Interview Brad Pitt Or Kristen Stewart At Cannes? If You’re Canadian, It Will Cost You

By DOMINIC PATTEN | Thursday May 10, 2012 @ 6:19pm PDT

If you’re Canadian and you want to talk to Brad Pitt or Kristen Stewart at the Cannes Film Festival, be prepared to pay. Toronto’s Alliance Films has sent out a menu of prices to Canadian journalists for them to pay if they want to participate in junkets in France for Pitt’s Killing Them Softly and Stewart’s On The Road. Alliance is the Canadian distributor for the two movies. The costs, all originally in Euros, are very specific. The price for a TV interview with Pitt is about $3,232. A one-on-one print interview with Stewart would be around $1,293. You can’t actually get a one-on-one print interview with Pitt, as the menu says the actor is only available for paired interviews with other Killing Me Softly actors such as James Gandolfini or Richard Jenkins. A number of prominent Canadian outlets like the Globe And Mail and the National Post have said they will not pay for, nor participate in, the interviews.

“Alliance decided not to partake in the Cannes junkets for Killing Them Softly and On the Road, however we wanted to provide Canadian journalists the opportunity to participate directly if they so choose,” a company spokesperson told Deadline. Alliance says that it will be fully paying for a junket for Canadian journalists when it brings the films and their stars to North America later this year. Alliance also said there will be no fees for interviews with the actors and directors from Antiviral and Laurence Anyways, the two Canadian films the Toronto-based company has debuting in Cannes.

As an insider told Deadline: “Of course it looks bad. But with the company possibly for sale, there’s a lot of pressure to keep as many costs down as possible. A pricey Cannes junket for two American movies that are already coming here later seemed an obvious place to save money.” Alliance Films chair Victor Loewy told Screen International last week that a decision on the sale of the company could come shortly

This isn’t the first time in recent years that journalists have been hit up to pay for junket space at Cannes. In 2007, Harvey Weinstein’s crew tried to get $1,500 apiece out of journalists who wanted to attend the junket for Death Proof, Quentin Tarantino’s contribution to Grindhouse.

Related: AMC Networks Picks Up ‘On The Road’

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Ridley Scott Drafts Brad Pitt And Javier Bardem For ‘The Counselor,’ With Fox Circling

Mike Fleming

EXCLUSIVE: Back in February, Deadline revealed that Ridley Scott was aiming high for a nemesis to play alongside Michael Fassbender in The Counselor, with Brad Pitt and Javier Bardem on the wish list. I’m told now that Scott is on the verge of getting both actors into the movie. … Read More »

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New Regency In Talks To Co-Finance, Distribute ‘Twelve Years A Slave’

Mike Fleming

EXCLUSIVE: New Regency is in talks to co-finance and distribute (through its output deal with 20th Century Fox) the Steve McQueen-directed Twelve Years A Slave, an adaptation of the Solomon Northup memoir originally published in 1853. Chiwetel Ejiofor will play … Read More »

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New Regency To Finance ‘True Story’ With Jonah Hill And James Franco

Mike Fleming

James Franco True StoryJonah Hill True StoryEXCLUSIVE: New Regency has made a deal to fully finance True Story. That is the Rupert Goold-directed adaptation of a memoir by Michael Finkel, a disgraced New York Times journalist who discovered that an accused murderer had stolen his identity. Once caught, the fugitive would only talk to the journalist. Jonah Hill is playing Finkel and James Franco is set to play Christian Longo, who was captured in Mexico after rising near the top of the FBI Ten Most Wanted List for allegedly killing his family. Production will begin in July and Fox will distribute. Dave Kajganich wrote the script.

True Story MoviePlan B’s Dede Gardner, Jeremy Kleiner and Brad Pitt will produce with New Regency. It’s a fascinating and bizarre true story. Finkel was a writer at The New York Times Magazine in 2002 when he learned of Longo’s capture and that the accused killer had taken the journo’s name. The very next day, the real Finkel was fired by Times editors, right after they ran an editor’s note declaring that he had falsified parts of an investigative article. His career seemingly over, Finkel was given a shot at some redemption when Longo declared that Finkel was the only journalist he would talk to. That led to a surreal relationship with the accused murderer, who was trying to declare his innocence. Unraveling the mystery was a chance for Finkel to salvage something of his career. Read More »

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Paramount Sets ‘Ninja Turtles’ For Xmas 2013, Tom Cruise’s ‘One Shot’ For Xmas 2012

Mike Fleming

BREAKING: Paramount has shaken up its release schedule, dating the Jonathan Liebesman-directed live action-CGI combo Teenage Mutant Ninja Turtles for Christmas, 2013.

