We are still a little more than a month away from the official start of awards season, but for IFC‘s smash-out-of-the-box indie hit, Boyhood, it already began in earnest on Sunday with back-to-back screenings and Q&As for members of the newly chosen 2000-strong Screen Actors Guild Nominating Committee, and later its official Academy screening at the newly re-opened Samuel Goldwyn Theatre at the Acad’s Beverly Hills headquarters. The SAG nom comm is just beginning its long schedule of these kinds of screenings, and Sunday afternoon’s was the first big one in LA, although I am told there were a couple of smaller films for the nom comm early in June just as the randomly-chosen group of actors was formed for this year’s race. They packed the Pacific Design Center’s screening room and after the Q&A with stars Patricia Arquette, Ethan Hawke and young Ellar Coltrane along with writer/director Richard Linklater, the SAG crowd gave them all a heartfelt standing ovation. I moderated and there was also much applause when I brought each of them on stage for the 40-minute conversation. The making of the film on 36 shooting days over the course of 12 years has been a well-publicized story this summer, and each of them offered detailed answers on various aspects of a film that is unique in motion picture history, particularly from the point of view … Read More »
Boyhood continued to muscle into the Specialty Box Office in its second frame amid an expansion, even while the weekend’s newcomers showed mixed numbers. Zach Braff‘s Wish I Was Here and Mike Cahill‘s I Origins, second films from both writer/directors, bowed with averages in the low $7K range. IFC Films‘ Boyhood opened last week with the year’s second highest PTA among limited-release titles and only compounded its star status in expansion. The Richard Linklater-directed feature added 29 locations, grossing nearly $1.2 million in 34 theaters, a stellar $35,230 per-screen average and a $1,848,050 two-week cume.
Boyhood’s mid- to long-term momentum appears assured with a 99-percent rating on Rotten Tomatoes and what IFC Films says is “word of mouth… through the roof, as reflected by eye-popping exit polls this weekend and minimal drop at last weekend’s opening theaters.” IFC, which financed the film throughout its 12-year gestation, said the title played solidly across all demographics, with top scores from teens and from “those in their 60s and beyond.” Boyhood will expand to the top 25 markets next weekend and will continue to widen in coming weeks.
Read More »
After it debuted last week to the second-best opening of any specialty film in 2014, Richard Linklater‘s Boyhood is already considered an early Oscar contender that has a chance to cross over as it broadens its run to 10 markets today. It is unprecedented for a narrative film to be shot like this one was. It proved to be a time-lapse process that allows viewers to watch Ellar Coltrane and his castmates age naturally from age 6 to 18 and believably go through the joys and dramas, big and small, inherent in the lives of children. Linklater told Deadline he was lucky nothing unfortunate happened in the lives of the cast and crew, almost all of whom returned year after year. Here, Deadline looks at some of the things that happened to the participants over that span, including in Texas, where Linklater shot the film.
Number of other features, TV movies and shorts directed by Richard Linklater: 10
Number of TV episodes created by Richard Linklater: 6 (Up To Speed)
Read More »
Matt Reeves‘ Dawn of the Planet of the Apes and Richard Linklater‘s Boyhood dominated box office headlines over the weekend. Now the $103M simian blockbuster and the 12-year-spanning indie drama meet again in video essayist Nelson Carvajal’s viral mashup Apehood, the tender story of a baby chimp named Caesar who grows into a horse-riding savior of apekind before our very eyes: Read More »
Box Office Weekend Wrap-Up
'Dawn Of The Planet Of The Apes' grossed $72.6 million in its first weekend and Fox is in a strong position to ride its success all the way into August. Deadline's Anita Busch and Dominic Patten discuss.
Related: Box Office: ‘Dawn Of The Planet Of The Apes’ Swings With $72.6M Weekend; ‘Boyhood’ Mans Up
UPDATED, Monday 1:57 PM: Dawn of the Planet of the Apes, brought in, as we reported this AM a total take of $72.6M for the three-day weekend (which included $4.1M in Thursday late nights). This, after it took in $31.3M overseas so it has a worldwide total of $103M+ already and it has barely begun its international run.
The Matt Reeves-directed film had a wonderful Saturday and ended up with an A- CinemaScore so audiences loved it as much as the critics. Sunday moviegoing was off for all films, probably due to the World Cup Finals and the nice weather. Fox’s other film, How to Train Your Dragon 2 had a great hold from Saturday to Sunday but will be hit by Disney’s Planes: Fire and Rescue when it bows next weekend. Apes should have at least two solid weeks of play before audiences look to Disney/Marvel’s Guardians of the Galaxy to keep them entertained when it bows on August 1. Transformers: Age of Extinction — in its third weekend of release — crossed $200M on Saturday.
