Brian Brooks is managing editor of MovieLine.
Lee Daniels’ The Paperboy lead the pack of specialty newcomers with a solid $110,033 at 11 locations and an average of $10,003. That gives the Oscar-nominated director a respectable first showing for his follow-up to his lauded 2009 film Precious, although it falls short of spectacular. Even so, it bested the weekend’s other new titles in limited release. Only Abramorama’s The House I Live In came close with a $9,827 average in 2 theaters. Oscilloscope’s Wuthering Heights bowed in one theater with $8,785, while Drafthouse Films’ Wake In Fright opened comparatively softer with $6,749 in at New York City’s Film Forum. The restored 1972 film (Outback in its original U.S. release) will move to Austin, Washington and Boston next weekend and to Los Angeles on October 19th. IDP/ATO’s The Oranges bowed in 110 theaters with a soft average of $1,636. SnagFilms-Paladin release Decoding Deepak averaged $3,017 in three theaters, while Magnolia’s V/H/S opened in 15 theaters with a modest $2,667 average. Read More »
Brian Brooks is managing editor of MovieLine.
A film starring Nicole Kidman, Zac Efron, Matthew McConaughey, Macy Gray, and John Cusack may sound like a packaged star vehicle of some sort, but apparently it’s not. It’s Lee Daniels’ follow-up to his 2009 Oscar-favorite Precious and it has divided audiences with wild supporters and vocal dissenters at festivals since debuting in Cannes. The Paperboy will be hitting theaters after its NY Film Festival debut this week and the rest will be box office history. Veteran actor Matthew Lillard will open his pic, Fat Kid Rules The World, about a suicidal high school dropout who is recruited to join an upstart punk band through self-distribution beginning in New York. Doc The Revisionaries, meanwhile, will use its Texas base to drive a later national roll out. And Magnolia is hoping to scare up audiences with its multi-filmmaker title, V/H/S.
Fat Kid Rules The World
Director: Matthew Lillard
Writers: Michael M.B. Galvin, Peter Speakman, K.L. Going (novel)
Cast: Jacob Wysocki, Matt O’Leary, Billy Campbell, Dylan Arnold
Distributor: Outsider Films
Veteran actor Matthew Lillard made his first foray into directing with a short in 2009 before going behind the camera again for his comedy Fat Kid Rules The World. But he had long considered the filmmaker hat when he first optioned the book 10 years ago. “Finding an opportunity to get it made took so long,” he said. Before launching into his acting career, he took on directing as a high school kid. But, getting the deal done on Fat Kid Rules The World, of course, took more than simply the desire. After the film won an Audience Award at the SXSW Film Festival, Lillard and his producers thought they’d be off and running into distribution. “But all we got was a bunch of options to release it on VOD,” he said. “Looking at it and understanding where we were at, we figured we were probably not going to make our money back, but I decided not to stop until we broke even.” So Lillard and crew turned to crowd funding site Kickstarter and promptly raised $158K in 33 days to help self-distribute the title. “We realized we had a pretty extensive reach in the social media world,” Lillard said. “I have fans, [Pearl Jam lead guitarist] Mike McCready who did the music for the film does as well, so we knew we could reach that [audience].” Read More »
ARC Entertainment acquired North American distribution rights to Matthew Lillard’s directorial debut Fat Kid Rules The World, a comedy that won the Narrative Feature Spotlight Audience Award at the 2012 SXSW Film Festival. The film will be launched through a social media strategy that includes a $150,000 P&A spend raised through Kickstarter. Pic stars Jacob Wysocki, Matt O’Leary, and Billy Campbell. Lillard, last seen in The Descendants, made his directing debut on a film based on the K.L. Going novel.
The protagonist is 17, overweight, and suicidal, and when he’s about to jump in front of a bus, he’s saved by a charming street musician. The two begin an uneasy friendship when Marcus enlists the musically challenged kid to become the drummer in a new punk rock band. The youth’s father becomes increasingly concerned about his son’s new friendship. Read More »
The film portion of SXSW wraps today and the festival has unveiled its Audience Awards. They follow Tuesday’s jury awards that saw Adam Leon’s Gimme The Loot take the top narrative feature honor. The fest’s final awards will … Read More »