Specialty Box Office: ‘Woman Thou Art Loosed’ Solid In Debut Weekend

By BRIAN BROOKS | Sunday April 15, 2012 @ 12:59pm PDT

Code Black Entertainment’s Woman Thou Art Loosed: On The 7th Day hit the ground running among specialty releases, averaging a solid $6,376 in 102 locations, managing a higher per theater average than any other movie among the top 15 grossers. Outside the top 15 but not far behind it in per-theater business, Music Box’s Monsieur Lazhar averaged $6,310 in 19 sites. Loosed and Lazhar generated some sparks in the overall North American box office which is down 11% from the comparable weekend last year. Roadside Attractions debuted Blue Like Jazz in 136 locations, taking in nearly $270K, with a less impressive $1,963 average, while Anchor Bay bowed Touchback in 50 theaters, averaging $1,500. And Variance Films opened Hole documentary Hit So Hard at one location in New York City over the weekend, which even brought out a “reunion” of the band fronted by Courtney Love at a party for the film. The doc took in $6,500.

Among second-weekend holdovers, Sony Classics’ Damsels In Distress, averaged $4,229 in 18 additional theaters from its debut, vs. the feature’s $16,050 in 4 theaters Easter weekend. Sundance Selects added a dozen locations for its Cannes ’11 feature We Have A Pope, averaging $3,600 (versus an average $10,133 in three theaters last weekend). The distributor’s other foreign-language release, The Kid With A Bike continued its rollout with 16 additional theaters in its fifth weekend out. The Cannes ’11 prize-winner is now the Dardennes Brothers’ highest grossing film in North America. After securing the movie’s PG-13 version, The Weinstein Company propelled Bully into 158 theaters (compared to Easter weekend’s 6) in its third weekend of release. The doc took in more than half a million, averaging nearly $3,400.

1: Blue Like Jazz (Roadside Attractions) NEW [136 Theaters] Weekend $267K, Per Theater Average $1,963

2: Woman Thou Art Loosed: On The 7th Day (Code Black Entertainment) NEW [102 Theaters] Weekend $650K, Average $6,376

3: Monsieur Lazhar (Music Box Films) NEW RUN [19 Theaters] Weekend $120K, Average $6,310, Multiple-Run Cume, $1.8M

