The CEO of Anonymous Content today let loose against Lakeshore Entertainment,over their firing of him last year from the romantic drama Adaline. “There is no polite way to put it: Lakeshore tried to pull a …
Nancy O’Dell, host for the 17th annual Hollywood Film Awards on Monday night at the Beverly Hilton, looked across the impressive star-studded room and said, “This is just like the Oscars”. Uh, not exactly. It’s not just like the Golden Globes or The Critics Choice Awards either, but it’s become a pretty good warm-up act for all of them. ”We used to make fun of this show, but not so much anymore,” said one industry observer. In fact the cover of the slick program says it all: “First mandatory stop in the awards season”. And this brainchild of Carlos de Abreu, who is the arbiter and chief negotiator of who gets what, has really been growing. The studios seem to love it because they essentially get to dictate the winners and plant a flag for one film or another early in the season. No one takes the actual award too seriously, but getting the opportunity to be seen holding that award is another thing altogether.
In its early days, stars would come in the back of the Hilton, make an appearance onstage to accept an award and get a photo op, and then make a hasty retreat. Now, most of them stayed all night for the nearly three-and-a-half hour show, schmoozing, seeing old friends and subtly campaigning. One person at the Disney table where I was sitting (director Dan Scanlon won the Hollywood Animation Award for Pixar’s smash sequel Monsters University) put it succinctly, saying about the appeal of this show: “If they show up, it’s worth it. If they don’t show up, it’s not worth it”. They showed up.
And there was lots of high star-wattage in the room including various winners like Sandra Bullock, Matthew McConaughey, Jake Gyllenhaal, Julia Roberts, Harrison Ford and Jared Leto, plus presenters like Sean Penn, Robert Downey Jr, Kanye West, Geoffrey Rush, Bruce Willis, Jennifer Garner, Amy Adams, Jeremy Renner, Jane Fonda, Forest Whitaker and others. Hollywood Song Award winner Chris Martin of Coldplay even performed his tune Atlas from the upcoming The Hunger Games: Catching Fire, the first song the group has written for a film.
Studio heads like 20th Century Fox’s Jim Gianopulos, Warner Bros’ Kevin Tsujihara, Fox Searchlight’s Nancy Utley, Sony Pictures Classics’ Tom Bernard and Harvey Weinstein were also in the room for the show which has never been televised — but will be next year according to an announcement by O’Dell. Dick Clark Productions, which also produces the Globes, has now got a stake in the event and plans to start exploiting it in 2014. Just how it will all play on TV is anybody’s guess when there are no nominees only winners, and most of the viewers will not have seen any of the movies rewarded on this very early mid-October Hollywood lovefest (hell, not many of the industry audience or even the presenters had seen most of the films yet).
Notes from Monday night’s 23rd annual Pen Center USA Literary Awards Festival:
These awards, handed out at a ritzy gala at the Beverly Hills Hotel, celebrate the “freedom to write” and generally honor books. But there were a few showbiz awards thrown in including the Screenplay honor to Mark Boal for Zero Dark Thirty and its television counterpart to Danny Strong for HBO’s Game Change. Kickstarter even got in on the game, winning the Award Of Honor. But the big news was happening out in front of the hotel as the Motion Picture Editors Guild followed through on threats reported on Deadline to protest the Freedom To Write award to Sonia Nassery Cole, director/co-writer/producer of Afghanistan’s 2010 Foreign Language Oscar entry The Black Tulip. Several members were there with signs claiming she stiffed them back pay for their work on the film. The protest didn’t seem to dampen the mood inside the ballroom (there was no acknowledgement of the dispute) as she won a hearty ovation when Oscar-nominated actress Shoreh Aghdashloo introduced her to receive the evening’s final award. Cole’s speech focused heavily on the fight for freedom and peace in Afghanistan, pointing out her time there was “Hell on Earth”. Her anti-Taliban book and film enabled her to fight against them, she said.”Freedom is something I have been fighting for my entire life, and for me freedom is not free. We have to fight for it every single day of our lives, especially when you go to a country like Afghanistan,” she said, although the protesters outside would probably say making a movie is “not free” either.
Global Showbiz Briefs: ‘Ataru’ Dethrones ‘The Wind Rises’ In Japan; Peter Jackson Given Highest Kiwi Honor; More
After a nine-week streak, Hayao Miyazaki’s The Wind Rises has slipped from the No. 1 spot at the Japanese box office. Ataru: The First Love & The Last Kill, an adaptation of a popular TV series, overtook the animation master’s final feature at the weekend, making over $3.5M. FilmBizAsia reports that it is only the second live-action TV adaptation to open at No. 1 this year. The Wind Rises fell to the No. 2 spot and now has a cume of $106.5M. Meanwhile, The Wolverine opened at No. 3 with $1.85M and Warner Japan’s remake of Clint Eastwood’s Unforgiven was No. 4 with $1.45M.
