TOLDJA! Focus Features Lands ‘The Place Beyond The Pines’

Mike Fleming

2ND UPDATE: Focus Features has confirmed Deadline’s scoop. Release is at the bottom of the story

UPDATE: I’m told that Focus Features indeed closed a distribution deal for one of Toronto’s hottest acquisition titles, the Derek Cianfrance-directed The Place Beyond The Pines. The negotiations between the Focus acquisition team and the sellers at WME and CAA went into the wee hours of the morning before the deal was made. I’m still trying to confirm the numbers, but it was a few million dollars commitment for a film that has gotten good reaction but which might need to be honed and trimmed a bit for maximum theatrical bang. The big question now is whether this will prime the pump and get the deal volume going. I’m hearing such good things about the acquisition titles that have screened so far that I’m going to say it is inevitable and that sellers and buyers have a lot of late night negotiations ahead of them over the next few days.

RELATED: Toronto: Insider Says No Weinstein Company Offer On ‘Place Beyond The Pines’

EARLIER EXCLUSIVE, SATURDAY 9:17 PM: Focus Features has become the frontrunner and is in serious negotiations to acquire The Place Beyond The Pines, the Derek Cianfrance-directed drama that came into the Toronto Film Festival as one of the highest profile acquisition titles. I’m hearing that a deal could close by tomorrow morning. Focus was among several suitors that sparked to a film that stars Ryan Gosling, Bradley Cooper, Eva Mendes, Ray Liotta and Rose Byrne. Gosling plays a motorcycle stunt rider who considers committing a crime in order to provide for his wife and child, an act that puts him on a collision course with a cop who is on a political track. CAA and WME have been brokering the sale together since the film premiered Friday at the Princess of Wales Theater.

I’m not surprised that the picture is selling quickly in Cianfrance’s follow up to the Sundance sensation Blue Valentine, also with Gosling. For Cooper, it’s the second strong performance here at the festival. I saw Silver Linings Playbook tonight, and Cooper is superb alongside equally good Jennifer Lawrence, Robert De Niro, Jacki Weaver and a scene stealing Chris Tucker in a David O Russell-directed film that will figure strongly in Oscar season.

As for the acquisitions, I expect the pace to pick up, with action on films like What Maisie Knew and several others.

TORONTO, September 9th, 2012 – U.S. rights to The Place Beyond the Pines, the
highly anticipated new drama from director Derek Cianfrance, starring Academy
Award nominee Ryan Gosling, Bradley Cooper, and Eva Mendes, have been acquired
by Focus Features for a 2013 release. Focus CEO James Schamus and president
Andrew Karpen made the announcement today at the Toronto International Film
Festival, where the movie is having its world premiere.

Focus acquired the rights from Sidney Kimmel Entertainment (SKE), which financed
the movie and which was represented at Toronto by Jim Tauber and Nick Hanks,
with WME Global and Creative Artists Agency acting as sales agents.
International sales to the feature are being handled by Sierra/Affinity.

The Place Beyond the Pines was written by Mr. Cianfrance, Ben Coccio, and Darius
Marder. The movie was produced by Jamie Patricof and Lynette Howell through
their Electric City Entertainment, Alex Orlovsky through his Verisimilitude, and
SKE’s Sidney Kimmel; Mr. Patricof, Ms. Howell, and Mr. Orlovsky previously
produced the award-winning Blue Valentine, directed by Mr. Cianfrance and
starring Mr. Gosling and Academy Award nominee Michelle Williams. The new
movie’s executive producers are Mr. Tauber, Matt Berenson, and SKE’s Bruce Toll.

The film powerfully explores the consequences of motorcycle rider Luke (Mr.
Gosling)’s fateful decision to commit a crime to support his child. The incident
renders him targeted by policeman Avery (Mr. Cooper), and the two men become
locked on a tense collision course which will have a devastating impact on both
of their families in the years following.

The cast of The Place Beyond the Pines also includes Golden Globe Award nominee
Rose Byrne (Damages), Mahershala Ali (Treme), Emory Cohen (Smash), Dane DeHaan
(Chronicle), Gabe Fazio, Bruce Greenwood (Flight), Ray Liotta (Killing Them
Softly), Ben Mendelsohn (The Dark Knight Rises), and Harris Yulin (Scarface).

