Gemma Arterton Coming To West End With ‘Made In Dagenham’
Former Bond girl Gemma Arterton is set to star in a West End musical version of 2010 film Made In Dagenham. She’ll play Rita O’Grady, a role originated by Sally Hawkins in the Nigel Cole-directed movie. The show is a musical comedy about women who battled for equal rights at a Ford factory in Essex, England, in 1968. The BBC reports that Richard Bean, who wrote One Man, Two Guvnors, is penning the script for the show, which opens November 5 at the Adelphi Theater. Rupert Goold (Enron, American Psycho) is directing. Arterton recently starred onstage in The Duchess Of Malfi.
Global Showbiz Briefs: Gemma Arterton Treads Boards In ‘Made In Dagenham’; Dave Heuten Joins FremantleMedia’s Belgium Arm; More
Gemma Arterton Coming To West End With ‘Made In Dagenham’
After two years of power play, private equity firm Apollo Global Management appears poised to take control of Big Brother producer Endemol. The Dutch production company inherited billions of dollars in debt following the 2007 buyout, believed to have ballooned to $4.1 billion in 2011 before it was restructured. After the restructuring, Apollo ended up with the largest portion of Endemol debt, giving it a stake of about 30% in the company. Endemol’s owners also include the company’s co-founder John de Mol through the investment company Dasym Investment Strategies, which handles some of his money. Both Apollo and de Mol had reportedly been looking to take control of Endemol. Now it seems Apollo is succeeding. I hear there is no signed deal yet, but such an outcome appears very likely, sparking a lot of market chatter.
Endemol North America (Big Brother), has signed an exclusive overall deal with Armando Christian Perez (Pitbull) to develop and produce original content for television and digital platforms. Perez will also serve as executive producer on the projects under the deal announced at Endemol’s NATPE party, along with manager and Latium Entertainment CEO Charles Chavez. The digital aspect of the deal also includes a Pitbull channel on upcoming online network Endemol Beyond. Pitbull’s single Timber featuring Ke$ha, is in its third consecutive week at #1 on the Billboard Hot 100 chart and new song We Are One (Ole Ola) featuring Jennifer Lopez and Brazilian singer Claudia Leitte was named the official anthem for the 2014 World Cup.
Global Showbiz Briefs: Channel 4 Orders Comedy Pilot ‘Catastrophe’; Endemol Invests In Social Casino Gaming Firm; More
Channel 4 Orders Comedy Pilot From Rob Delaney, Sharon Horgan
The UK’s Channel 4 has commissioned the pilot Catastrophe from Rob Delaney and Sharon Horgan. The pair will write and star in the single-camera comedy about an Irish woman and an American man who make a bloody mess as they struggle to fall in love in London. Catastrophe is an Avalon Production for Channel 4. Adam Tandy will serve as a non-writing producer with Avalon Television UK producing. Delaney won the award for “Funniest Person on Twitter” at the Comedy Central Comedy Awards. His television credits include Comedy Central’s Key & Peele, Fuel TV’s The Daily Habit, and the pilot Movie Nook for TBS. Delaney is repped by Kara Baker at Avalon Management, WME and CAA Touring.
Endemol Bets $13M On Social Casino Gaming Company Plumbee
Endemol said today that it has invested $13 million in social casino gaming company Plumbee. The digital start-up’s existing investor, Idinvest Partners, also participated in this round. The deal values the business at $40 million. Launched in 2011, Plumbee creates, operates and markets free-to-play online and mobile games on social networks. The two companies will create premium social casino games, exploiting Endemol’s global entertainment brands and building on Plumbee’s worldwide user base.