The studio has moved the Christopher McQuarrie-directed Tom Cruise-starrer … Read More »

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Dustin Lance Black’s Prop 8 Play: Video

By BRIAN BROOKS | Sunday March 4, 2012 @ 2:57pm PST

A reading took place last night in Los Angeles featuring George Clooney, Brad Pitt, Martin Sheen, Jamie Lee Curtis, Jane Lynch, Kevin Bacon and more for Oscar-winning writer Dustin Lance Black’s play 8 directed by Rob Reiner. It’s based on a 2010 case filed by the American Federation for Equal Rights in U.S. … Read More »

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Jonah Hill, James Franco Team For Brad Pitt-Produced Drama ‘True Story’

By MIKE FLEMING JR | Monday February 27, 2012 @ 9:30am PST
Mike Fleming

EXCLUSIVE: Jonah Hill had so much fun working with fellow Oscar nominee and Moneyball producer Brad Pitt that they’re back in business on another fact-based film. Hill and James Franco are attached to star in True Story, the Rupert Goold-directed adaptation of a memoir by journalist Michael Finkel. Pitt and Dede Gardner’s Plan B is are producing.

Like Moneyball, this is another opportunity for Hill to veer from his comic persona. He will play Finkel, who was a writer at The New York Times Magazine in 2002 when he learned that Christian Longo was captured in Mexico after a long stint on the FBI Ten Most Wanted List for killing his family. The strange part was that he had been living under the identity of Finkel. The very next day, the real Finkel was fired by the editors of The Times, right after they ran an editor’s note declaring that he had falsified parts of an investigative article. His career seemed over, until Longo (who’ll be played by Franco) declared that the real Finkel was the only journalist he would talk to. That led to a surreal relationship with the accused murderer, who was trying to declare his innocence. For the real Finkel, it was an opportunity to unravel the mystery and perhaps redeem himself as a journalist. Read More »

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OSCARS Q&A: Brad Pitt On ‘Moneyball’, His Status As A Multiple Nominee And Being A “Director Whore”

By THE DEADLINE TEAM | Friday February 10, 2012 @ 11:31am PST

Brad Pitt is on a roll, even for Brad Pitt. Arguably the world’s No. 1 male movie star, he is at the top of his game, enjoying widespread critical acclaim for his 2011 output Moneyball and The Tree Of Life — which he both starred in and produced through his Plan B production company. Both scored Best Picture Oscar nominations but were troubled projects that likely would not have seen the light of a camera if not for Pitt’s determination and ability to make them happen. He has already won New York Film Critics Circle and National Society of Film Critics awards for best actor in Moneyball, and now he’s up for an Oscar for that role as Oakland A’s GM Billy Beane. He has smartly created a lasting career by working with some of the best directors around — he calls himself a “director whore” — and has become a first-class producer in the process. He sat for a wide-ranging conversation with Deadline Awards Columnist Pete Hammond that took place a few days after he learned of his multiple Oscar nominations.

AWARDSLINE: What was it about Moneyball that you knew, you just had to make this movie?
PITT: These guys (the Oakland A’s) are trying to survive in an unfair game, going up against conventional wisdom, starting from scratch and asking the questions “Why do we do what we do? Does it still make sense to us? Because we thought it made sense 100 years ago.” It’s a story of value, our own self-worth and this individual’s (Billy Beane) search for his own value in the process. It was such a relevant story for our time. I really hooked into it. Unconventional, difficult and unique and yet at the same time it had these undertones of what I loved in ’70s films. I put two years into this project and it went away and then put another year into it and it went away and I just couldn’t stand to see that happen on this one again. And Amy (Pascal, co-chairmen of Sony Pictures Entertainment) stuck with this: She is our patron saint at the end of the day. ’Cause she doubled down at a big risk. Read More »

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Inside Oscar Nominees Luncheon: Hammond

