Diane Haithman is contributing to Deadline’s TCA coverage.
Quentin Tarantino Has Heated Exchange With UK Journalist On Film Violence, Says “I’m Not Your Slave”: Video
Promoting Oscar-nominated Django Unchained, which had its premiere in London last night, Quentin Tarantino refused to repeat his position on violence in movies during an interview with Channel 4 Evening News host Krishnan Guru-Murthy. Asked about the link between movie violence and real violence, Tarantino responds …
In an intriguing move, the Producers Guild of America decided suddenly to move its annual PGA Awards nomination announcement up a day and put out the list shortly after 2 PM PT this afternoon — instead of the originally scheduled time tomorrow. Whatever the reason for jumping the gun, it could impact the Oscar race as the Academy extended its own voting period 24 hours to a 5 PM deadline Friday instead of Thursday, as originally planned, and the PGA choices could be influential for last-minute Oscar voters rushing to see everything and get their ballots in. In the new world of online voting for the Academy, this two-day window could be important, and I will bet the PGA was aware of that when they decided to unleash their choices today.
Related: PGA Awards Nominations Announced
If that’s the case, the PGA’s 10 nominations for Best Picture — or as the guild calls it, the Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures — provided no real surprises. All 10 picks — Argo, Beasts Of The Southern Wild, Django Unchained, Les Miserables, Life Of Pi, Lincoln, Moonrise Kingdom, Silver Linings Playbook, Skyfall and Zero Dark Thirty — are the most likely contenders to score at the Oscars according to most prognosticator predictions. It’s particularly good news for Quentin Tarantino’s bloody and controversial Django Unchained, as the film was one of the last to be screened in 2012 and was the only one that reportedly did not benefit by having a screener sent to the PGA membership, the reason widely blamed for its AWOL status in the SAG Awards nominations announced in mid-December.
One film left off, Sony Pictures Classics’ Amour, is not a shocker since smaller foreign-language entries rarely make the PGA list. It would seem the most likely to replace one of the PGA nominees when the Oscar list is announced January 10. Other films missing from the list like Flight, The Impossible and The Master have seen momentum stalled with poor showings in critics and other precursor awards. The only slight surprise for me was the omission of big moneymaker The Dark Knight Rises since the PGA, being producers after all, do like to reward financial bonanzas and the film was the last of Christopher Nolan’s enormously profitable and critically acclaimed Batman trilogy for Warner Bros. The PGA also had previously nominated 2008′s The Dark Knight for their top honor even when the group had only five nominations; Oscar failed to follow suit and passed it by for a Best Pic nod that year. The move prompted the Academy to move to 10 nominations the next year to (hopefully) include more popular films in their Best Picture lineup.
Anthony D’Alessandro is Managing Editor of AwardsLine.
“I think she had to be in there for 20 minutes before I yelled action.” Quentin Tarantino is referring to the time that Kerry Washington spent in the “hotbox” — a hole in the ground on a plantation where slaves were sent when they tried to escape. It’s where Washington’s character Broomhilda is locked up when her husband, Django (Jamie Foxx), arrives at Candyland — the vast Southern estate owned by her owner Calvin Candie (Leonardo DiCaprio) in Tarantino’s Django Unchained. Her voice parched from screaming and her body weakened, Broomhilda doesn’t know that Django has come to rescue her with the help of dentist-cum-bounty hunter Dr. King Schultz (Christoph Waltz).
“Kerry is very game to make things as real as possible,” says Tarantino, who as Waltz points out, can often inspire actors with their characters’ back stories, “Leaving her in the box for 30 seconds and then yelling action wouldn’t work. Nor would sticking her in the box for hours. But 10 minutes in the box could feel like 30. The idea was for Kerry to become disoriented, lose track of time in there, and contemplate what eight hours in the box would feel like. She could yell or scream.”
“But there was a safe word,” adds Washington, “so that the crew knew when I was panicking as a person, and not as an actor. This is how a lot of the film went — taking the reality as far as we could.”
With a filmography that includes roles in some of the highest-grossing movies of all time including The Avengers, Iron Man and the Star Wars series Samuel L. Jackson clearly knows how to pick ‘em. And that is entirely intentional. …
Quentin Tarantino‘s Django Unchained had been rumored as a surprise addition to November’s Rome Film Festival, but it never materialized on the roster. In October, fest director Marco Mueller told Reuters, “You will see Tarantino soon, here. You will see him here soon for a big surprise… You will see that Django will be stepping on the stage of the auditorium.” Fast-forward a couple of months and the fest now plans to honor Tarantino with a Lifetime Achievement Award on January 4 at a gala Django screening. (Although the 7th Rome Film Festival concluded on November 17, the honor will evidently act as an extension of that edition). Composer Ennio Morricone will present the award to Tarantino. A press release follows:
BREAKING: The Weinstein Company is the latest to curtail the festivities on a holiday season film because of the Connecticut massacre. An LA premiere had been scheduled tomorrow night for the Quentin Tarantino-directed Django Unchained. The film will still be shown, but there will be no red carpet and invited press is being asked to attend a different screening. This one is now reserved for cast members and their families who haven’t seen the film yet. This is not about the slave-era violence in the film; it reflects the fact that nobody is in the mood to celebrate. “Our thoughts and prayers go out to the families of the tragedy in Newtown, CT, and in this time of national mourning we have decided to forgo our scheduled event,” said a TWC spokesperson. “However, we will be holding a private screening for the cast and crew and their friends and families.”
