Kevin Reilly On The Future Of ‘House’, ‘Terra Nova’ And ‘Fringe’; No ‘Glee’ Spinoff: TCA

By NELLIE ANDREEVA | Sunday January 8, 2012 @ 12:22pm PST
Nellie Andreeva

Fox Launches Animation Unit To Supply Saturday Late-Night Block & Digital Network

With so many Fox series in limbo for next season, the network’s entertainment president Kevin Reilly spent the entire TCA executive session fielding questions about the future of veteran medical drama House, low-rated sci-fi drama Fringe, freshman Terra Nova and musical dramedy Glee, leaving virtually no time for him to brag about the Fox ratings gains this past fall. (He still found a way to mention the network’s 14% year-to-year ratings increase in one of his answers.)

In a nutshell, no decision has been made on House, Terra Nova or Fringe. Things don’t look good for Fringe, though it, along with House, will get satisfying finales if this proves to be the end of the road for them. Glee meanwhile looks very good to return though the plan for a spinoff has been scrapped. And, oh yeah, low-rated freshman animated comedy Allen Gregory has been officially canceled. Here are the details from Reilly, who also addressed the future of American Idol host Ryan Seacrest:

On Glee: “There will be no spinoff. The characters (who are seniors) will be graduating. (Co-creator) Ryan Murphy and the guys have come up with a really cool idea… that I think is going to really give us something cool to dig into next season. … It would be a cool season next year.” Despite the enthusiastic thumbs-up, Reilly declined to confirm that Glee is definitely coming back for a fourth season, saying that those discussions have not been held. Of the cast, he confirmed that star Lea Michele will come back.

On House: “This is not going to be the pink slip goes out and this is the end of House. We haven’t had the big meeting (with the producers) about what we want to do. It is no secret that it will be a close call, we said in May that it would probably be the show’s last year, but we just haven’t made the decision. Should it be the last season, this is not going to be an unceremonious finish. … It will absolutely have a satisfying conclusion on Fox.” As for the possibility of a House spinoff, ideas have been floated in the past but “that time has come and gone,” Reilly said.

On Terra Nova: “If the show hadn’t worked, I still wouldn’t be apologizing (for picking up Terra Nova). It is proving that it was worthwhile; it is the second highest-rated new drama, one of the highest-rated new shows of the season. It has distinct audience, though the perception kind of got away from us. If this is all we make (of Terra Nova), we made money on it, the studio made money on it, and it seems to have resonated with the family audience. There is a show, which if we are to bring back, there’s an audience there. But creatively, the show was hunting (for its identity), and we are trying to figure out … is that the best show (we can make). If we had more holes in our network, we’d be thrilled to lock that right in.” While not ready to commit right away because of the logistical demands of the CGI-heavy drama, “we won’t be able to drag our feet for much longer,” Reilly said.

On Fringe: First the good. “Fringe has been a point of pride for me, I share the fans’ passion for the show. I love the fact that with it Fox put genre back on the network. I’m grateful to the fans who followed the show to Fridays, and with Fringe there, we have a real Friday night for the first time.” Then came the bad. “We lose a lot of money on the show. At that rating on that night it’s almost impossible for us to make money. We are not in the business of losing money, so we’re trying to figure out if there a number at which we can continue with the series. We haven’t even sat down with the producers yet.”

On Allen Gregory: “We will not be making more Allen Gregory,” Reilly said. “We tried it.” He said the decision to pick up the show was made while the future of The Simpsons was in limbo because of the difficult cast re-negotiations and the deal with Seth MacFarlane for a Flintstones reboot had not been made yet. “Our goal was to keep as many as possible of our the legacy shows intact but continue to take shots with the next-generation (animated) shows. It turned out Allen Gregory wasn’t one of them.” But Reilly noted that he has high expectations for sophomore Bob’s Burgers, which he said will likely go to the next level and be part of Fox’s next generation of animated hits.

On Ryan Seacrest, whose deal for American Idol is up after this season: “As we know it is a much harder job than meets the eye. I thnk everyone has come to realize the value of Ryan Seacrest. It’s very hard to imagine American Idol without Ryan. We certainly want to keep him.”

On how long The Simpsons can go: “We have 3 1/2 more seasons in the can. From there, I just have no idea.”

On benching Glee and New Girl three weeks after their premieres to accommodate baseball and two weeks of The X Factor, which resulted in steep ratings drops: “No apologies or excuses, it was the dynamics of the schedule.”