By PETE HAMMOND | Monday February 6, 2012 @ 7:09pm PST
Pete Hammond

Today’s 31st annual Oscar nominees luncheon was typically relaxed and collegial — a place where there were only winners, at least for today — and contenders could catch up with old friends who also just happen to … Read More »

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Oscars Q&A Fever As Campaigns Swing Into Final Stretch: Hammond

Pete Hammond

Hollywood has caught Q&A fever: I have now learned the Academy of Motion Picture Arts And Sciences has plans to keep the Q&A spirit alive year-round and not just “in season”. Academy regulations loosening rules that previously forbid members from attending filmmaker Q&As were severely relaxed this year — particularly in the months leading up to nominations, when members could attend and even be served food and drink at receptions, a past no-no. Post-nomination Q&As are limited to screenings and nominees (or others connected to nominated movies) and members are allowed to appear at just two each, with no food or receptions. But the Q&A craze has spread, and I hear the Academy has decided to make them an option at their own weekend film programs starting  in June at the Samuel Goldwyn Theatre. The programs (usually two on Saturday and two Sunday) give studios and distributors the opportunity to have filmmakers and actors appear after their movies for Q&As with members. Previously only films were shown, but this could increase overall attendance, a goal of the Academy’s to encourage seeing films on the big screen. Read More »

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Brad Pitt On Negative Oscar Campaigning, Alternative Way For Awarding Actor Trophy

By NELLIE ANDREEVA | Thursday February 2, 2012 @ 8:48am PST
Nellie Andreeva

Brad Pitt was on the Daily Show With Jon Stewart last night talking about his movie Moneyball, which landed him two Oscar nominations: for best picture as a producer and best actor for playing the lead, Billy Beane. The conversation turned to Oscar campaigning when the host suggested, “Why don’t … Read More »

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AFI Awards Lunch Brings Out A-List Of Contenders

By PETE HAMMOND | Friday January 13, 2012 @ 11:50pm PST
Pete Hammond

Judging by the turnout and the cool vibe in the room, today’s AFI Awards luncheon has risen to the top of must-attend award season events. The crush to get into the Four Seasons Hotel ballroom was well worth it since … Read More »

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Oscar Campaign’s Wild Week Capped By Palm Springs Film Fest Gala

Pete Hammond

Final Oscar nomination ballots are due Friday and the season is igniting with contenders rolling from one event to the next — no voter left unturned. Capping a furious week of campaigning and leading into another one, the Palm Springs International Film Festival staged their annual awards gala Saturday night at the cavernous Palm Springs Convention Center and drew a starry group of contenders who tried out their speeches on a ritzy crowd who obviously lives for this show each year. That it falls right in the middle of Oscar voting is totally by design and the reason the fest can draw its A-list of talent that included photog magnets George Clooney, Brad Pitt, Michelle Williams and Charlize Theron, among others. When Pitt and supportive significant other Angelina Jolie came to the Sony table in the middle of the room, there was a tidal wave of locals with iPhones who descended on them, snapping away and pushing me, among others aside. (I actually ran smack into Jolie, who told me “this is wild. I’m not sure what to make of it. I think I need a glass of wine just to soak it all in.”) I guess the crowd figured they were entitled to become paparazzi for a night since many of them paid $1500 to be there; the event raised $1.6 million for the fest according to chair Harold Matzner, who claims the event is second in glamour only to the Golden Globes. Pitt managed to brave the face-lifted Palm Springs throng while walking with a cane, this after he tripped a few days earlier on a ski trip with one of his kids.

Of course there are many more of those to come, and members of the Palm Springs group of awardees and others will be in accepting or presenting mode all week long at events including the New York Film Critics, National Board of Review and LA Film Critics banquets, the annual AFI lunch, the Critics Choice Movie Awards, and finally the Golden Globes. With parties planned this week for DreamWorks Animation’s Puss In Boots, The Weinstein Co and Paramount to name three, this period leading to the CCMAs and Golden Globes is now officially the busiest of the whole season, especially since new Academy rules that allow all this stuff pre-noms also put the kibosh on most of it post-noms. The town is gonna have to dry out anyway. How much can you take, Hollywood? Read More »

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‘Melancholia’ Named Best Picture By National Society Of Film Critics

