They’ve announced it and it’s in the trades. Deadline broke the story Saturday. Here’s the official word:
The Weinstein Company (TWC) today announced that it has acquired US rights for Number 9 Films CAROL from HanWay Films. Producers Elizabeth Karlsen and Stephen Woolley simultaneously announced that Academy Award nominee Todd Haynes (I’m Not There, Far From Heaven) has come on-board to direct.
Carol is a love story about pursuit, betrayal and passion that follows the burgeoning relationship between two very different women in 1950s New York. One, a girl in her twenties working in a department store who dreams of a more fulfilling life, and the other, a wife trapped in a loveless, moneyed marriage desperate to break free but fearful of losing her daughter in the process.
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Blue Is The Warmest Color (La Vie D’Adele – Chapitre 1 & 2) is only the second purely French film in this most French of festivals to win the Palme d’Or in the past 46 years. The film has had the … Read More »
Sundance Selects acquired U.S. rights to Japanese writer-director Kore-eda Hirokazu’s Jury Prize Winner Like Father, Like Son from Wild Bunch. With a screenplay by Kore-eda, the film stars Fukuyama Masaharu, Ono Machiko, Maki Yoko, and Lily Franky, and was produced by Kameyama Chihiro, Hatanaka Tatsuro, and Tom Yoda. … Read More »
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Steven Spielberg‘s jury is handing out the awards for the 66th Cannes Film Festival this evening in the Palais. There have been some stand-out favorites over the past two weeks, while many … Read More »
We are at the end of a long Cannes, and jury members have had the opportunity to see all 20 films in the main competition. But who wins the Palme d’Or? I have learned that jury president Steven Spielberg has specifically instructed his colleagues to remain tight-lipped and not provide any clues. Cannes juries anyway are notoriously hard to predict and critical reaction through the festival doesn’t necessarily mean anything. But, jumping into the shark-infested waters of predictions, I would say frontrunners for the Palme d’Or are likely Joel and Ethan Coen’s Inside Llewyn Davis, Italian director Paolo Sorrentino’s stunning The Great Beauty (La Grande Bellezza), Abdellatif Kechiche’s Blue Is The Warmest Color (thanks to buzz), and possibly Iranian director Asghar Farhardi’s The Past which was shot in Paris and mostly in French. I also would throw in the wonderfully heartfelt Japanese entry Like Father, Like Son, a truly moving film from director Kore-Eda Hirokazu. It’s a long-shot but human emotion goes a long way with juries. I could have picked J.C. Chandor’s All Is Lost with a virtuoso performance from Robert Redford but for some reason it was shown out of competition and not eligible. Otherwise it would have been in the top tier of contenders. Watch for a possible sleeper with the Chinese entry (their first in a few years) ,A Touch Of Sin from director Jia Zhangke who is overdue. Reaction was mixed overall to the overlong four-segment story that examines China today warts and all in some cases. Plus it has some pretty extreme violence. But he could win a prize as a statement supporting more honest and open China filmmaking which this seems to represent. Further down the list are Alexander Payne’s Nebraska and James Gray’s beautifully realized period piece The Immigrant, at least in terms of Palme d’Or buzz for both very American directors. The wild card is likely Steven Soderbergh’s Behind The Candelabra since he said it’s his last film for the forseeable future. But that could be hampered by the fact it premieres on HBO in the U.S. tomorrow and most think it is more likely to win for its acting, specifically Michael Douglas.
The last three days of the festival saw the sun come out on the Croisette and the quality of films particularly impressive. High profile contenders holding premieres included Nebraska, The Immigrant, and the much touted by critics 3-hour French teen lesbian drama Blue Is The Warmest Color. Followed by Jim Jarmusch’s Only Lovers Left Alive, Roman Polanski’s Venus In Fur had its official premiere Saturday night. This entertaining French language adaptation of the hit Broadway play stars his wife Emmanuelle Seigner in an actress audition that turns into a sexual game of cat and mouse with her director portrayed by Mathieu Amalric (who looks uncannily like a younger Polanski – likely on purpose).
