Emmy season is revving up already even though the primetime awards show won’t be happening until the end of summer (Monday August 25th on NBC). But if you want to vote, the first major deadline looms tomorrow April 17, the last day to join the Academy, renew your membership or apply for hyphenate ballots in order to cast a ballot in this year’s contest. There is always a surge of interest in joining the Academy around this time of year. In fact, last season there was a substantial increase in membership, primarily in order to cast an Emmy ballot. It’s not uncommon to see applications coming in bulk from staffs of shows that want those nominations, but unless these hopefuls apply by Thursday they will have to wait until next year.
In addition to the deadline, the Television Academy (as it now calls itself – and full disclosure I am on the Board Of Governors representing Writers) just sent out a formal letter this week to the eligible membership (now well over 16,000 and climbing) regarding instructions for online voting, which is being instituted for the first time this season. Read More »
In this week’s podcast, Deadline Awards Columnist Pete Hammond and host David Bloom, talk about whether seemingly awards-ready hits Noah and The Grand Budapest Hotel can overcome their early-year release dates and make a … Read More »
More than a week after HBO announced that its buzzy True Detective will compete as a drama series at the Emmys, shaking up the drama race as a potential frontrunner, the decision is still a hot topic of conversation, with pundits debating whether the eight-episode series, created by Nic Pizzolatto and starring Matthew McConaughey and Woody Harrelson, belongs in the drama or miniseries category. The latest to weigh in was Mad Men creator Matt Weiner. “I was surprised they did it but I bet that everyone who is in that Drama category said ‘oh s***’,” he told Deadline‘s Pete Hammond. “That makes me think HBO did the right thing.”
HBO had not commented on its Emmy category choice for True Detective until now. Here is what the network’s programming president Michael Lombardo had to say about it. “This project was pitched to us, it was produced by us and marketed by us as a series. Nic never thought of this as a miniseries, and we always treated him as a creator of a series. In our minds this is a series, and the only reason to enter it as a miniseries was a cynical reason that didn’t feel like the right thing to do.”
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Showtime‘s Shameless is switching Emmy categories. The hourlong dramedy, which competed as a drama for the past three seasons, will be submitted as a comedy this time after a request by executive producer and showrunner John Wells … Read More »
With NBC’s The Tonight Show making a transition from host Jay Leno to Jimmy Fallon midway through the season, both versions are eligible for Primetime Emmys. The same goes for Late Night and its incarnations hosted by Fallon and Seth Meyers. I’ve learned that both The Tonight Show With Jay Leno and The Tonight Show Starring Jimmy Fallon are being submitted by NBC along with Late Night With Seth Meyers, Last Call With Carson Daly and the network’s venerable late-night sketch comedy series Saturday Night Live. NBC was in a similar situation during the 2009-2010 season when both The Tonight Show With Conan O’Brien, which aired through January, and Tonight Show With Jay Leno, which succeeded it, were submitted (O’Brien landed a nomination). Given the fact that Fallon just moved into Tonight Show and is looking to establish himself as host, it makes sense for him only to be submitted for that show. For Leno, this could be the last time he is up for a late-night Emmy. His Tonight Show has been nominated 10 times for Best Music, Comedy Or Variety Series, winning once. Fallon and Meyers’ previous shows, Late Night and SNL, also have been nominated in the top variety category. Read More »
Tonight at the the Academy of Television Arts & Sciences’ annual Hall of Fame induction ceremony, chairman Bruce Rosenblum will detail plans of a major makeover for the organization, including an expansion of its North Hollywood headquarters, a $40 million fundraising drive, a spiffing up of its Emmy statuette logo – the org is even changing its name to the more straightforward “Television Academy.”
The Academy says it will break ground on a dramatic expansion of its NoHo Arts District campus the day after this year’s Emmycast on August 25. This state-of-the-art facility will enable the Academy to host “even more events with television’s game-changers,” Rosenblum said in this morning’s announcement (see his letter to members bel0w). In addition to the construction, the fundraising will be put to use boosting educational work and scholarship program.
