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Specialty Box Office: Robert Pattinson’s ‘The Rover’ Runs Strongly In Blah Weekend

By | Sunday June 15, 2014 @ 11:20am PDT

The Rover movie posterSpecialties generally had a blasé weekend with newcomers mostly flat at best. A24 has had a streak of chart-topping opening weekends of late with last week’s Obvious Child and, earlier in the spring, Under The Skin. The company continued its roll this weekend with The Rover, though with more modest results. The crime drama set in the Australian Outback starring Guy Pearce, Robert Pattinson and Scoot McNairy was nevertheless the weekend’s PTA-topper, grossing $70K in five New York and L.A. theaters, averaging a strong $14K per theater. A24 noted Sunday that the film “received strong reviews, particularly for Robert Pattinson’s breakthrough performance, and his fans responded, as the audience breakdown was close to a 50-50 split between men and women.” The Rover, directed by David Michôd, will expand nationwide next weekend.

Hellion movie posterIn other openers, IFC Films bowed its Sundance drama Hellion in an exclusive run at IFC Center in New York, grossing $9,000. It has measured momentum as it heads to Los Angeles next weekend and the top ten markets throughout the rest of June. Also bowing with tepid results is Focus FeaturesThe Signal though the title was by far the biggest roll out among the limited-release newbies. The feature grossed $146K in 120 theaters for a $1,217 PTA. Focus noted Sunday that … Read More »

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Guy Pearce Joins Futuristic Love Story ‘Equals’ With Kristen Stewart, Nicholas Hoult

By | Thursday June 12, 2014 @ 9:54am PDT

Guy Pearce Equals MovieEquals was one of the hot projects in Cannes with Mister Smith closing over 35 international deals. Already starring Kristen Stewart and Nicholas Hoult, the futuristic love story has added Guy Pearce as shooting gears up for August in Japan and Singapore. Pearce is reteaming with his Breathe In director Drake Doremus who is helming from a script by Moon‘s Nathan Parker. The picture is set in a future society where emotions have been eradicated and the new breed of humans is called Equals. They live peacefully, but when a disease begins activating in its victims everything they thought they’d escaped, they are sent away and never seen again. When Silas (Hoult) is infected, he becomes an outcast, but he notices one person who seems to understand what he’s going through, Nia (Stewart), who is able to hide her emotions. The only way for them to ensure their survival is to escape. Producers are Ridley Scott, Michael Schaefer, Ann Ruark, and Jay Stern and Chip Diggins of Route One which is also financing. Exec producers are Mike Pruss, Lee Jea Woo, Choi Pyung Ho and Russell Levine. Read More »

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Hot Trailer: Guy Pearce & Robert Pattinson In ‘The Rover’

By | Thursday April 17, 2014 @ 2:23pm PDT

The same day writer-director David Michôd’s anarchic thriller was picked for a Midnight Screening at Cannes, a new trailer has surfaced. Set in the Australian desert a decade after an economic meltdown, The Rover stars Guy Pearce and Robert Pattinson as angry men on a mission to track down a gang of dudes who seriously wronged them. Scoot McNairy, David Field, Anthony Hayes, Gillian Jones and Susan Prior co-star. A24 picked it up last summer and will open the pic June 13 in LA and NYC, followed by a national release a week later. Check it out:

Related: Cannes Lineup Big Canadian Presence & Lots Of Female Helmers

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Joseph Fiennes Replacing Guy Pearce In ‘Strangerland’

By | Thursday March 13, 2014 @ 3:57pm PDT
Mike Fleming

joefEXCLUSIVE: Joseph Fiennes has been set to star with Nicole Kidman and Hugo Weaving in Strangerland, the Kim Farrant-directed film that shoots in Australia. He replaces Guy Pearce, who dropped from the project. The mystery revolves around a couple whose teen kids turn up missing in the Outback. Script is by Fiona Seres and Michael Kinirons. Pic was written about by my old Variety pal Patrick Frater last fall, and he said that its financing came from Screen Australia, the Irish Film Board and equity financier Worldview Entertainment, with Wild Bunch selling international territories.

Fiennes will next be seen in the Brett Ratner-directed Hercules, which stars Dwayne Johnson. Fiennes is repped by WME, Anonymous Content and UK-based The Artists Partnership.

