Daniel Emmerson Joins Michael Fassbender’s Production Company
Producer Daniel Emmerson has joined Michael Fassbender and Conor McCaughan’s London-based production outfit DMC Film. The company is in postproduction on Slow West, the feature debut of director John Maclean, who won the 2012 BAFTA for Best Short Film for Pitch Black Heist. Fassbender stars in Slow West, which is backed by Film4 in co-production with See Saw Films. Other DMC projects include Assassin’s Creed with Ubisoft and New Regency, and due to start shooting in 2015, as well as the BBC Films backed Garagistas written by James Graham. Emmerson brings with him a slate of projects and relationships with emerging talent including Fagin’s Kitchen, which is being co-developed with Film4 and will be directed by Kibwe Tavares and written by Daniel Kaluuya.
Global Showbiz Briefs: Daniel Emmerson Joins Michael Fassbender’s DMC Film; ‘Remember’ Sells To Dozen-Plus Territories; More
Daniel Emmerson Joins Michael Fassbender’s Production Company
Cannes: Millennium Entertainment Lands Michael Radford’s ‘Elsa & Fred’ With Shirley MacLaine, Christopher Plummer
Millennium Entertainment closed a U.S. rights deal on the Michael Radford-directed Elsa & Fred, starring Shirley MacLaine and Christopher Plummer. Radford wrote it with Anna Pavigano, and Marcia Gay Harden, Chris Noth, Jared Gilman and Scott Bakula also star. Matthias Ehrenberg, Nicolas Veinberg, Jose Levy, Ricardo Kleinbaum from Cuatro Plus Films and Edward Saxon produce. Pic is a remake of the 2005 Spanish/Argentinian film the story of two people in the twilight of their lives who discover that it’s never too late to find love and make their dreams come true. After losing his wife, straight-laced Fred (Plummer) is forced by his daughter (Harden) to move into a small apartment where he meets Elsa. From that moment on, everything changes.
Christopher Plummer has booked the lead in director Atom Egoyan’s thriller Remember, in which the darkest chapter of modern history collides with a contemporary mission of revenge. Martin Landau, Dean Norris and Bruno Ganz also star. Ari Lantos and Robert Lantos are producing. Plummer won an Oscar for Beginners, and other recent credits include Muhammad Ali’s Greatest Fight and David Fincher’s The Girl With The Dragon Tattoo and The Last Station. He next appears in Elsa & Fred opposite Shirley MacLaine.
Thomas Jane is set to star in Standoff for first-time director Adam Alleca. He will play Carter, a troubled veteran who gets a chance at redemption by protecting a 12 year-old girl from an assassin after she witnesses a murder. Holding a shotgun with a single shell, he engages in physical and psychological warfare in a desperate fight for the girl’s life. Production is set to begin this summer in Ontario. Jane, whose credits include Hung and the upcoming feature Reach Me, is repped by Paradigm and Ziffren Brittenham.
Christopher Plummer Joins ‘The Forger,’ Ben McKenzie To Lead ‘The Swimmer,’ ‘Love Is Strange’ Adds Darren Burrows
Code Entertainment‘s The Forger has added Oscar winner Christopher Plummer to its cast. Plummer joins John Travolta and Tye Sheridan (Mud) in the heist pic to be helmed by Philip Martin (BBC’s Wallander). Travolta plays a former art prodigy and second generation petty thief who buys his way out of prison to spend time with his ailing son. To do so he must team up with his father (Plummer) for one last job to pay back the syndicate that arranged his release. Code Entertainment’s Al Corley, Eugene Musso, and Bart Rosenblatt and Lisa Wilson and Myles Nestel of The Solution Entertainment Group are producing along with Rob Carliner. Anson Downes and Linda Favila are co-exec producing. Filming begins in Boston in October. The Solution is selling international rights at Toronto; WME Global and ICM are repping domestic sales. Plummer is repped by ICM and The Pitt Group.
Southland‘s Ben McKenzie is set to star in The Swimmer, about an American extreme swimmer who sets out to conquer one of Norway’s wildest rivers and in doing so must confront his inner demons. BiFrost Pictures is financing and will produce the pic written by Bard Ivar Engelsas and directed by Richard L. Fox. The Swimmer is backed by the U.S.-Norway Film Development Project as well as the regional film funds of Norway and will also star Norwegian thesps Agnes Kittelsen and Kristoffer Joner. BiFrost’s Daniel Wagner is producing with Lisa G. Black of Garnet Girl, LLC and Brandi Savitt of Senza Pictures along with Sweet Films AS. Filming is set to begin in Norway in June 2014. McKenzie is repped by CAA and Management 360.
