ASIFA-Hollywood has set Saturday, January 31, for its 42nd annual Annie Awards. The ceremony, run by the International Animated Film Society, will be held for a sixth consecutive year at UCLA’s Royce Hall. This year, Disney’s Frozen won a leading …
UPDATE: Intl Box Office: ‘The Winter Soldier’ Plants $39.2M Flag In China, Crosses $200M Overseas; Disney Passes $1B Global; ‘Rio 2′ Flies To $55.4M; ‘Noah’ Sails Past $100M; ‘Divergent’ Cumes $22.4M; More
Highlights: Captain America: The Winter Soldier (DIS) bests Iron Man 3 China bow with $39.2M; Frozen (DIS) ices competition in Japan with $75.1M total, studio passes $1B in global box office; Rio 2 (FOX) lifts to $55.5M cume on extra $22.2M; Noah (PAR) builds to $106.2M; Divergent (LGF/SUM/var) adds
In this week’s podcast, Deadline International Editor Nancy Tartaglione and host David Bloom look at whether Russia is likely to go ahead with a threatened cap on Western films in the wake of the Crimea crisis, two more deals affecting indie TV producers, update from Johnny Depp’s China tour into Transcendence, and mark the naming of another female filmmaker as a jury president at the Cannes Film Festival.
We’ll also take our weekly look at the international box office, led by the all-time box office record set by Frozen, whether The Lego Movie can ever catch up and big international debuts for the sequels to Captain America and Rio.
As Frozen skated its way into Japan on March 14, the question began to loom larger and larger: Could the movie break Toy Story 3‘s $1,063,171,911 in worldwide box office to become the highest-grossing animated film of all time? When Bob Iger predicted it would happen, the reality of such a possibility crystalized further. And now, in its 19th international frame, the two-time Oscar winner has overtaken Disney’s TS3, earning $1,072,402,000 to win the crown of highest-grossing global animated release, ever. It’s also raced ahead of another Disney movie, Pirates Of The Caribbean: Dead Man’s Chest, to make it to No. 10 on the all-time worldwide box office chart. Ironically, the new notch comes one week after Frozen fell out of the domestic Top 10 for the first time during its long run.
We are down to the nitty gritty on Deadline’s search for 2013’s Most Valuable Blockbuster. This is the second of our two showdowns today. Fueled by the numbers furnished by our insiders, we’ll find out just how profitable a movie really is.
TODAY’S OTHER FINAL FOUR MATCHUP
#1 ‘Iron Man 3′ Vs. #5 ‘The Hunger Games: Catching Fire’
The Matchup: The battle of the year’s biggest animation film hits pits the year’s second-highest global gross film Frozen against Universal and Chris Meledandri’s Illumination Entertainment’s hit Despicable Me 2, the year’s third-highest global grossing film. To get here, Frozen beat The Great Gatsby and Monsters University, while Despicable Me 2 beat Star Trek Into Darkness and Fast & Furious 6.
The Box Score: What the numbers say.
The Bottom Line: This is tougher than the other Final Four matchup — and that’s saying something.
2013 Most Valuable Blockbuster – #7 ‘Monsters University’ Vs. #10 ‘Thor: The Dark World’; #2 ‘Frozen’ Vs. #15 ‘The Great Gatsby’
#1 ‘Iron Man 3′ Vs. #16 ‘The Conjuring’
#3 ‘Despicable Me 2′ Vs. #14 Star Trek Into Darkness’
#4 ‘Hobbit: Desolation Of Smaug’ Vs. #13 ‘Oz The Great And Powerful’
#5 ‘The Hunger Games: Catching Fire’ Vs. #12 ‘World War Z’
#6 ‘Fast & Furious 6′ Vs. #11 ‘The Croods’
#8 ‘Gravity’ Vs. #9 ‘Man Of Steel’
#7 MONSTERS UNIVERSITY Vs. #10 THOR: THE DARK WORLD
How They Got Here: Monsters University might well be the most stealthy of all the films that grossed more than three-quarters of a billion dollars worldwide. The film was the seventh-largest domestic grosser of the year, and did near double that abroad. Pixar’s representative in the tournament turned in the second-largest gross of all films from the John Lasseter hit machine, second-largest G-rated film, and is Pixar’s third biggest overall film ever. Thor: The Dark World continues the Marvel superhero juggernaut, and it did particularly well in China, Russia and the UK. While the hammer-wielding hero pales compared to Iron Man, the sequel bettered the original film in both domestic and overseas for a total tally of $645 million.