Mr. Schamus and Mr. Karpen said, “Derek Cianfrance has made a bold, epic, and
emotionally generous saga, once again showing a master’s hand in eliciting
searingly beautiful performances from the actors with whom he collaborates.”

Mr. Cianfrance commented, “The Focus team’s ability to work in partnership with
writers and directors is known and respected by the film community. Their
passion for this very personal project is why I know they are the right home for
our new movie.”

Mr. Tauber added, “Sidney Kimmel and I are convinced that the entire Focus team
understands the uniqueness of Derek’s bold and daring film, and that they
provide the perfect home for the filmmaking group.”

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Toronto: ‘Anna Karenina’ Risky New Version Receives Standing Ovation Opening Night

Pete Hammond

Tolstoy as re-imagined by Joe Wright and Tom Stoppard came to the Toronto International Film Festival in a big way Friday night as Focus Features’ adaptation of Anna Karenina made its North American debut. “They gave us a nice little standing ovation,” said a modest Wright who told me at the Soho House after-party this film means so much to him that he doesn’t know how he is going to follow it. He had great success early in his directing career with Oscar nominees like Pride & Prejudice and Atonement (which both featured his Anna Karenina star Keira Knightley) but then detoured to different kinds of films like The Soloist and action flick Hanna. Now that he’s back in this literary space he can appreciate the success more, he says.

Related: Toronto Oscar Talk: Ben Affleck’s ‘Argo’ And Paul Thomas Anderson’s ‘The Master’

Wright came up with the concept of staging the story in a theatre and then moving it in and out of that setting. It’s a unique and risky idea but really pays off in the execution. As Focus Features chief James Schamus told me, “This film is ravishing to look at.” A couple of critics have been naysayers but Schamus isn’t concerned about them. He says most will get it. Schamus plans an aggressive platform release strategy after the November 16th opening and should be relatively wide by December. Focus hopes it will draw upscale audiences who flock to this sort of thing but also younger women who may relate to the plight of Anna and the young actors cast here. It premiered in England earlier in the week and opens there this weekend.

Related: ‘Looper’, ‘On The Road’, Marion Cotillard Kick Off Festival Packed With Oscar Hopefuls

This Anna Karenina certainly is a lot different than the version MGM and Greta Garbo served up in the 1930s. Wright’s bold concept of losing some of the naturalism and putting it in a theatrical setting wasn’t in Stoppard’s script – and he had to convince the writer it was the way to go. But in the end it all worked out. He said the premiere at Toronto’s classic Elgin theatre was almost surreal since it looked like the theatre-in-the-film-in-a-theatre. It’s an instant contender for a Best Picture, Director and Screenplay slot. Knightley’s go-for-broke work is likely to land her in the Best Actress race again, and producers also hope Jude Law as her husband gets attention in the supporting category. Pic also can easily expect Oscar nominations in numerous categories including the cinematography of  Seamus McGarvey, production design of Sarah Greenwood, costume design of Jacqueline Durran, and musical score of Dario Marianelli (who is already an Oscar winner for Atonement). Read More »

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Will Playing FDR Give Bill Murray A Second Shot At Oscar? ‘Hyde Park’ Hits Telluride

Pete Hammond

Awards buzz has grown around Bill Murray ever since it was announced he would be playing FDR in Focus FeaturesHyde Park On Hudson. His is not the first name that comes to mind when you think of serious portrayals of U.S. Presidents. But he pulls it off without a hitch, and early reaction at its first-ever public screening Friday night at the 39th Telluride Film Festival was very good. Maybe we’ll have a Presidential shoot-out at the Oscars between Murray’s FDR and Daniel Day Lewis’ Abe Lincoln?

