First the romantic family comedy was Blended, then it was changed in the summer to The Familymoon. Now today it’s been re-titled Blended. The release date is still May 23, 2014. I’ll just rewatch Adam Sandler, Drew Barrymore and director Frank Coraci’s other movie together, The Wedding Singer, until Warner Bros marketing makes up its mind. My money is on Blendedmoon, but I bet Deadline’s loyal readers can do better than that.
EXCLUSIVE: Horror network Chiller today announced the addition of two features to its line-up of 2013-2014 original movies. Animal, from exec producer Drew Barrymore and her Flower Films banner, follows a group of friends stranded in an isolated cabin who find themselves hunted by a predator. Deep In The Darkness stars Sean Patrick Thomas and Dean Stockwell in the tale of a NYC doctor who moves his family to a small town only to discover a race of creatures living in the woods behind their home. Both films join previously announced features Beneath, from director Larry Fessenden, and The Monkey’s Paw, adapted from W.W. Jacobs’s short story, to launch Chiller Films’ new multiplatform release strategy. The four titles will get limited theatrical runs via Synthetic Cinema International before debuting on VOD in partnership with NBCU Digital Distribution.
Diane Haithman is contributing to Deadline’s coverage of TCA.
At this summer’s TCA, across the networks, there has been more than one panel including earnest, beautiful young women, mostly clad in teeny-tiny skirts and architecturally challenging platform heels, talking about how retro shows about gaggles of “girls” answering primarily to male bosses are actually all about female empowerment. Network execs and show producers also seem to be repeating the girl-power mantra. The main cases in point: NBC’s set-in-the-’60s The Playboy Club, ABC’s new Pan Am and the remake of the 1976-81 series Charlie’s Angels, co-executive produced by Leonard Goldberg with Drew Barrymore (veteran of the Charlie’s Angels movies) and creators/executive producers Al Gough and Miles Millar (both of Smallville). The show was unveiled at last month’s Comic-Con with the phrase: “These ain’t your mama’s angels.”
Following this morning’s Charlie’s Angels panel, I asked Millar the empowerment question: Really? He at first seemed to be addressing the issue by saying that initially, Gough’s and Miller’s wives didn’t want them to do the show. Why? Because the original angels were such role models to the producers’ spouses, Millar said reverently. “They didn’t believe we could do it [and maintain] the legacy of Charlie’s Angels.” Millar said during the panel that the idea of the new series was not to make “a cynical remake” of the original, nor to assume the same tone as the movies, about which Gough said: “[They were] superheroes for girls, post-Matrix … [the new show will] bring to the table more grounded, more real” characters with somewhat dark back stories. “You want to have something to come back to every week.” Describing the tone of the new show, Gough said: “If Jack Bauer and Carrie Bradshaw had a love child, it would be [the new] Charlie’s Angels.”