By THE DEADLINE TEAM | Saturday January 7, 2012 @ 12:55pm PST

UPDATED: Lars von Trier’s Melancholia is the big winner as the National Society of Film Critics unveiled its awards today. The film took best picture honors, and star Kirsten Dunst was selected best actress as she was at the Cannes Film Festival. The drama beat out Terrence Malick’s The Tree Of Life for the top honor, according to the group’s vote total, followed by the Iranian film A Separation; Malick did win best director. Brad Pitt was voted best actor for Moneyball and Tree Of Life. Here’s the full list of winners:

BEST ACTOR
*1. Brad Pitt – 35 (Moneyball, The Tree Of Life)
2. Gary Oldman – 22 (Tinker Tailor Soldier Spy)
3. Jean Dujardin – 19 (The Artist)

BEST ACTRESS
*1. Kirsten Dunst – 39 (Melancholia)
2. Yun Jung-hee – 25 (Poetry)
3. Meryl Streep – 20 (The Iron Lady)

BEST SUPPORTING ACTOR
*1. Albert Brooks – 38 (Drive)
2. Christopher Plummer – 24 (Beginners)
3. Patton Oswalt – 19 (Young Adult)

BEST SUPPORTING ACTRESS
*1. Jessica Chastain – 30 (The Tree Of Life, Take Shelter, The Help)
2. Jeannie Berlin – 19 (Margaret)
3. Shailene Woodley – 17 (The Descendants)

BEST PICTURE
*1. Melancholia – 29 (Lars von Trier)
2. The Tree Of Life – 28 (Terrence Malick)
3. A Separation – 20 (Asghar Farhadi)

BEST DIRECTOR
*1. Terrence Malick – 31 (The Tree Of Life)
2. Martin Scorsese – 29 (Hugo)
3. Lars von Trier – 23 (Melancholia) Read More »

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OSCARS: Best Actor Race Pits Veterans Vs. “Sexiest Men Alive”

By PETE HAMMOND | Monday January 2, 2012 @ 1:00pm PST
Pete Hammond

Call it the battle of the superstars.

Rarely has the Best Actor Oscar race contained so many likely big movie stars. From Clooney and Pitt to DiCaprio and Gosling, the possibilities of a red-carpet smackdown among People Magazine’s Sexiest Men … Read More »

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SAG Awards Movies: Full of Surprises And Omissions; Will Oscar Follow Suit?

Pete Hammond

SAG Awards TV: Rookies Join The Fray
SAG Awards Nominations

Leave it to SAG to throw a few surprises into the season. Although countless critics awards groups have been weighing in with their 2011 movie picks for the past two … Read More »

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Boston Critics: ‘The Artist,’ Martin Scorsese, Brad Pitt, Michelle Williams

By THE DEADLINE TEAM | Sunday December 11, 2011 @ 1:16pm PST

The Artist was the Boston Society of Film Critics’ choice for Best Picture. Brad Pitt was voted Best Actor for Moneyball and Michelle Williams was honored as Best Actress. In supporting categories, the hottest comedy actress at the moment, Melissa McCarthy, won for Bridesmaids and Albert Brooks took a prize … Read More »

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Hammond: From ‘Tinker Tailor’ To Angelina Jolie & Brad Pitt, Oscar Talk Is Everywhere

Pete Hammond

‘Tis the season. Studios and distributors are pulling out all the stops to bring attention to their big awards contenders. The drumbeat has been so loud since Thanksgiving that it’s not uncommon to be invited to 4 or 5 sceenings, parties, events, and Q&As … Read More »

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OSCARS: Stellar Work By Veterans May Keep Upstarts Out Of Supporting Actor Race

Pete Hammond

Although there are some young Hollywood turks trying to break through in an ‘Extremely Large and Incredibly Close’ race for the Best Supporting Actor Oscar, 2011 may eventually become known as the year of the veteran. Acting legends with decades of iconic screen performances and Oscar winners dominate the field of frontrunners in one of Oscar’s most crowded and intriguing categories. With names like Christopher Plummer, Max von Sydow, Ben Kingsley, Nick Nolte, George Clooney, Brad Pitt, Albert Brooks, Kenneth Branagh, Tom Hanks and Robert Forster in the mix, the pedigree of contenders for Best Performance by an Actor in a Supporting Role is formidable indeed. But could a relative newcomer like Jonah Hill or Patton Oswalt swoop in and take the whole thing? Here are the major players.