The acting categories will provide the most Solomon-like decisions for the jury. Michael Douglas may receive a prize alone or add his equally fine co-star Matt Damon. The actor race is impossibly crowded and also includes the magnificent Toni Servillo of Great Beauty, Oscar Isaac in Inside Llewyn Davis, Bruce Dern and Will Forte of Nebraska, and Amalric of Venus In Fur. And if the jury is watching closely there’s a truly moving performance from Masaharu Fukuyama as the flawed parent in Like Father, Like Son. I would also give a shout-out to the excellent Souleymane Deme as Grigris in a film that didn’t get a lot of traction. On the women’s side, Adele Exarchopoulos and Lea Seydoux could be honored together or apart for brave and explicit work in Blue Is The Warmest Color. Read More »
The 2013 Un Certain Regard prizes were handed out by Thomas Vinterberg’s jury this evening in Cannes. Cambodian director Rithy Panh won the top award for his first-person story The Missing Picture. The Jury Prize was given to the well-liked Omar by Oscar nominee Hany Abu-Assad. Alain Guiraudie won the Directing Prize for the controversial but acclaimed erotic thriller Stranger By The Lake which Strand Releasing picked up this week. The Un Certain Talent award was given to the ensemble of actors from Spanish director Diego Quemada-Diez’ The Golden Cage. And Ryan Coogler’s Fruitvale Station was honored with the Prize of the Future. His film, which won the Grand Jury Prize and Audience Award in Sundance, held a berth in UCR that’s usually reserved for movies that made a name in Park City. Eventual Oscar nominee Benh Zeitlin’s Beasts Of The Southern Wild ran in UCR last year. Read More »
EXCLUSIVE: As the Cannes Film Festival announces the winners of the fest’s competing films, the big winner in the market portion of the festival is Harvey Weinstein, hands down. Weinstein has just closed two more acquisition deals, leaving Cannes with … Read More »
Ahead of tonight’s Un Certain Regard prizes comes word that the International Federation of Film Critics has honored three films in three Cannes sections. Directors’ Fortnight title Blue Ruin, which Radius-TWC has Stateside, took the FIPRESCI … Read More »
Whichever way the mistral wind blows on Sunday when Steven Spielberg’s jury hands out its awards, it’s fair to say that, for critics, the Competition has been divisive. While a number of films received huzzahs in the Palais, several met with mixed reactions. Among the best received were the Coen brothers’ Inside Llewyn Davis, Steven Soderbergh’s Behind The Candelabra, Paolo Sorrentino’s The Great Beauty, Hirokazu Kore-Eda’s Like Father Like Son, and Abdellatif Kechiche’s Blue Is The Warmest Color. Among the not so hot were Nicolas Winding Refn’s Only God Forgives and Takashi Miike’s Shield Of Straw, both of which were subject to boos during press screenings. And, yet, each has its supporters. Read More »
Sony Pictures Classics acquired North American rights to Jim Jarmusch’s Only Lovers Left Alive, the vampire pic that premieres tomorrow at Cannes in the In Competition section. The film was produced by Jeremy Thomas of Recorded Picture Company and Reinhard Brundig of Pandora Film. Christos Konstantakopoulos of Fairilo House served … Read More »
The Directors’ Fortnight sidebar has its closing ceremony tonight with Yolande Moreau’s Henri screening after the prize ceremony. The section is actually non-competitive, but certain partners of the Société des Réalisateurs Français, the French directors’ body that organizes the event, attribute awards. Frenchman Guillaume Gallienne won two prizes tonight for Les Garçons Et Guillaume, A Table!, while Brit helmer Clio Barnard took the Europa Cinema Label honor for The Selfish Giant. Her film was recently acquired by Sundance Selects. Last year’s winners included Pablo Larrain’s No, which went on to be nominated for a foreign language Oscar, and Noémie Lvovsky’s Camille Redouble which later scored 13 nominations at France’s César Awards. Here’s the group that took prizes for the 2013 edition of the Fortnight: Read More »
EXCLUSIVE: Relativity and The Weinstein Company are in advanced negotiations to team in the acquisition of U.S. distribution rights for Jane Got A Gun, the Western that is being directed by Gavin O’Connor and star Natalie Portman, Joel Edgerton, Ewan … Read More »
Sony Pictures Classics announced today that they have acquired all North American rights to the Viewer’s Choice Award, Grand Rail d’Or, winner at the 2013 Critics’ Week, The Lunchbox. The film, written and directed by Ritesh Batra, stars Irrfan Khan (Life Of Pi), Nimrat Kaur and … Read More »
If there is one place Jerry Lewis can go to get an ego boost it is clearly here in France, a country that has had a collective love affair with the comedian his entire career. Lewis, now 87, has been … Read More »
In what would be the second high-profile jewerly heist of the Cannes Film Festival, a diamond necklace valued at $2.6M is said to be missing after a star-studded party at the Hotel Du Cap … Read More »
Would you pay €1.5 million ($1.94 million) to spend a weekend at Oscar parties? Or €1.8 million to fly to the moon on Virgin Galactic with Leonardo DiCaprio? Someone did — and more. That happened at amFAR’s annual Cinema Against AIDS Cannes Film Festival gala’s very special 20th anniversary Thursday night. Co-hosts Weinstein and Kenneth Cole announced to a roomful of very high rollers that the event, held of the Hotel Du Cap, raised €25 million ($32.3 million), smashing last year’s record total of over €10 million. The ultra-high style party is a two decades long staple of the Cannes festival, and Weinstein told me if it just made a dollar more than the previous year they’d be happy. But these multimillionaires and billionaires obviously came to play this year and really stepped up at the auction that featured numerous stars including jury members Nicole Kidman and Christoph Waltz, along with Jessica Chastain, Jeremy Renner, Rosario Dawson, Heidi Klum, Goldie Hawn, Janet Jackson, Adrien Brody and major fundraiser/auctioneer Sharon Stone.
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Listen to (and share) episode 27, a special Cannes Film Festival edition of our audio podcast Deadline Awards Watch With Pete Hammond. Deadline’s awards columnist talks with host David Bloom about the Coen Brothers’ Inside Llewyn Davis and other notable films screened in competition so far at Cannes; the legacy of Liz Taylor and a restored Cleopatra; and whether Oscar season should just officially start with the festival, given its recent success in spotlighting awards-worthy films.
Deadline Awards Watch, Episode 27 (MP3 format)
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Well Go USA Entertainment acquired all North American rights to Erik Matti’s On The Job, a Filipino crime action-thriller, ahead of its world premiere in Directors’ Fortnight on Friday. The film is set for a fall … Read More »
Sundance Selects has acquired its fourth film of the Cannes Film Festival, making a deal for North American rights to writer-director Clio Barnard’s The Selfish Giant. Conner Chapman, Shaun Thomas and Sean Gilder star, and the pic … Read More »