Frank Marshall will produce Assassin’s Creed, the co-production between New Regency and Ubisoft that has Michael Fassbender attached to star. This comes after Basil Iwanyk boarded Splinter Cell, the other vidgame transfer between these companies. That project has Tom Hardy starring and Eric Singer writing the …
CBS seems determined to get a comedy from My Name Is Earl and Raising Hope creator Greg Garcia on the air next season, handing out pilot orders to both of his scripts, one single- and one multi-camera. They were among four CBS pilots ordered tonight as the network kept its odd pilot season tradition of greenlighting a slew of pilots after hours on a Friday night. The other two pickups went to the Will Gluck-produced comedy The McCarthys, from writer Brian Gallivan; and The Ordained, a drama from a novice TV writer, Lisa Takeuchi Cullen, which is produced by Frank Marshall. These mark the first pilot orders for Garcia and Marshall in the first development cycles under their deals at CBS TV Studios, while The McCarthys hails from Sony TV where Gluck’s Olive Bridge Entertainment is based.
Garcia’s single-camera pilot Super Clyde centers on a meek, unassuming fast food worker who decides to become a super hero. The untitled multi-camera one centers on a recently divorced man whose life is complicated when his parents decide to move in with him. Both projects are written and executive produced by CAA-repped Garcia, who moved from long-time home 20th TV to CBS Studios last May in a very rich four-year overall deal. The double pickup almost assures Emmy winner Garcia’s return to CBS’ primetime seven years after the end of the network’s comedy series Yes, Dear, which he co-created. Garcia’s commitment to Fox’s Raising Hope, now in its third season, concludes at the end of this season. The family comedy has done well enough to earn another renewal but Garcia’s departure would certainly reflect on the show’s chances.
BREAKING… Kathleen Kennedy has been named co-chair of Lucasfilm. Founder George Lucas will become co-chair of the company’s board and stay on as CEO. As part of the deal, seven-time Oscar nominee Kennedy will step down from her post as co-head of the Kennedy/Marshall Co production company, leaving it to Frank Marshall to run.
The move seems a bit bizarre. Kennedy/Marshall days ago made an overall TV deal at CBS, and Kennedy has produced big Steven Spielberg films while Marshall has The Bourne Legacy coming. Lucas, by comparison, seems to mostly continue to find ways to squeeze revenue out of his tired Star Wars films. He excutive produced the passion project Red Tails (Anthony Hemingway directed), which was not a box office hit and seems to be veering toward retirement or making personal films the way his pal Francis Ford Coppola does now. Lucas has all the money he needs, but it seems unclear exactly what Kennedy will be running. We were unable to get clarity on what will happen to Lucasfilm or Kennedy/Marshall, as we were told Kennedy would be unavailable to speak with Deadline. Kennedy/Marshall has a first-look deal with Spielberg at DreamWorks and sources have said they expect it to be business as usual under Marshall. But Kennedy used to be one of the smarter producers in town though her recent movies have underperformed at the box office to the detriment of her reputation: nevertheless, the loss may have an impact.
Kathleen Kennedy And Frank Marshall Sign Overall Deal With CBS TV Studios, Get Pilot Commitment From CBS
Top feature producers Kathleen Kennedy and Frank Marshall are making a foray into television with a two-year overall deal at CBS Television Studios, which also includes a pilot commitment from sister network CBS. This marks the first overall TV deal for the duo’s Kennedy/Marshall Company, whose only previous TV pact was a first-look agreement at CBS in the 1990s.
Kennedy/Marshall’s TV development will be led by CBS veteran Robert Zotnowski, former co-head of the network’s drama department who left in 2009 to head TV development for Sam Raimi’s Stars Road Entertainment. “Kathleen and Frank are truly gifted filmmakers with a resume that reads like a gold standard of box office success and award-winning and culturally relevant projects,” CBS Entertainment president Nina Tassler said. “We are excited to develop with them and reunite with Robert Zotnowski, one of our favorite CBS alumni.” Added CBS TV Studios president David Stapf, “Kathleen and Frank are the type of producers you dream about having on your roster. They have it all — commercial success, artistic acclaim and a passion for attracting and working with the best creative talent in the business.” CBS TV Studios’ collaboration with another feature producing duo, Cathy Conrad and James Mangold, resulted in a new series for fall, CBS’ Vegas starring Dennis Quaid and Michael Chiklis.
EXCLUSIVE: Harlan Coben, one of the biggest-selling mystery writers in America, is finally in line to have one of his books made into a major Hollywood film. And all he had to do was make a detour through France.
Warner Bros and Universal Pictures have optioned rights to Coben’s thriller Tell No One. Ben Affleck is attached to direct, and the script will be written by Chris Terrio. Terrio scripted Argo, the film Affleck is preparing to direct next for Warner Bros. Kathleen Kennedy and Frank Marshall will be the producers. The studios will co-develop the picture, with Warner Bros releasing domestically and Universal Pictures International launching it overseas. The deal involves Luc Besson’s EuropaCorp, and that’s where the French connection comes in. The new project is basically a remake of the French film adaptation of Coben’s book, which was directed by Guillaume Canet.
Coben originally set up his book at Sony Pictures in 2002. The studio hired Star Trek scribes Alex Kurtzman and Roberto Orci, no less. Coben has a page-turning writing style, but his mysteries aren’t seamless screen transitions. It never quite came together and Sony let it go. Canet then got involved, figured out how to make the premise work, set it up at EuropaCorp and turned it into French film. The plot involves a pediatrician who is out one night frolicking by a lake with his wife when she suddenly vanishes and he is severely beaten when he tries to find her. When she turns up murdered, he is prime suspect. That’s until she’s declared a victim of a caught serial killer. Years later, bodies turn up in the same spot and the nightmare is repeated, the pediatrician again under suspicion. Right around that time, he’s given evidence that his wife wasn’t dead at all. Canet managed to make all of that work, anchored by the fact the protagonist never got over the death of his wife. Sarah Schechter and Greg Silverman are running the project for Warner Bros, and Adam Yoelin is steering it for Kennedy/Marshall.