Global Showbiz Briefs: “Documentary” Sting Nabs Alleged Pirate Kingpin; ‘Now You See Me’ Tops Box Office In China; More
It’s The Old Consult-On-A-Movie-About-Maritime-Piracy Trick
If this real-life tale were pitched as a movie, it might go something like this: “Imagine Argo meets Captain Phillips, with a little In Bruges thrown in.” Mohamed Abdi Hassan, an alleged pirate mastermind, was arrested during the weekend after arriving in Belgium from Nairobi. He was led there by the belief that he was signing a deal to act as an expert adviser on a documentary about the Somali piracy business. Instead, he was met by authorities, who arrested him. Hassan, aka Afweyne or “Big Mouth”, was charged with hijacking the Belgian ship Pompei in 2009 and kidnapping its crew, per the Associated Press. Some of the pirates involved in that attack were caught and convicted, but Hassan remained at large. When he evaded capture in Malaysia in 2012, Belgian authorities took the undercover route and approached an alleged accomplice, Mohamed Aden, saying they wanted Hassan to “collaborate as adviser and expert in the matter on a film about maritime piracy,” federal prosecutor Johan Delmulle told The New York Times. After months of back-and-forth, Hassan and Aden agreed to travel to Belgium. When they arrived on Saturday, they were arrested and sent to Bruges for a court hearing. Today, the hearing was pushed to October 30.
‘Now You See Me’ Opens Atop Chinese Box Office With $9.1M
Heist pic Now You See Me was No. 1 at the Chinese box office over the weekend. The film about a group of magicians who pull off a complex caper made $9.1M in its first four days of release over the local holiday, FilmBizAsia reports. Local pic Love Will Tear Us Apart opened with $5.21M in its first two days and in its third weekend, Tsui Hark’s Young Detective Dee: Rise Of The Sea Dragon took a further $6.93M for a cume of $88.7M, outperforming Hark’s last pic, 2011’s Flying Swords Of Dragon Gate.
Global Showbiz Briefs: ‘The Trip’ Season 2; UK Tax Incentives; Sony, Universal Team In Nordic Region; Electus & ‘Bet On Your Baby’; Endemol In Israel & More
Coogan, Brydon & Winterbottom To Take Another ‘Trip’
Steve Coogan and Rob Brydon are reteaming with Michael Winterbottom for a second series of The Trip. The BBC Two comedy, released theatrically in the U.S. by IFC, set Coogan and Brydon off on a road trip to tour the UK Lake District’s best restaurants. Memorable for the duo’s attempts to best one another at celebrity impressions, the first season was highly improvised. The second season will be set in Italy on a road trip that retraces the footsteps of the Romantics, Coogan told Empire Magazine.
UK Touts Tax Incentive For High-End TV Productions
The British film industry celebrated the UK’s new Creative Sector Tax Reliefs this morning in London. Chancellor of the Exchequer George Osborne and Culture Minister Ed Vaizey were on hand to outline the importance of the new incentives which will see qualifying high-end TV and animation productions receive up to 25% in tax relief. The scheme came into effect on April 1. Vaizey said “The UK’s creative industries are a real success story, worth more than £36 billion a year. We know that the television and animation sectors make a real difference to the UK economy and these new tax reliefs will be instrumental in expanding our potential.” Iain Smith, producer and chair of the British Film Commission, encouraged the industry to “continue to fight rigorously to maintain our position as a leading center of production.” There was also a case study of HBO’s Game Of Thrones, which is shooting its fourth season in Northern Ireland. HBO SVP Jay Roewe noted the new measures “will make filming in the UK an even more viable proposition.” The BFC recently hosted events in Los Angeles and New York to educate studios, broadcasters, producers and agents on the incentives.
Along with an emphasis on cross-border series, among the takeaways from this week’s Mip-TV market was the increased merging of technology and content. Of the 4,000 acquisition execs in town, 800 were VOD and digital buyers – a 30% jump on last year. Cinedigm did a digital/VOD deal for more than 1,000 episodes of TV shows from Australia’s ABC which CEO Chris McGurk said reflected the “ever-growing importance of efficient, cost-effective delivery of digital content worldwide.”
YouTube was part of the discussion. Tim Hincks, president of Dutch giant Endemol, which has over 100 YouTube channels, said the company will soon launch a new Fear Factor channel, effectively reviving the brand in the U.S. But he stressed that “It’s not how much you’ve got, it’s what you do with them. It’s tying them together and marketing to the consumers and YouTubers on the different channels.”
But BSkyB managing director of content, Sophie Turner Lang, urged attendees to “Talk about the shows, not the pipes.” It’s storytelling that engages audiences, she said, noting that creative meetings have reversed from mostly being about story and talent to being about “protection and digital delivery.”