FRONTRUNNERS
CHRISTOPHER PLUMMER, BEGINNERS

Plummer turns 82 this month and is enjoying a major resurgence in a film acting career that goes back to 1958, when he made his debut in Stage Struck. Since then his fine screen roles have often been eclipsed by his own stage-struck ways with a number of memorable performances in the theater including a couple that won him Tony Awards. He only just received his first Oscar nomination two years ago for The Last Station, but with his touching role as a 75-year-old widower who finally decides to come out of the closet, he may grab the actual statuette this time. An effective, if small, supporting role in The Girl With The Dragon Tattoo only adds to his chances.

MAX von SYDOW, EXTREMELY LOUD AND INCREDIBLY CLOSE
With a life spent before the cameras for over 60 years, the 82-year-old von Sydow is an acting legend whose work ranges from several landmark Ingmar Bergman films to the harrowing Exorcist. Yet like Plummer (who is just eight months his junior), he incredibly has been Oscar-nominated only once, for 1987’s Pelle the Conqueror. But his touching and completely wordless performance as a distant grandfather in Extremely Loud And Incredibly Close could finally be his ticket to the Kodak stage.

KENNETH BRANAGH, MY WEEK WITH MARILYN
Another acting icon, Laurence Olivier, is also part of this year’s supporting race — but in this case he is being channeled by none other than Olivier fan and student Kenneth Branagh, who portrays Olivier in 1956 as he was directing and starring with Marilyn Monroe in The Prince And The Showgirl. Branagh has tackled many Olivier screen roles like Henry V and Hamlet (he even directed the remake of Olivier’s Sleuth), but taking on the actual persona of the man himself was particularly challenging and puts him — and his mentor — right back in the Oscar race.

BEN KINGSLEY, HUGO
Already an Oscar winner for 1982’s Gandhi, Kingsley effectively takes on the role of film pioneer Georges Melies in Martin Scorsese’s valentine to the early days of movies. With a total of four nominations split evenly between lead and supporting categories, Kingsley is an Academy favorite who once again creates a memorable character, one with great meaning for the filmmakers who will be voting. Will being the only serious candidate in a 3D movie also separate him from the pack?

ALBERT BROOKS, DRIVE
Until now Brooks was only known for comedy — those he wrote and directed and those he starred in. He was even previously Oscar-nominated for his hilarious supporting turn in 1987’s Broadcast News. But none of his previous work prepared critics and audiences for his nasty, villainous Bernie Rose in the noirish thriller Drive. But his brilliant interpretation and cool new screen persona should deservedly win him a second Oscar nomination.

BRAD PITT, THE TREE OF LIFE
Pitt is a double threat this year. He’s already won the New York Film Critics award given for both Moneyball and The Tree Of Life, and ever since its debut in Cannes, Terrence Malick’s Palme d’Or winner has sparked Oscar buzz for Pitt’s effectively low-key change-of-pace and critically acclaimed work as a 1950s-era father. Could he become one of those rare thesps who score both supporting and lead actor nominations in the same year? Don’t bet against it.

JONAH HILL, MONEYBALL
Pitt’s co-star in Moneyball who was best known for his antics in movies like Superbad enjoyed his first taste of awards buzz for shedding several pounds and shrewdly underplaying the whiz-kid genius who comes up with an inexpensive formula to create a winning baseball team. Going head to head with Pitt, Hill proved he could hold his own just as he did in last year’s lesser-known Cyrus.

KEVIN SPACEY,  MARGIN CALL
Although the film was well-received at its Sundance debut, Margin Call was not considered a major awards contender, even by its own distributor. That has changed with several early awards and Oscar talk for two-time winner Kevin Spacey, who has spent a lot more time in recent years running London’s Old Vic rather than on his own film career. A change-of-pace performance won raves and could put Spacey back in the front row at the Oscars.

PATTON OSWALT, YOUNG ADULT
Perhaps best known as a stand-up comedian and the voice of the lead rat in Pixar’s Ratatouille, Oswalt is quickly establishing his credentials as a serious actor, first in the critically acclaimed indie film The Big Fan and now on a larger scale as a lonely man whose life was defined by an unfortunate incident in high school. His scenes opposite Charlize Theron are awkward, funny, poignant and memorable. Read More »

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