It may be too much to say last night was the night cable overtook broadcast TV for good — as some media have claimed – but it sure felt that way today. It’s not like broadcasters have never competed on Sunday against numbers like the 10.3 million Breaking Bad attracted in its series finale — HBO’s The Sopranos used to log those crowds on a weekly basis. But broadcasters definitely did not anticipate the media hysteria over the Breaking Bad wrapup, to which they had contributed mightily — most recently in the form of a big fat plug on NBC’s highly hyped Saturday Night Live season debut the very night before BB’s swan song. Breaking Badsteria first erupted one week earlier with the series’ Best Drama Emmy win. Sucks to be CBS, which aired the trophy show that launched AMC’s monster Breaking Bad marketing campaign that did so much to send CBS’ Premiere Week Sunday into double-digit declines in the ratings. (CBS didn’t suffer alone; ABC and Fox experienced same.) Between Breaking Bad‘s Emmy win and Sunday’s finale, AMC unspooled a weeklong full-run-of-series marathon while TV critics scattered role petals in its path. (After the finale aired, the critics got down to the serious business of arguing as to whether Bryan Cranston’s Walter White was TV’s ultimate winner or loser, an American hero or Ebenezer Scrooge on Christmas morning — and if the show’s wrap meant the end, or the dawn of a bright new day, for the economy of Albuquerque, where the show was shot.)
Stephen Colbert last night talked about his Comedy Central late-night show’s Primetime Emmy Award win for best variety series, snapping The Daily Show’s decade-long run in that derby. Meanwhile, Tina Fey wants to remind us about her wardrobe malfunction at the Emmy ceremony while promoting her upcoming hosting gig on the season debut of Saturday Night Live.
Diane Haithman is a contributor to Deadline’s TV coverage.
It was an emotional moment at the Emmys when the late Henry Bromell won a posthumous writing Emmy for Homeland’s intense and grueling ”Q&A” episode. Unfortunately his wife, Sarah Bromell, was only allowed a brief onstage moment. “I accept this award on behalf of Henry with deep appreciation for the Academy,” she said. “Thank you so much.” And as Homeland star Claire Danes accepted her second consecutive Emmy for lead actress in a drama, she said of Bromell, who died in March, “He was a brilliant person and so kind, and we think of him every day on a show that help define.”
While no stats were immediately available from the Academy, posthumous wins are extremely rare in any category. The last one is thought to be actress Diana Hyland in 1977 for The Boy in the Plastic Bubble. Last year, Kathryn Joosten netted a posthumous Emmy nom for supporting actress for Desperate Housewives.
Related: Nikki Finke Live-Snarks 65th Emmys
Television’s best and brightest hit the red carpet tonight for the 65th Primetime Emmy Awards, held at LA’s Nokia Theatre. Check out Deadline’s gallery for a look at the movers and shakers from networks, studios, and agencies attending tonight’s awards. Refresh for latest.
Listen to (and share) episode 42 of our audio podcast Deadline Awards Watch With Pete Hammond. Deadline’s awards columnist and host David Bloom wrap up last weekend’s Creative Arts Emmys and what they may suggest will happen in this weekend’s Primetime Emmys show. They also take a look at whether 12 Years A Slave is indeed the Oscar frontrunner after snagging the audience award at the Toronto International Film Festival. Finally, Pete gives his take on this week’s new movie releases, including Ron Howard’s very fast new entry in the Oscar race, Formula One biopic Rush in limited release, the intense thriller Prisoners starring a full slate of Oscar winners; Thanks For Sharing with Gwyneth Paltrow and Mark Ruffalo; and Enough Said, a romantic comedy from Nicole Holofcener featuring one of the last films with the late James Gandolfini.
Deadline’s Awards Columnist Pete Hammond and ENTV host Melana Scantlin discuss Pete’s predictions in the reality and variety categories in this weekend’s Primetime Emmys, along with his wish list. Will The Amazing Race dominate once again and, after 32 nominations, will this finally be Bill Maher’s year for …
Deadline’s Awards Columnist Pete Hammond talks with ENTV host Melana Scantlin about the likely winners in key comedy segments in this weekend’s Primetime Emmys, including whether defending champ Modern Family can stave off The Big Bang Theory and other contenders for its fourth straight win as Best …
EMMYS: Expanded In Memoriam Tributes Set For James Gandolfini, Gary David Goldberg, Cory Monteith, Jean Stapleton & Jonathan Winters
NoHo Arts District, CA. – September 16, 2013- This year’s Emmy® Awards will feature the traditional In Memoriam segment that has become an industry award show staple, and in addition, the telecast producers have selected five individuals who warrant special recognition. To honor them, close friends and co-workers have been invited to provide personal tributes which will be presented during the ceremony, held at the Nokia Theatre L.A. LIVE in Los Angeles and telecast live on Sunday, September 22nd, (8:00 PM EDT / 5:00 PM PDT) on the CBS Television Network.
Those who will provide special tributes include Edie Falco, who will remember Sopranos co-star James Gandolfini; Michael J. Fox who will pay tribute to Family Ties producer Gary David Goldberg; Jane Lynch will remember her friend and Glee co-star Cory Monteith; Rob Reiner will pay tribute to his long time All in the Family cast member Jean Stapleton; and Robin Williams will remember his friend and mentor Jonathan Winters (Mork and Mindy).
