EXCLUSIVE: Graham King and Tim Headington have made an exclusive first-look one year deal at Warner Bros, which puts GK Films back at the studio where he made Blood Diamond, the Oscar-winning The Departed, The Town and Dark Shadows. It’s also the studio that will release the Ben Affleck-directed Argo, which was one of the standout films that premiered at the Toronto Film Festival. GK co-financed that film and King is executive producer. King’s move is a surprise but an even bigger one is that he’s bringing Jersey Boys with him.
King had a four-picture put deal at Sony Pictures, which released the Johnny Depp-Angelina Jolie-starrer The Tourist. Sony is where he originally set Jersey Boys, the movie based on the story of Frankie Valli and the Four Seasons. King is moving that film–which will be directed by Jon Favreau–over to Warner Bros to be first film under this new deal. I’m told that though it is a plum project–the stage musical is a giant hit–GK and Sony didn’t see eye to eye over the budget and that is why the project is moving.
Jersey Boys will begin production in January and Warner Bros will release it Christmas, 2013. GK had a tough run in late 2011, where films like the Martin Scorsese-directed Hugo and In the Angelina Jolie-directed In The Land Of Blood And Honey got accolades but didn’t make enough money. King is a filmmaker at heart, and I believe he just felt most comfortable at Warner Bros, where he has a very close relationship with Jeff Robinov. And Argo has the makings of a big Oscar season hit. I will provide more details when I get them.
EXCLUSIVE… 2ND UPDATE: I’ve learned more info now… Graham King’s GK Films is laying off SVP Grey Rembert because “she’s a books person and brought in great books, but having a books person is a luxury for anyone … Read More »
Graham King’s GK Films has acquired film rights to 5th Wave, a young adult sci-fi suspense thriller with a love story at its center. When the human race is on the verge of extinction, one of … Read More »
EXCLUSIVE: Scott Frank will rewrite and direct a feature adaptation of the 2009 British miniseries Unforgiven for GK Films partners Graham King and Tim Headington. When the project was set at GK last year, Christopher McQuarrie was signed to … Read More »
Another piece of this year’s Oscar movie puzzle was unveiled in a big way this weekend when Paramount rolled out Martin Scorsese’s 99.9%-finished version of Hugo, an ode to the early days of cinema and the eye-popping possibilities of movies. It’s the director’s first family film, 3D film and perhaps most personal film. In an intriguing and highly unusual move, Paramount held a packed screening, with tons of invited press and bloggers included, at Regal’s Downtown LA Live theaters Saturday afternoon. Then that night they also played it at the Samuel Goldwyn Theatre in Beverly Hills for the Academy’s official membership screening. That last move was interesting because most films play either the weekend of opening or after for the Acad (although The Weinstein Co. unspooled their much-praised ode to the early days of cinema, The Artist, to an appreciative audience for its official Academy screening Sunday night).
It is extremely rare to show voters something that is still unfinished (one special effects shot was missing and the end credits are far from complete), but Hugo‘s media rollout has been different from the start. It was first unleashed in a much-less-finished form at the New York Film Festival last month as a “work in progress.” Reaction on the web was all over the place, generally favorable, but did not signal a major awards contender outside of the obvious technical nominations for the film’s stunning look. That screening in hindsight may have been a miscalculation.
This week, things began to heat up. Paramount had a couple of “tastemaker” screenings for AMPAS members a few days ago (one in the evening, one during lunchtime) where the median age range was said to be 60-plus — with 50 members reportedly at each. There were also reportedly 80 members who checked in for the Regal screening that was accompanied by a lively post-movie Q&A moderated by director Paul Thomas Anderson with Scorsese and his dream team of much-Oscared collaborators including DP Robert Richardson, production designer Dante Ferretti, editor Thelma Schoonmaker, composer Howard Shore and visual effects supervisor Rob Legato. Scorsese received an enthusiastic standing ovation when he was introduced, just as he did again today after a DGA screening for a Q&A moderated by James Cameron, who told him Hugo was a “masterpiece.” He added, “finally there is a Scorsese film I can take my kids to.” And Cameron also told Scorsese it was the best use of 3D he had seen, including his own films. At Saturday’s Regal Q&A, Legato actually credited the innovations in Avatar for making possible a lot of what Hugo was able to do. Musician Slash was among those also at the DGA screening and he later tweeted “Fantastic movie!” Read More »
EXCLUSIVE: Action is heating up on Londongrad, the Warner Bros drama about the mysterious death of former KGB spy Alexander Litvinenko, who was poised in 2006 with polonium-210. I’m told the studio is in discussions with Rise of the Planet … Read More »
When New Yorker Martin Scorsese took the stage at Lincoln Center’s Avery Fisher Hall to unveil a work-in-progress screening of his first 3D film Hugo, the standing ovation showed that the filmmaker was dealing with a home-field advantage. Deadline revealed yesterday that the New York Film Festival’s mystery film by a master filmmaker would be Hugo, and the place was packed last night. NYFF’s Richard Pena started the proceedings by asking journalists not to review the film, or tweet while it was playing. Scorsese added his own caveats. He said that the film was not completely color corrected, that some of the visual effects weren’t quite there yet, and that the 3D and music were also not quite complete. I saw the film’s producer Graham King before the screening, and he said while they couldn’t get the film finished in time to be part of the early fall festival hoopla, they came up with this idea as a way not to miss out completely, and the NYFF agreed to it for the first time since Disney came to them with an unfinished print of Beauty and the Beast.