Christmas came early for Hollywood this year, as it usually does, with the announcement this morning of the Golden Globe nominations. Ever quirky but dependable in its ability to spread the wealth by way of splitting major contenders into Drama or Comedy/Musical, the Hollywood Foreign Press Association has further clarified the race. The group gave multiple key nominations to Oscar frontrunners like Argo, Life Of Pi, Lincoln, Zero Dark Thirty, Les Miserables and Silver Linings Playbook as well as major impetus to the late-breaking hopes of Quentin Tarantino’s Django Unchained, which grabbed five key nominations including Picture-Drama, Director and Screenplay for Tarantino and two supporting actor nods for Leonardo DiCaprio and Christoph Waltz, shaking up the supporting actor race in the process. So other than The Weinstein Company with a leading 15 nominations (Harvey really knows how to work the HFPA), who really came out on top here?
Related: Golden Globe Award Noms: Scorecard
As has been the case since Monday’s announcement of the AFI top 10 films of the year, Tuesday’s Critics Choice Movie Awards, where it led with 13 nominations, yesterday’s SAG noms, where it grabbed everything it could, and now today’s leading 7 nominations, Lincoln is now certified at the top of the pack going into Oscar balloting, which begins Monday. Steven Spielberg’s historical drama nabbed a nomination in every single Globes category it was eligible (with 7 nods, the most ever for a Spielberg film at the Globes) and made perhaps the most impressive showing of all the nominees. To put the cherry on top for Disney/Dreamworks, the film will hit $100 million domestically today. But in a race that remains as tight as ever, Argo also almost ran the board, missing out as expected for producer-director Ben Affleck’s lead performance but named in 5 other categories. Zero Dark Thirty also did what it had to do, grabbing the four key nominations (Picture-Drama, Director for Kathryn Bigelow, Screenplay for Mark Boal, Actress-Drama for Jessica Chastain) it was targeting. Add the aforementioned impressive showing of Django and you have the BIG winners of the morning as the HFPA handed out lots of gifts to each. Correlation to actual Oscar nominations and wins is sometimes spotty with the Globes, but because this has become such a high-profile awards show on NBC, one of the year’s biggest, the town pays attention and, if nothing else, the HFPA has confirmed the closeness of this race.
The spaghetti western namesake of Quentin Tarantino’s new movie is booked into select theaters, including the New Beverly in Los Angeles and Film Forum in New York, a few days ahead of Django Unchained, which debuts December 25th. Sergio Corbucci’s …
Listen to the third episode of our audio podcast Deadline Awards Watch With Pete Hammond. Deadline Awards Columnist Hammond and host David Bloom discuss Oscar prospects for the late-arriving Django Unchained and The Hobbit: An Unexpected Journey; whether the New York Film Critics Circle awards will boost multiple winners Zero Dark Thirty and Lincoln; and why Life Of Pi might find some of its best Oscar friends in the Best Visual Effects category; plus all the behind-the-scenes buzz from the busy pre-nomination whirl of parties as studios and distributors jostle for lead positions in the big races.
With a shortened nominating season (Oscar balloting starts December 17, 10 days earlier than usual), the Thanksgiving holiday period as well as the Christmas/New Year’s break won’t much of a break at all for many campaigns, which simply can’t take the time off or slow the momentum they are trying to build. After all there are just 3 1/2 weeks to go before those ballots land in Academy voters’ hands (or in the case of the new electronic voting this year, in their computers). So it is all stops out from here on in. And that means studios like Universal and Sony in particular will be using the long Thanksgiving weekend for an assault on guild and Academy members for their big December releases Les Miserables and Zero Dark Thirty, respectively.
On Saturday, Universal’s Les Miz plan swings into action with an unprecedented six screenings — all featuring either in-person introductions or post-Q&A sessions with director Tom Hooper and “cast members”. The screening program will not let up until the film’s Christmas Day opening, which comes in the middle of the voting period. Universal is determined to get this film seen on the big screen by as many voters as possible despite the time crunch. The director only just locked Sunday night at 10 PM, according to an internal memo that carried instructions for delivery of the DCP materials for the digital projection. It’s a very precise, carefully orchestrated operation, and as the memo says “failure is not an option”. That’s certainly true in an awards race as tight as this one and particularly for a film as anticipated as this one.
“The reality is we’re going to screen this movie like nobody’s business the minute it’s ready and would have regardless….We’ll start screening the movie the day after Thanksgiving and are going to screen it, pretty much non-stop from there, until time of release. So between the screening program, its commercial availability beginning Christmas Day and for those who get the screeners, we think there’s abundant opportunity”, Universal chairman Adam Fogelson told an audience of Academy and Guild members attending the Moguls panel at Deadline’s recent all-day The Contenders event. He added that for smaller films the timing could be more of a challenge, but “not for any of the films here which are on everybody’s list”.