The Bottom Line: Thor 2 cost $170 million to make, per our experts, and because Marvel is so stingy to everyone but Robert Downey Jr, there are modest participations here that amount to around $12 million. Monsters University cost $200 million, and that include pricey paydays for returning voicers like John Goodman and Billy Crystal. Participations clocked in at around $13.5 million.
The Winner: Neither gains much of an edge because each is the second installment of a franchise, though Thor 2 probably amps up expectations of the next installments of Marvel’s biggest jewel, The Avengers. So we go to the profit numbers. According to our experts, Monsters University will return $179.8 million to Disney, besting the $139.4 million that Thor 2 returns to Disney. Total cash-on-cash return edge goes to Monsters University, at 1.36 to the 1.32 turned in by Thor 2. Disney is the big winner here, but Monsters University advances.
In this week’s podcast, Deadline International Editor Nancy Tartaglione and host David Bloom look at what’s behind the big buying spree in U.S. and European TV production companies, try to make sense of Bruno Wu’s latest complicated and confusing international deal and note another win for the U.K.’s booming production scene, thanks to a Disney Channel production there.
Nancy and David also will take their weekly look at the international box office, led by the surprisingly fast finish for Need For Speed in China, the continued global rise of 300: Rise Of An Empire, Frozen’s stretch run for the all-time box office record for an animated film, and Universal’s Spanish success.
UPDATE: Bob Iger Talks Up ‘Frozen’, ‘Star Wars’ & New ‘Incredibles’ And ‘Cars’ Movies As Shareholders Re-Elect Board
The Disney CEO made his observations as he kicked off his company’s annual shareholder meeting in Portland, Ore. Frozen has already generated more than $1B globally and, with its successful open in Japan, should pass Toy Story 3‘s sales of $1.06B. TS3 made $126.7M in Japan. The new film’s success has returned Disney’s animation studio to its “rightful place” as one of the world’s greatest, Bob Iger says. Pixar, meanwhile, will produce a third Cars movie and is developing a sequel to 2004′s The Incredibles, Iger also said, with confirmation coming via Disney/Pixar’s Facebook page that it is “currently working on two new films featuring your favorite characters from Incredibles and Cars.” Iger also crowed about the company’s market value of more than $143B, up from about $100B last year. “I’d call that a great year,” he says. Iger told investors that he can’t share much about Star Wars VII, but said that principal photography will begin in May in London. In his opening comments the CEO also said that the Shanghai Disney park will feature a Pirates Of the Caribbean-themed attraction called Treasure Cove.
Related: Disney: ‘Star Wars’ To Start Shooting In May, Pick Up 30 Years After End Of ‘Jedi’
No surprises on the business side: All of the board nominees, who were unopposed, were re-elected according to the preliminary returns. Former Starbucks CEO Orin Smith trailed the pack with support from holders owning 92% of the votes cast. Iger was favored by 99%. Some 80% supported an advisory resolution endorsing the company’s executive compensation. Just 24% supported a shareholder proposal that Disney opposed that would have barred accelerated vesting of executives’ equity awards if there’s a change in control.