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Hot Teaser: Guy Pearce & Robert Pattinson In ‘The Rover’

By | Wednesday January 29, 2014 @ 10:23am PST

The Rover first lookGuy Pearce and Robert Pattinson star in The Rover, the next pic from Animal Kingdom helmer David Michôd, about a loner (Pearce) living in the Australian outback 10 years after society has collapsed who hunts down the gang that stole his car with the help of the wounded man (Pattinson) they left behind. Michôd penned the script from a story he hatched with Joel Edgerton. Scoot McNairy also stars in the thriller which A24 will release, date TBA. Check out the first-look teaser: Read More »

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A24 Acquires ‘The Rover’ With Robert Pattinson And Guy Pearce

By | Thursday June 27, 2013 @ 4:05pm PDT
Mike Fleming

A24 today announced the acquisition of David Michôd’s latest film THE ROVER for theatrical release in the U.S. The slow-burn thriller stars Guy Pearce and Robert Pattinson and is set in the Australian desert in a dangerous and damaged near future. The film was written by Michôd and based on a story conceived by Michôd and Joel Edgerton. THE ROVER was produced by Liz Watts for Porchlight Film and David Linde under his Lava Bear Films banner, along with Michôd. The film also co-stars Scoot McNairy, David Field, Anthony Hayes, Gillian Jones and Susan Prior. Celebrated Argentinean filmmaker Natsha Braier acted as Director of Photography and Michôd also teamed up again with Animal Kingdom Production Designer, Jo Ford.

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Guy Pearce, Rosamund Pike & Bryan Brown Set For Aussie Drama ‘Violet Town’

By | Tuesday November 27, 2012 @ 8:28pm PST

Don Groves is a Deadline contributor based in Sydney.

Violet Town is directed by Mark Joffe and is an adaptation of Steven Carroll’s novel The Art Of The Engine Driver, a 1957-set tale about a couple who attend a neighbor’s New Year’s Eve party where buried secrets are revealed. Guy Pearce and Rosamund Pike will play the couple in the pic, which is due to begin shooting in third-quarter 2013. Bryan Brown is also attached to the Matt Cameron script, which is co-produced by Essential Media and Entertainment’s Ian Collie. The feature is the first from an Aussie film and TV production co-venture between Mushroom Pictures and Morrissey Molloy Entertainment. Formed in 2011, the partnership also is co-producing The Road To Freedom Peak, a feature-length documentary that follows former child soldier Jonathan Okwir and journalist Corrin Varady as they ride bicycles across three East African countries. Varady’s Freedom Peak Films is also producing that project, narrated by Djimon Hounsou and commissioned by Australia’s Foxtel. John Molloy, Mushroom Pictures’ head of production, also just produced The Last Time I Saw Richard, a short film by writer-director Nicholas Verso, funded by Screen Australia’s Springboard program. Read More »

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Hot Red Band Trailer: ‘Lawless’

By | Tuesday August 21, 2012 @ 10:48pm PDT

The closer it gets, the better it looks. Here’s the R-rated trailer for Lawless — the John Hillcoat-directed Prohibition-Era saga written by Nick Cave and based on Matt Bondurant’s The Wettest County In The World. Tom Hardy, Shia LaBeouf and Jason Clarke are bootlegging brothers. Guy Pearce plays a badass lawman and Jessica Chastain, Mia Wasikowska, Noah Taylor and Dane DeHaan round out the cast. The Weinstein Company release opens August 29th:

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Screen Australia Backs 4 Films, 8 TV Projects

By | Wednesday July 25, 2012 @ 9:37pm PDT

Don Groves is a Deadline contributor based in Sydney

Hugo Weaving and Don Hany will star in Healing, an Australian drama about a sympathetic prison warden and his efforts to rehabilitate an Iranian-born prisoner, one of four features agency Screen Australia agreed to co-finance at its board meeting today. The other films that secured Screen Australia investment are Aim High in Creation, a hybrid documentary-drama celebrating “the cinematic genius” of the late North Korean dictator Kim Jong-il, from writer/director Anna Broinowski and producer Lizzette Atkins; and the previously announced The Rover, a futuristic Western from Animal Kingdom writer/director David Michôd, starring Robert Pattinson and Guy Pearce; and Felony, which will star Joel Edgerton as a decorated cop who knocks down a young cyclist while driving home after celebrating a drug bust, scripted by Edgerton and directed by Mathew Saville.
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Hot New Trailer: ‘Lawless’

By | Saturday July 7, 2012 @ 1:51pm PDT

Here’s another trailer for Lawless, the Prohibition-era crime drama directed by John Hillcoat that screened this year at Cannes. Tom Hardy, Shia LaBeouf and Jason Clarke play a trio of bootlegger brothers in The Weinstein Company release that also stars Guy Pearce, Jessica Chastain and Mia Wasikowska. With a script by Nick Cave based on (and formerly also titled after) the novel The Wettest County In The World, it’s scheduled to hit theatres August 29th.