Sony opens Sex Tape next weekend in hopes of making it pop over its estimated $42M+ budget. I’ve seen it and yes, it starts out raunchy, but it is really funny and even, at times, hilarious. The guys will go to see a naked Cameron Diaz and the girls will go see tall drink of water Jason Segel, but it’s really for couples. Rob Lowe also co-stars in this film from the next generation Kasden — Jake — who directed the two in Bad Teacher.
The other movie opening next weekend is Universal’s horror film, The Purge: Anarchy. And, after seeing the one-sheet, I certainly hope they aren’t running those teaser one-sheets reminiscent of the Joker around the Cinemark Theater in Colorado where it will be in the marketplace during the two-year mark of the theater shooting. To me and others who suffered through that, it’s a hard image to look at … sort of like the geniuses who came up with The Strain one-sheets that people don’t want to see either. “Not for everyone.” Indeed. The Purge is bowing today and over the weekend in 14 overseas markets. The chart follows: Read More »
Boyhood bowed spectacularly this weekend, piling audiences into five theaters for the initial run of Richard Linklater‘s tour de force that was 12 years in the making. As we mentioned earlier this morning, the IFC Films title is coming in with a $360 – 385K weekend estimate for a stratospheric $72K to 77K PTA, depending on how the dust settles Sunday. Friday and Saturday numbers were buoyed by Q&As in both New York and LA, but none are scheduled today. IFC Films was actually conservative reporting their numbers Sunday morning, with an initial $359K gross ($71,800 PTA) though others tracking the numbers had estimates land a bit higher. Whatever the number, the final tally points in one direction — this is a tremendous opening for the Berlin and Sundance festival title (and award winner at both) that had audiences swooning ahead of this weekend’s opening. Boyhood is easily the year’s second-best opener in terms of screen average behind Fox Searchlight’s The Grand Budapest Hotel, which opened in several locations back in March with a record-breaking $202,792 PTA. ”We are thrilled with the opening numbers for Boyhood this weekend,” IFC noted in reporting their numbers. “The opening numbers have surpassed our highest expectations for the weekend, as audiences flocked to theatrers for the critically acclaimed film.”
IFC Films financed the film by doling out small amounts each year over its 12-year process of creation. The AMC Networks division has a long-standing relationship with Linklater, having financed Waking Life and Tape. The Austin-based filmmaker and producer John Sloss had approached IFC Films president Jonathan Sehring about what was then dubbed the “12-year project” and, together with his boss Josh Sapan at AMC Networks, committed about $200,000 a year to the film’s editing and shooting. Said Sehring and Sapan: “Back in 2002, we thought Rick’s idea was an extraordinary notion and we believed him to be a great filmmaker. Putting our creative and commercial fates in the hands of people who are brilliant has proven to be a terrific strategy for the company and we couldn’t’ be happier to have supported Rick’s creative vision. The result is a film for the ages and we can’t wait to bring Boyhood to the rest of the country in the weeks to come.”
Read More »
IFC Films‘ Boyhood had momentum and expectations building as it headed into its opening weekend after a tremendous run of festival awards and word-of-mouth screenings. Opening in five theaters in New York and Los Angeles this weekend, it proved to be a very big boy indeed, with one of the year’s biggest box-office debuts among Specialty releases, second behind only Searchlight’s The Grand Budapest Hotel, which opened March 7 with a nearly $203K PTA in four theaters.
Boyhood, directed and written by Richard Linklater and filmed over 12 years as its star Ellar Coltrane grew up, grossed $360K to $385K for a spectacular per-theater average of $72K to $77K, depending on how much box office drops Sunday. Given that the title opened against Dawn Of The Planet Of The Apes on turf typically ruled by studio mush, the numbers bode especially well for the film, which also stars Ethan Hawke, Patricia Arquette and Lorelei Linklater. Given its pre-launch buzz, the film has already been tipped as a strong contender when Awards Season grinds into into full gear this fall.
“I think we knew the movie would play,” IFC Films president Jonathan Sehring told me this morning. “(Fellow producer) John Sloss and I were at screenings with audiences and we were more than gratified by the audience responses. There were dozens of sell outs [in Manhattan, Brooklyn and L.A.]. It was crazy. It wasn’t an old audience, not young, it was a mix of everyone.”
