Seven years bad luck is what you usually get for breaking a mirror so looks like NBCUniversal has finally put the pieces together and outrun the curse – literally and figuratively. After more than 7 years of legal haunting and a near-trip to the Supreme Court, the media company seemingly has been freed of the Ghost Hunters lawsuit that claimed it lifted the idea for the flagship Syfy reality show. California’s 2nd Court of Appeals this week granted NBCU a summary judgment and said that parapsychologist Larry Montz and publicist Daena Smoller’s initial 2006 case hadn’t brought their claims within the applicable two-year statute of limitations. “In sum, the undisputed facts and the law established the right of petitioners to an order granting their motion for summary judgment,” said the April 1 order (read it here) by Judge Nora Margaret Manella. Now of course this isn’t totally over as Montz and Smoller could appeal again — though their chances of success at this point look dim.
Global Showbiz Briefs: ‘Sherlock’ Season Finale Draws 8.77M UK Viewers; BBFC Changes Criteria For UK Movie Ratings; More
‘Sherlock’ Season Finale Ratings Tops Weekend In UK
A roundly lauded finale for Season Three of Sherlock was the weekend’s most-watched TV program in the UK. The modern detective series’ third installment, entitled “His Last Vow,” drew 8.77M viewers for a 32.1% share, according to the overnights. While it was possibly the best-reviewed episode of the current season, it also was the lowest-rated. Last week’s 90-minute turn, “The Sign Of Three,” had brought in 8.84M viewers and the January 1st opener, “The Empty Hearse,” was the show’s most-watched episode ever at 9.2M on BBC One. In March last year, star Benedict Cumberbatch said there would be a fourth series of a three more episodes. At a BAFTA screening and panel discussion last week, Sherlock co-creator Steven Moffat said the next season will be made “as quickly” as possible. Season 3 kicks off in the U.S. on PBS on January 19.
UK’s BBFC Changes Its Movie Ratings Criteria
After a spending nearly a year polling more than 10,000 members of the British public, the UK ratings board is tweaking its guidelines. Beginning February 24, the BBFC will give greater weight to the theme and tone of a film, especially around the 12A and 15 certificate levels (12A is similar to PG-13 in the U.S. and 15 means suitable only for 15 and overs). The board will also pay particular attention “to the psychological impact of horror” and strong visual details like gore. The BBFC has previously shown itself to be squeamish: In 2012, Lionsgate UK shaved seven seconds off The Hunger Games when it appeared the board was going to stamp it with a 15 certificate. Fixes were made in four scenes of violence and one showing details of injuries. It secured the 12A with a warning that it had “occasional gory moments.” While the BBFC will be stricter with language at the U level (equivalent to an MPAA G), it will also be more flexible about allowing very strong language at the 15 rating. “Context, not just frequency, is the most important factor in how language in films is perceived by the public,” the BBFC said today. Further, the group’s findings show that the public is notably concerned about the sexualization of girls in mainstream films and about risks to vulnerable adolescents, including what some described as the onscreen ‘normalization’ of behaviors which parents consider inappropriate. According to findings of the poll, 95% of parents with children under 15 say they check the BBFC rating before watching a film and 89% of moviegoers ratings important. The most complained-about film over the past four years was 2012′s The Woman In Black starring Daniel Radcliffe. Eleven percent of moviegoers polled thought it had received too low a rating at 12A and should have been given a 15.