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‘Lawless’ Premieres As The Weinstein Company Hijacks The Cannes Red Carpet

Pete Hammond

It took just four days into the 65th Cannes Film Festival but The Weinstein Company officially took over Saturday scoring both of the key night’s premiere slots at the Grand Theatre Lumiere in the Official Selection and both from Australian directors. With their August 29th release, Lawless getting the 7PM spot, Harvey Weinstein had to immediately turn around and walk back up the red-carpeted stairs for the 10PM screening of his latest pickup, Wayne Blair’s out-of-competition aboriginal soul musical, The Sapphires. Has any other other distributor ever scored this kind of double feature on the same night in Cannes? Doubtful. But with two movies how do you juggle the obligatory after-party scene? In this case, split them up. Lawless celebrated its Cannes debut partying after its screening Saturday, while Sapphires is having official press screenings plus a special showing at the Olympia theatre followed by a party at J.W. Marriott on the Croisette Sunday night. I’ll catch that one then, but I started the day off with Lawless at the 8:30AM press screening this morning and what a bloody, violent, but undeniably entertaining way to start my day than with this testosterone-driven, blood-soaked gangster flick set in prohibition-era Virginia and focusing on the turf wars in bootleger country. One of five American films in competition, its key cast showed on the red carpet (and earlier met with the press) including Tom Hardy, Shia LaBeouf, Jason … Read More »

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First Five Minutes: Guy Pearce In ‘Lockout’

By | Saturday April 7, 2012 @ 4:43pm PDT

Europa posted roughly the first five minutes of Lockout, which features star Guy Pearce being pummeled while he’s interrogated about “what happened in that hotel room.” What happened was a big fight scene during which credits unfold. Kind of over the top but OK. (In English with French subtitles.) Most of what we’ve seen before has taken place aboard an orbital maximum security prison. Maggie Grace co-stars. Executive producer Luc Besson co-wrote with first-time feature directors James Mather and Stephen St. Leger. Released under other monikers abroad and re-titled Lockout for the U.S. market, the FilmDistrict/Open Road-distributed sci-fi prison thriller is now slated to open April 13.

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VIDEO: Ridley Scott’s ‘Prometheus’ Hits The Lecture Circuit In Clever Promo

By | Tuesday February 28, 2012 @ 1:17pm PST

The video is not from Ridley Scott’s Prometheus but was conceived by Scott and Damon Lindelof to be shown at the TED conference running now in Long Beach. Luke Scott directed the elaborate bit, which shows Guy Pearce’s character Peter Weyland addressing the annual thinkers confab in the “year of our Lord 2023.” There’s even a website for Weyland Industries. It’s a cool idea to introduce some of the film’s mythology without actually showing the film. Fox’s actual Prometheus pic is set for a June 8, 2012 release.

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Jason Clarke Lands Kathryn Bigelow’s Bin Laden Film; Elite Cast Circling Other Roles

Mike Fleming

EXCLUSIVE: Jason Clarke is the first actor set for the Kathryn Bigelow-directed drama about the hunt for Osama Bin Laden for Sony Pictures and Megan Ellison’s Annapurna Pictures. An elite group of actors is being courted for the ensemble. I’m told that Clarke–who stars in the Ellison-produced The Wettest County in the World and is playing the gas station owner George Wilson in the Baz Luhrmann-directed The Great Gatsby–will play a terrorist hunter in service of the U.S. efforts to hunt Bin Laden. Also being discussed for roles are Tom Hardy (who also stars in Wettest County), Jennifer Ehle (Contagion), Guy Pearce (who starred in Bigelow’s The Hurt Locker), Idris Elba, Rooney Mara (upcoming Girl with the Dragon Tattoo) and Nina Arianda (Midnight In Paris). The plan is to start production early next year, so availability could be an issue for some of the actors. Mark Boal wrote the script and is producing with Ellison and Greg Shapiro.

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Backstage At The Emmys: Martin Scorsese, Kate Winslet, Melissa McCarthy And More

Emmys Live-Blog; Emmys By The Numbers; Emmy Analysis: Broadcast TV’s Big Awards Comeback; Red Carpet Executive Arrivals

Deadline’s Diane Haithman and Ray Richmond were backstage at the Primetime Emmy Awards tonight to hear what the winners had to say.