EXCLUSIVE: Christopher Plummer will join Jennifer Garner, Al Pacino, Annette Bening and Bobby Cannavale in Imagine, the film that gets underway July 1 in Los Angeles with Crazy, Stupid, Love scribe Dan Fogelman making his directorial debut. Plummer will take on a role that Michael Caine was going to play before scheduling knocked him out. Pacino plays a 70ish musician still leading the decadent rock n roll life. Plummer will play his manager, who gave him an undelivered letter written to him by a 19-year old John Lennon. It compels him to clean up and reconnect with his estranged son. Since winning the Oscar for Beginners, Plummer has wrapped the Michael Radford-directed Elsa & Fred opposite Shirley MacLaine, and the HBO film Muhammad Ali’s Greatest Fight. Plummer is repped by ICM Partners and Lou Pitt.
BEVERLY HILLS, CA – Last year’s Academy Award® winners Meryl Streep, Jean Dujardin, Octavia Spencer and Christopher Plummer will return to present on this year’s telecast, show producers Craig Zadan and Neil Meron announced today.
“We are honored to have Meryl, Octavia, Christopher and Jean, last year’s Oscar winners in each of the acting categories, return to the Oscar stage,” said Craig Zadan and Neil Meron.
Streep, who is the most nominated actor with 17 nominations, has won three Academy Awards®, including last year’s lead actress award for her performance in “The Iron Lady.” Dujardin won the award for his lead performance in the Best Picture winner “The Artist,” it was his first nomination. Spencer, also a first time nominee, took home the Oscar for her supporting role in Best Picture nominee “The Help.” Plummer, who has twice been nominated, won the award for his supporting role in “Beginners.”
Oscar winners Christopher Plummer and Shirley MacLaine will star in the English-language remake of Elsa & Fred. Based on the 2005 Spanish-Argentine romantic comedy of the same name, the film will be directed by Michael Radford. The Il Postino director and Anna Pavignano have written the script from Marcos Carnevale’s original film. The movie details the outgoing Elsa’s attempt to engage the uptight Fred after the widower moves into her building. Filming is due to start on December 3, with shooting in New Orleans and Rome. Edward Saxon, Nicolas Veinberg, Matthias Ehrenberg, Ricardo Kleinbaum and Jose Levy will produce. Cuatro Plus Films, Defiant Pictures, Mexico’s Rio Negro Producciones and Media House Capital are providing financing. Plummer is also set to appear in Stephen Frears’ Muhammad Ali’s Greatest Fight on HBO. MacLaine has joined Downton Abbey for the period soap’s latest season. MacLaine is repped by ICM Partners. Plummer is repped by ICM Partners and the Pitt Group.
Christopher Plummer is on a roll. A month after winning the Best Supporting Actor Oscar for Beginners, his much-acclaimed Tony-winning performance in Barrymore, which premiered at the 2011 Toronto Film Festival. has found distribution. It will open in select theaters in Canada in May and in October in the U.S. and around the world. BY Experience, a New York-based alternative content company that specializes in special- and live-event theatrical releases, will distribute. Since launching in 2003, it have brought a number of specialty presentations to 1700 screens in more than 50 countries with a list that includes the Met Live In HD series, the UK’s National Theatre Live series, the Roundabout Theatre Company’s production of The Importance Of Being Earnest and musical events among others.
In a feature film career spanning more than half a century (starting with Stage Struck in 1958), Christopher Plummer has played heroic roles from Roman general Commodus to Sherlock Holmes and, most memorably, Captain Von Trapp in The Sound of Music. Yet the 81-year-old Canadian was never satisfied being the leading man, preferring the challenge of darker character parts — think Detective Mackey in Dolores Claiborne in 1995. For all the respect and acclaim he’s earned for such a diverse filmography, though, Plummer has received precisely one Oscar nomination: a supporting nod for The Last Station in 2010.
Plummer is in the running for his first Oscar again, for a different kind of heroic role, in Mike Mills’ semi-autobiographical second feature Beginners. He plays Hal, who at 75 reveals his hidden homosexuality to his grown son Oliver (Ewan McGregor). Feisty, upbeat and — sorry, captain — coming off as very much a leading man, Plummer entertained an enthusiastic audience in Hollywood following a recent screening of Beginners. Deadline Awards Columnist Pete Hammond was there to guide the conversation. Here are some highlights.
