Brad Pitt, opening this weekend in World War Z, has issued a statement on the passing of James Gandolini at age 51. They starred together, along with Julia Roberts in the Gore Verbinski-directed The Mexican, a movie that came along …
It’s clear even from this Japanese-subtitled, English-language version that producer Jerry Bruckheimer and director Gore Verbinski have endeavored to deliver a rousing popcorn movie with Armie Hammer as the title character and Johnny Depp as his spirit warrior partner Tonto. Whether they succeeded or not, we’ll find out …
Craig Modderno is an AwardsLine contributor
When Gore Verbinski met with Johnny Depp to discuss “The Lizard Project,” neither of them had any fantasy or idea that three years later the reptile would transform into the hit film Rango ($245 million in worldwide box office) and become an Oscar nominee in the Feature Animation category. “I had met over breakfast in the Valley with producer John Carls and children’s book designer David Shannon around the time I was directing Pirates Of The Caribbean,” recalls Verbinski, the director of both films. “We decided to make an animated Western with creatures in the desert. I then wrote a 12-page outline, got Johnny to commit to be the lead, then made two more films. I discovered after directing Pirates 3 that I wanted a break from the series, so I got John Logan to work on the script for Rango.”
BREAKING: Disney has confirmed that the Gore Verbinski-directed Johnny Depp-starrer The Lone Ranger has come back on track, with the studio setting the film for a May 31, 2013 release. As Deadline revealed yesterday, the film will begin production February 6. The film was originally supposed to get underway this fall for a December 21, 2012 release, but all that changed when Disney shocked Hollywood by unplugging the film over fears that its budget could reach $275 million. Deadline revealed that news exclusively on August 12. It was a surprising move, considering that Bruckheimer is a cornerstone producer and Depp has starred in the studio’s highest-grossing films, with both of them teaming with Verbinski on the first three installments of The Pirates Of The Caribbean.
Verbinski, producer Jerry Bruckheimer and Depp rose to the challenge, though, even though it was a painful one. They reworked their compensation deals and figured out ways to save money in the production budget. They brought the budget down to a figure that is around $215 million, I’m told. Taking responsibility to bring the film in for that price was the only way that the studio was going to make the film. Considering that most Westerns don’t travel overseas as well as some other genres (Cowboys & Aliens has proven to be an offshore disappointment), The Lone Ranger is still a big bet by a studio that is backing John Carter, a film that costs more than $250 million, and Oz The Great And Powerful, which hovers at around $200 million. At least now, Disney’s risk on The Lone Ranger has been contained.
EXCLUSIVE UPDATE: I’m hearing that Disney has set The Lone Ranger to start production February 6, 2012. That re-establishes one of the most intriguing examples of a star-driven film that was unplugged because of high budget and put back together in a way that gives the studio a chance to recoup its costs. Though The Lone Ranger has arguably the world’s most bankable movie star in Johnny Depp, it also is a Western, which (as evidenced by the lackluster performance of Cowboys & Aliens), doesn’t as a genre do strong business overseas. I expect this to be formalized by tomorrow.
EARLIER EXCLUSIVE, October 11, 4:38 PM: Well, it took a week longer than I thought it would, but Disney has finally reached a meeting of the minds on The Lone Ranger with director Gore Verbinski, Johnny Depp and producer Jerry Bruckheimer. The studio is expected to formalize a new start date imminently and announce it is moving forward and putting Depp back in the saddle as Tonto, with Armie Hammer as the title character. It looked like the studio was going to announce last week when the picture brightened for the film, but it will be this week’s business instead. I don’t think Disney was able to salvage its December 21 release date because production won’t start in New Mexico until early next year.
The original plan was to begin shooting this fall. That was until, as Deadline revealed on August 12, the studio shockingly pulled the plug on a project it feared could come in at between $250 million-$275 million. The risk of such a figure on a Western became more glaring after Cowboys & Aliens had just turned in a severely disappointing domestic gross, to be followed by an even worse offshore performance, proving the adage that most Westerns don’t travel well. Cowboys & Aliens will be a costly money-loser, 50% shouldered by DreamWorks and the other half split between Universal and Relativity Media. On Lone Ranger, there has been a lot of behind-the-scenes drama as the three principal players made concessions in their deals, and worked on the script to salvage the spectacle that made the movie worth making in the first place while bringing the budget down to a more manageable figure in the $215 million range.
UPDATE, 10:47 AM: Paramount Pictures has confirmed that David Stainton is its new head of animation. The press release is below Deadline’s original break.
