Bruce Rosenblum Bids Classy Goodbye

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EXCLUSIVE: Warner Bros TV Shake-Up – Bruce Rosenblum Settled Out
TOLDJA! Warner Bros Confirms Bruce Rosenblum Exit

This was sent to Warner Bros Television Group employees today:

Dear Warner Bros. Television Group Colleagues,

It is with a heavy heart that I write to let you know that, following several months of uncertainty, my 26-year run at Warner Bros. has come to an end.

I have had the pleasure of working alongside the most talented, creative and innovative people in our business … from our executives and staff to the amazing group of creative talent both in front of and behind the cameras. Each of your contributions helped Warner Bros. set the standard for excellence in the television industry. The magnitude of what you have accomplished has been and continues to be a truly meaningful contribution to Warner Bros.’ overall success and a matter of great pride to myself. READ MORE »

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TOLDJA! Warner Bros Confirms Bruce Rosenblum Exit

By THE DEADLINE TEAM | Wednesday May 15, 2013 @ 10:35am PDT

Deadline’s Nikki Finke broke the story over the weekend that Bruce Rosenblum was leaving his post as head of Warner Bros Television. Warner Bros CEO Kevin Tsujihara confirmed Saturday night and made it official today with a release and a memo to staff from he and Warners chairman Barry Meyer. The restructuring (see below) at the TV division, as expected, includes expanded duties for Peter Roth who is now president and COO. Here’s the memo that went around:

Dear Colleagues,

We wanted to let you know that our valued colleague Bruce Rosenblum, President of the Warner Bros. Television Group, has decided to leave the Studio.

In his 25 years at Warner Bros., as all of you know, Bruce helped build one of the world’s most successful global television production and distribution operations. With his great energy, skill, creativity and vision, Bruce – and the strong team he has built around him – was responsible for some of the most popular and successful television series of all time, including “Friends,” “ER,” “The West Wing,” “Two and a Half Men,” “Two Broke Girls,” “The Ellen DeGeneres Show” and “The Bachelor.”

Bruce has been a vital member of the Warner Bros. family and a good friend to so many of us, and he will be missed.

Please join us in congratulating Bruce for his remarkable tenure at the Studio and wishing him great success as he embarks on the next chapter of his career and life.

Sincerely,

Barry Meyer
Kevin Tsujihara

Here are the details of the restructuring from today’s release: Read More »

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EXCLUSIVE: Warner Bros TV Shake-Up – Top Exec Bruce Rosenblum Settled Out And Peter Roth Signed To Big Long-Term Deal; All The Behind-The-Scenes Drama & Detail

UPDATE SUNDAY 2 PM: Warner Bros Entertainment CEO Kevin Tsujihara is finally confirming internally my news that Warner Bros Television Group Bruce Rosenblum is exiting. This, after Tsujihara for months and even in recent weeks has told almost everyone there that Rosenblum was staying.

BREAKING … SATURDAY 10 PM… EXCLUSIVE: Hollywood always fires people in success, or so the saying goes. I’ve learned that Warner Bros TV Bruce Rosenblum Outthe announcement by Warner Bros Entertainment CEO (and soon-to-be-chairman) Kevin Tsujihara is planned for 7 to 14 days after next week’s TV upfront presentations. Despite Tsujihara’s claims for months that he hadn’t made up his mind what to do about the brilliant but sharp-elbowed Bruce Rosenblum, I can tell you Tsujihara declared from Day Bruce Rosenblum Warner Bros TVOne of his new job that “Bruce is an unnecessary layer of management”. This, even though Rosenblum’s Warner Bros Television Group consistently contributes half of Warner Bros Entertainment’s profits year after year. I’m told that Rosenblum won’t be replaced as President of the Warner Bros Television Group now that he’s quietly settled out his contract which expires in August. (Tsujihara never made a move to negotiate a new one for him.) Some already expect Rosenblum not to turn up at next week’s upfronts. Instead Bruce is sitting on a fat severance package in recognition of his more than two outstanding decades at Warner Bros and for keeping his mouth shut during the humiliation of losing the WB CEO job and then getting kicked to the curb on top of that. Many in Hollywood thought Tsujihara might keep Rosenblum in place rather than bust up what is so obviously a winning formula atop the TV group. Instead Tsujihara proved that, just like his Time Warner boss Jeff Bewkes, he is more obsessed by politics and personality than profit. (“It would have been pretty awkward, quite frankly,” Tsujihara told the TV community about keeping Rosenblum on.)