If there was any question before today’s British Academy Film Awards that The Artist was the film to beat for the Oscars, the results in London just cemented it, and in an impressive sweep that portends big things. It wasn’t just the expected awards for Picture, Director, Music Score, Costumes. It was also another Best Actor notch in Jean Dujardin’s belt following his all-important SAG win two weeks ago. It also scored less obvious BAFTA trophies for its black and white Cinematography and most surprisingly for director Michel Hazanavicius’ Original Screenplay, a category widely predicted to go to Woody Allen for Midnight In Paris. A writing award for a screenplay of a essentially dialogue-less movie surprised even Hazanavicius who has told me he expects to lose in this category to his idol, Allen. It just goes to show the amount of love this film has gotten, not only from critics but the industry where it has also won key PGA and DGA honors. BAFTA, like those groups has a large crossover of Academy members. As much as one sixth of the entire Academy voting bloc are also members of BAFTA.
Last year’s BAFTA winners for Picture , Actor and Actress (The King’s Speech’s Colin Firth and Black Swan’s Natalie Portman) all repeated at the Oscars although oddly Social Network’s David Fincher beat hometown boy Tom Hooper in the directing contest while King’s Speech co-stars Geoffrey Rush and Helena Bonham Carter took Supporting awards only to lose …
The Help’s Viola Davis certainly got a leg up in her fierce Best Actress race against The Weinstein Company’s duo Meryl Streep and Michelle Williams, and Help’s Octavia Spencer continued on her supporting actress roll that started in earnest with the Critics Choice and Golden Globe awards. But the Outstanding Cast award that also went to The Help let that Dreamworks film rack up one of the biggest single film hauls in the Screen Actors Guild Awards’ 18-year history. Only two other films, American Beauty in 1999 and Chicago in 2002, match Help’s three wins out of five film categories. Interestingly, both went on to win the Oscar for Best Picture. A good omen? In this case it probably doesn’t lend as much weight for the Oscar Best Picture race as pundits normally give to SAG’s cast award, which is often thought of as their version of Best Picture.
The Oscar nominations earlier this week showed no love throughout the individual branches of the Academy except the large actors group which gave it three nominations (Davis, Spencer and another supporting actress contender Jessica Chastain) to go with its Best Picture nod. With no directing, writing or editing (not to mention song, costumes, art direction where it also might have competed) the odds are very long that The Help can use its impressive showing at SAG to propel it into a dogfight with frontrunner The Artist. With Oscar ballots shipping on Wednesday …
The Santa Barbara International Film Festival will bestow the Modern Master Award to Christopher Plummer during a tribute January 28. It’s the highest honor presented by the festival, which previously awarded it to Michael Douglas, Jodie Foster, Anthony Hopkins, Diane Keaton, Sean Penn, Jeff Bridges, Peter Jackson, George Clooney, Will Smith, Cate Blanchett, Clint Eastwood, James Cameron, and Christopher Nolan. Plummer, whose first film role came in Sidney Lumet’s 1958 pic Stage Struck, is in the heat of awards season with his supporting role in Focus Features’ Beginners. He already earned a supporting actor Globe nomination today for the role to go along with a SAG Award nom, and he also appears in Sony’s upcoming David Fincher film The Girl With The Dragon Tattoo.
Although there are some young Hollywood turks trying to break through in an ‘Extremely Large and Incredibly Close’ race for the Best Supporting Actor Oscar, 2011 may eventually become known as the year of the veteran. Acting legends with decades of iconic screen performances and Oscar winners dominate the field of frontrunners in one of Oscar’s most crowded and intriguing categories. With names like Christopher Plummer, Max von Sydow, Ben Kingsley, Nick Nolte, George Clooney, Brad Pitt, Albert Brooks, Kenneth Branagh, Tom Hanks and Robert Forster in the mix, the pedigree of contenders for Best Performance by an Actor in a Supporting Role is formidable indeed. But could a relative newcomer like Jonah Hill or Patton Oswalt swoop in and take the whole thing? Here are the major players.
CHRISTOPHER PLUMMER, BEGINNERS
Plummer turns 82 this month and is enjoying a major resurgence in a film acting career that goes back to 1958, when he made his debut in Stage Struck. Since then his fine screen roles have often been eclipsed by his own stage-struck ways with a number of memorable performances in the theater including a couple that won him Tony Awards. He only just received his first Oscar nomination two years ago for The Last Station, but with his touching role as a 75-year-old widower who finally decides to come out of the closet, he may grab the actual statuette this time. An effective, if small, supporting role in The Girl With The Dragon Tattoo only adds to his chances.