4. Touchback (Anchor Bay Films) NEW [50 Theaters]
Weekend $75K, Average $1,500

5: Hit So Hard (Variance Films) NEW [1 Theater] Weekend $6,500

6: Life Happens (PMK/BNC) NEW [16 Theaters] Weekend $21,900, Average $1,369

7. Damsels In Distress (Sony Pictures Classics) Week 2 [22 Theaters]
 Weekend $93K, Average $4,229, Cume $178K

8. We Have A Pope (Sundance Selects) Week 2 [15 Theaters]
 Weekend $54K, Average $3,600, Cume $104K

9. Bully (The Weinstein Company) Week 3 [158 Theaters]
 Weekend $534K, Average $3,380, Cume $813K

10. October Baby (IDP/Samuel Goldwyn) Week 4 [362 Theaters]
 Weekend $524K, Average $1,449, Cume $4.5M

11. The Raid: Redemption (Sony Pictures Classics) Week 4 [881 Theaters]
 Weekend $1M, Average $1,139, Cume $2.56M

12. Jeff Who Lives At Home (Paramount Vantage) Week 5 [183 Theaters]
 Weekend $215K, Average $1,175, Cume $3.82M

13. Casa De Mi Padre (Lionsgate) Week 5 [121 Theaters]
 Weekend $92.5K, Average $764, Cume $5.7M

14. The Kid With A Bike (Sundance Selects) Week 5 [70 Theaters]
 Weekend $175K, Average $2,500, Cume $765K

15. Footnote (Sony Pictures Classics) Week 6 [84 Theaters]
 Weekend $210K, Average $2,505, Cume $1.11M

16. Friends With Kids (Roadside Attractions) Week 6 [112 Theaters]
 Weekend $144K, Average $1,286, Cume $6.98M

17. Salmon Fishing In The Yemen (CBS Films) Week 6 [435 Theaters]
 Weekend $911K, Average $2,094, Cume $6.08M

18. Boy (Paladin) Week 7 [18 Theaters]
 Weekend $22K, Average $1,248, Cume $175K

19. Undefeated (The Weinstein Company) Week 9 [17 Theaters]
 Weekend $17K, Average $1,000, Cume $487K

20. Rampart (Millennium Entertainment) Week 10 [21 Theaters]
 Weekend $10K, Average $486, Cume $900K

21. W.E. (The Weinstein Company) Week 11 [17 Theaters]
 Weekend $13K, Average $765, Cume $544K

22. Coriolanus (The Weinstein Company) Week 13 [18 Theaters]
 Weekend $19K, Average $1,056, Cume $664K

23. The Iron Lady (The Weinstein Company) Week 16 [146 Theaters]
 Weekend $101K, Average $692, Cume $29.84M

24. A Separation (Sony Pictures Classics) Week 16 [91 Theaters]
 Weekend $93K, Average $1,025, Cume $6.85M

25. The Artist (The Weinstein Company) Week 21 [121 Theaters]
 Weekend $104K, Average $860, Cume $44.05M

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Specialty Box Office: ‘Bully’, ‘Damsels In Distress’ Solid; ‘Comic-Con’ Not So Much

Damsels In Distress and We Have A Pope lead a new crop of specialty releases for the holiday weekend: Sony Pictures Classics’ Damsels averaging a robust $16,050 in four theaters and a total of $64,200 while Sundance Selects’ … Read More »

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Specialty Box Office: ‘Comic-Con Episode IV,’ ‘Damsels In Distress,’ ‘The Hunter,’ ‘We Have A Pope’

By BRIAN BROOKS | Friday April 6, 2012 @ 9:00am PDT

Among the upcoming Easter weekend’s new specialty releases is a feature about a fictional election of a reluctant pope, a fan’s view of a uber popular summer festival, a Willem Dafoe starrer set in one of earth’s … Read More »

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68th Venice Film Festival Sets Fall Lineup

By MIKE FLEMING JR | Thursday July 28, 2011 @ 4:36am PDT
Mike Fleming

The 68th Venice Film Festival has unveiled its film lineup of pictures that will run from Aug. 31 to Sept. 10. It begins with the George Clooney-directed The Ides of March and concludes with Whit Stillman’s Damsels in Distress. Every fall fest tries to be a harbinger of Oscar gold, but last year’s winner, the Sofia Coppola-directed Somewhere, became mired in controversy and was a total non-factor in an Oscar race that was shaped by film launches in rival festivals that included Toronto, Telluride and the New York Film Festival. Here are the films that will play in Venice:

In Competition

The Ides Of March, George Clooney (US)
Tinker, Tailor, Soldier, Spy, Tomas Alfredson (UK, Germany)
Wuthering Heights, Andrea Arnold (UK)
Texas Killing Fields, Ami Canaan Maan (US) (second work)
Quando La Notte, Cristina Comencini (Italy)
Terraferma, Emanuele Crialese (Italy/France)
A Dangerous Method, David Cronenberg (Germany/Canada)
4:44 Last Day On Earth, Abel Ferrara (US)
Killer Joe, William Friedkin (US)
Un Ete Brulant, Philippe Garrel (France/Italy/Switzerland)
A Simple Life (Taojie), Ann Hui (China/Hong Kong)
The Exchange (Hahithalfut), Eran Kolirin (Israel) (second work)
Alps (Alpeis),Yorgos Lanthimos (Greece)
Shame, Steve McQueen (UK) (second work)
L’ultimo Terrestre, Gian Alfonso Pacinotti (GIPI) (Italy) (first work)
Carnage, Roman Polanski (France/Germany/Spain/Poland)
Chicken With Plums, Marjane Satrapi and Vincent Paronnaud (France/Belgium/Germany)
Faust, Aleksander Sokurov (Russia)
Dark Horse,Todd Solondz (US)
Himizu, Sion Sono (Japan)
Seediq Bale, Wei Te-Sheng (Taiwan) (second work)
Surprise film Read More »

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Whit Stillman’s ‘Damsels In Distress’ To Close Venice Film Festival

The Venice International Film Festival announced today that Whit Stillman’s comedy Damsels in Distress will be the closing-night film for the fest’s 68th edition, which opens Aug. 31 with George Clooney’s The Ides of March, which was just tappedRead More »

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Sony Pictures Classics To Release Whit Stillman’s ‘Damsels In Distress’

By MIKE FLEMING JR | Tuesday March 29, 2011 @ 6:33am PDT
Mike Fleming

NEW YORK, NY (March 29, 2011) –Sony Pictures Classics announced today that they will release Oscar nominated Whit Stillman’s latest film Violet Wister’s DAMSELS IN DISTRESS worldwide. Martin Shafer and Liz Glotzer produced alongside Stillman, who also wrote the screenplay.

The film stars Greta Gerwig (GREENBERG, upcoming ARTHUR remake), Adam

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