Beyond simplifying its name, the TV Academy also retained brand-strategy firm Siegel+Gale to revise its logo. The Emmy trophy itself will not change, but its graphic depiction will. The new look is “a symbolic representation of where we’re headed,” Rosenblum told Deadline. ”If you look at the new image – it’s cleaner, a bit tighter and more contemporary. It was in alignment with an evaluation of our name. We looked at the name Academy of Television Arts & Sciences and it was a bit dated, a bit old fashioned.” The Academy even mulled dropping “television” from its name. “After a lot of thought and discussion what became clear to all of us that while the word ‘television’ means something different than it did 70 years ago when our academy was founded, the word continues to haves significant resonance and importance among people who enjoy what television is – it’s a reference to the content itself,” Rosenblum said. “When you talk about ‘watching television’ you’re talking about watching Breaking Bad or Walking Dead or The Big Bang Theory – you’re not talking about the box you used to watch in your living room.”
Here’s Rosenblum’s letter to members today: Read More »
The ill-timed consolidation of the best TV movie and miniseries Emmy categories will likely be short lived. The TV Academy has started a procedure for the two longform categories to be restored for this year’s Primetime Emmy Awards, putting an end to the category’s two-year merger. “The recommendation has been made to split Outstanding Miniseries or Movie into separate program categories,” a TV Academy spokesperson said in a statement. “This is on the agenda to be discussed at the February 4th Awards Committee meeting.” The move, first reported by TVLine, is the first in a two-step process, with a recommendation first going to the awards committee and then to the Board of Governors for a vote. It was triggered by the so-called “rule of 14″ where more than 14 submissions in a category prompts a discussion of creating a new category and fewer than 14 opens a consolidation conversation. The dramatic drop in miniseries production at the end of the last decade — which resulted in only 2 getting nominated in the best miniseries Emmy category in both 2009 and 2010 — invoked the rule of 14, leading to the February 2011 vote to merge the best TV movie and miniseries categories.
One can argue that when made, that decision was already outdated because by early 2011 the miniseries genre was already coming out of the collapse with a number of solid Emmy contenders that year, including the opening installments of PBS’ Downton Abbey, which started off as a limited series; PBS’ Sherlock and BBC America’s Luther; as well as HBO’s Mildred Pierce, ReelzChannel’s The Kennedys, Sundance Channel’s Carlos and Starz’s The Pillars Of The Earth. But the TV Academy continued combining longform categories.
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Allan McKeown, who with his wife Tracey Ullman created her TV series Tracey Takes On… at HBO and State Of The Union at Showtime, died December 24 at his Los Angeles home after battling … Read More »
It may be too much to say last night was the night cable overtook broadcast TV for good — as some media have claimed – but it sure felt that way today. It’s not like broadcasters have never competed on Sunday against numbers like the 10.3 million Breaking Bad attracted in its series finale — HBO’s The Sopranos used to log those crowds on a weekly basis. But broadcasters definitely did not anticipate the media hysteria over the Breaking Bad wrapup, to which they had contributed mightily — most recently in the form of a big fat plug on NBC’s highly hyped Saturday Night Live season debut the very night before BB’s swan song. Breaking Badsteria first erupted one week earlier with the series’ Best Drama Emmy win. Sucks to be CBS, which aired the trophy show that launched AMC’s monster Breaking Bad marketing campaign that did so much to send CBS’ Premiere Week Sunday into double-digit declines in the ratings. (CBS didn’t suffer alone; ABC and Fox experienced same.) Between Breaking Bad‘s Emmy win and Sunday’s finale, AMC unspooled a weeklong full-run-of-series marathon while TV critics scattered role petals in its path. (After the finale aired, the critics got down to the serious business of arguing as to whether Bryan Cranston’s Walter White was TV’s ultimate winner or loser, an American hero or Ebenezer Scrooge on Christmas morning — and if the show’s wrap meant the end, or the dawn of a bright new day, for the economy of Albuquerque, where the show was shot.)
Related: Walter White’s Odyssey Completed In ‘Breaking Bad’ Finale
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Stephen Colbert last night talked about his Comedy Central late-night show’s Primetime Emmy Award win for best variety series, snapping The Daily Show’s decade-long run in that derby. Meanwhile, Tina Fey wants to remind us about her wardrobe malfunction at the Emmy ceremony while promoting her upcoming hosting gig on the season debut of Saturday Night Live.
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Diane Haithman is a contributor to Deadline’s TV coverage.
