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‘Hurt Locker’s Mark Boal At Center Of WikiLeaks Film Deal As Other Julian Assange Movies Mobilize

Mike Fleming

EXCLUSIVE: The Hurt Locker screenwriter Mark Boal and Management 360 have partnered with financier/producer Megan Ellison to option The Boy Who Kicked the Hornet’s Nest, an article about WikiLeaks’ Julian Assange in The New York Times Magazine written by the newspaper’s executive editor Bill Keller. Ellison, an exec producer of True Grit, will finance the film through her Annapurna Pictures and she, Boal and Management 360 will produce. Boal might write the film, but that will depend on if he has time. In addition to the Kathryn Bigelow-directed Triple Frontier with Tom Hanks, Boal is collaborating with Bigelow on a drama that might go sooner, about a secret Middle East mission movie. If Boal is going to write the Assange script, he will have to do it quickly.

His is just the latest in a growing number of Julian Assange/WikiLeaks movies that should continue to swell as more books about the controversial figure get published. I’ve heard DreamWorks is circling Inside WikiLeaks, a book that will be released February 15. It is written by Daniel Domscheit-Berg, Assange’s number 2  at WikiLeaks who defected because he wanted WikiLeaks to apply journalistic discretion in the dispersal of secret government documents while Assange wanted to release as many as he could get his hands on.

There is also the $1.5 million memoir by Assange. Movie/TV rights will be handled by CAA for lit agency … Read More »

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Mike Sitrick, Shame On You…

By | Thursday July 12, 2007 @ 5:31pm PDT

sitrick.jpgI’ve known Mike Sitrick for a long time. He’s a PR maven who prides himself on being a family man. Which is why he should be filled with self-loathing for allowing his firm to promote a torture porn pic like Captivity, much less an even more disgusting premiere party whose selling point was its political incorrectness. (Let me make it perfectly clear: I support talent’s right to make the movie, just not business people profiting from it.) Sure, I received all those inane emails announcing the bash, and I did the right thing: I trashed them. Other journalists fell all over themselves covering the event so as to diss it: really, they’re lemmings hurling themselves off the cliff. There is only one way to stop the business of these torture porn movies: by shaming the people who receive money for releasing them, publicizing them, having anything to do with them. So, Mike, how could you? (And how could you, After Dark’s  Courtney Solomon and Allan Zeman?) Take that Captivity money and donate it to charity and pledge publicly right now you’ll never get involved with torture porn pics again. Until Mike does, I urge Hollywood and other companies to shun Sitrick and Company because there is such a thing as guilt by association.

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