Global Showbiz Briefs: ‘Masterpiece’ Memoir; Endemol & AMC Pact On Non-Scripted; ‘Draw It’ In UK; ‘Boys In Trees’
Rebecca Eaton To Pull The Curtain Back On Masterpiece
Masterpiece executive producer Rebecca Eaton will publish a memoir this fall. Making Masterpiece: 25 Years Behind The Scenes Of Masterpiece Theatre And Mystery! PBS releases October 29 via Viking in the U.S. Eaton has presided over PBS’ Masterpiece, which airs such British and international hits as Downton Abbey and Sherlock, for 25 years. Eaton says, “As an Anglophile who loves books and great acting, I’ve had the perfect job.” For the book, she interviews actors, writers, directors and producers and is expected to share stories about Downton’s Maggie Smith, Sherlock’s Benedict Cumberbatch and Daniel Radcliffe whose first TV role was as the title character in David Copperfield. Under Eaton’s leadership, Masterpiece has earned 44 Emmy Awards, 15 Peabody Awards, four Golden Globes, and two Oscar nominations. She’s writing the book with Patricia Mulcahy.
PGS To Offer ‘Stan Lee’s Mighty 7′ At Mip Market
Andy Heyward’s A Squared Entertainment is partnering with Stan Lee’s POW! Entertainment and Archie Comics to produce Stan Lee’s Mighty 7. The TV movie trilogy is billed as the first-ever reality superhero show and sees Lee insert himself into the story as a writer hired by Archie Comics to create a new group of superheroes. But when a group of seven aliens crash lands near his trailer, Stan decides to teach them how to behave as superheroes to thwart the military that’s in hot pursuit. The Mighty 7 comic book began appearing last year as a bi-monthly series. PGS Entertainment is kicking off sales at Mip-TV next month with the first movie to deliver in Q4.
Global Showbiz Briefs: BFI Film Fund For Docs, Film London For Artists, RealD In Hospitals, Endemol’s ‘Big Boss’
Documentary Makers To Pitch BFI For Funding
The BFI Film Fund will dish out funding to documentaries via twice-yearly public pitch sessions, in London and at Sheffield Doc/Fest. Documentarians will pitch ideas to a panel of senior execs “from within the BFI Film Fund and wider documentary funding community”, with selected candidates benefitting from a day of expert-led development to help them focus pitches and strengthen ideas. Documentary filmmaking in Britain is on a high after a string of high-profile successes like Man On Wire and Senna, as well as this year’s Oscar- and BAFTA-winning Brit-produced Searching For Sugarman and the BAFTA-winning The Imposter. “Documentary is the punk of the film industry,” said the BFI’s Lizzie Francke. “We’re absolutely committed to supporting the UK’s visionary documentary filmmakers and we’re pleased to be working with Sheffield Doc/Fest on this new way to deliver support directly to the sector.” – Joe Utichi
‘Pulp’ Director Lines Up ‘Anomaly’
Adam Hamdy, who co-directed Brit indie Pulp, the first feature to premiere on the Xbox platform, has inked a deal for his next film. He’ll write and direct sci-fi thriller Anomaly for L.A.-based production firm Alexander Content and UK-based Dare Productions. Principal photography is scheduled for a September start on the story of a young man who wakes up in the hospital after a terrible car accident and sets out on a quest to discover the truth about what really happened to him. Producers are Alexander Content principal Rick Alexander and UK-based Phil Bland. Exec producers are Syndicate Works principal Pat Nelson and Hamdy. Pic is financed by UK-based accountancy Smith & Williamson.
Foxtel Shuffles Exec Deck
Foxtel Networks Australia announced a series of executive changes on Monday, orchestrated by executive director of television Brian Walsh. The restructure follows the January 1 launch of the Foxtel-branded movies and premium drama channels. Brendon Moo takes the role of general manager, general entertainment channels, responsible for Fox8, Arena, Fox Classics, The Comedy Channel and 111 Hits.
Endemol North America has promoted four executives: Caroline Baumgard to EVP Development, Rob Smith to EVP Programming; Rob Day to EVP Production, and Ron Milkes to EVP Operations, Strategy and Corporate Development. The four will continue to be based in Los Angeles and report to David Goldberg, Chairman and CEO, Endemol North America.