Julie Bowen and Ty Burrell came backstage together after winning the awards for Outstanding Supporting Actress and Supporting Actor in a Comedy Series. The Modern Family stars were asked first about being part of a show that is breaking ground for gays. Burrell said, “I don’t know, in terms of America, it feels very, very good to be on a show that seems like it’s slowly changing a lot of minds. Eric [Stonestreet] and Jesse [Tyler Ferguson] deserve all of the credit for that, and our amazing showrunners. It’s a great thing to just peripherally go to events and just basically start to talk about those characters like any other characters, relating to their life — it’s pretty cool.” Bowen joked, “As a straight woman, and part of a straight couple on the show, I feel marginalized.” On a more serious note, she added: “It’s absurd that it’s even an issue, but where it’s an issue, I’m glad that we are part of helping change minds.” Using the word “straight” in a different context, Burrell praised Bowen: “It’s even greater credit to what Julie does that the straight-person wins an Emmy, I don’t think that happens very often. In a couple there’s usually a straight-man and a wilder character. It’s due to her resourcefulness as an actor.” On going back to the set with an Emmy when other cast members were also nominated, Burrell said: “Eric won last year, and Ed [O'Neill] actually just said something really sweet right before the award, ‘whoever wins deserves it.’ I feel like we’re trying to enjoy this moment more than anything — we know this doesn’t last forever; we’re having a lot of fun.” Bowen said about her surprise win, “I kinda thought it was a lock on Betty White. If I didn’t have a dog in this fight, and I had two, I would have voted for Betty White. Claire is not necessarily fall-down funny every time.” She credits the writers for having found ways to make her character have many dimensions and “not just be the mom.” …

Later, Steve Levitan and Jeffrey Richman, winners for Outstanding Writing for a Comedy Series, were asked how it feels for Modern Family to be sweeping the awards so far, with wins in every category they’ve been eligible for. Levitan: “We’re beyond thrilled with the way things have gone, obviously. It’s an embarrassment of riches, and from the bottom of our hearts we feel that Ty Burrell and Julie Bowen deserved to win. (Outstanding Director in a Comedy Series winner) Michael Alan Spiller, not so much. To tell you the truth, it’s a little surreal.” They were then asked what they did to ramp up the stories and quality of Modern Family in Season 2. Levitan: “We feel like we know the characters a little bit better this year. There was such dedication this year to keeping the quality up. We all live in fear of the quality dipping so we work extra hard to make sure that doesn’t happen. … I’ll also tell you that our kids are the unsung heroes of the show. What they do on this show is amazing. We ask them to do such complicated turns and they nail it constantly. They’re playing at the same level as the adults and that’s a rare thing.” … Read More »

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Hurricane Irene: Worst Movie Weekend Of 2011? ‘The Help’ #1 Again, ‘Colombiana’ #2, ‘Afraid Of The Dark’ #3, ‘Our Idiot Brother’ #6

SATURDAY PM/SUNDAY AM, 4TH UPDATE: This weekend’s numbers bounced around, especially after Rentrak, the box office reporting service, sent out the following advisory: “We wanted to make you aware that a possible 1,000 theatres could be affected by the weather on the East Coast. We’ve been hearing about closures at many theatres and wanted to advise you that both Saturday and Sunday grosses will be affected.” This is turning into the worst moviegoing weekend of 2011, in a race with only Super Bowl weekend, because of the expected miniscule $80M expected for total North American box office grosses. Theater chains like AMC, Regal, and Clearview Cinemas were closing, location counts were dropping, and major releases were finding cover. Hurricane Irene came ashore along the Atlantic Seaboard on Saturday starting in North Carolina and heading due north. Mass transit was suspended in many areas while heavy rains and high winds pounded the region, causing one studio exec to complain to me, ”Business is in the crapper right now. Any way you slice it business is getting creamed this weekend.” The storm, at one point bigger than the size of Europe, created a state of emergency up the East Coast from North Carolina to Massachusetts and will depress box office by 10%, 20%, or more. Considering that this weekend’s 3 major opening movies were only expected to debut modestly even in fair weather, studios and distributors have a Mother Nature excuse when their films underperform at the North American box office. So I can’t humiliate them for not hitting double digits. Drats!)