Warner Bros Television President Peter Roth has just been signed to a new long-term deal and will report to Tsujihara for the first time. Roth reps the increasing power of content and the executives directly responsible for its creation. ”As I look at the key people that exist, Peter comes at the top of the list. He’s at the top of the game right now creatively,” Tsujihara enthused privately on Day One of his new job. But Rosenblum’s roles will be assumed by a new WBTV leadership mix including Warner Bros TV Group EVP Craig Hunegs, Warner Bros International Distribution President Jeffrey Schlesinger, and Warner Bros Television EVP Brett Paul. (“Peter is the big teddy bear but Brent was sent in to beat you up,” notes one exec.) These guys are some of what Bewkes was referring to back on January 28th when he talked about the “very strong benches of people beneath”. All will become the TV group’s new sharp-elbowed negotiators who won’t rub people the wrong way like Rosenblum did.

It’s been a professional and emotional roller-coaster for Rosenblum ever since he expected the top job and didn’t get it. Read More »

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TV Academy Reverses Consolidation Of TV Movie & Miniseries Acting Categories

By NELLIE ANDREEVA | Thursday April 18, 2013 @ 10:06pm PDT
Nellie Andreeva

This year’s 65th Primetime Emmy Awards were supposed to introduce a smaller longform field after the Academy Of Television Arts & Sciences last year voted to consolidate the Best Lead and Supporting actor and actress categories for miniseries and TV movies, reducing the total number of longform acting categories from four to two starting with the 2013 Emmys. But tonight, the TV Academy Board voted to reverse the consolidation, reinstating the longform lead and supporting categories in this year’s competition. The TV Academy cited “the unanticipated resurgence of television miniseries and movies” for its decision to keep the existing number of longform categories. The backtracking is surprising since reducing the those categories was the first major Emmy rule change under TV Academy chairman Bruce Rosenblum.

The consolidation decision had been driven mainly by the dwindling pool of longform programming on TV, especially miniseries, which led to the merging of the best TV movie and miniseries categories in 2011 following two consecutive years of only two best miniseries nominees. But miniseries/limited series have enjoyed a resurgence in the past couple of years, ranking as the most watched cable entertainment telecasts of 2012 (History’s Hatfields & McCoys) and ever  (2013 (History’s The Bible). The field also was joined by such hits as Downton Abbey, which started off in the longform category before moving to drama series, and FX’s anthology American Horror Story. And with Fox and FX making a major push in limited-event series, there will be even more contenders joining traditional longorm Emmy frontrunner HBO, which just saw its original movie Behind The Candelabra selected to compete for the Palme d’Or at the Cannes Film Festival. While the consolidation of the longform acting categories is being nixed, the best longform category (movie/miniseries) remains combined. Read More »

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UPDATED SHOCKER! Kevin Tsujihara To Become Warner Bros CEO; Bruce Rosenblum And Jeff Robinov Didn’t Find Out Until Late Last Week; “I’m Disappointed; Who Wouldn’t Be?” Rosenblum States; “Excellent Choice,” Robinov Says