Will Arnett, Alec Baldwin, Andre Braugher, Bryan Cranston, Claire Danes, Jimmy Kimmel, Margo Martindale and Sofia Vergara have been added to the presenters list for the 65th Primetime Emmy Awards. They join previously announced Diahann Carroll, Matt …
It’s an awards-season cliché to say that it’s an honor just to be nominated, but going to the Emmy ceremony year after year and never taking home a statuette can be excruciating. Just ask Bill Maher, Emmy’s current “biggest loser.” Despite 32 nominations (including three for this year alone) for Politically Incorrect, Real Time and various standup specials, Maher seems cursed when it comes to the golden girl. At least he retains a sense of humor about it: “I am OK with it. In fact, winning now would only fuck things up. I would lose all my street cred,” he told Deadline a few seasons ago, adding that he’s proud he has been nominated every single year since his shows started in 1995. “It comes down to people voting their taste, and I’m not the taste preference of a majority. Maybe that’s a good thing.”
Nevertheless, Maher is in good company, considering the caliber of talent that has also gone Emmy-less over their careers. Susan Lucci was the poster child for Emmy losers, striking out 19 times at the Daytime Emmy Awards before finally taking her one and only win for All My Children in 1999. It must give hope to others like Angela Lansbury, the reigning queen of the Tonys, who has managed to lose the Primetime Emmy 18 times. That includes 12 consecutive nominations for every single season of Murder, She Wrote. She even lost the Emmy for hosting her beloved Tonys.
NoHo Arts District, CA, September 4, 2013 – Today the Academy of Television Arts & Sciences along with producer Spike Jones, Jr. announced the first presenters for the 2013 Primetime Creative Arts Emmy® Awards. These presenters represent some of the brightest producers, hosts, personalities and talent on and behind the screen in television this year.
Presenters announced today include Heidi Klum, Tim Gunn & Jon Murray (Project Runway), Joel McHale & Dan Harmon (Community), Margo Martindale (The Millers), Mark Burnett & Roma Downey (The Bible), Scott Bakula & Jerry Weintraub (Behind the Candelabra), Nolan Gould (Modern Family), Mark Cuban, Daymond John, Kevin O’Leary, Lori Greiner & Robert Herjavec (Shark Tank), Cobie Smulders & Pamela Fryman (How I Met Your Mother), Joelle Carter & Graham Yost (Justified), Yeardley Smith (The Simpsons), Gilbert Gottfried, Chris Parnell (Archer) , Robert Smigel & Triumph, the Insult Comic Dog, McKenzie Westmore (Face Off), Jamie Hyneman & Adam Savage (MythBusters) and Neil Patrick Harris (65th Primetime Emmy ® Awards host and star of How I Met Your Mother).
Anthony D’Alessandro is Managing Editor of AwardsLine.
The growing pain of a child actor eventually building their career as an adult is often a gamble, potentially taking a toll on their personal and professional lives. But then there are triumphs such as Jason Bateman. Once a centerfold in teen magazines for his pungent personas on such NBC ‘80s sitcoms Silver Spoons and It’s Your Move, Bateman transformed into a bankable leading man in feature comedies such as Couples Retreat and Horrible Bosses, thanks in tremendous part to his role as Michael Bluth, a decent, single father who is surrounded by the idiocy of his conniving, affluent family on the Fox millennial sitcom Arrested Development. Netflix revived the show this spring with a fourth season to mixed reviews and a moderate bump in subscribers. Nonetheless, 2013 is shaping up to be a banner year for Bateman: Not only did he earn his second Emmy nomination as lead comedy actor for Arrested Development, but his first production under his Universal label Aggregate Films, Identity Thief, was a solid winter hit ($174 million global B.O.). Next week, he’ll premiere his feature directorial debut, the dark comedy Bad Words, at the Toronto film festival, in which he also stars. And in two months, he’ll begin production on Horrible Bosses 2. Bateman spoke with us about the challenges with the fourth season of Arrested Development as well as his multi-hyphenate career as a producer and actor.
Related: EMMYS: Comedy Lead Acting Handicap
AwardsLine: Why did you decide to return to Arrested Development? It’s not common for a marquee box office star in your position to return to a TV show he once headlined and make a 15 episode commitment. If you said ‘No’ the whole show might not have occurred.
Jason Bateman: Well, it’s not lost on me that this show was a rebirth for me. Without that show I’d be parking cars somewhere. There was a certain sense of wanting to do it out of loyalty as well as the fact it was one of the best jobs I ever had. So, to be able to work with all these people again and in the same capacity, it was a no brainer for me. So, I had no trepidation about it whatsoever, except for the format we were going to do. (Arrested Development creator) Mitch (Hurwitz) explained to me that it was going to be one episode per character and I thought, ‘I’m not sure that people are going to really love that.’ I’m willing to offer my services to be in every episode if you want, and if that seems budget-arily impossible, let’s not worry about that and I’ll make it work.
AwardsLine Editor Christy Grosz, Managing Editor Anthony D’Alessandro and contributors Paul Brownfield and Thomas J. McLean assist with Deadline’s TV coverage.
Lead acting mini/movie nominee Jessica Lange (American Horror Story: Asylum) and supporting acting hopefuls Sarah Paulson (also for American Horror Story: Asylum) and Scott Bakula (Behind The Candelabra) share thoughts on their characters, shows and nominations.
AwardsLine: What attracted you to American Horror Story: Asylum?
Lange: I have to admit that the horror genre is not something I am a fan of. Really, what drew me to it was the description of the character and what I knew (creator Ryan Murphy) would write for me, what I would be given to play. So that, more than anything, was why I signed on for the first season. Then, along the way, we started talking about the story for the next season, which I found even more interesting, because of the overarching themes, which seemed more powerful to me, dealing with things that I love delving into—madness and a kind of failed life, retribution, redemption.