EXCLUSIVE: The Mandelas will be coming to the Oscars.
OSCARS: On The Scene As Nominees Lunch Brings Out Record Number And EVERYONE Is A Winner In This Room
No question the nominees lunch, which took place today at the Beverly Hilton, is the feel good event of a very long Oscar season — at least as far as the nominees who have made it this far are concerned. If the Governors Awards in November is a great networking opportunity for contenders, this luncheon has become a “must attend” for nominees, who get their certificates, a goodie bag and the chance to meet their fellow nominees in a collegial atmosphere where everyone’s a winner. At least until March 2. Oscar producers Craig Zadan and Neil Meron made a point of telling them a billion people will be watching in more than 225 countries and that the time begins the moment they hit the microphone and they will have only 45 seconds. “But don’t be nervous,” smiled Zadan. “Just prepare”.
Although there was plenty of star wattage at the 25th Palm Springs International Film Festival Saturday night there was even more electricity than usual because some genuine rock royalty was in attendance. U2′s Bono and The Edge were on hand to accept the Sonny Bono Visionary Award, which acknowledged their major humanitarian work as well as their iconic musical contributions to the world. The award was well-timed as, like the rest of the honorees, they also have a song that is making waves this awards season. And it’s a very personal one. The band, and particularly Bono, had a long friendship with Nelson Mandela — who died December 5 — and their work in the anti-apartheid movement goes back to their beginnings as a band in the 1970s. And now they have written a song, “Ordinary Love” for the film of his life story, Mandela: Long Walk To Freedom. The Weinstein Company is hoping it will get the Oscar recognition that has eluded U2 before. They currently have a Golden Globe nomination for it, their sixth, with one win for 2002′s “The Hands That Built America” from Gangs Of New York.
Oscars: Ballots Due In Less Than 48 Hours As Contenders Keep The Campaigns Hot And Voters Try To Keep Pace
The clock is ticking, Academy members.
As the deadline looms for the close of Oscar nomination polls at 5 PM Wednesday, I have talked to a large number of potential voters who are still not even close to seeing the key movies, whether in theaters or making a dent in that pile of screeners at home. A more limited voting pool could lead to a surprising outcome, and this year it seems there are many members struggling to check out all the contenders. Last year then-Academy President Hawk Koch boasted to me on the day of nominations that with the help of the (then-controversial) new online voting system, turnout was the largest in recent Academy history. Hoping not to fall off the pace, new President Cheryl Boone Isaacs has been sending recorded messages urging voters who haven’t marked their ballots yet to get them in before the deadline.
Toronto: Distribution Deal For Luc Besson’s ‘The Lady’ Puts Michelle Yeoh And David Thewlis In Oscar Race
EXCLUSIVE: The Oscar race just got a little more interesting. EuropaCorp has made a U.S. distribution deal with Cohen Media Group for the Luc Besson-directed The Lady, the story of Burmese pro-democracy activist and political prisoner Aung San Suu Kyi. Upstart Cohen Media Group plans to release the film for an Oscar-qualifying platform release late this year to capitalize on strong performances by Michelle Yeoh, who plays Suu Kyi, and David Thewlis, who plays her Oxford professor husband Michael Aris. The film will get a wider release in early 2012. Suu Kyi has spent most of the last 20 years under house arrest by the repressive Burmese military-controlled government. Leaders cruelly barred her husband and two sons from visiting her, thinking that it would drive her to leave. Because she knew that once gone she would never be permitted re-entry, Suu Kyi sacrificed everything to stay and become an iconic symbol of democracy and human rights. Her husband and sons bolstered her spirit and campaigned for the Nobel Peace Prize, which she was awarded in 1991. The distribution deals came quickly after the film premiered Monday evening at Roy Thomson Hall, where Besson, Yeoh and Thewlis received a rousing standing ovation. The deal was brokered by EuropaCorp Group CEO Christophe Lambert and Cohen Media Group CEO Charles S. Cohen.
The Lady becomes the second Toronto title to become an instant entry into upcoming awards season, after Fox Searchlight acquired the NC-17 Steve McQueen-directed Shame with plans to campaign for Michael Fassbender and Carey Mulligan.
After establishing himself as France’s answer to Steven Spielberg directing hits like La Femme Nikita and The Professional and co-writing and producing action films like Taken, Besson has become very selective in the projects he directs. While he has always had a soft spot for strong female protagonists, it has always been in action settings. The Lady is a decided departure and certainly his most personal film to date. Besson made it to refocus the world’s attention on an activist whose continuing plight gets easily forgotten in a turbulent world, even though she won that Nobel Peace Prize and U2′s Bono and The Edge wrote the song Walk On about her sacrifice (which got U2′s album banned in Burma).