2ND UPDATE (includes Robinov statement): Hollywood is stunned. Time Warner Chairman/CEO Jeff Bewkes just destabilized Warner Bros in a big way with today’s shockingly Kevin Tsujihara Warner Bros CEOunexpected announcement that Kevin Tsujihara will take over Warner Bros on March 1st. I actually heard this two weeks ago from a source – and I didn’t believe it. That’s not a knock on Tsujihara’s ability. But no way Bewkes could ignore the fact that Bruce Rosenblum‘s Warner Bros Television Group accounts for 50% of overall Warner Bros revenues.* But Bewkes did. “Obviously, I’m disappointed; who wouldn’t be?” said Rosenblum, the TV president who was actively campaigning for the post, in a surprisingly candid statement. ”Warner Bros is a unique and special place and I know it will be in good hands with Kevin at the helm. I continue to be proud of our accomplishments and I have the most respect and admiration for our amazing team at the studio – a team that is thriving in an ever-transforming business.” Warner Bros Film Group topper Jeff Robinov at first remained silent and his office told Deadline it was “highly unlikely” he would have a statement. Now, one has been released – and it’s studiedly upbeat: “I am truly happy and proud of Kevin. We are both good friends and colleagues and I think he’s an excellent choice for the job. The Company will be in great shape under his leadership,” said Robinov. In fact, insiders tell me that Bewkes further humiliated Rosenblum and Robinov by not telling them about the choice of Tsujihara. I understand the duo had to hear about it at the last minute late last week from outgoing Barry Meyer.

[*Time Warner doesn't break out Warner Bros in its financial statements so that statistic may include Turner which doesn't report to Bruce. Warner Bros results are included in the 'Film And TV Entertainment' unit. It accounted for 40% of Time Warner revenues in the first 9 months of last year - $8.3B out of $20.6B - but just 17% of operating profit - $676M out of $3.9B. While Time Warner doesn't break out numbers for Warner Bros Television, it has revenues for "Theatrical Product" and "Television Product." Theatrical product accounted for $4B in the first 9 months ($1.4B from film rentals, $1.3B from home video and electronic delivery, $1.1B from TV licensing, and $127M from consumer products and other). Television product came to $3.4B ($2.6B from TV licensing, $617M from home video and electronic delivery, and $208M from consumer products and other).]

Here’s what Bewkes and Meyer said about their decision in a joint statement: “Given the talent, depth and strength of the Warner Bros’ leadership, selecting our next CEO was not a decision that could be made hastily or lightly. But we both agreed that Kevin is the right person to lead Warner Bros. and to build on its proud heritage as the world’s most storied content producer… In 2005, Kevin was appointed to head the then newly formed Home Entertainment Group, which he has skillfully led through a difficult transition and which remains number one in the industry by every measure. Just as importantly, he is a leading voice in creating and deploying new digital models to ensure that we remain market leaders. We’ve both been very impressed with Kevin’s strategic understanding and intuitive grasp of the evolution of the consumer’s interaction with our television shows, films and video games, and his ability to visualize how our products will be enjoyed in the future.” Warner Bros Home Entertainment’s division covers home video as well as the company’s wide ranging videogame properties and investments, digital distribution, anti-piracy, and emerging technology operations

Few thought Robinov was seriously in the running for the top job since he’d only taken over as film studio president in Spring 2011 from outgoing Alan Horn (now heading up Walt Disney Studios after Bewkes unceremoniously kicked him to the curb). But conventional wisdom was that Rosenblum, who took over the TV group in 2005 the same year that Tsujihara took over Home Entertainment, had a near lock on the job – especially if Bewkes decided not to go outside. And an appointment of Rosenblum would have continued Meyer’s TV leadership at Warner Bros and therefore not been questioned. Sounds to me like Meyer betrayed Rosenblum. Of course, Rosenblum still has an alternative power platform as Chairman of the Board of the Academy Of Television Arts & Sciences since November 2011. Robinov, meanwhile, has kept and is keeping his head down, immersed in developing powerhouse franchises like The Hobbit and perhaps Man Of Steel to replace Harry Potter and the most recent Batman trilogy.