1. DreamWorks/Disney’s The Help is a lock again for #1 with $4.4M Friday and $5.9M Saturday for a $14.3M weekend as the bestselling book-turned-pic enters its 3.5th week into 2,778 originally booked theaters. The cume is estimated at $96.6M and should pass the $100M plateau mid-week.

2. Sony Pictures/TriStar’s Luc Besson-produced and co-written PG-13 actioner Colombiana starring Zoe Saldana as the female assassin. It did the best of the newcomers opening to $3.7M Friday and also $3.7M Saturday to a $10.3M weekend with an original booking into 2,614 theaters. It earned an ‘A-’ CinemaScore from audiences. “Given the devastating weather system on the East Coast, the film performed better than expected and is off to a solid start and should hold well for the coming holiday weekend and into the Fall,” the studio said. Sony Pictures did a distribution deal for Colombiana which was fully financed by EuropaCorp and partners TF1 Films Production, Grive Productions with the participation of Canal+ and Cinecinema. They also put up the P&A for this title. For the media and promo campaign, Sony tied into the revenge theme of the movie with custom branded promotions and tie-ins with outlets like BET where there was “back to payback” stunt. The studio placed sneak peaks of the film in programming blocks where the cable channel was broadcasting revenge-oriented titles like Romeo Must Die and A Man Apart. Zoe Saldana shot custom interstitials. On channels like G4, a sweepstakes gave the winner time with Zoe’s trainer and to remake a scene from the film. Activities also specifically targeted urban audiences and Spanish language press. TriStar Pictures and Stage 6 Films present a coproduction EuropaCorp. Directed by Olivier Megaton, Colombiana gave writing credits to Luc Besson & Robert Mark Kamen, and produced by Luc Besson and Ariel Zeitoun.

3. FilmDistrict’s Guillermo del Toro-written and co-produced haunted house movie Don’t Be Afraid Of The Dark, starring Katie Holmes and Guy Pearce was originally booked into 2,760 theaters. It debuted with $3.6M Friday and $2.9M Saturday and will make $8.6M this weekend. It earned an unfortunate ‘C-’ CinemaScore from audiences. “All things considered, not a bad Saturday and ultimately the weekend total was good despite the hurricane,” said FilmDistrict’s Bob Berney. ”Our key large urban East Coast markets were really killed.” Females under 25 responded strongest to Don’t Be Afraid Of The Dark and in markets with large Latino populations. Berney has known Guillermo since distributing his Academy Award-winning Pan’s Labyrinth at Picturehouse. that’s also where Berney released The Orphanage which del Toro exec-produced. Don’t Be Afraid Of The Dark had been in the works for some time ever since del Toro made Mimic for the original Miramax. Guillermo based the new movie on a 1973 TV pic that had “scared the crap” out of him as a kid in Mexico. Del Toro chose director Troy Nixey from his work in comic books and a short film that Guillermo really responded to. Don’t Be Afraid Of The Dark was shot while Guillermo was in New Zealand preparing The Hobbit (remember that?) and would fly over to Melbourne where Nixey was shooting and remained very involved in the $28M production. After Disney sold Miramax to the Colony Capital/Ron Tutor group, FilmDistrict acquired Don’t Be Afraid Of The Dark around Sundance this year. It was the closing night pic at the LA Film Festival and put together a Comic-Con panel with del Toro and Guy Pearce. Attendees called it the most highbrow discussion of the Con steeped in both film history and profanity. Guillermo has a “Presents” credit on the film and his pedigree has been one of the key marketing points of the film. “Jeanne and I were really happy to be working with Guillermo again,” Berney emailed me. “He really is the ’hardest working man in show business’ and the most generous and nicest guy as well. Not to mention that he holds the record for ‘F bombs’ at Q&As and panels around the world.”

4. Rise Of The Planet Of The Apes (Fox) Week 4 [3,374? Theaters]
Friday $2.6M, Saturday $3.6M, Weekend $8.6M, Cume $148.4M

5. Spy Kids 4D (Dimension/Weinstein Co) Week 2 (3,305? Theaters)
Friday $1.5M, Saturday $2.5M, Weekend $5.7M (-51%), Cume $21.7M

