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Amazon Licenses Right To Lend ‘Harry Potter’ E-Books To Amazon Prime Members

SEATTLE–May. 10, 2012– Owning a Kindle just got a whole lot better for magic-loving Muggles. Starting June 19, (NASDAQ:AMZN) is adding all seven Harry Potter books (in English, French, Italian, German and Spanish) to the Kindle Owners’ Lending Library (KOLL). Harry Potter is the all-time best-selling book series in history, and Amazon has purchased an exclusive license from J.K. Rowling’s Pottermore to make the addition of these titles possible. The Kindle Owners’ Lending Library is a benefit of Amazon Prime membership—Prime members also enjoy free two-day shipping on millions of items and unlimited streaming of more than 17,000 movies and TV episodes. The Kindle Owners’ Lending Library has now grown to over 145,000 books that can be borrowed for free as frequently as once a month, with no due dates.

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Warners Pulling ‘Harry Potter’ Out Of Circulation Dec. 29, With $12.1B+

By | Monday October 24, 2011 @ 2:55pm PDT

Burbank, CA – October 24, 2011 – Harry Potter, the #1 motion picture franchise of all time, will soon disappear from shelves, as Warner Bros. stops shipping all Harry Potter theatrical film titles (including Harry Potter and the Deathly Hallows™ – Part 2, and Harry Potter: The Complete 8-Film Collection) as of December 29, 2011 (moratorium does not include digital – Electronic Sell-Through & VOD – or games). The Harry Potter franchise has grossed more than $12.1 billion for Warner Bros. Entertainment – with $7 billion at the worldwide box office for Warner Bros. Pictures and $5.1 billion for Warner Bros. Home Entertainment Group and Warner Bros. Interactive Entertainment.

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BAFTA Awards Harry Potter Film Franchise

The British Academy of Film and Television Arts is delighted to announce that the Harry Potter film series will receive the award for Outstanding British Contribution to Cinema at this year’s Orange British Academy Film Awards. JK Rowling and David Heyman will receive the award on behalf of the franchise during the ceremony at London’s Royal Opera House on Sunday 13 February 2011.

Awarded annually, the award for Outstanding British Contribution to Cinema was introduced in 1978 and is presented in honour of Michael Balcon. The first recipients were the Special Visual Effects team for Superman and others include Kevin Brownlow, Mike Leigh, Kenneth Branagh, Derek Jarman, Working Title, Lewis Gilbert, Channel Four Films and Pinewood & Shepperton Studios.

Starting in 2001 with Harry Potter and the Philosopher’s Stone, the film franchise from Warner Bros. Pictures has defined a decade of British filmmaking. As well as continually introducing exciting new performers to a global audience, the films have built a reputation for showcasing the wealth of British stage and screen acting talent.

The Harry Potter films have not only created stars in front of the camera, but have also highlighted the expertise within the British craft and technical industries, supporting a vast array of jobs throughout production. Their contribution to the British filmmaking industry was underlined last year when Warner Bros. Pictures, which has shepherded the film series from its inception, purchased Leavesden Studios in Hertfordshire. Leavesden Studios has been the Harry Potter

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MAGIC! ‘Harry Potter-Deathly Hallows, Pt 1′ Biggest In Franchise With $330.1M Global Weekend Including $125.1M North America

SATURDAY PM/SUNDAY AM, 7TH UPDATE: My sources are estimating $38.2 million for Saturday and $61.1 million for Friday from 4,125 theaters for the biggest installment in the Harry Potter franchise. Friday’s North American grosses were a November record for the Harry Potter franchise, including the $24M from 3,700 post-midnight locations. Warner Bros is now saying Harry Potter And The Deathly Hallows, Part 1 translated to a weekend opening of $125.1M. That’s a lot of moolah as HP7A bested HP4‘s $102M weekend debut by +23% — and the 18-to-34 demos were +25% – and became #5 among all-time 3-day opening weekends. “The aging of the films have made them unique and the largest grossing franchise in motion picture history,” Warner Bros distribution czar Dan Fellman emails me. “No other film has successfully grown its audience in this manner.” Given that a net profit statement for 2007′s Harry Potter and The Order of the Phoenix shows that the film is still over $167M in the red despite grossing $938.2 million worldwide, I can’t wait to see how Warner Bros spins HP7A net.

Overseas, the latest Harry Potter installment earned a whopping $205M with 26.8 million admissions from 19,000 screens in 54 countries and 91 markets, including $4.2M from 101 screens for IMAX. Highlights included the UK’s £17.5m / $28.0M (3 million admissions on 1,852 screens)  for the biggest 3-day opening ever while Saturday’s box office of £6.6M was the biggest single day ever in UK history. 

1. Harry Potter And The Deathly Hallows, Part 1 (Warner Bros) NEW [4,125 Theaters]
Friday $61.1M, Saturday $38.2M, Weekend $125.1M

The strategy by Warner Bros’ Sue Kroll was to launch “The Motion Picture Event of a Generation” — a year-long campaign that began selling both Parts 1 & 2 combined last summer. The marketing czarina positioned it as a must-see cultural phenom, the culmination of the ultimate battle between good & evil all leading up to Harry’s final face off with Voldemort. The studio launched a teaser trailer and poster touting both installments with Twilight last June that played through the summer, plus showed a 4-minute piece at Comi-Con in July to appeal to hard-core fans (the first time Harry Potter has ever been shown there.) All subsequent materials focused entirely on Part 1 with the main trailer, print materials, and in theater campaign launching in September. Warner Bros also bought an extremely broad TV campaign claiming HP isn’t just for kids anymore on everything from kids programming to sports and high profile network & cable shows. In October, a massive outdoor campaign began. “The goal was ubiquity,” a WB exec tells me.