Undoubtedly, Tsujihara’s new appointment will spark debate inside and outside Hollywood over whether Home Entertainment is most important to the future of Big Media. And whether content or platform/delivery should dominate. Of course, Bewkes could have (and in my opinion, should have) done nothing for several more years, and simply allowed his Warner Bros troika to coexist as equals. Now Bewkes, especially given the harshly crude way he handled this announcement, is risking the loss of two superlative executives. Keep tuned. Read More »

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EMMYS: Bruce Rosenblum On His Plans For TV Academy

By NELLIE ANDREEVA | Sunday August 19, 2012 @ 2:55pm PDT
Nellie Andreeva

Warner Bros Television Group president Bruce Rosenblum is in the midst of his first Emmy campaign as chairman of the TV Academy, a post he took over in January that makes him the first top Hollywood player in two decades to lead the organization. His first major TV appearance as TV Academy chief was at the Emmy nominations announcement last month where he shared the stage with pajama-clad Primetime Emmy Awards host Jimmy Kimmel. Kimmel’s stint was a departure from tradition (forced by an unexpected travel complications for Nick Offerman), just like Rosenblum is looking to change things up at the TV Academy.

AwardsLine: What are the major changes you have made since becoming chairman?

Bruce Rosenblum: We are in the early stages of reinventing the Academy. We were successful in attracting high-level executives to the executive committee, we have some new governors, and the old faces at the Academy have worked extremely well with the new faces. We thought about adding voices from places like Hulu (CEO Jason Kilar) and producers who have experience with different ways of storytelling (Gail Berman, Lloyd Braun). On the other hand, you have one of the premiere writers in Ryan Murphy, and both (Sony TV’s) Steve Mosko and (20th TV’s) Dana Walden have been critical in adding a voice to ways we can implement things at the Academy.

Read More »

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Jimmy Kimmel Steps Up For Emmy Noms

Jimmy Kimmel, host of the 64th Primetime Emmy Awards, is stepping in for Nick Offerman at tomorrow morning’s nominations announcement with Kerry Washington and TV Academy Chairman Bruce Rosenblum. Offerman was unable to make it because … Read More »

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Warner Bros TV’s Bruce Rosenblum Boasts

By DOMINIC PATTEN | Wednesday May 23, 2012 @ 5:46pm PDT

Time Warner doesn’t detail its Warner Bros Television financials — never has, probably never will. So it’s always interesting when any exec there gives some facts and figures while boasting. With a series of slides illustrating his 30-minute speech, Warner … Read More »

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Ryan Murphy Joins TV Academy’s Executive Committee, Hall Of Fame Committee Set

By NELLIE ANDREEVA | Wednesday March 28, 2012 @ 9:34am PDT
Nellie Andreeva

Ryan Murphy TV AcademyNew Academy of Television Arts & Sciences chairman and CEO Bruce Rosenblum has named writer-producer Ryan Murphy (Glee, American Horror Story) as his sixth and final Executive Committee appointee, completing a group of industry heavy-hitters from different … Read More »

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Bruce Rosenblum Taps Top TV Executives For Television Academy’s Exec Committee

By NELLIE ANDREEVA | Monday January 23, 2012 @ 10:01am PST
Nellie Andreeva

Bruce Rosenblum, the first prominent entertainment industry executive to be elected as Chairman and CEO of the Academy of Television Arts & Sciences in almost three decades, is bringing other top industry types to the organization. In one of … Read More »

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NAB Keynotes For Bruce Rosenblum And Ben Silverman

By THE DEADLINE TEAM | Tuesday January 17, 2012 @ 9:28am PST

Washington, DC — Bruce Rosenblum, president of Warner Bros. Television Group and newly sworn in chairman/CEO of the Academy of Television Arts & Sciences, and Ben Silverman, founder and chairman of multimedia studio Electus, will speak at the upcoming

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Warner Bros TV’s Bruce Rosenblum Elected New TV Academy Chairman/CEO; Wants Newer Members “More Actively Involved”