MAX von SYDOW, EXTREMELY LOUD AND INCREDIBLY CLOSE
With a life spent before the cameras for over 60 years, the 82-year-old von Sydow is an acting legend whose work ranges from several landmark Ingmar Bergman films to the harrowing Exorcist. Yet like Plummer (who is just eight months his junior), he incredibly has been Oscar-nominated only once, for 1987’s Pelle the Conqueror. But his touching and completely wordless performance as a distant grandfather in Extremely Loud And Incredibly Close could finally be his ticket to the Kodak stage.
KENNETH BRANAGH, MY WEEK WITH MARILYN
Another acting icon, Laurence Olivier, is also part of this year’s supporting race — but in this case he is being channeled by none other than Olivier fan and student Kenneth Branagh, who portrays Olivier in 1956 as he was directing and starring with Marilyn Monroe in The Prince And The Showgirl. Branagh has tackled many Olivier screen roles like Henry V and Hamlet (he even directed the remake of Olivier’s Sleuth), but taking on the actual persona of the man himself was particularly challenging and puts him — and his mentor — right back in the Oscar race.
BEN KINGSLEY, HUGO
Already an Oscar winner for 1982’s Gandhi, Kingsley effectively takes on the role of film pioneer Georges Melies in Martin Scorsese’s valentine to the early days of movies. With a total of four nominations split evenly between lead and supporting categories, Kingsley is an Academy favorite who once again creates a memorable character, one with great meaning for the filmmakers who will be voting. Will being the only serious candidate in a 3D movie also separate him from the pack?
ALBERT BROOKS, DRIVE
Until now Brooks was only known for comedy — those he wrote and directed and those he starred in. He was even previously Oscar-nominated for his hilarious supporting turn in 1987’s Broadcast News. But none of his previous work prepared critics and audiences for his nasty, villainous Bernie Rose in the noirish thriller Drive. But his brilliant interpretation and cool new screen persona should deservedly win him a second Oscar nomination.
BRAD PITT, THE TREE OF LIFE
Pitt is a double threat this year. He’s already won the New York Film Critics award given for both Moneyball and The Tree Of Life, and ever since its debut in Cannes, Terrence Malick’s Palme d’Or winner has sparked Oscar buzz for Pitt’s effectively low-key change-of-pace and critically acclaimed work as a 1950s-era father. Could he become one of those rare thesps who score both supporting and lead actor nominations in the same year? Don’t bet against it.
JONAH HILL, MONEYBALL
Pitt’s co-star in Moneyball who was best known for his antics in movies like Superbad enjoyed his first taste of awards buzz for shedding several pounds and shrewdly underplaying the whiz-kid genius who comes up with an inexpensive formula to create a winning baseball team. Going head to head with Pitt, Hill proved he could hold his own just as he did in last year’s lesser-known Cyrus.
KEVIN SPACEY, MARGIN CALL
Although the film was well-received at its Sundance debut, Margin Call was not considered a major awards contender, even by its own distributor. That has changed with several early awards and Oscar talk for two-time winner Kevin Spacey, who has spent a lot more time in recent years running London’s Old Vic rather than on his own film career. A change-of-pace performance won raves and could put Spacey back in the front row at the Oscars.
PATTON OSWALT, YOUNG ADULT
Perhaps best known as a stand-up comedian and the voice of the lead rat in Pixar’s Ratatouille, Oswalt is quickly establishing his credentials as a serious actor, first in the critically acclaimed indie film The Big Fan and now on a larger scale as a lonely man whose life was defined by an unfortunate incident in high school. His scenes opposite Charlize Theron are awkward, funny, poignant and memorable.
EXCLUSIVE: Anthony LaPaglia has joined Quentin Tarantino’s Django Unchained cast. LaPaglia will play the leader of a group of greedy Australians who encounter slave-turned-bounty hunter Django (Jamie Foxx) as they are escorting a group of slaves recently purchased as fighters. LaPaglia said he and Joseph Gordon-Levitt will play mean brothers, and LaPaglia said he was bowled over by the script. “It’s wildly ambitious and imaginative, deals with that subject matter in a way it hasn’t been dealt with before,” LaPaglia told me. “The way the cast has shaped up, it’s exciting to be involved.” It will be the second film in a row where LaPaglia can readopt the Australian accent he grew up with but dropped for many of his Hollywood roles and the series Without A Trace. He wrapped the PJ Hogan-directed Mental with Toni Collette and Liev Schreiber, a film that LaPaglia said is partly based on the filmmaker’s own experiences. “I play the father, who in real life had committed his mother to a mental institution, who had five kids, picked up a hitchhiker [Collette] on the way back and said, you’re taking care of the kids now.” LaPaglia said Hogan got rights to tunes from The Sound Of Music, and uses them in unexpected ways. “I absolutely assassinate “Edelweiss,” just tear it to shreds so badly that I’m sure Christopher Plummer would have a fit. It was meant to be terrible, and it is.”
