In separate deals that add up to $3.5 million and likely the biggest total so far for a film at the Sundance Film Festival, Lionsgate and Roadside Attractions bought domestic rights, and Sony Pictures Worldwide Acquisitions bought the rest of the …
Sundance: Lionsgate, Roadside Attractions, Sony Pictures Worldwide Pay $3.5 Million For ‘Skeleton Twins’
Anthony D’Alessandro is Managing Editor of AwardsLine.
If there are large shoes being left behind on Saturday Night Live this coming season, they belong to Bill Hader. For seven seasons, he’s been the impersonator extraordinaire, hitting high notes with his take on Al Pacino, Clint Eastwood and Vincent Price to name a few, but also with his non-celeb eccentrics such as Italian TV host/motor mouth Vinny Vedecci and, of course, effeminate “Weekend Update” New York City correspondent Stefon (whose Anderson Cooper wedding send-off was actually planned a year in advance by Hader). Unlike some SNL alums who overstay their tenure on the show and segue to limited opportunities, Hader is departing in his prime and looking at blue skies. Similar to Steve Carell in the wake of The Daily Show, Hader is delicately balancing the comedic persona he carved on SNL with dramatic feature roles in The Disappearance Of Eleanor Rigby: His And Her and with Kristen Wiig in The Skeleton Twins as well as voice-over fare in the Hulu series The Awesomes and Cloudy With A Chance Of Meatballs 2. He already has a 2009 Emmy win for best animated program (under 30 minutes) under his belt as a producer on South Park; however, his recent Emmy nomination for best supporting comedy actor comes as his second in a row for SNL. Hader spoke with us about his departure from the show, its comedic mechanics and what lies ahead.
Related: EMMYS: Comedy Lead Acting Handicap
AwardsLine Editor Christy Grosz, Managing Editor Anthony D’Alessandro and contributors Paul Brownfield and Thomas J. McLean assist with Deadline’s TV coverage.
Lead acting comedy series nominee Don Cheadle (House Of Lies) and supporting acting hopefuls Mayim Bialik (Big Bang Theory), Bill Hader (Saturday Night Live) and Tony Hale (Veep) share thoughts on their characters, shows and nominations.
AwardsLine: You play a narcissist, Marty Kaan, who heads his own management consulting firm and is generally irresistible to women. That’s usually a recipe for playing a character over the top. And yet your performance is more subtly comedic.
Cheadle: Every season, I’ve been delightfully surprised by how far the writers and the creators want to push who he is and challenge the audience to still come along. For me, it’s still a discovery process. I don’t think he’s set, necessarily. I’m not ever thinking about playing it cool—he is a mess. People that have that much bravado, and enjoy lording it over, usually they’re scared of something.
Ray Richmond contributes to Deadline’s TV coverage.
It’s hardly a secret that the cast of ABC’s Modern Family have owned this category the past three years, winning each time. But the surprise this year is that the guy who has carted off two of those three Emmys – Eric Stonestreet – curiously wasn’t even nominated this time. So what has been four nominees is now just three: Ty Burrell (who won in 2011), Jesse Tyler Ferguson and Ed O’Neill. That trio will be competing with one returning nominee in SNL’s Bill Hader (who departed the show this past season) and a pair of first-timers in Tony Hale of HBO’s Veep and Adam Driver from the same network’s Girls. While the smart money remains on one of the Family nominees winning, it’s very much a wide open race.
SUPPORTING COMEDY ACTOR
Why He Could/Should Win: Besides having won once before, Burrell enjoyed a banner year as Phil Dunphy on Family, including a spectacular turn opposite guest star Matthew Broderick in one memorable episode.
Why He Could/Should Lose: The fact his show’s vote is split three ways leaves Burrell cloaked in uncertainty. One of his winless costars could take it home.
Related: EMMYS: Comedy Series Overview