
The sun finally came back to a windy and rainy Cannes but the weather clearly couldn’t slow the non
stop parties, premieres, deals and hype for which this festival is famous. And despite the rain on Saturday the turnout for Lionsgate’s big Catching Fire bash was wall-to-wall at Baoli Beach, with everyone including star Jennifer Lawrence crowded into the large tent. One exec there actually was happy with the monsoon-like conditions. “The rain probably kept 30% of our RSVPs away which is probably good because i don’t know how we could have squeezed them in,” he said.
With everyone drying out Sunday there seemed to be even more party-hopping than usual. At the crowded Participant Films party at the Carlton, Focus Features CEO James Schamus was accepting congratulations on his re-upping at the company. I have rarely heard him wax more eloquently about a film than Focus’ recent pickup of The Dallas Buyers Club, the movie where Matthew McConaughey lost about 50 pounds to play an early AIDS victim. It’s not dated yet according to Schamus but is planned for fall sometime. “It’s just a bloodbath trying to pick the right date in that period but this movie is extraordinary. I just so admire what Matthew has been doing with his career in the last couple of years between Magic Mike, Killer Joe, The Paperboy, Mud and now this. You know me, I don’t rave like this a lot, but he really knocks this one out of the park. It is the performance of a lifetime,” he says of the actor in a film that is sure to be a main focus of Focus’ awards-season plans. READ MORE »

NEW YORK, April 23rd, 2013 – Dallas Buyers Club, currently in post-production, has been acquired by Focus Features for domestic theatrical release in the second half of 2013. The company has also acquired Latin American rights to the feature. Focus CEO James Schamus and Focus president Andrew Karpen made the announcement today. A Truth Entertainment production, Dallas Buyers Club is produced by Robbie Brenner and Rachel Winter. Spirit Award winner Matthew McConaughey stars in the fact-based drama for director Jean-Marc Vallée (The Young Victoria). The film’s original screenplay is by Craig Borten and Melissa Wallack.