UPDATE: Intl Box Office: ‘Rise Of An Empire’ Cumes $159.6M; Universal’s Spanish Comedy Breaks Records; ‘Need For Speed’ China Haul Outpaces Domestic; ‘Frozen’ Hot In Japan; More
2ND UPDATE: 12:35 PM PT MONDAY: Actuals are starting to roll in for the weekend’s movies. Holdover 300: Rise Of An Empire was slightly up from estimates, taking $41.6M versus $41.3M from 62 markets for an international cume …
UPDATE, 4:33 PM: The Tonight Show Starring Jimmy Fallon has done its part to contribute to the wild viral video run of Frozen‘s Best Song Oscar winner “Let It Go”. YouTube is hosting countless versions that are getting millions and millions of hits, and now there’s this one from last night that has Idina Menzel contributing to Fallon’s take featuring kids instruments like the kazoo and toy blocks courtesy of house band The Roots. Check it out:
UPDATE: International Box Office: ‘The Hobbit: The Desolation Of Smaug’ Has No. 1 Japan Opening; ‘Lego’ Builds to $121M Overseas; ‘Frozen’ Crossing $1B Worldwide; ‘Robocop’ Takes $20.5M In China; More
6th UPDATE, 9 PM: Final numbers are in for The Lego Movie, The Hobbit: Desolation of Smaug, Pompeii and this year’s Best Picture winner 12 Years a Slave. All have been updated below. Slave grossed another $7M over the weekend in 55 markets to bring its total international cume to $89.93M and its worldwide to $140.5M. Its top grossing market is the UK, followed by France and Spain where it had a terrific jump of 56% at the box office. It also had a nice 20% bump in Australia. It will open in Japan on Friday, the first territory to open since winning the Oscar. The other big winner at the Oscars with 7 statues, Gravity is still playing to bring its international cume up to $436.9M for a worldwide total of $707.3M. The breakdown of grosses territory by territory are below.
5th UPDATE, Monday 12:33 PM: Ride Along numbers have been updated as have some of grosses of The Wolf Of Wall Street. Meanwhile, Dallas Buyers Club, which won Matthew McConaughey an Oscar is currently in its Latin American run and film has a cume of $1.16M in 10 markets, grossing $354K on 221 screens. It only has one more territory in Latin America to open before it completes its international run and to date has a worldwide total of about $32M on a $5M budget shot over only 23 days. Interesting to note also that Universal’s 47 Ronin is still playing in 23 territories for a total cume to date of $107.4M with four more territories to open over the next couple of months, including Italy and France.
BOX OFFICE FINAL: ‘Non-Stop’ And Powerful ‘Son Of God’ Fly Past ‘Lego’ On Wings And A Prayer; ‘Lego’ Passes $200M, ‘Frozen’ Passes $1 Billion
OPENING: Non-Stop (UNI) the Liam Neeson airplane suspense thriller looks to take No. 1 with a new $28.5M to $30M estimate on Sunday and a final of $28.8M; Son Of God (FOX) a blessing from $23.5M to $25M now expected at $25M+ to $29M for No. 2 with a final of $25.6M; NOTEWORTHY: Expanding is The Wind Rises (DIS) to take a nice $1.5M for the three-day. Sony released the Russian hit Stalingrad in 3-D on 308 IMAX screens this weekend. Anchorman 2: The Legend Continues (PAR) in re-release grossed another $1.3M to raise its cume to $126.5M.
3RD UPDATE, MONDAY 1:15 PM: The final numbers are in and Non-Stop ended up with $28.8M for Universal who had it estimated higher this weekend. Son Of God took in $25.6M in its debut for Fox. There were some changes in positions when the dust cleared today, with Relativity’s 3 Days To Kill displacing The Monuments Men for the four spot, but No. 3 was solidly with The Lego Movie which has grossed $20.8M for a whopping $209M in only four weeks for Warner Bros.
Next weekend, audiences will see new releases of Warner Bros.’ 300: Rise Of An Empire which will start on 8 PM showings Thursday night and the animated family film from Fox, Mr. Peabody And Sherman. When I went to see Frozen and the trailer for Peabody ran prior to, the kids around me were already repeating the film’s lines and laughing aloud. The family film has already bowed overseas and has grossed around $38.6M, according to Fox’s most recent numbers today.
