Hacking Trial Lawyer: Brooks And Coulson Had 6-Year Affair
The phone-hacking trial taking place in London was the source of new revelations Thursday as prosecuting attorney Andrew Edis told jurors that defendants Rebekah Brooks and Andy Coulson carried on a six-year “secret” affair from 1998-2004. Brooks is the former head of News International (now News UK), the British press arm of Rupert Murdoch’s News Corp, and Coulson was editor of the now-closed News Of The World before leaving to join Prime Minister David Cameron’s team as his communications director. As part of his opening remarks, Edis stressed that he was not bringing up the relationship between Brooks and Coulson, which the prosecution said was evident from a letter to Coulson that was found on one of Brooks’ computers, to intrude on their privacy or pass judgment. “The point that I’m going to make in relation to that letter is that over the relevant period, what Mr Coulson knew, Mrs Brooks knew too. And what Mrs Brooks knew, Mr Coulson knew too — that’s the point.” He told the court the affair spanned the period covered by the phone-hacking conspiracy charges the pair is facing, according to The Times. “Mrs Brooks and Mr Coulson are charged with conspiracy,” Edis said, “and, when people are charged with conspiracy, the first question a jury has to answer is how well did they know each other? How much did they trust each other?” At the time of the letter in 2004, Brooks was editor of The Sun and Coulson was at NOTW.
Global Showbiz Briefs: New Revelations In Phone-Hacking Scandal; Claire Danes To Host Nobel Peace Prize Concert; More
Hacking Trial Lawyer: Brooks And Coulson Had 6-Year Affair
Monica Corcoran Harel is a Deadline contributor
Sure, you see some big-screen leading ladies every year at the Emmys — especially now that TV is more de rigueur than romantic comedies. But even the sight of radiant Claire Danes, or Nicole Kidman at last year’s show, doesn’t draw the European fashion houses like ants to a picnic. The bottom line is this: Movie stars are global personalities; TV actresses get mobbed Stateside. When it comes to award shows, the Emmys provide a chance for American designers who don’t go by one name to shine.
Related: Nikki Finke Live-Snarks 65th Emmys
This year, we saw a strong showing from LA native Monique Lhuillier — on Anna Farris in a canary yellow chiffon dress that clashed a bit with her complexion and Julia Louis-Dreyfus’ rose gold strapless column dress. Tina Fey looked electric in a body-con cobalt blue halter gown that Narcisco Rodriguez made specifically for her. In fact, a few lucky ladies got A-list treatment with custom-made gowns. Newcomer Taylor Schilling (Orange Is The New Black) wore a dress designed for her by Thakoon — no small feat for a great actress who wouldn’t get recognized in Orange County. It was wicked fun to see January Jones act all nonchalant about her one-off dusty rose Givenchy confection: “They made it for me,” she said without an ounce of glee when Ryan Seacrest asked her why she chose that particular dress. The color didn’t wow on the red carpet.
Some of the actresses who didn’t get handmade frocks plundered the Resort 2014 collections, which showed in June in New York. Mad Men’s Kiernan Shipka wore a colorful though slightly distracting Delpozo dress while Zosia Mamet of Girls selected a mixed-media organza gown by Honor. The black leather bustier felt more like an “edgy girl” accessory than an organic piece of the dress, but it definitely strayed miles from the wardrobe of her less-than-alternative character. Elisabeth Moss gleaned her black-and-white strapless Andrew Gn gown from his resort line too.
Showtime has declassified the first trailer for the upcoming third season of its Emmy-winning drama starring Claire Danes, Damian Lewis and Mandy Patinkin. Watch for Senate hearings; a hoodied, Heisenberg-esque Brody; his media-besieged teenage daughter; a possible conversion to Islam; an apology from Saul to Carrie; and …
Monica Corcoran Harel is contributing to Deadline’s Emmy coverage
Movie stars are not like you and me. But TV actresses? Not so far off. What always makes the red carpet at the Emmys so very appealing is the fact that some of these show ponies are short and maybe even a little stubby — in a good way. Seeing our favorite near mortals is actually enlightening and not just intimidating.
Take the nominated funny ladies. Tina Fey went regal and looked stunning in a deep burgundy strapless Vivienne Westwood column gown with an architectural bodice. Her tastefully teased upswept hairstyle lent a few inches to her frame and rendered her someone you wouldn’t dare disrespect. Amy Poehler — fresh off a break-up from her husband Will Arnett — smartly opted for sexy in a sequined Stella McCartney halter gown that proved she hasn’t been hibernating with vats of Haagen-Dazs. Kristen Wiig, bedecked in a creamy, diaphanous Balenciaga that contrasted with her newly raven hair, paired her dress with sandy suede pumps that made me wonder if she said, “Screw the pedicure” this morning and slept in. Um, who can’t relate to that eleventh-hour decision?
When it came to color trends, red, silver and blue easily won out. Nominee Mayim Bailik in Pamella Roland (looking like your favorite cousin at a wedding), voluptuous Kat Dennings in J. Mendel (looking more like your husband’s favorite cousin) and Gretchen Mol all chose variations on the hue. Lucy Liu, outfitted in a deco-inspired and armor-like metal Versace, claimed that her dress was “heavy.” I suspect her gown also reflected the merciless sun on anyone nearby with the intensity of a hair removal laser. Nominee Connie Britton — wearing a fabulous Andrew Gn gown with a halter trimmed in crystals and a chic belt — shone like a beacon of glamour for fortysomething women. Ditto for Jane Krakowski.