2. Megamind (DreamWorks Animation/Paramount) Week 3 [3,779 Theaters]
Friday $3.7M, Saturday $7.6M, Weekend $16.1M (-45%), Cume $109.4M

3. Unstoppable (Fox) Week 2 [3,209 Theaters]
Friday $4M, Saturday $5.8M, Weekend $13.1M (-42%), Cume $41.9M

This pic played well to those sparse audiences who showed up to see it. Fox Filmed Entertainment Group will be very happy when 2010 and its non-Avatar pics come to an end. Better luck next year.

4. Due Date (Warner Bros) Week 3 [3,229 Theaters]
Friday $2.9M, Saturday $3.9M, Weekend $9.1M, Cume $72.6M

5. The Next Three Days (Lionsgate) NEW [2,564 Theaters]
Friday $2.2M, Saturday $2.6M, Weekend $6.7M

Another box office disaster for Joe Drake and the Lionsgate motion picture group. Given that marketing costs these days start at $30M and go up and up and up, I don’t understand how Lionsgate can claim to me it “knew all along” that writer/director Paul Haggis’ The Next Three Days would make only $7M-$9M. Then why make this very ordinary thriller in the first place? “We knew that counter programming against Potter would be tricky, but the Thanksgiving holiday weekend and fact that adult films don’t always live or die by their opening weekends factored into our risk calculations,” an LG exec tells me. “We were very careful with our media buy, niche targeting our adult audience and not overspending.” Yet Russell Crowe refuses to be hired on the cheap. At least he went above and beyond his normal press outreach, doing the full press junket in support of the movie, and then 6 national talk shows. 

6. Morning Glory (Paramount) Week 2 [2,544 Theaters]
Friday $1.6M, Saturday $2.3M, Weekend $5.2M, Cume $19.8M

7. Skyline (Rogue/Relativity/Universal) Week 2 [2,883 Theaters]
Friday $1M, Weekend $3M, Cume $17.2M

8. Red (Summit) Week 6 [2,034 Theaters]
Friday $715K, Saturday $1.1M, Weekend $2.5M, Cume $83.6M

9. For Colored Girls (Lionsgate) Week 3 [1,216 Theaters]
Friday $680K, Weekend $1.8M, Cume $34M

10. Fair Game (Summit) Week 3 [386 Theaters]
Friday $380K, Saturday $690M, Weekend $1.5M, Cume $3.7M

FRIDAY 10 AM, 3RD UPDATE: Post-midnight screenings of Harry Potter And The Deathly Hallows, Part 1 made $24 million from 3,700 North American locations today. That’s a record for the franchise which has taken in nearly $5.5 billion in worldwide revenue, the most successful movie franchise in box office history. The previous midnight Harry Potter record was the sixth installment with $22M. (For midnight screenings of HP7A in 238 IMAX theaters in North America, the $1.436 million tally beat IMAX’s previous midnight record grosses of $1.036 million from the Twilight Saga: Eclipse.) “This is off to a huge start with $11M already reported for Friday matinees,” a Warner Bros executive emails me. The studio believes that HP7A could open to a whopping $135M by Sundays’s end.

THURSDAY 7 PM, 2ND UPDATE: I’m told that as of 6 PM tonight advance sales were $35 million for Harry Potter and the Deathly Hallows, Part 1.

THURSDAY 4 PM UPDATE:With only a few hours to go before its 12:01 AM Friday premiere, Harry Potter and the Deathly Hallows, Part 1 is past $30 million in advance sales and may be looking at $60 million for Friday’s opening day and a 3-day debut weekend total of $130+ million. Maybe even $150M. Yowza! The last 2 Harry Potter films both had weekend grosses of $77M each. “We will EASILY pass $100M for our opening FSS this time around,’ a Warner Bros executive tells me. Meanwhile, the picture has already leaped over previous record-holders to become giant online ticketseller Fandango’s top  Harry Potter advance ticket-seller in Fandango’s 10-year history, and the overall 3rd best pre-seller in company history following only Summit’s Twilight Saga: New Moon and Twilight Saga: Eclipse. It has bested Star Wars: Episode III – Revenge of the Sith. This #7A latest in the HP franchise currently represents 97% of today’s ticket sales and more than 3,000 showtimes are already sold out in cities and towns across the country. I hear theater owners are scrambling to add new midnight and 3:15 AM showtimes to meet the fan demand.

EXCLUSIVE… Wednesday 12:30 PM: Warner Bros is warning me to “get ready for a record-breaking weekend” for its Harry Potter and the Deathly Hallows, Part 1 which opens at 12:01 AM Friday. But the pic is already breaking records and it hasn’t even opened for another 36 hours. It will play in a whopping 3,700 midnight locations, which is a record, with the screen count to adjust based on the demand so that figure could climb even higher. The general theater count for Friday’s release is already 4,125, a November record for the Harry Potter franchise, with over 9,000 screens. In addition to these unprecedented numbers, Warner Bros’ Dan Fellman has lined up 239 IMAX Theatres, another record (the last HP only had 166 IMAX screens). “Since almost all the IMAX have sold out the weekend already, they are adding a 3 AM show starting with the first midnight show,” my insider says. There also are an additional 65 “Special Presentation Circuit Screens”. Most importantly, the studio already has $25 Million in advance ticket sales, another record. “All good news for a huge HP weekend,” a Warner Bros exec gushed to me. Read More »

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