WEDNESDAY 9:30 PM UPDATE: Nikki Finke spoke to Warner Bros TV’s Bruce Rosenblum right after the Academy Of Television Arts & Sciences Board Of Governors elected him the new Chairman/CEO for a 2-year term. Rosenblum had been opposed by Nancy Bradley Wiard, a veteran TV Academy officer currently in her second term as first vice chair:

“Nancy had many more years of experience and was very familiar to all of the governors and knew the workings of the Academy. I think I gave them a nice alternative choice. I don’t look upon this new position as a lot of headaches. I see it as an opportunity to work with all the governors to bring a renewed sense of vitality to the organization. I’m hoping to bring a broader perspective to the Academy and make it more relevant than just the Emmys. It can’t just be about members getting an Emmy vote. There are opportunities for more philanthropic work through the foundation. And stronger diversity initiatives. And the Academy has to be more relevant to members. I hope with my fellow officers to diligantly work through the political dysfunction and get newer members more actively involved in the Academy. The issues surrounding the Emmys themselves will be dealt with by the Board of Governors and the Committee Chairmen. This wrestling with how to handle the Emmys dates back two decades. There are no easy answers.” Finally, asked if that thorn in Warner Bros TV’s side Charlie Sheen will be presenting at the Emmys anytime soon during his tenure, Rosenblum replied, ‘Oh Nikki, you crack me up.’

8:45PM: What a surprise given how eclectic and unpredictable its voters can be and the discord and infighting inside the organization itself. But the Academy of Television Arts & Sciences has voted Warner Bros Television Group president Bruce Rosenblum as its next chairman/CEO. ATAS hands out the annual Emmys awards. Rosenblum, who holds the title of Office of the President, Warner Bros Entertainment (along with Jeff Robinov and Kevin Tsujihara) was essentially recruited to run in the election to replace current chair John Shaffner, the Emmy-winning art director. Rosenblum was opposed by Nancy Bradley Wiard, a veteran ATAS officer currently in her second term as first vice chair. Rosenblum’s entry was a significant development both inside and outside the Academy because the position hasn’t had a big name since former Walt Disney Studios president Rich Frank last served in the mid-1990s. As a candidate Rosenblum was controversial since his Warner Bros TV employs a lot of the industry and representing the TV Academy could be construed as a conflict. Also, some were perplexed as to why Rosenblum the new gig’s various headaches. But others felt Rosenblum could return the TV Academy’s stature. But Wiard argued that her years of service and insider knowledge of ATAS was a plus.
Here is what Rosenblum said at the Academy dinner:

I am truly honored to be speaking with you tonight. I first became acquainted with the Academy when I was a lawyer at Dixon Dern’s firm in the early 1980s, and 30 years later, much of our industry remains the same. But, so much has changed. Technology is moving our industry forward at an incredible pace. Netflix, Hulu and Google have permanently changed our landscape. At this moment in time, it is vital that our Academy evolve and move forward as well.

But for me, our role as an Academy is not just about business. It’s about passion, the talent represented in all of our peer groups, and the incredible process of story telling. My passion for television started when I was young. I remember sneaking onto the lot at CBS to watch The Carol Burnett Show. Today, I don’t need to sneak onto the lot. But I get the same emotional high when I visit the sets of our shows. My passion for television has never dulled, and from a quality standpoint, I  believe we are in a golden age of television.

As an Academy, we should be very proud of the Emmy’s, but we need to remain relevant with all members beyond just September. We need to increase our brand awareness, our visibility and our stature. We need to prepare for the Academy’s future through initiatives such as: increased professional development events, increased revenue opportunities, including digital and strategic partner sponsorships, a renewed focus on diversity initiatives, increased financial support for the philanthropic efforts of the Foundation, a campaign to limit runaway production, a big-time “Future of Television Summit” sponsored by the Academy and highlighting digital opportunities for our members.

I have 25 years of experience at the leading television studio. I have direct experience with how our industry is changing. It is what I deal with every day. My experiences as a Board Chair at other organizations has shown me that success in this role can only come from listening, collaborating and building consensus. Leadership requires more than tenure – leadership is about vision for the future - leadership is strengthened by hands-on, day-to-day experience, influence, and relationships.