Across town, as President Barack Obama was drawing every celebrity not in contention for awards this season, the 15th annual Hollywood Awards Gala was taking place at the Beverly Hilton. All of the Oscar hopefuls who agreed to show up to accept an award were there in their Monday finest as this was a place to be seen if you want an ego boost at this early point in the season.
With 19 above- and below-the-line categories to plow through, this was a surprisingly fun show that, if it didn’t already exist, Hollywood would have to find some way to invent. Billed as the ”official” kickoff to awards season (if you don’t count all those film festivals we’ve just been through), The Hollywood Awards were created — and basically chosen — by executive director Carlos de Abreu, who, with Janice Pennington, founded the gala and accompanying film festival. They are the result of a months-long negotiation between him and the studios and distributors, who are using this early opportunity to get key positioning for the players they hope to advance during the long awards season leading ultimately to Oscar. The only caveat is that to get the award, you have to agree to show up.
This year, de Abreu has his pulse on some real contenders and handed out acting awards to — among many others — Michelle Williams, George Clooney and Christopher Plummer, who all could realistically be considered close to frontrunners in their respective categories.
A real highlight of the show was when Marilyn Monroe’s Oscar-nominated Bus Stop co-star Don Murray showed up to present Hollywood Actress of the Year to Williams, who plays the iconic star in The Weinstein Company’s My Week With Marilyn. “I’m the last of the the on-screen lovers of Marilyn Monroe, and I still just happen to have a body that actually works, ” the 82-year-old actor said to much laughter. “Michelle re-created moments I was so intimately familiar with as I spent 14 months working with Marilyn. There’s not one thing in this film that’s not truthful. It was a revelation. Michelle’s performance made me appreciate Marilyn Monroe so much more.”
Williams, noticeably nervous, said her friends always wanted to see her win a award so she could basically sweat through the experience. She did well though, closing with a touching perception about Monroe. “It seems to me that all Marilyn Monroe wanted was to be taken seriously as an actress, and she studied so hard and never really got there,” she said, adding that it was ironic Williams herself could get this kind of recognition that so eluded the star she played.
Toronto: ‘Descendants’ Premiere Gets Big Reaction, Searchlight Has No Shame About Pickup Of Controversial ‘Shame’
Fox Seachlight’s annual party at the Thompson Hotel for the Toronto International Film Festival seemed especially ebullient Saturday after its growing Oscar contender, The Descendants, premiered to a standing ovation. Exactly a week earlier, the film received a similar enthusiastic response in Telluride. On top of that, Searchlight’s co-presidents Nancy Utley and Stephen Gilula had just won rights over The Weinstein Company and Sony Pictures Classics to the controversial Steve McQueen-directed Shame, which missed out Saturday on the Golden Lion at the Venice Film Festival but did nab star Michael Fassbender the Best Actor prize for his raw, let-it-all-hang-out performance as a sexually addicted man in freefall.
Utley confirmed that Searchlight will release Shame this year in time for the Oscar race, possibly December. Although they have not dated it, they do want enough time to put a campaign together. She was thrilled that Fassbender got the Venice prize for the film, which premieres in Toronto tomorrow night, after
The 2011 Toronto International Film Festival has filled out the rest of its slate, which consists of 268 features and 68 short films that will unspool next month. The fest announced that the likes of Brad Pitt (Moneyball), George Clooney (The Ides of March), and U2 (the Davis Guggenheim-directed docu From The Sky Down) will be among a long list of boldface names at the fest.
Toronto added 13 films to its Masters Lineup, including the North American premiere of Gus Van Sant’s Restless, and a Discovery Programme lineup that includes the international debut of the Dee Rees-directed Pariah, which premiered in January at Sundance. The fest also announced its complete lineup for Mavericks. It includes a discussion with Christopher Plummer, who stars in Barrymore, the Erik Canuel-directed adaptation of Plummer’s Tony-winning performance as actor John Barrymore; a conversation between Deepa Mehta and Salman Rushdie; a conversation with Francis Ford Coppola, whose Twixt plays Toronto; Neil Young and Jonathan Demme as they premiere the documentary Neil Young Life; Tilda Swinton as she brings We Need to Talk About Kevin to the fest; and a discussion with Sony Pictures Classics founders Michael Barker and Tom Bernard as their distribution company reaches its 20th year milestone.