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Uh-Oh: ‘Grimm’ & ‘Chuck’ Premieres May Face Game 7 Of The World Series

By NELLIE ANDREEVA | Wednesday October 26, 2011 @ 2:42pm PDT
Nellie Andreeva

NBC has already had its share of bad luck (and bad ratings) this fall. Now there may be more on the way. MLB’s decision to postpone tonight’s Game 6 of the World Series to tomorrow night because of bad weather … Read More »

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Live+7 Ratings For Premiere Week: ‘Modern Family’, ‘Supernatural’ & CBS Lead Gains

Nellie Andreeva

The Live+7 ratings for premiere week were released today, and they confirm what we already know: that people are time-shifting their TV viewing more than ever. For instance, an unprecedented three programs added at least 4 million viewers between Live+Same Day and Live+7, led by ABC’s Modern Family, which added 4.7 million and 4.6 million viewers, respectively, to the tally of its two-episode season premiere. CBS’ Two And A Half Men followed with 4.1 million. Modern Family was the champ in net gain both in total viewers and adults 18-49 (a 2.4 demo rating lift), where it also was followed by Two And A Half Men (2.3). The CW’s Supernatural topped the chart of the shows with the largest percentage gain with 63%, followed by CW’s America’s Next Top Model (57%) and Fox’s Fringe (53%). NBC’s struggling Harry’s Law got a much needed boost, up 42% in the demo, while the 38% lift for NBC’s canceled The Playboy Club came too late. The CW, whose target demo is on average the most digitally savvy, dominated the top of the percentage-gain rankings with six of the top 10 shows. That translated into a big lift for the CW in the network standings for premiere week, doubling the closest network in percentage gains. Among the Big 4, CBS posted the largest net and percentage gain in both 18-49 and total viewers. Here are the network rankings as well as lists of the Top 10 Programs in adults 18-49/total viewer net increase and 18-49 percentage growth for premiere week:

Adults 18-49 (rating)         Total Viewers (in 000)
L+SD      L+7 %Gain         L+SD   L+7      %Gain
Fox 3.4    4.0   18%          CBS  12,122  14,223  17%
CBS 3.1   3.8    23%         ABC   9,871   11,383  15%
ABC 2.8   3.4   21%          Fox    8,365    9,677   16%
NBC 2.6   3.0   15%          NBC   7,495    8,419   12%
CW  0.7    1.0  43%          CW     1,642    2,169   32%

Top 20 Series By Net Ratings Increase In 18-49

L+SD L+7 Net Gain % Gain
1 Modern Family SP ABC     6.2    8.6   2.4         39%
2 Modern Family ABC          6.0    8.3   2.3         38%
3 Two and a Half Men CBS  10.7  12.5   1.8         17%
4 Grey’s Anatomy ABC        4.1   5.8     1.7         41%
5 The Office NBC                 3.9  5.4     1.5         38%
6 New Girl FOX                   4.8   6.3    1.5          31% Read More »

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TCA: Fox’s Kevin Reilly Talks About Future Of ‘House’ & ‘Breaking In ‘ & ‘Glee’ Spat; Calls ‘Touch’ Pilot ‘Extraordinary’

Nellie Andreeva

Not that there was ever any doubt that Tim Kring’s Fox pilot Touch starring Kiefer Sutherland would get on the air, but the network wanted to reserve final judgement until after it sees the finished pilot. Fox entertainment president Kevin Reilly told reporters at TCA today that he saw the pilot last night and it was “extraordinary”, firmly sealing the project’s midseason series pickup. “It’s a new character but it does have some dose of Jack Bauer in it,” Reilly said about Sutherland’s new role.

While Touch will be joining Fox’s schedule this season, veteran medical drama House might exit it. “I can’t confirm that this is the last season of House,” Reilly said during the Q&A session, adding that a decision on that will be made in “late fall.” The contract of star Hugh Laurie is up after the end of this season, and creator/executive producer David Shore had indicated that he signed a new deal for the upcoming eighth season because he wanted to give the show a proper ending. Reilly alluded to that, noting that the original creative team of the show “that has kept the quality strong” has remained intact and “they want to go out strong, not limp on for several more seasons as a vestige of itself.” Reilly also hinted that there is a scenario where House end its run on Fox this seaosn but producer Universal Media Studios tried to continue it on another network.

There is also no decision on the future of Fox’s other veteran drama, Bones, but Reilly sounded far more upbeat about its future. As for cult favorite, Fringe, “I don’t expect Fringe to grow, but if it does exactly what it did last year, we will be very, very happy,” Reilly said. The fate of another fan favorite, comedy Breaking In, remains up in the air after the network canceled the series starring Christian Slater after a short midseason run but then shouldered the cost of extending the options on the cast with studio Sony TV. Today, Reilly said that Breaking In will be a contender for Fox’s 2-hour midseason comedy block along with series Raising Hope, I Hate My Teenage Daughter and New Girl and pilots Little In Common and Family Album. “We will revisit what makes that 2-hour block later in the fall and make a decision (on Breaking In)”, Reilly said. Read More »

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EMMYS: 2011 Drama Series Overview

This year’s Emmy race for Outstanding Drama Series will continue cable’s dominance in this most prestigious category. Cable claimed 10 of the 13 nomination spots over the past two years, and 13 of 19 since 2008. By contrast, cable earned a mere nine nods combined in the seven years between 2001 and 2007 when the networks still ruled. The shift from broadcast is so extreme in 2011 that CBS’ The Good Wife is considered the only network series with a solid shot to earn its second nomination in as many years. (Though not in that league, NBC/DirecTV’s Friday Night Lights, NBC’s Parenthood, and CBS’ Blue Bloods deserve consideration while ABC has entered a rebuilding phase.) The sad reality is that the broadcast networks, which just signed a new eight-year deal with the Academy of Television Arts & Sciences to carry the Emmys, are facing a possible first-ever shutout from the top drama series category. That’s because of the continuing strength and ambition of programming on cable — in particular, HBO in a return to form, and AMC still on a roll.