Peter Jackson was given New Zealand’s highest honor on Tuesday, becoming an Additional Member of the Order of New Zealand for services to the country. He also received the order’s insignia, the first time a film industry player has been given the badge. According to Stuff, only 20 members of the order can hold the badge and it must be returned by the recipient’s estate upon their death. “Obviously, it’s something I’m going to have to look after and I’m going to have to make sure my children know where to find it, but I do hope to hold on to it for quite a long time,” Jackson said.
After the six major studios wrapped up their turns in front of the CinemaCon convention goers with 20th Century Fox earlier today, it was Lionsgate‘s turn to carry the flag for the indie sector, even though NATO’s John Fithian said last year that in Lionsgate we are seeing the birth of the “seventh major studio”. And although some of the speakers during the company’s relatively brief presentation this afternoon took up that mantle, Lionsgate in its sizzle reel actually touted the fact that they are the only non-major to actually go over $1 billion in a single year — certainly thanks to the dynamic duo of Summit’s Twilight finales and The Hunger Games, which became the third-highest-grossing film of 2012 with more than $400 million domestically. So are they are a major? A mini-major? A true independent? Or just a money-minting film company with a couple of franchises the real majors would kill for (and in the case of Twilight actually passed on — ouch).
But as befits any wannabe major, a spiffier, more corporate logo was in order, and as Deadline reported earlier they debuted it for the theatre owners here in Las Vegas. As distribution head Richie Fay put it during his turn onstage, “Lionsgate is an overnight success that was 12 years in the making”.
As far as the presentation went, Lionsgate certainly took an independent route from the way the majors have behaved all week, offering a musical-chairs lineup of executives taking their turn in front of delegates who crowded into the Colosseum to check out the product. In addition to Fay, we also heard from CEO and co-founder Jon Feltheimer, co-chairman of Lionsgate Motion Picture Group Rob Friedman and AMC theatres exec Elizabeth Frank, who pointed out the company released 20 major films in 2012 and led the field 11 separate weeks. She said her company was looking forward to the 17 movies on tap this year and many of them were showcased for the first time over the course of the 80-minute show emceed by comedian Kevin Hart.
Jackie Robinson Biopic ’42′ Screening At White House Tonight; Harrison Ford & Thomas Tull In Attendance
Legendary Pictures and Warner Bros’ story of the man who broke pro baseball’s color barrier is headed to the White House. President Obama will host the producers, crew and stars of 42 for a screening at 5:35 PM ET in the Executive Mansion’s Private Theatre. Legendary boss Thomas Tull, director Brian Helgeland, and stars Harrison Ford and Chadwick Boseman will be in attendance. Boseman plays Jackie Robinson in the film, which tells his life story and of his signing with the Brooklyn Dodgers in 1947. Ford plays Dodgers general manager Branch Rickey. Robinson’s widow Rachel Robinson will also be at the screening tonight. Robinson, Tull and the cast joined First Lady Michelle Obama earlier today at an interactive student workshop at the White House looking at the legacy of the legendary ballplayer. 42 opens April 12.
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LOS ANGELES, Jan. 30, 2012 – Harrison Ford, the venerable actor who immortalized Han Solo and Indiana Jones, will receive the American Society of Cinematographers (ASC) 2012 Board of Governors Award. Ford will be honored during the 26th Annual ASC Outstanding Achievement Awards gala here on February 12 at
Deadline revealed yesterday that Legendary Pictures was courting Harrison Ford to play Branch Rickey, the Brooklyn Dodgers GM who with Jackie Robinson broke the color line in baseball in 1947. Legendary has announced that Ford is set, and that …
EXCLUSIVE: Legendary Pictures is courting Harrison Ford to play Brooklyn Dodgers general manager Branch Rickey in 42, the Brian Helgeland-directed chronicle of how Rickey and Jackie Robinson eradicated segregation in baseball in 1947. Helgeland has written a script after Legendary jump-started a long dormant project in collaboration with Robinson’s widow, Rachel Robinson. The film’s being produced by Legendary’s Thomas Tull with Jon Jashni and Dick Cook exec producing. The film will be released by Warner Bros.
Numerous top actors have been mentioned for the Rickey role, including Robert Redford, who was attached a decade ago when the project was first contemplated. Now, it looks like it’s Ford’s role if he wants it, and while he has been mentioned for a number of projects including Ender’s Game, here he would be playing the man who with Robinson was the catalyst for the most groundbreaking event to occur in sports in the 20th century.
It wasn’t enough to decide to break baseball’s color line; Rickey had to search for the right player and qualities that went beyond hitting, fielding, speed and a throwing arm.