I have always thought Murray got robbed of a much deserved Best Actor Oscar in 2003 for Lost In Translation when Sean Penn swooped in and stole it for Mystic River. The problem this year is that the category is overloaded with so many genuine contenders that Academy voters easily could find 10 deserving performances to fill only the 5 slots. Murray’s is a subtle but engaging portrait. And Oscar voters are suckers for performances which not only show an actor can play against type but also take on well-known historical figures. Murray’s FDR fits the bill as definite Oscar bait. Hyde Park On Hudson also has another plus that gives it plenty of Academy potential. It is the second film in three years to deal in some way with England’s King George VI. This plot, set in 1939, involves an invitation for the new King to visit President Franklin Delano Roosevelt. So the stuttering monarch, this time played by Samuel West, is back in Telluride where the Oscar-winning The King’s Speech debuted on its first stop to Best Picture glory in 2010.

Related: Toronto Film Fest: What Looks Good For Oscar?

Related: Hot Trailer: ‘Hyde Park On Hudson’ Read More »

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Cohen Media Group, Focus World Take On Toronto Drama ‘The Attack’

By NANCY TARTAGLIONE, International Editor | Monday August 27, 2012 @ 7:01am PDT

West Beirut and Lila Says director Ziad Doueiri’s The Attack will have its world premiere in Toronto next month. Cohen Media Group and Focus Features’ alternative distribution arm, Focus World, will jointly handle the film’s North American release in 2013. … Read More »

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Focus Features Puts Gus Van Sant-Matt Damon Pic ‘Promised Land’ Into Oscar Race

By MIKE FLEMING JR | Thursday August 23, 2012 @ 12:51pm PDT
Mike Fleming

BREAKING: In a surprise move that adds another intriguing film to Oscar season, Focus Features has committed to release in a qualifying two city run Promised Land, the Gus Van Sant-directed film that stars Matt Damon and John Krasinski, both … Read More »

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‘Bullhead’ Helmer Michael R. Roskam To Helm ‘The Tiger’ For Focus Features

Mike Fleming

EXCLUSIVE: Michael R. Roskam, who got a Best Foreign-Language Film Oscar nomination last year for his Belgian film Bullhead, has been set by Focus Features to make his Hollywood feature helming debut with The Tiger, a drama … Read More »

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Hot Web Trailer: ‘ParaNorman’

By THE DEADLINE TEAM | Tuesday August 14, 2012 @ 10:58pm PDT

Focus Features has released a final web trailer for the LAIKA stop-motion animated ParaNorman 3D feature that opens Friday. ParaNorman is directed by Sam Fell (Flushed Away, The Tale of Despereaux) and Chris Butler (who also wrote the screenplay). This trailer takes a different approach from those that preceded … Read More »

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‘Brave’ And ‘ParaNorman’ Make Big Animated Splash With Weekend Concerts and Premieres From Pixar And Focus

By PETE HAMMOND | Monday August 6, 2012 @ 12:38am PDT
Pete Hammond

It may only be August but already there is some subtle jockeying going on around the Oscar race for Best Animated Feature.

Not taking anything for granted after their Cars 2 failed to make the final cut of five nominees last year, Pixar pulled … Read More »

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Comic-Con: ‘Miss Bala’ Helmer Gerardo Naranjo Sets Focus Features Deal For Political Thriller ‘A Man Must Die’

By MIKE FLEMING JR | Friday July 13, 2012 @ 7:57am PDT
Mike Fleming

EXCLUSIVE: While Focus Features has an early panel today at Comic-Con to unveil its family-themed ghoulish animated film Paranorman, the indie studio has just closed a deal for Gerardo Naranjo to direct A Man Must Die. Naranjo, who helmed the … Read More »

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Mike De Luca, Dana Brunetti To Produce ‘Fifty Shades Of Grey’

Mike Fleming

BREAKING: Mike DeLuca and Dana Brunetti have been tapped to produce Fifty Shades Of Grey, the Universal Pictures/Focus Features movie adaptation of the bestselling steamy trilogy. De Luca and Brunetti (who runs Kevin Spacey’s Trigger Street … Read More »

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Hot Trailer: ‘Anna Karenina’

By THE DEADLINE TEAM | Wednesday June 20, 2012 @ 12:05pm PDT

Keira Knightley and Joe Wright reteam for a third time on Anna Karenina, which Focus Features will release in select cities November 9. It’s got a pretty stellar team: adapted by Tom Stoppard and co-starring Aaron Johnson, Jude Law, Matthew Macfadyen, Kelly Macdonald, Ruth Wilson, Olivia Williams, and … Read More »

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Focus Features Options New Yorker Article ‘The Yankee Comandante;’ George Clooney Directing

By MIKE FLEMING JR | Wednesday June 6, 2012 @ 5:56pm PDT
Mike Fleming

EXCLUSIVE: Focus Features is making a rights deal for David Grann’s massive article in the May 28 issue of The New Yorker, The Yankee Commandante, with George Clooney attached to direct. He will produce with his Smokehouse partner Grant Heslov.

