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Motion Picture Academy Leaders Hype New LACMA Movie Museum Plans: ‘All The Pieces Fit Together’

By | Wednesday October 5, 2011 @ 4:05pm PDT
Pete Hammond

Just when you thought it was a dead duck, it’s back and quacking.

For those who have had the dream of a world class movie museum coming to fruition in L.A., film capital of the world (count me in on that), last night’s announcement that the Academy of Motion Picture Arts & Sciences and the Los Angeles County Museum of Art have begun the process of finally making that dream come true is good news all around. And that longtime dream museum, which was turning into more of a nightmare for the Academy, is going to be right down the street from the Acad’s own Beverly Hills headquarters (at least that’s the plan).

The Academy is saying the project housed in the historic old May Co. on Wilshire Blvd now known as LACMA West will take three to five years to complete. “We are on the fast track but it will be determined by fund raising,” said the Acad’s new CEO Dawn Hudson, who spoke with me today in a conference call with Academy President Tom Sherak and LACMA CEO and Wallis Annenberg Director Michael Govan. Hudson wasn’t throwing out official figures but says she expects it will cost less than half the rough estimate of $480 million that the Academy had targeted for their earlier foiled plan to erect this museum in Hollywood where they spent about $50 million so far buying land (which they now own outright) near their Pickford Center on Vine Street.  But the idea to house the museum instead at the already existing 300,000-square-foot space on Wilshire actually goes back decades when it was even broached by former Academy Presidents Walter Mirisch and Bob Rehme. It heated up again about a year and a half ago with a casual conversation between another Govan and another former Academy President Sid Ganis, who then introduced the museum head to Sherak and then CEO Bruce Davis.

“For about an hour and a half I did something I rarely do. I just listened to someone talk who had a vision and a dream about what this could mean to the City of Los Angeles to bring different art forms, especially our two art forms together in one place,” said Sherak, who emphasized that the Board wanted a museum in their lifetime but that the Academy didn’t know how long it would take them to raise the money and build one themselves. Govan came to the rescue. “Being in the museum world, I see film programs at museums in Paris and Frankfurt. I wanted that in Los Angeles and I knew the Academy had a dream and they had a great resource. So the question was what could we offer to help and that was the beginning of the conversation,” said Govan. Read More »

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R.I.P. Eddie Fisher

By | Thursday September 23, 2010 @ 5:41pm PDT

Reliable sources tell me that Eddie Fisher has died. He was 82. [UPDATE: His daughter, Tricia Leigh Fisher of Los Angeles, told the AP that he died Wednesday night at his Berkeley home of complications from hip surgery.] The singer and entertainer and TV star of his own show and co-star of films Bundle Of Joy and Butterfield 8 had his heyday in the 1950s. In 1953 Fisher was given his own 15-minute TV show called Coke Time, sponsored by the Coca-Cola company; it was so popular that Coke then offered Eddie an unprecedented $1 million contract to be their national spokesperson. But Fisher is best known for having been married to Debbie Reynolds, Elizabeth Taylor, and Connie Stevens and for fathering multitalent Carrie Fisher and TV actress Joely Fisher. He created quite the worldwide scandal when he dumped his first wife, America’s sweetheart Reynolds, to marry his best friend’s widow, America’s sex symbol Taylor, who then dumped him for Richard Burton. Fisher became reviled and his career never recovered. (The two women later mocked Fisher in a thinly veiled TV movie about their relationship.) Fisher wrote two autobiographies which prompted Carrie to declare: ”That’s it. I’m having my DNA fumigated.”

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Debbie Reynolds Lands Role Opposite Heigl

Mike Fleming

Debbie Reynolds, who hasn’t been on camera since Will & Grace in 2006, has been lured back to the screen by Katherine Heigl in One For The Money, the Lakeshore / Sidney Kimmel Entertainment adaptation of the Janet Evanovich novel series. Heigl stars as bounty hunter Stephanie Plum for director Julie Anne Robinson, and Reynolds will play Grandma Mazur, the outspoken and outrageous advisor and maternal grandmother to Heigl’s character. “Grandma Mazur is such a great character,” Heigl said. “She’s really feisty and Read More »

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