With the exception of a couple of intricate shots, the film looked like it was rounding into shape quite nicely. I won’t review it, but will say it will be a worthy addition to the upcoming awards season. Read More »
VIDEO: Martin Scorsese Introduces ‘Hugo’
HAMMOND: NY Film Festival Mystery Movie
BREAKING: I can confirm that tonight’s New York Film Festival mystery film is Martin Scorsese’s Hugo, the John Logan-scripted adaptation of the Brian Selznick novel Hugo Cabret. The festival revealed late last week that it would feature a film by a master filmmaker, and speculation covered everything from Clint Eastwood’s J Edgar to Stephen Daldry’s Extremely Loud and Incredibly Close. I’m told that Richard Pena will introduce the picture at Avery Fisher Hall, but I’m not sure if Scorsese will be in the house. The film isn’t quite finished, but it will be shown in 3D, though there might be some green screen moments. Paramount releases Hugo on November 23. Scorsese hasn’t shown an unfinished film like this before (though he did once tell me that The Last Temptation Of Christ qualified as that when Universal rushed it into release because protesters were dragging crosses in front of the houses of studio higher-ups like Sid Sheinberg), and the NYFF hasn’t shown an unfinished print like this since Disney’s Beauty And The Beast in 1991. But it’s a great opportunity to build buzz on the movie, Scorsese’s first family and 3D film. Read More »
Graham King’s GK Films has hired Robert Towne to write The Battle Of Britain, a script about the largest and most sustained air battle to date. King and Tim Headington will produce. In 1940, the Royal Air Force battled … Read More »
EXCLUSIVE: FilmDistrict is closing a deal for U.S. distribution rights to Parker, the Taylor Hackford-directed thriller that will star Jason Statham. Production starts in early August. The John J. McLaughlin-scripted film is an adaptation of the Donald E. Westlake novel series, and Statham is playing a character that Mel Gibson played in the Brian Helgeland-directed Payback and Lee Marvin played in the John Boorman-directed Point Blank. Parker is a thief, but one who follows a strict moral code he’ll kill to uphold. The producers are Steven Chasman, Sidney Kimmel, Les Alexander, Jonathan Mitchell and Hackford. The film’s casting up quickly, and the movie was a prominent sales title during the Cannes Film Festival where Sierra/Affinity’s Nick Meyer sold offshore rights and made the domestic deal. Meyer has sold most world territories. Incentive Filmed Entertainment funded the film, and produced with Sidney Kimmel Entertainment and Sierra/Infinity. Sierra/Infinity and Incentive Filmed Entertainment previously teamed on Shark Night 3D, a movie that will be released in September. Read More »
EXCLUSIVE: Graham King’s GK-tv and Gale Anne Hurd’s Valhalla Entertainment have partnered with FX Prods and Fox International Channels to co-produce hourlong period drama series Port Royal. The project, based on the original idea by Hurd, will … Read More »
Angelina Jolie’s much-discussed feature directing debut now has a title and a distributor. Graham King and his GK Films partner Tim Headington, who financed it, have placed it with their FilmDistrict shingle. FilmDistrict CEO Peter Schlessel will slot In The Land Of Blood And Honey, the Bosnia-set drama that Jolie scripted, for a Dec. 23 release in the US. The film is set against the backdrop of the Bosnian War in the 1990s and, according to a statement, “illustrates the consequences of the lack of political will to intervene in a society stricken with conflict. “The film is specific to the Bosnian War, but it’s also universal,” Jolie said in a statement. “I wanted to tell a story of how human relationships and behavior are deeply affected by living inside a war.” Said King: “Working with Angelina on this film and story has been a great collaboration and I am extremely proud of this film. The filmmaking is impeccable, and signals the arrival of a visceral and compelling storyteller.” Read More »
Graham King’s GK Films has hired Focus Features exec Kahli Small to be executive vice president of production and development. She will report directly to King and will work out of GK’s Santa Monica headquarters. Kahli is a seven-year vet … Read More »
Graham King’s GK-tv and Gale Anne Hurd’s Valhalla Entertainment have partnered to develop and produce Port Royal, an hourlong series based on an original idea by Hurd. Set in the late 17th century on … Read More »
Larry Angrisani has been appointed senior vice president of World Marketing and Publicity for Graham King’s GK Films. He’ll be responsible for campaigns for TV, film and new media, based out of GK’s Santa Monica offices. Angrisani spent 7 years … Read More »
EXCLUSIVE: Paramount Pictures has stepped up to become the distributor of the Martin Scorsese-directed 3D film Hugo Cabret, with the studio locking a November 23 release date, the day before Thanksgiving. The adaptation of the Brian Selznick novel is produced … Read More »
GK Films has acquired The Man’s Guide to Love, a pitch for a comedy that Mark Levin and Jennifer Flackett will write and direct. GK’s Graham King and Tim Headington will produce with Laurence Mark. The plot revolves around three … Read More »