The article is about William Alexander Morgan, an American who helped Castro and the Cuban rebels overthrow Fulgencio Batista. He’d reached the status of Comandante, the sole foreigner other than Argentinian Che Guevara to be so highly regarded. Shortly after, Morgan — a shadowy man whose motives for being there were subject to suspicion — was imprisoned and facing a firing squad, charged with working for U.S. intelligence. At the same time, his exploits as a rebel soldier led J. Edgar Hoover and everyone else scrambling to sort out his motives and who he was working for. Read More »

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‘Moonrise Kingdom’, ‘Marigold Hotel’ Shine As Openers Fizzle: Specialty Box Office

Among specialty releases, holdovers held the spotlight the first weekend of June. Memorial Day weekend’s record-breaking opener Moonrise Kingdom retained its crown atop the box office in the specialty arena, averaging just over $53K per theater in 16 locations. Focus Features added 13 locations for the Wes Anderson-directed feature, which opened Cannes last month. And on this Diamond Jubilee weekend, Focus is, well, jubilant: “Moonrise continues to generate outstanding results this weekend,” a Focus spokesperson said this morning. “Saturday’s large increase over Friday (42%) reflects theaters adding more seats in response to demand (there were sellouts throughout the day). The estimated $53K theater average defines the film’s powerful box office momentum.”

Related: ‘Moonrise Kingdom Topples Record, ‘Intouchables’ Strong

But the jewel in the crown is still Fox Searchlight‘s The Best Exotic Marigold Hotel, which added 61 locations in its fifth weekend out. Set in India, the film took in  $4.6 million over the weekend, landing itself again in the overall box office top 10 with only a 25% decline from last last weekend’s gross, Read More »

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Specialty Box Office: ‘Cowgirls N’ Angels,’ ‘The Intouchables,’ ‘Moonrise Kingdom,’ ‘Oslo, August 31st’

By BRIAN BROOKS | Thursday May 24, 2012 @ 2:46pm PDT

This weekend’s specialty openers in the U.S. include a pair of Cannes Film Festival offerings. Just over a week since its world premiere as the fest’s opening-night film, Wes Anderson’s romantic-comedy Moonrise Kingdom will bow Stateside. The film has been an initial success since opening in theaters in France on the heels of its premiere there. Cannes 2011 title Oslo, August 31st also joins the specialty fray, hoping to repeat its success overseas in the U.S., as is The Weinstein Company‘s The Intouchables. That film has become one of the largest box office draws in French history and has taken big sums overall abroad. Also this weekend, Samuel Goldwyn Films will forgo the traditional L.A. and New York approach for its theatrical opening of Cowgirls N’ Angels, opting for playdates in the Midwest and South. Read More »

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Bill Murray Gives Nickel Tour Of Wes Anderson’s ‘Moonrise Kingdom’ Set: Video

Bill Murray somehow fits perfectly — like an old slipper — on the set of Wes Anderson’s Moonrise Kingdom, the Focus Features drama that just opened the Cannes Film Festival and comes out in the U.S. on Friday. He and Anderson are old pals, with the actor having … Read More »

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Hot Trailer: ‘Hyde Park On The Hudson’

Bill Murray as FDR! Need we say more? Focus Features put up the theatrical trailer for Hyde Park On The Hudson, which depicts England’s King George VI spending a weekend at President Roosevelt’s estate in upstate New York. Directed by Roger Michell from Richard Nelson’s script, it also … Read More »

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Cannes Opens With ‘Moonrise Kingdom’