HBO’s Prohibition-era hourlong Boardwalk Empire drew the most critical attention this Emmy season because of its pedigreed producer team, headed by the legendary Martin Scorsese and creator/showrunner Terence Winter, a Sopranos alum. How interesting that the pay channel’s expensive serial will compete against another period drama from that other Sopranos alum Matt Weiner. AMC’s first acclaimed original series, Mad Men, has won this category three years running and is bidding this year to be the first series to win four in a row since NBC’s The West Wing (2000- 2003). Though the frontrunner, Mad Men could be hurt by a long hiatus.

AMC has seized the mantle from HBO as TV’s preeminent quality-drama purveyor with a pair of newcomers that could crack the series field this year: the zombie-themed hour The Walking Dead, and the dark murder mystery The Killing. Even though two-time category nominee Breaking Bad is not eligible for 2011, AMC could still land three nods, becoming the first network in 10 years to do so in this category, after NBC scored the hat trick in 2001 with The West Wing, ER, and Law & Order. No cable network has ever managed the feat to date.

And then there’s Showtime, whose Dexter is in the running for its fourth consecutive Outstanding Drama nomination, along with first-season Shameless. FX is pushing its increasingly buzzed-about Western, Justified and, to a lesser extent, Sons Of Anarchy. TNT wants attention for The Closer, Men Of A Certain Age, and Southland. USA is pressing Covert Affairs and White Collar. Here’s our assessment of the chances for this year’s drama series in alphabetical order: Read More »

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Writer-Producer David Fury Joins ‘Fringe’

By NELLIE ANDREEVA | Thursday May 19, 2011 @ 11:30am PDT
Nellie Andreeva

Former Lost co-executive producer David Fury is joining the upcoming season of Fox’s Fringe as writer/consulting producer, reuniting with Lost creator/executive producer J.J. Abrams, who executive produces Fringe. In addition to his work on the first season of Lost, Fury is also known for his work on Buffy the Vampire Read More »

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RATINGS RATE RACE: CBS Wins Night Dominated By Royal Wedding Specials

Nellie Andreeva

Will this further shake CBS’ commitment to scripted programming on Fridays? Last night, a Royal Wedding special at 8 PM (1.7/6, 8.6 million) delivered a rare decisive No. 1 finish in the hour for the network among 18-49 and outranked the network’s scripted entries in the slot this season – Read More »

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Female ‘Fringe’ Duo Rewriting Top-Secret Screenplay For J.J. Abrams And Paramount

By NIKKI FINKE, Editor in Chief | Tuesday April 19, 2011 @ 2:53am PDT

EXCLUSIVE: Warner Bros TV just re-upped Monica Breen and Alison Schapker for a 7-figure deal to keep co-executive producing Fringe for Season 4 under Bad Robot’s banner. And the pair with long ties to J.J. Abrams (they also worked on … Read More »

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RATINGS RAT RACE: ‘Fringe’ Bounces Back, ‘Shark Tank’ Premieres

By NELLIE ANDREEVA | Saturday March 26, 2011 @ 9:30am PDT
Nellie Andreeva

On the heels of its early renewal, Fox’s Fringe (1.5 rating in 18-49) rebounded last night, up 15% from last week’s series low. (It’s probably easier to commit your time to a show you know will be back next year.) Kitchen Nightmares (1.5) was down a tenth.

ABC’s Shark Tank opened … Read More »

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Fox Renews ‘Fringe’ With Full-Season Order

By NELLIE ANDREEVA | Thursday March 24, 2011 @ 6:57pm PDT
Nellie Andreeva

Friday night is not a graveyard after all – Fox’s struggling sci-fi drama Fringe has been renewed for a fourth season. What’s more, it has received a full-season 22-episode order. Despite low ratings, which got lower after the show relocated … Read More »

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Ratings Rat Race: ‘Fringe’ Hits Series Low

By NELLIE ANDREEVA | Saturday March 19, 2011 @ 9:40am PDT
Nellie Andreeva

It’s probably not a reason to sing Fringe‘s eulogy yet because of a possible impact from NCAA coverage on CBS, but nevertheless the Fox sci-fi drama hitting a series low last night is alarming. Fringe drew a 1.3 rating in … Read More »

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