films and Ariana Entertainment companies. Via GAP2000, which Premila built with her brother, writer-director Sameer Puri, she’s producing Retardation, a psychological suspense thriller about a man who wakes up with no memory and has to figure out where he comes from. GAP2000 has just partnered with NY-based The Vladar Company (Head Smash) to develop the project which they will shoot in India – and in English – in February 2014. Sameer Puri wrote the script and will direct. Partners are circling including a major U.S. sales company. The movie is being cast with well-known Indian actors from the indie scene and Premila has locked New York City rock band Deadbeat Darling for music. GAP is focusing on Indian films that will decidedly stray from the western vision of Bollywood cinema.
“This won’t be political — in case you’re writing that down, Deadline Hollywood,” Harvey Weinstein said from the stage during his jam-packed London Film Festival keynote address this evening. But the mogul, fresh from a trip to Cannes to hype his company’s TV slate at MIPCOM, did make several politically charged comments during a wide-ranging speech and Q&A that touched on everything from Mitt Romney and fundraising for President Obama to criticizing government regulators, Google and Apple and piracy, and Hollywood studios over their penchant for remakes and sequels.
Suggesting that regulators are not being smart enough to deal with issues of consolidation — “Six companies will end up owning” a 500-channel universe, creating a “Central Bureau” with fewer content buyers — the Obama supporter said there was a need for “smart guys — like the ones who do Mitt Romney’s taxes.” He then riffed about the Republican presidential candidate’s lack of transparency when it comes to his 1040s. “Fourteen percent! How can he pay that? Why is he not showing 10 years of taxes?” Noting how Romney’s father made a dozen years of returns available when he ran for president, Weinstein said Romney the younger “doesn’t even listen to his dad.” And when a sports film journalist posed a question, Weinstein asided that he loved Clint Eastwood’s baseball movie Trouble With The Curve but couldn’t resist adding, “I don’t like Clint’s politics, but I love his movies. I love him, he’s just a little misplaced right now. Maybe they should have called it ‘Trouble With The Chair’.”
BFI London Film Fest Opens With ’360′ From Fernando Meirelles
The Deep Blue Sea starring Rachel Weisz (who also stars in the festival’s opening-night film, 360), Tom Hiddleston, and Simon Russell Beale will close the 55th …