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Oscar Troubles: Online Balloting Confusing Some Members; Controversy Over Best Song Omissions

Pete Hammond

There’s exactly one week left to vote for Oscar nominations and there’s still ‘trouble in River City’.

After reporting on all the problems regarding the registration process for the Academy Of Motion Picture Arts & Sciences’ initial foray into the perilous world of online voting for Oscars this year, and then breaking the story about paper ballots being sent automatically to any voter who didn’t register or didn’t want to attempt voting online, there still seems to be frustration on the part of a number of voters.

Since the voting period opened for nominations on December 17th (it runs thorugh January 3rd) , some disgruntled members have told me it just isn’t working very well.  As my colleague Mike Fleming reported the site was even completely down early in the process. The system, which requires members to have a special password (this in addition to their regular password that gains them entrance into the Academy’s website) and a code supplied by a phone call to an appointed phone number only when they actually set out to vote, is designed specifically for the Academy by a company, Everyone Counts (the result of an 18-month search), that does the same thing for the U.S. government with clients including the Department of Defense. It’s so loaded with specific safeguards and military-level encryption methods to keep hackers and imposters out that it is causing extreme frustration for some who have tried to vote. As a result some … Read More »

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OSCARS: Danny Elfman

By | Tuesday December 4, 2012 @ 8:00pm PST

Anthony D’Alessandro is Managing Editor of AwardsLine.

After composing five film scores straight, without a weekend off, it’s fair to say that Danny Elfman has had a very long year. Still, there was no limit to what he would do to work on a film about his idol, Alfred Hitchcock.

“I don’t know how I’m going to do this, but I have to do this,” Elfman recalls about committing to Fox Searchlight’s Hitchcock, which was scheduled for delivery right before his opus on Disney’s Oz: The Great And Powerful. “I wouldn’t have a film-music career if it wasn’t for Bernard Herrmann, who has inspired me since the age of 12.”

It would be an understatement to say that Elfman is a big fan of the Master of Suspense and his longtime music collaborator. Never mind the large photograph of Hitch that hangs in Elfman’s office (as observed by Hitchcock helmer Sacha Gervasi), Elfman is the only composer who has handled the sacred scrolls: Herrmann’s original manuscript for Psycho, which Elfman deftly adapted for Gus Van Sant’s 1998 remake. For his current project, Elfman was so stoked to visit the Hitchcock set where they were shooting the Psycho editing-bay scene with Anthony Hopkins (as Hitch) and Helen Mirren (as his wife, Alma) that he asked if he could come back for a second day.

Related: OSCARS: Alfred Hitchcock Is New Again Read More »

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