After speaking with most of you during the past few months, I am encouraged by the passion in this room to embrace the future, not retain the status quo. And, there is passion in this room to move beyond the politics that have sometimes limited the effectiveness of this organization. This should not be an election about maintaining business as usual – it is time for us to evolve and embrace a vision for the future. A vision where we can do better.

I enjoyed volunteering on the Executive Committee while Dick Askin was Chair. I would be honored to have your support tonight, and I look forward to  volunteering with all of you once again. Thank you

See the other ATAS elected officers:
Read More »

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EMMYS: Producers Under Pressure To Cut Charlie Sheen From Broadcast

Nellie Andreeva

Charlie Sheen To Make Surprise Appearance On Sunday

EXCLUSIVE: I hear that there has been some pressure put on the TV Academy and the producers of tonight’s Primetime Emmy Awards telecast not to have former Two and a Half Men star Charlie Sheen as a presenter. Here is what I’ve learned has happened: Two and a Half Men creator Chuck Lorre, who was the subject of many of Sheen’s public insults last spring and is currently being sued by the actor over his termination from the show, confronted TV Academy chairman John Shaffner, who is the production designer of two of Lorre’s comedy series, Two and a Half Men and The Big Bang Theory. I hear that Lorre demanded that Sheen’s planned appearance be cut from the broadcast. Meanwhile, Warner Bros Television Group president Bruce Rosenblum — who oversees the studio producing Men, Warner Bros TV, which also is being sued by Sheen — made a call to Fox chairman Peter Rice asking whether it would be possible for Sheen to be dropped. After Rice couldn’t commit to doing so, Rosenblum asked him to at least not give Sheen an open mike that the actor may use to embarrass Lorre or the other Emmy nominees from his shows, all produced by WBTV. Read More »

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Warner Bros Generating Big TV Profits As Cable Nets And Online Services Join Fray

With basic cable networks buying more original series, and digital companies such as Netflix starting to license reruns, “there’s never been a better time to be in the television content and distribution business,” Warner Bros Television Group president Bruce Rosenblum told the Bank of America Merrill Lynch Media, Communications and Entertainment Conference. His operation still depends on ABC, CBS, Fox, and NBC for most of its profits — even though they typically favor the shows they produce. WB’s been the top TV supplier for 20 of the last 25 years by being everyone’s second choice. “If you get enough at-bats, it adds up,” Rosenblum said. WB has 27 primetime shows on broadcast TV this fall including 11 newcomers. The exec is especially enthusiastic about Two And a Half Men with Ashton Kutcher replacing Charlie Sheen. “CBS is very, very excited about it,” he says. Rosenblum says he isn’t worried yet that sales of older shows in continuing series to online streaming services will lure viewers away from new episodes on network TV, although “it’s something we’re watching.” But he says the digital companies have an opportunity to stand out if they purchase reruns of cable network series — networks don’t like to buy these from each other — and serialized dramas that often don’t appeal to TV stations. Read More »

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Bruce Rosenblum’s Surprise Entry Into TV Academy Chairman Race: He Talks, Board Members React, & What His Opponent Says

Pete Hammond

A new day may be coming for the Academy of Television Arts & Sciences if Warner Bros Television Group president Bruce Rosenblum has his way. The high-powered exec — who also holds the title of Office of the President, Warner Bros Entertainment (along with Jeff Robinov and Kevin Tsujihara) — has essentially been recruited to run for chairman of ATAS in the upcoming November election to replace current chair John Shaffner, an Emmy-winning art director who ironically works for WBTV on several Chuck Lorre-produced sitcoms. Rosenblum will be opposed by at least one other candidate, Nancy Bradley Wiard, a veteran ATAS officer currently in her second term as first vice chair who confirmed to me in an exclusive interview today that she’s definitely in the race to stay, although she added, ”I guess I am going to have to get a publicist now.”