EARLIER EXCLUSIVE, 10:23 AM: Paramount Pictures is hiring David Stainton to be head of Paramount Animation, the division it launched during the summer to generate one toon a year starting in 2014. Paramount’s launch coincided with speculation that Jeffrey Katzenberg and Paramount would have a parting of the ways when the DreamWorks Animation distribution deal ends December 31, 2012. Stainton is a good get. He spent 17 years at Disney, rose to president of Walt Disney Feature Animation and oversaw the studio’s animation facilities in Paris. Most recently, he had been CEO of Henry’s World Media, a family film producer. I’m told that Stainton will report to Paramount Motion Picture Group president Adam Goodman. The studio’s goal is to build a family film/CG animation unit from scratch, the way that Chris Meledandri did with Fox Animation and most recently for Universal with Illumination Entertainment. Paramount’s first homegrown foray into CG animation came with the Gore Verbinski-directed Rango with Johnny Depp. That was a pricey film, but it is looking good in the Best Animated Film category at the upcoming Oscars. Building an animation unit takes time and an executive with vision, and clearly Paramount brass thinks it has found that person in Stainton. Expect an announcement perhaps today.
EXCLUSIVE: Deadline told you a week ago that things were looking up for The Lone Ranger for the first time since we broke the shocking news on Aug. 12 that Disney had pulled the plug over budget. I’m hearing that the studio is likely to have everything resolved by next week, and can start rehiring crew so that the picture will be ready to begin production in January or February. How that late start impacts the Dec. 21, 2012 release date remains to be seen, but Johnny Depp will get to play Tonto (Disney wouldn’t make the movie without him), and Armie Hammer will be back in as the title character. Ruth Wilson, the scene-stealing killer from Idris Elba’s British cop series Luther, is also expected back as the female lead.
Disney has gotten to this point after a painful overhaul of the movie by producer Jerry Bruckheimer and director Gore Verbinski to bring to $215 million a budget the studio feared could reach $250 or more. Verbinski’s struggle has been to reach that number while retaining enough of the spectacle that made them say yes in the first place. The cutting process has included the reworking of deals for Depp, Verbinski and Bruckheimer, and trimming the production budget and the long shoot. That would enable Depp, Gore and Bruckheimer to re-team after making the first three Pirates of the Caribbean films together. The Lone Ranger is one of several huge-budget films that Disney’s Rich Ross and Sean Bailey are managing. The others include John Carter, the Andrew Stanton-directed adaptation of John Carter of Mars with Friday Night Lights‘ Taylor Kitsch in the lead role, which has a budget around $250 million; and The Great and Powerful Oz, the Sam Raimi-directed James Franco-starrer, which is hovering around $200 million.
EXCLUSIVE: While Johnny Depp waits to see if director Gore Verbinski and producer Jerry Bruckheimer can figure out a way to salvage The Lone Ranger after Disney halted the film because of a huge budget, Depp is making forward progress on dusting off another period property. David Koepp has been set to write the script for the remake of the 76-year-old film The Thin Man, the remake that Depp set up last year at Warner Bros as a vehicle to re-team with his Pirates of the Caribbean: On Stranger Tides director Rob Marshall. Depp will produce with his Infinitum Nihil partner Christi Dembrowski, Langley Park’s Kevin McCormick, Marshall and John DeLuca. There was talk that Jerry Stahl was going to write, but apparently nothing was written and Koepp is going to start from scratch. Which means he’ll go back to the Dashiell Hammett novel that spawned the series of six MGM films that starred William Powell and Myrna Loy.
Depp will play Nick, the former detective who marries an adorable young socialite, drinks a lot and occasionally solves a case. There is no word yet on who’ll join Depp and play Nora. The original intention is to take elements of the first two films and work them into one film, putting it into a period setting and giving it a Sherlock Holmes-like stylized treatment. Marshall also intends to use his talent as a choreographer (remember he did Chicago) and work in a musical number or two.
EXCLUSIVE: In an exclusive to Deadline’s Pete Hammond during Disney’s D23 Expo, Rich Ross made his first comment on The Lone Ranger since I revealed the film had been halted for budgetary reasons. “I’m hoping to do it. I’m certainly hoping. I think it’s a compelling story and no one wants to work with Jerry and Johnny more than me, so we’ll see how it works.” The surprise is that Ross mentioned Johnny Depp and producer Jerry Bruckheimer but not the film’s director Gore Verbinski. Would Disney be happier making The Lone Ranger without him?
The rumblings I’ve heard since my first story on the stoppage are as follows: Verbinski and Bruckheimer have been working hard to tone down or lose some of the budget-busting spectacular scenes in Justin Haythe’s script. At the same time, Bruckheimer as well as reps for Depp and Verbinski have been discussing ways to defer big chunks of their upfront paydays. Salary among all three likely accounts for $30 million or more. And if the trio’s backend deals weren’t at cash break before, they likely will be now if the film moves forward. Because simply adjusting above-the-line salaries isn’t enough to bring down what insiders told Deadline nine days ago was a $75 million budget gap to get to the $200 million Disney wants to spend on the Western. I’ve heard since that the studio will agree to make The Lone Ranger at $215 million. One major question is whether Verbinski can deliver at that number and retain enough spectacle “wow” factor to give The Lone Ranger a shot at a big overseas gross and sequels.