2). Son Of God (FOX) 3,260 theaters / 3-day cume: $25.6M / Per screen: $7,853 / Wk 1
3). The Lego Movie (WB), 3,770 theaters (-120) / 3-day cume: $20.8M (-33%) / Per screen: $5,525 / Total cume: $209.1M / Wk 4
4). 3 Days To Kill (REL), 2,872 theaters (0) / $3-day cume: $4.9M (-60%) / Per screen: $1,724 / Total Cume: $20.7M / Wk 2
5). The Monuments Men (SONY) 3,002 theaters (-62) / 3-day cume: $4.9M (-38%) / Per screen: $1,646 / Total cume: $65.6M / Wk 4
6). RoboCop (SONY/MGM) 2,885 theaters (-487) / 3-day cume: $4.5M (-54%) / Per screen: $1,563 / Total cume: $51.2M / Wk 3
7). Pompeii (SONY) 2,658 theaters (0) / 3-day cume: $4.3M (-58%) / Per screen: $1,630 / Total cume: $17.7M / Wk 2
8). Frozen (DIS), 1,746 theaters (-145) / 3-day cume: $3.6M (-18%) / Per screen: $2,080 / Total cume: $388.7M / Wk 15
9). About Last Night (SONY), 1,804 theaters (-449) / 3-day cume: $3.3M (-55%) / Per screen: $1,875 / Total cume: $43.7M / Wk 3
10). Ride Along (UNI), 1,869 theaters (-321) / 3-day cume: $3M (-34%) / Per screen: $1,625 / Total cume: $127.1M / Wk 7
The Wind Rises (DIS) 496 theaters / 3-daycume: $1.5M / Per screen $3,059 / Total cume: $1.9M / Wk 2
Stalingrad (SONY) 308 theaters (3D) / 3-day cume: $510K / Per screen average: $1,659 / Wk 1
Anchorman 2: The Legend Continues (PAR) 1,317 theaters / 3-day cume: $1.3M / Per screen: $1,032 / Total cume: $126.5 / re-release
UPDATE: Int’l Box Office: ‘Lego Movie’ Builds $93.5M Overseas; ‘Desolation Of Smaug’ Sets Records In China; ‘Frozen’ Hits $980M Worldwide; ‘Robocop’ Big In Brazil; More
3rd UPDATE, 3:20 PM PT Monday: The Lego Movie has upped its overseas weekend cume to $24M in its 48 markets due to stronger UK and France numbers. It now has an international total estimated at $93.5M. …
Warner Bros’ Gravity continued to its run through this season’s craft awards, taking the Live Action Film award tonight at the 50th annual Cinema Audio Society Awards at LA’s Millennium Biltmore Hotel. Disney’s Frozen won in the animated category in a night the society honored re-recording mixer Andy Nelson with the CAS Career Achievement Award and Edward Zwick with the CAS Filmmaker Award. The group also presented a tribute to Dolby Labs founder Ray Dolby. Here’s the full list of winners:
Outstanding Achievement in Sound Mixing for a Motion Picture – Live Action
Production Mixer Chris Munro, CAS; Re-recording Mixers Skip Lievsay, CAS, Niv Adiri and Christopher Benstead; Scoring Mixer Gareth Cousins; ADR Mixers Chris Navarro, CAS and Thomas J. O’Connell; and Foley Mixer Adam Fil Mendez
Outstanding Achievement in Sound Mixing for a Motion Picture – Animated
Original Dialogue Mixer Gabriel Guy; Re-recording Mixers David E. Fluhr, CAS and Gabriel Guy; Scoring Mixer Casey Stone; and Foley Mixer Mary Jo Lang
Outstanding Achievement in Sound Mixing for a Television Movie or Mini-Series
BEHIND THE CANDLELABRA
Production Mixer Dennis Towns, Re-recording Mixer Larry Blake, Scoring Mixer Thomas Vicari, and Foley Mixer Scott Curtis
What is it going to take for an animated pic to shatter the Best Picture live action ceiling?