Read More »
'Apes' Sequel, 'Boyhood', & 'Begin Again' Battle At Weekend Box Office
'Dawn Of The Planet Of The Apes' is looking strong and poised for a $63M-$68M three-day take at the weekend box office, Deadline's Anita Busch reports.
Related: Box Office Preview: ‘Dawn Of The Planet Of The Apes’ Swinging Strong As ‘Boyhood’ Delights
Emmy nominations may only have been released yesterday, and I know it’s still just July, but with the opening of Richard Linklater‘s Boyhood today I am declaring July 11th the new official start of the Oscar season (at least for this year) with a film that I predict will occupy one of those prized Best Picture slots when Academy Award nominations are announced six months from now. It’s a bold statement considering last year’s first of nine eventual Best Picture nominees, Gravity, wasn’t released until October 4th, and generally with few exceptions of late , most of the nominees still come in the Fall season (although 2009′s Best Pic winner The Hurt Locker actually debuted in late June of that year and rallied later in the game to take it all). Boyhood’s distributor IFC Films also has not been a major player in the Best Picture races, but Boyhood producer John Sloss told me they have made a complete commitment to this film like no other.
A top awards veteran consultant Cynthia Swartz and her Strategy P.R. have been on the movie for months, slowly positioning it for a run. Just last week IFC President Jonathan Sehring, who greenlit it and supported it for a dozen years, told our indie box office reporter Brian Brooks that the film is his favorite project of his entire professional career. “It’s not like anything I have ever been involved with and is my crowning professional achievement no matter how it performs,” he told Brooks. … Read More »
It’s not every week that a major milestone in filmmaking opens in theaters, but this is one. Richard Linklater’s Boyhood, a dozen years in the making, finally makes its ways to an initial handful of theaters in New York and Los Angeles. The IFC Films release has a lot of momentum behind it, with word-of-mouth and buzz that should translate into a successful opening; word has it that advance sales are “strong”. It will be joined by a filmmaking milestone of a much different sort in Variance Films’ Closed Curtain, an acclaimed feature created by Iranian filmmaker Jafar Panahi, who made the film discretely despite being banned from his craft at home and under the watchful eyes of authorities. Sony Classics’ Sundance title Land Ho! provides a comic twist to this week’s opening Specialties, as will Magnolia Pictures’ A Long Way Down.
Director-writer: Richard Linklater
Cast: Ellar Coltrane, Patricia Arquette, Ethan Hawke, Lorelei Linklater
Distributor: IFC Films
Richard Linklater’s groundbreaking film had ridden a long wave of buzz even before its sneak preview at the Sundance Film Festival and its debut in Berlin this year. Twelve years in the making, the drama centers on the life of a boy, Mason (played by Ellar Coltrane throughout), between ages 5 and 18. The film began in 2002 when Linklater teamed with Ethan Hawke and Patricia Arquette. Linklater also tapped his daughter Lorelei Linklater to play Mason’s sister. In Berlin, Linklater said they simply referred … Read More »
The first thing that catches you about Richard Linklater‘s new movie, Boyhood, is the gimmick: It took 12 years to make. And this wasn’t some Orson Welles-like fight with a studio or money people or an artistic fugue state like those afflicting early Terrence Malick or late Stanley Kubrick. It was done on purpose. And the studio behind the project, IFC, was all for it, doling out about $200,000 a year so Linklater could annually gather his cast and crew to shoot a few days at a time for a dozen years followed by, as Linklater put it, “a big chunk at the end” to finish the film.
But here’s the other thing: The movie is really good. And taking all that time might be part of the reason. The film follows the life of a boy named Mason (Ellar Coltrane in his long-developing but remarkable debut) from age 5 until his first days in college at 18. It also tracks the twists in the lives of his two parents (Patricia Arquette and Linklater regular Ethan Hawke), who split before the film’s start, when Mason and his older sister (played by the director’s daughter Lorelei Linklater) were very young.
Read More »
Peter Bart and Mike Fleming Jr. worked together for two decades at Daily Variety. In this weekly Sunday column, two old friends get together and grind their axes on the movie business.
Fleming: The success that Elizabeth Gabler’s Fox 2000 had with The Fault In Our Stars has me entertaining the unthinkable. Is it possible that between the giant lizards, robots and superheroes that populate studio tentpoles, there is room for thoughtful sleeper films in the summer? The Fault In Our Stars might be the most stirring summer sleeper success I can remember since 1990’s Ghost, another movie about loss. The Fault In Our Stars was particularly sad, young teens facing their mortality because of cancer, struggling to seize life while they can, and helpless parents who’ll never recover from outliving their kids. By the way, the big star is John Green, writer of the book. How’s that for a blockbuster formula in an escapist summer season? Next up is Jersey Boys, where the starpower comes solely from director Clint Eastwood and Frankie Valli’s famous falsetto!
