Gerard Butler is chasing the big waves again. The star of Chasing Mavericks has been set to play the Zen adrenaline-junkie bank robber role originated by Patrick Swayze in Point Break, the remake of the 1991 …
The slow recovery of the independent distribution business took a giant step at the 2011 Cannes Film Festival, which featured a fast and furious flurry of big-money deals made for partially completed films whose sellers brought sizzle reels and …
EXCLUSIVE: Emmett/Furla Films has stepped up and committed to fully finance Motor City, the Albert Hughes-directed action film that stars Gerard Butler as a man who is double crossed, and seeks revenge on the guy who put him behind bars and took his woman. Gary Oldman is aboard to play the villain, and Amber Heard the woman. The film, which has a budget north of $40 million, is now set to begin production in September through EFF and Silver Pictures. Joel Silver and Andrew Rona are producing for Silver Pictures, while Randall Emmett and George Furla board as producers for EFF, along with their funding partners, Envision Entertainment’s Stepan Martirosyan and Remington Chase. Brandon Grimes is coproducer. Warner Bros will distribute domestically, while foreign rights will be sold at Cannes by Mark Damon and Foresight. CAA reps domestic rights.
LOS ANGELES – October 27, 2011 – Gerard Butler, Sam Worthington and Matthew McConaughey will star in Freedom Films’ upcoming action thriller “Thunder Run” with Simon West set to direct, announced Brian Presley, CEO of Freedom Films, who will produce alongside Carissa Buffel and Kevin Matusow of Freedom Films and Jib Polhemus of The Graphic Film Company. Additional casting will begin in the next week. Hyde Park International has signed on for international sales.
“Thunder Run,” is an all CG 3-D action thriller based on the novel “Thunder Run – The Armored Strike to Capture Baghdad,” by Pulitzer Prize-winning correspondent David Zucchino. Adapting the story for the screen are Academy Award-winner Robert Port and Ken Nolan, screenwriter of “Black Hawk Down.” The Graphic Film Company will utilize proprietary facial-capture technology they used on West’s upcoming “Night of the Living Dead: Origins 3-D” along with the motion capture technology used in “AVATAR.”
Harvey Weinstein just set a new air, land and sea world record for attending movie premieres. The Weinstein Company mogul managed to show up at three, count ‘em, three different premiere events in two different countries all on Monday night. “Yeah, this was some fun wasn’t it?” he deadpanned when I asked him about his landmark photo-op achievement.
Although he has been in Toronto this week, Weinstein had to go back to New York City on Monday night to attend the premiere of his company’s romantic comedy I Don’t Know How She Does It, which stars Sarah Jessica Parker and opens nationwide Friday. Then it was right back to Canada and two more North American premieres: Madonna’s directorial outing W.E. and the Ralph Fiennes-directed Coriolanus – and he made ito to both post-parties at Soho House. On one floor he was dining with Madonna and her exclusive guest list, then he did a walk-through one floor down at the Coriolanus preem. Then it was back up to the third floor, where he huddled with Jennifer Garner and Olivia Wilde, the stars of yet another Weinstein Company movie, Butter, which premieres here on Tuesday (I saw it in Telluride). I am told they will open the film for a one-week Oscar-qualifying run October 28 and reopen it sometime in early 2012.
As for the Madonna film, which was critically lambasted in Venice, the spin I got from one of its international reps was that it’s really not all that bad. It’s just that it’s not all that good either. There are some nice visual touches, but the material about the romance between King Edward and Wallis Simpson (written by the Material Girl herself) just isn’t all that compelling. My overall impression is that she is to be commended for trying something different with this British period piece, but for someone normally so edgy, this film very much lacks edge. It is undoubtedly an older person’s movie and facing a daunting commercial climb.
Before the film started (a half hour late), Madonna told the hometown crowd, “As you know I grew up in Detroit, Michigan, so I almost feel Canadian. Even when I have been arrested here I had a heck of a time,” she said. At the earlier Monday morning press screening, a paltry crowd of less than 100 reportedly showed up for their first opportunity to see her directing and writing effort. By the time it was finished, less than half remained in the massive 555-seat Scotiabank Theatre. But following the evening screening at the Roy Thomson Hall, the crowd gave Madonna a brief standing ovation before heading for the exits. But it wasn’t the kind of enthusiastic standing applause heard at the Machine Gun Preacher screening just one night earlier.