By PETE HAMMOND | Wednesday May 16, 2012 @ 6:33pm PDT
Pete Hammond

The competition portion of the 65th annual Cannes Film Festival began in earnest tonight as the fest opened with the World Premiere of Wes Anderson’s new comedy, Moonrise Kingdom. And the results certainly pleased Focus Features chief James Shamus, who assessed the evening for me at the film’s swinging late night afterparty at Carlton Beach (which started after the usual opening night formal dinner). The movie received a 5-minute standing ovation that in fact brought co-star Bill Murray to visible tears in the audience. Of course every film gets some kind of ovation from these twice-a-night opening crowds. But there seemed to be genuine enthusiasm for Anderson who has never  brought a film to Cannes. “I contacted [Fest director] Thierry Fremaux and really fought hard for the opening night slot because I believed in this film,” Schamus told me. It is somewhat unusual for the opening nighter to be in competition also. (Schamus said he thought it was maybe only the second or third time in the last couple of decades.) “Wes is also an auteur so I thought it would be only natural that his film would compete,”  Schamus told me. Many of the opening nighters I spoke to felt it was worthy of a prize.

Anderson’s film is the first of 22 which the Cannes jury (headed by Italian director Nanni Moretti) will see over the next 12 days. Today, virtually the entire Moonrise Kingdom cast (Bill Murray, Tilda Swinton, Bob Balaban, Bruce Willis, Edward Norton, Jason Schwartzman, and tweens Jared Gilman and Kara Hayward) met the press. ”These were so many people I wanted to work with for so long. I like to think of movies I do as a bit like a theatre company,” Anderson said. Typical of the camraderie felt by Anderson casts, “It’s clearly a family,” said Swinton. “Wes has made it feel as if we were all invited to a wedding. It was quite an adventure.” Read More »

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LAIKA Names Mary Sandell Head of Production

By DOMINIC PATTEN | Wednesday May 9, 2012 @ 6:10pm PDT

Mary Sandell has been appointed LAIKA’s Head of Production. Sandell has been with the Portland-based animation studio since 2005. Sandell was a producer on LAIKA’s acclaimed 2009 debut 3D stop motion animated feature Coraline. Previous to joining LAIKA, Sandell was the … Read More »

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Mike Fleming’s Q&A With ‘Fifty Shades Of Grey’ Agent Valerie Hoskins, Broker Of 2012′s Biggest Book Rights Film Deal

Mike Fleming

50 Shades Of Grey MovieEXCLUSIVE: Just about every studio in town waged a concerted courtship for the movie rights to the E.L. James salty romance novel Fifty Shades Of Grey, and all but one today is feeling the sting of being jilted after the author and agent Valerie Hoskins went to the altar with Universal Pictures and Focus Features. Rumors raced all weekend that with 10 studios bidding, numbers passed $5 million upfront against a back end 5% or higher. Neither Universal nor Hoskins would divulge how much Universal co-chairman Donna Langley paid — when I broke the story this morning, I’d heard that it was a bit higher than the $3 million against 3.5% Sony paid for The Da Vinci Code, but many suitors figure it had to be around $4 million against as much as 5% of gross. If the picture sparks a trilogy, that is life-changing money for the former TV executive-turned-author. Since this was the wildest book auction in years and so many heavy hitters spent the weekend obsessing over it, I wanted to get the play-by-play from Hoskins, the British agent who, it turns out, is a real spitfire. I caught her just before she boarded a plane back across the pond with James, who left with a seven-figure publishing deal in one pocket, and a seven-figure movie rights deal in the other.

DEADLINE: Hollywood hasn’t seen a book rights auction like this since…
HOSKINS: It was not an auction.

DEADLINE: Generally, when a property is placed on the block for bids and sells, it’s considered an auction, no?
HOSKINS: My understanding of an auction is something that goes to the highest bidder. I can’t think of a better word for our process but it was not an auction.

DEADLINE: Does that mean you left bigger offers on the table?
HOSKINS: No comment.

DEADLINE: During this auction, the book was characterized in a number of ways that included ‘Mommy Porn.’ What would you call it?
HOSKINS: It’s a love story. People fall in love and they rabidly have sex, because that’s what you do when you fall in love. You do, you do! It’s a love story,  a romantic one. I don’t really like the phrase ‘Mommy Porn.’ I guess I don’t mind it that much, but I don’t like it. Read More »

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