Bart: If John Green is unexpectedly the Man of the Moment, Clint Eastwood has every right to wonder how some of that zeitgeist can be transferred to Jersey Boys. Clint’s new film, out June 20, is not tracking well and his rather melancholy take on the brash … Read More »
Richard Linklater‘s 12-year filmmaking experiment Boyhood won the Golden Space Needle Best Picture award along with Best Director and Best Actress at the Seattle International Film Festival. Keep on Keepin’ On, directed by Alan Hicks, won the Golden Space Needle for best documentary. Other notable winners from the sprawling 25-day festival include Dawid Ogrodnik for best actor in Life Feels Good; Fool’s Day for best short film; and other competition awards for 10,000 KM, Marmato and Red Knot. The Golden Space Needle Awards are chosen by festival audiences.
Linklater’s film, which is set for a July 11 release, continued to build momentum for Oscar season, after grabbing the Silver Bear and two other awards at the Berlin International Film Festival and another at South By Southwest. Linklater began shooting Boyhood when its protagonist, played by Ellar Coltrane, was 5 and continued to film off and on for the next dozen years as Coltrane and his character eventually grew into an adult. Patricia Arquette won the Seattle festival’s Golden Space Needle award as best actress, and Linklater won for best director. One other note of minor disclosure: Brian Brooks, who writes Deadline’s weekly coverage on specialty film box office, was on the festival’s documentary jury. Read More »
The time-lapse narrative feature was shot during the course of 12 years with the same actors: Ellar Coltrane, Patricia Arquette, Lorelei Linklater and Ethan Hawke. Boyhood premiered at Sundance and went on to win a Silver Bear for Best Director at Berlin and a Special Award at SXSW. Writer-helmer Richard Linklater conceived the pic in 2001 and began filming a year later. The finished product finally is reaching theaters July 11 via IFC Films — whose president, Jonathan Sehring, was the one writing an annual check to Linklater as he made the movie. Sehring and Linklater also produced Boyhood, along with John Sloss and Cathleen Sutherland. Here’s the first trailer:
Related: Q&A: Richard Linklater Talks 12 Years Making ‘Boyhood’
EXCLUSIVE: Boyhood, a time-lapse narrative feature film that Richard Linklater shot over a 12-year period, has been set for a July 11 release through IFC Films, which has stepped up and committed to a theatrical platform rollout and awards campaign. The film played Sundance and Berlin and its makers have positioned it for what they hope will be a long summer run as audiences watch actor Ellar Coltrane and his supporting cast actually grow up before their eyes, and adults Ethan Hawke and Patricia Arquette mature as his parents.
Related: Berlin Film Festival: Richard Linklater Named Best Director; More
At Sundance, there had been some question of whether a large distributor would take the film off the table, but it only seems right that IFC stepped up. After all, as IFC President Jonathan Sehring told me back then, he was the one who wrote an annual check to Linklater for over a decade, and when his bosses would ask him to explain the expenditure and when they would see a payoff, he’d shrug his shoulders. Sehring’s a producer on the film, and so is John Sloss, who made this deal. “We went to Sundance with the understanding we would talk to other distributors,” Sloss said. “You have to understand when they committed to fund this, IFC didn’t have a distribution arm. So they didn’t have distribution rights, even though they are a co-owner along with Rick and the filmmaking team. This is a very special movie, and we wanted to make sure it has every opportunity for success. We’ve realized this film plays for a young audience and it will need word-of-mouth that comes from staying in theaters for a long time. IFC really stepped up.”
Related: SXSW Unveils Jury Award Winners
Read More »
Sundance has added the 121st feature film to its 2014 festival that starts Thursday. Richard Linklater’s Boyhood will have its premiere Sunday, January 19 at the Eccles Theatre as part of special preview screenings for the pic from Linklater, who wrote and directed this one coming on the heels of Before Midnight. This movie shot in short periods over 12 years and explores the life of a family — it centers on the son, Mason, who with his sister Samantha go on an emotional and transcendent journey through the years from childhood to adulthood. Patricia Arquette, Ethan Hawke, Ellar Coltrane and Lorelei Linklater star.
Sundance Premieres & Documentary Premieres 2014 Lineup
Sundance Reveals U.S. & World Cinema Competition Slates