The ladies in blue category swept the farthest and widest though. Among them, the nominated Sofia Vergara, in a deep turquoise sequined Zuhair Murad gown with a back that showed off the dimples above her posterior, came out on top. That woman works a dress like a farmer works an ox! Hayden Panettiere’s sari-like blue tulle and embroidered gold brocade Marchesa gown felt like a bit too much fabric for such a young star, though it still stood out.
GOLDEN GLOBES TV: ‘Homeland’ & ‘Modern Family’ Land Top Honors; Big Night For Freshman Series, Pay Cable And 20th TV
Pay cable triumphed at the Golden Globe Awards. Of the 11 TV categories, premium cable networks won seven, compared with two for broadcast and two for basic cable in a field dominated by shows and programs which the general public is largely unfamiliar with. If we take out British imports Downton Abbey and Luther, the final score is 7-1-1. Until the final TV award of the night — best comedy series, which went to ABC’s Emmy-winning and hugely popular Modern Family — pay cable networks had swept every one of the six top series category including best drama series for Showtime’s Homeland. What’s more, all three premium cable networks were represented: HBO and Showtime won three awards each, and Starz earned its first Golden Globe for Boss‘ star Kelsey Grammer. Showtime also scored a first, landing its first best series win for Homeland. The thriller drama was the only multiple winner tonight with two statuettes; it also won for best actress in a drama series with Claire Danes, who extended her perfect record at the Golden Globes with a third victory in three nominations. Danes’ victory came 17 years after she won the category for her first series, ABC’s My So-Called Life. (Danes also earned a Globe last year for the HBO movie Temple Grandin.) Pay cable’s other top series wins include best comedy actress Laura Dern of HBO’s Enlightened and best comedy actor Matt LeBlanc for Showtime’s Episodes. Additionally, a pay cable series also won the hodgepodge supporting actor in a TV series/mini-series/TV movie category, which went to Peter Dinklage of HBO’s Game Of Thrones. On the distaff side, a Golden Globe went to Jessica Lange of FX’s American Horror Story, one of only two statuettes for basic cable programs. The other was for Idris Elba, winner for best actor in a mini-series/TV movie for BBC America’s Luther.
A week after picking up drama pilot Homeland to series, Showtime has released its first advance peek at the series, which starts production in the summer. The thriller, based on Gideon Raff’s Israeli …
New Showtime entertainment president David Nevins is going 2-for-2 in his first development season at the pay cable network, picking up both pilots he ordered — drama Homeland and comedy House of Lies — to series. Both have received 12-episode orders and will start production in the summer. Thriller Homeland, from 24 showrunner Howard Gordon, stars Claire Danes, Damian Lewis and Emmy and Mandy Patinkin, while management consulting comedy House of Lies is toplined by Don Cheadle and Kristen Bell. “Homeland and House of Lies are audacious in both their concept and their casting,” Nevins said. “They build upon the network’s successful pedigree and expand the definition of what a Showtime series can be.
Showtime had been courting Claire Danes for the female lead in its drama pilot Homeland. Now the Emmy winner has closed a deal to star in the pilot from 24 executive producers Howard Gordon and Alex Gansa, her first series …
EXCLUSIVE: Emmy winner Claire Danes is in talks for the female lead in Showtime’s drama pilot Homeland. The psychological thriller, from former 24 executive producer/showrunner Howard Gordon, would mark Danes’ first series gig since her star-making turn on ABC’s My So-Called Life 15 years ago, which earned her a Golden Globe award and an Emmy nomination. Michael Cuesta (Dexter) is directing Homeland, which is produced by Fox 21. Based on the Israeli format Hatufim aka Prisoners of War, it tells the story of an U.S. Marine Sergeant Scott Brody who is recovered during a drone strike 10 years after going missing during the invasion of Baghdad. It centers on Carrie Anderson – the role that Danes would play – a smart, driven and iconoclastic CIA case officer who tracks down threats to homeland security coming from the Middle East.
Ray Richmond is contributing to Deadline Hollywood’s Emmy coverage.
Temple Grandin herself was on hand, along with her mother, to witness the near sweep of the HBO movie that bears her name, along with awards for Claire Danes’ lead performance, for directing, and for the supporting performances of Julia Ormand and …
Claire Danes hasn’t done much TV since making an all-too-brief but memorable splash in 1994-1995 as the precocious teen star of the ABC drama My So-Called Life. Several dozen feature film roles have followed. But the 31-year-old Danes came back to TV and received rave reviews for her starring role as the autistic title character in the HBO biopic Temple Grandin that premiered in February. Her competition in the Primetime Emmy category as lead made-for-TV-movie/miniseries actress is formidable: Maggie Smith (Capturing Mary), Joan Allen (Georgia O’Keefe), Dame Judi Dench (Return to Cranford) and Hope Davis (The Special Relationship). Media see Danes as the favorite to cart off the trophy on August 29th for the film which generated 15 Emmy nominations in all. Danes spoke this week with Deadline Hollywood contributor Ray Richmond about the difficulty of portraying a living person — yet how rewarding the experience turned out to be:
Deadline Hollywood: What were the challenges of portraying a character based on an actual woman who is still very much alive?
Claire Danes: It was quite daunting. That would be true of anyone who were living, but particularly so in the case of someone as complex as Temple. I respect her so completely. I didn’t want to fail her or the millions of people who cherish her. I was very aware of the dangers of disappointing Temple, and all of the people who care so much for her. Also, the lady has such an amazing eye for detail, like no one else. I could only attempt to interpret that, not duplicate it. No way could I be her.