6. The Weinstein Co’s not-so-raunchy R-rated comedy Our Idiot Brother showcasing Paul Rudd surrounded by Elizabeth Banks, Zooey Deschanel and Emily Mortimer originally booked into 2,555 theaters. It opened to $2.3M and $2.5M Saturday for a $5.7M weekend. It earned a disappointing ‘C+’ CinemaScores from audiences. This film was acquired by TWC and Ron Burkle’s YUK Films at the Sundance Film Festival for $6 million in exchange for U.S., Germany, France, Japan, and Benelux rights. Alliance has Canada via their recent acquisition of Maple Films. Directed by Jesse Peretz from a script he wrote with his sister Evgenia, he reached out to producer Anthony Bregman (Eternal Sunshine Of The Spotless Mind) who in turn enlisted producer Peter Saraf (Little Miss Sunshine) and they put the whole deal together in a few weeks. TWC’s marketing campaign involved not only the traditional media buys but a lot of extras on the Internet as well — like the Funny Or Die video with Harvey Weinstein and Paul Rudd. Rudd went on MLB.com talking sports. There also was a ’Search for Willie Nelson’ (the dog’s name in the film) viral campaign. And an Idiot Photo Booth social campaign. Our Idiot Brother gave writing credits to Evgenia Peretz and David Schisgall and producing credits to Stefanie Azpiazu, Caroline Jaczko, Aleen Keshishian, Anthony Bregman, Peter Saraf, and Marc Turtletaub. Read More »

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Ridley Scott To Direct New ‘Blade Runner’ Installment For Alcon Entertainment

Mike Fleming

EXCLUSIVE: After revisiting his classic Alien with the upcoming 3D Fox film Prometheus, Ridley Scott is committing to direct and produce a film that advances his other seminal and groundbreaking science fiction film from the past. Scott has signed on to direct and produce a new installment of Blade Runner. He’ll make the film with Alcon Entertainment, producing with Alcon partners Broderick Johnson and Andrew Kosove. This would be the most high profile project for Alcon since The Blind Side. They got control of the franchise earlier this year, but it’s a whole different ballgame with Scott at the helm.

I’m not getting a clear sense at this point whether Scott intends to do a sequel or a prequel to the 1982 film that was loosely based on the Philip K. Dick novel Do Androids Dream of Electric Sheep? Also unclear is whether they start fresh or reach out to Harrison Ford. The original took place in dystopian Los Angeles in 2019, in which organic superhuman robots called replicants escaped and are hiding somewhere on earth. Ford played Richard Deckard, a burnt out blade runner assigned to hunt them down. His tired life gets altered when he himself falls for one of the replicants and struggles to keep her from being destroyed.

The film was not a blockbuster when first released–it grossed $32 million in its original run–but the film has gained esteem over time. From the bleak but breathtaking  visuals to the complex storyline and themes of mortality, Blade Runner became a classic. There has periodically been talks of doing a sequel but those never really went anywhere.  After injecting state of the art 3D in reviving Alien, imagine what Scott can do with Blade Runner? Now, the filmmaker is ready to engage. Alcon has its output deal with Warner Bros, which remastered and released a 25th anniversary version on DVD and Blu-Ray in 2007. Warner Bros made the original film. Read More »

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‘Like Crazy’ Helmer Drake Doremus Sets Cast For Next Film

By | Friday July 22, 2011 @ 7:43am PDT
Mike Fleming

EXCLUSIVE: Drake Doremus, who directed the Sundance sensation Like Crazy, has set Guy Pearce, Amy Ryan and Felicity Jones for his next film. Shooting on the untitled pic begins in a month and takes place in upstate New York. It’s about love, fidelity, marriage and music. Indian Paintbrush is fully financing. Jones made her breakthrough starring in Like Crazy, which won the Grand Jury Prize at the 2011 Sundance Film Festival. Indian Paintbrush teamed with Paramount Pictures to acquire distribution rights on the picture, which will be released this fall.

Doremus wrote the script for the new film with Ben York Jones, his Like Crazy collaborator. The film will be produced by Jonathan Schwartz and Andrea Sperling of Super Crispy Entertainment, along with Steven Rales and Mark Roybal of Indian Paintbrush. Michael Pruss is co-producer. Doremus is repped by UTA, Pearce and Jones by CAA and Luber Roklin, while Ryan’s deal was made by Gersh.

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Hot Trailer: ‘Don’t Be Afraid Of The Dark’

Mike Fleming

FilmDistrict has released a full-length trailer for Don’t Be Afraid of the Dark, the remake of the creepy 1973 telepic made at a time when ABC was cranking out the scares with such films as Bad Ronald and Trilogy of Terror. Troy Nixey directed it and Guillermo del Toro produced with Mark Johnson. Katie Holmes, Guy Pearce and Bailee Madison star. The film will close the Los Angeles Film Festival and opens wide in theaters Aug. 26.

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