Rosenblum’s entry is a significant development both inside and outside the Academy because the position hasn’t had a big name since former Walt Disney Studios president Rich Frank served, first for a couple of years in the mid-1980s and later in a four-year term in the mid-90s. Since then, there has been criticism that ATAS has not had a true industry heavyweight to lead it through the ever-changing landscape of the business. “I think it’s great,” one veteran TV exec and longtime Academy member who once worked with Rosenblum told me today. “He’s an important guy, and it hasn’t been an important position for several years. If he gets it, it will instantly be an important position again. He employs a lot of the industry, and I think Bruce would bring dignity back to the Academy along with innovation and evolution.”

On the other hand, one board member who will be voting in the election expressed a little wariness today over Rosenblum’s entrance into the race: “To put an executive of this level, it could be a huge conflict. Everyone in that room could potentially work for him. Who’s gonna get in a big fight with him? Also, he has nothing to gain. Why would he want to do this with all the various headaches, personalities and convoluted structure he will have to take on? Who is dumb enough to step in to this pile of s***?”

Another board member welcomed the idea: “To get us through the transition that we need to make is gonna take someone of that stature and acumen to do that. I see this as a good development, a necessary one. It’s probably time for someone who hasn’t been an insider on the board to give this a fresh spin.”

Wiard, who actually once served on the executive committee with Rosenblum, touts her years of service and insider knowledge as a plus. She also says she realizes the importance of having major industry names appointed to the committee (she says she already has two of those commitments should she win) — just not running the whole show. Before Rosenblum jumped in the race, she says she was actually considering asking him to serve on the executive committee again. “We do need people with power that are willing to help the organization, to be able to put on another Super Highway Summit, to do those types of things,” she said. “I can’t reach out into that world, I don’t know that world well enough. It’s why our Foundation works; the big players are willing to serve, but I do not believe you need a president of a corporation to run the room. I do believe we are better off having one of our own.”

For his part, Rosenblum says he made the decision a couple of weeks ago and seems raring to go. “A couple of people came and approached me and asked if I would consider it,” he told me when we spoke earlier today. Read More »

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Mark Pedowitz Poised To Get Top CW Job

By NELLIE ANDREEVA | Sunday March 20, 2011 @ 12:00pm PDT
Nellie Andreeva

EXCLUSIVE: Veteran TV executive-turned-producer Mark Pedowitz is expected to succeed departing CW entertainment president Dawn Ostroff as head of the network. Word is that Pedowitz, who spent 19 years at Disney-ABC, including serving as president of ABC Studios for five … Read More »

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SHAKEUP: Warner Bros Unveils Succession



2ND WRITETHRU (UPDATES 1:30 & 4:15 PM VERSIONS): Warner Bros Chairman/CEO Barry Meyer stays on for 2 more years. President/COO Alan Horn leaves next April and becomes consultant until the end of 2013. An Office Of The President is created and shared by Jeff Robinov, Bruce Rosenblum, and Kevin Tsujihara. Those are the headlines from today’s shakeup and succession announcement. This was expected, especially when Meyer kept dropping hints around Hollywood recently that he wanted to stay on. So was Horn, but the bad blood that’s existed between him and Time Warner chief Jeff Bewkes is legion. After all, Horn never cozied up to Bewkes even when Jeff was rumored to be taking over the top Time Warner job. “Alan never reached out to Jeff. Even with all the rumors of Jeff’s impending promotion, Alan never chased a relationship with Jeff at all. Never,” according to an insider. That dictated Alan would be gone according to the March 2009 don’t-let-the-door-hit-in-you-in-the-ass schedule of 2 years dictated by Bewkes. But not Barry now. “Alan’s really very hurt. He’s a very prideful guy,” a Horn pal tells me today. “It would have been much easier for him if Barry was leaving at the same time. Until very recently, Alan’s expectation was that he and Barry would be.” (How Horn could not have known what everybody else in Hollywood did, that Meyer wanted another 2 years, demonstrates how out of touch he has been and still is. But that is the result of Alan’s peculiar arrogance.)