If Ross’s comments indicate that Disney would be open to making The Lone Ranger with another director, that is taking a big risk with Depp. Outside of Tim Burton, no director has made as many movies with Depp as Verbinski, with three Pirates of the Caribbean films and Rango. Would Depp continue in the movie if Verbinski was moved aside or quit? Good question. The Lone Ranger is a giant risk in the first place because Westerns don’t traditionally perform well overseas. In a DVD-collapsed world, a $275 million film is back to grossing three times its budget to earn out, and that can’t be done without a big overseas reward. Without Depp — arguably the biggest star in the world right now with three of the all-time Top 10 worldwide grossing films — there is no Lone Ranger.
UPDATE: Johnny Depp is in Europe right now, but really wanted to make The Lone Ranger. According to one insider, “Let’s see how it all shakes out on Monday. There’s always a chance that it could go. You never know until you know.” The deeper story behind this production stoppage is about how movies are costing too much, studios are giving major pushback, and today’s backdrop of a crazy economy. Everyone involved is still intent on the project and still in discussions to see what can be done. But the studio’s concern is spending over $200M on a Western, even with Gore Verbinski and Johnny Depp and a comedic slant. So clearly Disney took drastic action. Now the studio and filmmakers are trying to figure out the next step, either to shop it elsewhere or put it back together at a later date at a lower budget.
EXCLUSIVE: In a stunning development, Disney has shut down production on The Lone Ranger, the Gore Verbinski-directed period Western that was to star Johnny Depp as Tonto and Armie Hammer as the title character. Jerry Bruckheimer is the producer and the script is by Justin Haythe. I’m told this all just happened, and Disney pulled the plug because of the budget. I’ve heard the filmmakers were trying to reduce the film’s cost from $250 million (some even say $275 million) down to $232 million. But it wasn’t the $200 million that Disney wanted to spend. And between Depp, Bruckheimer, and Verbinski, the gross outlay on the film is substantial.
When the plug was pulled, the film was still casting up, with Ruth Wilson, the serial killer from the BBC’s Luther series, set for the female lead. And The Lone Ranger was scheduled to be released Dec. 21, 2012, smack up against The Hobbit: An Unexpected Journey, which opens Dec. 14, and the Brad Pitt-starrer World War Z, which was just slated for Dec. 21. This becomes the second major Western-themed project to bite the dust, after Universal halted a mammoth adaptation of Stephen King’s The Dark Tower. And is it coincidence that The Lone Ranger halted right after another Western, Cowboys & Aliens, proved a pricey disappointment for DreamWorks and Universal?
EXCLUSIVE: Universal Pictures has quietly dropped out of Clue, one of the seven Hasbro games properties the studio contracted to make into movies in a ground-breaking six-year exclusive deal signed in 2008. Clue becomes the third project out of seven to be dropped by Universal (Monopoly and Magic, The Gathering were also kicked to the curb), but none of those projects are dead. In the case of the murder mystery board game Clue, Hasbro is funding the development and producing the film with Gore Verbinski’s Blind Wink. Verbinski, director of the first three Pirates of the Caribbean films, Rango and the upcoming Lone Ranger, still plans to direct Clue, and he and Blind Wink’s John Krauss are producing with Hasbro’s Brian Goldner and Bennett Schneir.
They’ve just hired Flash Gordon scribes Burk Sharpless and Matt Sazama to write the Clue script. The writers will draft a take that Verbinski and his fellow producers came up with that retains the murder mystery spirit of the board game, but broadens the setting to a global stage. Beyond scripting Flash Gordon for Sony Pictures, Sharpless and Sazama are redrafting Dracula Year Zero. That project’s still hanging on at Universal, after being halted just short of the start line because of a high budget, when Alex Proyas was directing and Sam Worthington was going to star. ICM reps the writers.
Is all this a clue that Universal no longer wants to roll the dice on board game movies? Insiders say no. Rather, they tell me that Universal and Hasbro gradually narrowed their focus to the four films that most made sense for the studio: Battleship, the Peter Berg-directed summer 2012 action movie that stars Taylor Kitsch and Liam Neeson, with Universal just releasing its first trailer (below); Stretch Armstrong, which has Rob Letterman directing and Twilight Saga’s Taylor Lautner attached to play the rubbery title character; Candy Land, which is being written by Kung Fu Panda 2 co-writers Jonathan Aibel and Glenn Berger, who’ve described the film as Lord of the Rings, with edibles; and Ouija, which has McG attached to direct and Platinum Dunes partners Michael Bay, Brad Fuller and Andrew Form producing with Ian Bryce and Hasbro’s Goldner and Schneir.