Holy Moses! ‘Spider-Man’ Stage Helmer Tackles Old Testament And Swears Spidey Won’t Go Down As Flop Of Biblical Proportions
Philip William McKinley, the stage director who replaced Julie Taymor and stopped the bleeding — literally and figuratively — on Spider-Man: Turn Off the Dark, will next tackle something even more iconic than a superhero saga: The Old Testament. He’s directing The Bible: The Beginning, a live show scaled for arena-sized venues that will use music, dialogue, tumblers, jugglers, singers, aerialists and fighters to re-enact the Creation, Adam and Eve, Cain and Abel, Noah’s Ark, Moses and his clash with the Pharaoah, the plagues of Egypt and the parting of the Red Sea, all culminating in the delivery of The Ten Commandments. The musical will be narrated by Gabriel the Messenger; Raphael the Healer; and Michael, Leader of God’s armies.
The show will be more logistically complex than Spider-Man, which, McKinley swears, won’t need a miracle to recoup a mammoth budget pegged at $70 million before it opened. “We are selling out every night, consistently drawing $1.7 million each week and finishing behind Wicked and The Lion King,” he said. “Right now, it’s all about maintenance and being incredibly conscientious. We’ve got the New York Department of Labor in the building for every show still, but we’ve taken safety to heart.”
Since the show’s operating costs are in the range of $1.2 million per week, Spider-Man will need a loooong run for its investors to be made whole. That effort to recoup will be helped by broadening beyond Broadway, something McKinley said he’ll help facilitate when the time is right. While Spider-Man hardly drew raves when it opened after umpteenth delays — including a three-week shutdown McKinley needed to implement changes — the director feels that the musical that was driven as much by visual effects as music by U2′s Bono and The Edge has turned a corner from being a cautionary tale about the limits of live theater to a model for what is possible. The Bible will push that envelope further, even though it’s too large to fit in a Broadway venue.
EXCLUSIVE: Spider-Man: Turn Off The Dark star Reeve Carney has signed on to play Jeff Buckley in the untitled film about the late musician that Welcome to the Rileys helmer Jake Scott is putting together for a November shoot. Carney, who performed the Bono/The Edge-penned Spider-Man single Rise Above 1 at the American Idol finale, will do all the singing to bring to life the music of Buckley, who was just getting started as a solo artist when he drowned at age 30.
Considering that Buckley had only released a single album when he died in 1997 after getting caught in the wake of a passing boat in Tennessee’s Wolf River, it seems amazing that there are not one but three feature films about him. The first one to start production will be Greetings From Tim Buckley, the Dan Algrant-directed indie film that starts a four-week shoot Monday in Brooklyn. Conventional wisdom that the first film out of the gate wins doesn’t necessarily apply here; these two projects tell very different stories about Buckley. Scott is making a biopic, while Greetings From Tim Buckley stars Gossip Girl’s Penn Badgley as a pre-fame Jeff Buckley who reconnects with his estranged father Tim by singing at a tribute concert for his folk-singer dad. In Algrant’s film, that short adventure forged Jeff Buckley’s own solo aspirations. The other Buckley film is called A Pure Drop and it is being mounted by Mad Bastards director Brendan Fletcher. The title comes from the book A Pure Drop: The Life of Jeff Buckley.
Spider-Man: Turn Off the Dark finally opened on Broadway on Tuesday night. There was a star-studded crowd that included Bill Clinton, a 10-minute standing ovation, and even deposed director Julie Taymor got up to take a bow. And, thank goodness, no actors fell from the rafters. A press release from the show’s reps reports that “critics and audiences cheer[ed] the opening,” and offered a few effusive blurbs from USA Today, MTV and NY1 News. Well, first of all, they weren’t reading the reviews I saw. In The New York Times (generally the review that helps a show fly or die), Ben Brantley compared its earlier incarnation to now as an “ascent from jaw-dropping badness to mere mediocrity,” but that isn’t a rave since he likened that earlier version to “watching the Hindenburg crash and burn.” The Wall Street Journal called the book “flabby and witless” and, as for the plot, “everything that happens is utterly familiar and utterly predictable.” To sum up, the WSJ offers that “$70 million and nearly nine years of effort, all squandered on a damp squib. … Never in the history of Broadway has so much been spent to so little effect.” The other Gotham papers basically said it was better than it was when Taymor was calling the shots, but essentially that its edge (not to be confused with U2′s The Edge) had been varnished away, leaving blandness and U2 songs that aren’t the catchiest that Bono and The Edge ever came up with.
Elton John hosted Saturday Night Live last night with help from several guest stars like Tom Hanks, who appeared in three skits, including one that featured John presiding over an emergency meeting of Knights of the Realm (aka knighted British celebrities) mulling ways to thwart a dragon attack on London. …
Broadway ‘Spider-Man’ Producers Announce Retooling And New Director, With Bogus Claim Julie Taymor Isn’t Out
New York, NY – Lead producers Michael Cohl and Jeremiah J. Harris announced today that SPIDER-MAN Turn Off The Dark has a newly expanded creative team in place. The team will be implementing a new plan to make significant and exciting revisions to the production. Opening night (previously set
I know what Bono and the broadcast networks will call today’s ruling on FCC’s policy on fleeting expletives by a federal appeals court – “f**king brilliant.” In a major victory for the U.S. broadcasters, the three-judge panel of the 2nd Circuit …