EXCLUSIVE: Tarsem Singh, whose latest film Immortals just opened and who follows with the Julia Roberts-starrer Snow White film Mirror, Mirror, has become attached to Killing On Carnival Row. That is a script by Travis Beacham that producers Arnold and Anne Kopelson originally set up six years ago. It was a hot spec and the very first sale for Beacham, whose subsequent credits include Clash of the Titans, Pacific Rim, the Disney remake Black Hole, and 20,000 Leagues Under the Sea at Fox. The Kopelsons, who originally set it at New Line, have gotten close to making the film with Guillermo Del Toro and Neil Jordan, but they feel that Singh will put them over the top. Arnold Kopelson said he’s in talks with a studio he wouldn’t reveal but expects to begin production on the noir-style fantasy thriller next June in New Orleans. He’s starting to cast. The script takes place in the future in a city called the Burgue, which looks a lot like 18th Century London. It is inhabited by humans and other creatures, and a serial killer is on the loose. “I am thrilled that Tarsem will direct Carnival Row, which we’ve been developing over the past six years,” Kopelson told me. “His extraordinary visual sense and use of light and color can be compared to that of the great 16th Century Italian painter Michelangelo Caravaggio.” Singh has been circling several films, including Nautica with Escape Artists, and Marco Polo with James Stern and Gianni Nunnari. Singh is repped by CAA.
Warner Bros has hired Michael Ross to rewrite the futuristic Robin Hood project that has commercials director Nicolai Fuglsig attached to helm. The film is being produced by Charles Roven, Richard Suckle and Gianni Nunnari. Jason Dean Hall wrote the first draft of a drama set in dystopian London, about …
EXCLUSIVE: At a time when organized crime films are back in vogue, Relativity Media’s Ryan Kavanaugh is wetting his beak. He’s acquired Ness/Capone, a Grant Pierce Myers script that made the 2010 Black Script and puts a new spin on the epic battle between Eliot Ness and Al Capone during the Prohibition Era 1920s. That battle was famously chronicled in the Brian DePalma-directed movie based on the TV series The Untouchables. Myers went back to the history books and came away with a much different version of Ness. While Kevin Costner played him as an incorruptible married choirboy who had to be taught to meet the mob on its own crooked terms, Ness/Capone’s Ness is a skirt-chasing 26-year old publicity hound who seemed to get an adrenaline charge out of courting danger, kicking in doors, smashing moonshine stores and rubbing it in the noses of Capone and other mobsters. He paraded confiscated bootleg trucks past Capone’s hotel, calling Capone in advance to suggest he look out the window. Deals are still being worked out, but the film will be produced by Gotham Group’s Ellen Goldsmith-Vein and Jeremy Bell along with Hollywood Gang’s Gianni Nunnari and Virgin Produced’s Jason Felts and Rene Rigal.
This puts Relativity Media in another potential pic race (it has already gone to the mattresses against Universal over rival Snow White films). Warner Bros has its own Capone project, the Walon Green-scripted Cicero, an origin story. I’ve reported that the project has interest from David Yates when he resurfaces from Harry Potter and the Deathly Hallows: Part 2, his fourth and final Potter pic. Warner Bros also is going gangbusters on Gangster Squad, the Ruben Fleischer-directed pic that has Sean Penn negotiating to play L.A. mobster Mickey Cohen, and Ryan Gosling and Josh Brolin as the cops who try to bring him down.
EXCLUSIVE: Sean Penn is circling The Last Photograph, and I’m told he plans to join Christian Bale in the Kurt Johnstad-scripted drama that will be directed by Niels Arden Oplev, director of the Swedish The Girl With The Dragon Tattoo. The film is moving from Warner Bros, and is in negotiations to move to Dark Castle, whose Joel Silver and Andrew Rona would board the project as producers and put up the financing. Zack and Deborah Snyder are producing with Hollywood Gang’s Gianni Nunnari.
The film came from an idea by Snyder, who set it up at Warner Bros with his wife and Nunnari after they all worked together on 300. Set in Afghanistan, it is a timely drama that has elements of The Searchers and Taken. Bale plays a war correspondent who witnesses and is the only survivor of an attack on a group of Americans. Penn is circling the role of a retired ex-special ops soldier who comes to the scene determined to free a family member who has been kidnapped. The journalist agrees to help identify the kidnappers and travel the rough terrain to find them, in exchange for the story. The road brings them in confrontation with tribal regions of Afghanistan, and none of the diplomats will help.
Deadline reported last fall on the lawsuit last Sepember that pitted former allies Vittorio Cecchi Gori against Gianni Nunnari, producers of some of Hollywood’s larger movies the past few years. Cecchi Gori has released this press release claiming victory (a spokesman for Nunnari said that “We are obviously disappointed …