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Cannes Grand Prix Co-Winner ‘Once Upon A Time In Anatolia’ Acquired By Cinema Guild

New York, NY (June 14, 2011) — The Cinema Guild announced today the acquisition of U.S. distribution rights to Nuri Bilge Ceylan’s “Once Upon a Time in Anatolia,” co-winner of the Grand Prix at the 2011 Cannes Film Festival. The deal was negotiated by Ryan Krivoshey of The Cinema Guild with Sezgi Üstün on behalf of producer Zeynep Ozbatur of Zeyno Film. Theatrical release details will be forthcoming.

A haunting story about a group of men, among them a local prosecutor, doctor, police chief and two murder suspects, who go in search of a missing body in the Anatolian steppes, “Once Upon a Time in Anatolia” is a breathtakingly beautiful work from celebrated Turkish director Nuri Bilge Ceylan.

Born in Istanbul in 1959, Ceylan is the director of six feature films, including “The Town” (1997), “Clouds of May” (1999), “Distant” (2003), which won the Grand Prix and the Best Actor prize at the 2003 Cannes Film Festival, “Climates” (2006) and “Three Monkeys” (2008), winner of the Best Director award at the 2008 Cannes Film Festival.

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Peter Douglas Remaking Frankenheimer’s ‘Seven Days In May’, ‘Seconds’, ‘Grand Prix’

By | Wednesday November 10, 2010 @ 3:33am PST

Peter Douglas is going retro with his Montecito based indie Vincent Pictures and focusing only on remakes and sequels of such interesting 1960s film fare as director John Frankenheimer’s. Not surprisingly, most of the rights already secured are from films that his father Kirk Douglas produced or starred in, with Peter self-financing the acquisitions and intending to form partnerships with established filmmakers who have existing distribution, production, and financing deals. But many of these movies were iconic, so the pressure will be on to ensure these modern reinterpretations live up to their reputations.

The list includes Seven Days In May, the gripping 1964 political thriller from Frankenheimer who directed one of Kirk’s best performances, Seconds, the 1966 cult classic elevated because Frankenheimer coaxed Rock Hudson’s best dramatic work, and Grand Prix, which featured Frankenheimer’s fab racing footage, became one of the 10 highest grossing films of 1966, and won Academy Awards for Best Sound Effects, Best Film Editing, and Best Sound.

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