It was an emotional moment at the Emmys when the late Henry Bromell won a posthumous writing Emmy for Homeland’s intense and grueling ”Q&A” episode. Unfortunately his wife, Sarah Bromell, was only allowed a brief onstage moment. “I accept this award on behalf of Henry with deep appreciation for the Academy,” she said. “Thank you so much.” And as Homeland star Claire Danes accepted her second consecutive Emmy for lead actress in a drama, she said of Bromell, who died in March, “He was a brilliant person and so kind, and we think of him every day on a show that help define.”
While no stats were immediately available from the Academy, posthumous wins are extremely rare in any category. The last one is thought to be actress Diana Hyland in 1977 for The Boy in the Plastic Bubble. Last year, Kathryn Joosten netted a posthumous Emmy nom for supporting actress for Desperate Housewives.
Related: Nikki Finke Live-Snarks 65th Emmys
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Television’s best and brightest hit the red carpet tonight for the 65th Primetime Emmy Awards, held at LA’s Nokia Theatre. Check out Deadline’s gallery for a look at the movers and shakers from networks, studios, and agencies attending tonight’s awards. Refresh for latest.
Related: Nikki Finke: Live-Snarking 65th Emmys
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Adam Klugman is fuming over his father’s exclusion from an expanded special tribute at this weekend’s Primetime Emmys that includes Cory Monteith. “I think it’s criminal,” Klugman tells The Associated Press. “My dad was at the … Read More »
Listen to (and share) episode 42 of our audio podcast Deadline Awards Watch With Pete Hammond. Deadline’s awards columnist and host David Bloom wrap up last weekend’s Creative Arts Emmys and what they may suggest will happen in this weekend’s Primetime Emmys show. They also take a look at whether 12 Years A Slave is indeed the Oscar frontrunner after snagging the audience award at the Toronto International Film Festival. Finally, Pete gives his take on this week’s new movie releases, including Ron Howard’s very fast new entry in the Oscar race, Formula One biopic Rush in limited release, the intense thriller Prisoners starring a full slate of Oscar winners; Thanks For Sharing with Gwyneth Paltrow and Mark Ruffalo; and Enough Said, a romantic comedy from Nicole Holofcener featuring one of the last films with the late James Gandolfini.
Deadline Awards Watch, Episode 42 (MP3 format)
Deadline Awards Watch, Episode 42 (MP4a format)
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Deadline’s Awards Columnist Pete Hammond and ENTV host Melana Scantlin discuss Pete’s predictions in the reality and variety categories in this weekend’s Primetime Emmys, along with his wish list. Will The Amazing Race dominate once again and, after 32 nominations, will this finally be Bill Maher’s year for … Read More »
Malin Akerman, Stephen Amell, Connie Britton, Dan Bucatinsky, Emilia Clarke, Jimmy Fallon, Tim Gunn, Jon Hamm, Alyson Hannigan, Mark Harmon, LL Cool J, Mindy Kaling and Heidi Klum were announced today as the final group of presenters for … Read More »
CBS announced this morning it will pre-empt 60 Minutes this Sunday for NFL football and the 65th Primetime Emmy Awards. Scrubbing this Sunday’s newsmag edition gives CBS its best hope for starting … Read More »
Deadline’s Awards Columnist Pete Hammond talks with ENTV host Melana Scantlin about the likely winners in key comedy segments in this weekend’s Primetime Emmys, including whether defending champ Modern Family can stave off The Big Bang Theory and other contenders for its fourth straight win as Best … Read More »
Related: In Memoriam Tributes Aim To Keep Viewers Interested
NoHo Arts District, CA. – September 16, 2013- This year’s Emmy® Awards will feature the traditional In Memoriam segment that has become an industry award show staple, and in addition, the telecast producers have selected five individuals who warrant special recognition. To honor them, close friends and co-workers have been invited to provide personal tributes which will be presented during the ceremony, held at the Nokia Theatre L.A. LIVE in Los Angeles and telecast live on Sunday, September 22nd, (8:00 PM EDT / 5:00 PM PDT) on the CBS Television Network.
Those who will provide special tributes include Edie Falco, who will remember Sopranos co-star James Gandolfini; Michael J. Fox who will pay tribute to Family Ties producer Gary David Goldberg; Jane Lynch will remember her friend and Glee co-star Cory Monteith; Rob Reiner will pay tribute to his long time All in the Family cast member Jean Stapleton; and Robin Williams will remember his friend and mentor Jonathan Winters (Mork and Mindy).
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