When the Academy of Motion Picture Arts and Sciences created an animated feature category back in 2001, it was an official nod to the fact that the genre has evolved into a true art form. Before the category’s existence, it was a rare feat for a toon to earn a best picture nomination, which happened just once, in 1992, with Beauty And The Beast. The fact that Up and Toy Story 3 recently managed to get best picture and best animated feature noms after the animated category was created and the top category was enlarged shows just how much Academy voters love and respect these films. Yet despite this progress, no animated film has turned a best pic nom into a win.
But times are changing, and it is now conceivable that an animated film could take home a best picture statuette in the next decade. The universal appeal of toons—proven by the enviable worldwide box office a majority of them earn—coupled with an emerging generation that blurs the assumed boundaries between live action and line drawings, bodes well for this prospect.
Int’l Box Office: Wavering ‘Wolf’ Reports, ‘Lego’ Building Big Numbers, ‘RoboCop’ No. 1 In 15 Markets, ‘Endless Love’ Opens in 25 Markets and ‘Monuments Men’ in 19
7TH UPDATE, WEDNESDAY 5:50 PM: Most numbers for The Wolf Of Wall Street are now in, putting the overseas cume at $225.5M in 48 markets, according to Red Granite. That number was hard-fought this evening and we’ve spent several hours verifying it. Initally this weekend, Deadline was told the overseas cume was $175M, then we heard $225M, with a pit-stop at $212M. When we inquired as to the potential discrepancy of $50M or therabouts we were ultimately told that differences in reporting times were the culprit. In any case, Wolf openings this week included Taiwan with $988K, Ukraine with $346K and Hong Kong with a three-day take of $550K. Individual territories are updated below with local cumes.
6th UPDATE, TUESDAY 5:00 PM: A flurry of new grosses and big territories added below including Germany, Australia, Japan and Korea. Top five film grosses are available now in each market. All numbers updated, but The Wolf of Wall Street total cumes worldwide.
5th UPDATE, MONDAY, 2:25 PM: Updated grosses on The Lego Movie show that the Warner Bro. film, which is in playing in 42 markets, is higher than previously thought, raising the weekend take to $28.4M for a international cume of $52.3M in only two weeks of release. That means that the animated film is poised to pass the $200M mark worldwide in just a couple of days as the domestic cume is expected to rise to $143.7M after the U.S. Presidents Day holiday weekend. The Hobbit: The Desolation of Smaug has a total international cume of $604.2M. Adding in the domestic take of $256.2M and worldwide the second Hobbit picture has grossed $860.4M. The first in the trilogy, The Hobbit: An Unexpected Journey, grossed $714M in its international run, which amounted to 70% of its total worldwide cume of $1B. Smaug is on the same track, with 70% of its box office coming from international markets. It has yet to debut in two major territories: China and Japan. It will hit theaters in China on Feb. 21 and Japan on Feb. 28.
New grosses are added below and will be continually updated in the copy below as they come in throughout the afternoon and evening and into tomorrow.
Made In Hollywood? When it comes to Oscar nominees don’t count on it.
The third annual “Made-In-Hollywood” awards were presented today at 1600 Vine, former site of the famous Brown Derby restaurant, to the producers of Her, The Croods and Frozen, pretty much the only higher profile Oscar nominees that qualified even remotely as a film wholly or in substantial part made in Southern California. Frozen producer Peter del Vecho, Croods producers Kristine Belson and Jane Hartwell, and Her producer Vincent Landay accepted proclamations from presenter Jacqueline Bisset and L.A. City Councilmen Tom LaBonge and Mitch O’Farrell who said these honors were conceived as a way to encourage local production by rewarding Academy Award nominated films for keeping their productions in their “historic home”. The Councilmen whose districts include Hollywood want to “promote the full and well-earned use of the vast reservoir of filmmaking talent, creative artists, craftspeople and technicians”. Of course this is a big part of the reason Mayor Eric Garcetti created the job of L.A. Film Czar, filled briefly by the late Tom Sherak and now in the hands of Ken Ziffren. There’s lots of TV production but the movie industry has definitely fled for other environs. Previous winners in the first two years of the program, Argo and The Artist were the only two films in their respective years that qualified and both went on to win Best Picture at the Oscars.