I’ve just learned that Bewkes behind the scenes clarified his intentions to the new co-president troika. He told them he was not delaying succession. Instead, he made it clear that in 2 1/2-to-3 years, the trio of execs will be running Warner Bros together — that is, unless one of them fucks up. Bewkes told them: “I’m not bringing someone in and I don’t want a horserace. The 3 of you bring different skill sets to this so I want you to do this together.”

So why was Barry renewed for 2 more years? I’m told to “ease the transition”. There’s the transition with Wall Street because Bewkes has begun positioning Time Warner as a TV-centric company, noting that 80% of the Big Media behemoth’s profitability is from Turner, HBO, and half of Warner Bros. But there’s also another transition Meyer must ease, according to some of my sources. ”Bewkes is not so confident that Jeff [Robinov] is ready to step up, that he has the visibility or stature or personality to lead a theatrical division. Bewkes lets Rosenblum and Tsujihara talk to analysts. Robinov does not. Bewkes does not perceive Robinov at the same level. So Bewkes wants Barry on the front lines.” But, of all the co-presidenting trio, Robinov is the only one now with clear air. He no longer has to answer to Horn for greenlight authority after April 1st, and Meyer has always backburnered anything film-related. Whereas Rosenblum and Tsujihara still have their boss around. But Meyer gave them far more authority than Horn ever gave Robinov. (More on Robinov below.)

Meyer also positioned himself inside Hollywood and with Bewkes as the only mogul who could keep the upcoming Hollywood guild negotiations from running off the rails because he is the most extreme hardliner of all the studio and network bosses. (Indeed, his fellow moguls estimated to me that Barry extended the agony of the WGA strike by at least six weeks because he considered the labor action such a personal affront and didn’t “want to reward a strike”. But then, when SAG didn’t strike, he didn’t want to reward that either.) Today’s announcement comes just days from the kickoff of the negotiations season for contracts expiring in 2011. (On September 27th, SAG and AFTRA will begin jointly bargaining with the AMPTP for 7 weeks, followed by the DGA in mid-November. No date has yet been set for the WGA, whose contract ends May 1, 2011, but Meyer and the moguls and the AMPTP intend to negotiate with the writers last to ensure there’s the most Hollywood pressure on them.)

Back in late 2008-early 2009, when Meyer and Horn were renegotiating their own contracts, Bewkes balked at giving the Warner Bros duo a full 3-year, or 4-year, or 5-year vote of confidence. In the end, after not wanting to renew the pair, Bewkes kept them on a humiliating 2-year choke chain. Bewkes had only been in charge of Time Warner for one year, and Hollywood was waiting for him to shake things up at Warner Bros like when he re-possessed Bob Shaye’s New Line. He’s a cautious man, and he did the cautious thing.

At the time, cranky and tired Barry wanted to retire. But something happened to Meyer when he finally got his expiration date from Bewkes: it reanimated him. Suddenly, he was back doing his job aggressively. Warner Bros TV made a comeback after 2 years of losing clout when it couldn’t produce any successful new shows amid a plethora of expensive creative deals. But profitability wasn’t affected because of a legacy of TV hits. But credit also goes to Bruce Rosenblum, President of the Warner Bros Television Group, who for some time now has ably filled the power vacuum created by Meyer’s once imminent departure. Rosenblum now runs his division almost autonomously. If he titularly comes back under Meyer’s thumb, but don’t expect Bruce to give a shit. “Bruce is all about the hands-on creative and distribution and dealing-making process which Barry allowed him to do a lot more of in recent years. Also, while Barry is sitting back, Bruce is overseeing the TV strategy transition from analog to digital. All digital conversations are going through Bruce’s office.”

As for Horn, he just got more distracted and depleted after the rug was pulled out from under him. And just as stubborn Read More »

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