EXCLUSIVE: Michael Zegen, who recurs as infamous mobster Bugsy Siegel on Boardwalk Empire, has been added to the cast of another HBO series, Lena Dunham’s comedy Girls. The network is keeping details about his character and the number of episodes he will appear in under wraps, but Zegen may fill the void left by the sudden departure of Christopher Abbott. He’ll also be returning to Boardwalk Empire this fall. Most recently, Zegen appeared alongside fellow Girls actor Adam Driver in Noah Baumbach’s Frances Ha. Zegen’s previous recurring gigs include The Walking Dead, Rescue Me and HBO’s How To Make It In America. He is with UTA and manager Jill Kaplan at Principal NY.
Global Showbiz Briefs: Liberace Biopic Goes Global; New Abuse Charges Hit BBC; CNN Shuts Baghdad Bureau; Bolero Buys ‘Tulpa’
HBO Books Deals For ‘Behind The Candelabra’ Around The World
HBO Enterprises has lined up a number of international distribution deals for the recently premiered movie Behind The Candelabra. The Liberace biopic starring Michael Douglas and Matt Damon has sold to A Company Filmed Entertainment (Central Europe), ARP (France), DCM (Germany, Switzerland), Dutch Filmworks (Belgium, Netherlands, Luxembourg), Entertainment One (United Kingdom), First Distributors Ltd. (Hong Kong), Hollywood Entertainment (Greece), Lusomundo (Portugal), Medusa (Italy), Shaw Renters Pte Ltd. (Singapore), Ster-Kinekor (South Africa), Svensk Filmindustri (Scandinavia), United King Films (Israel), Village Roadshow (Australia) and Tohokushinsha Film Corporation (Japan). The first foreign theatrical release will be June 7 in the UK.
BBC Gets 150-Plus New Sex Abuse Or Harassment Cases Since October
The BBC says it has received more than 150 new allegations of sexual abuse and harassment since the Jimmy Savile case broke in October. The UK pubcaster said 36 of the new accusations came from people who were younger than 18 at the time of the alleged abuse. The broadcaster would not comment on any specific cases — made by more than 80 people, about half of whom still work at the BBC — but it said in a statement that it was “appalled” by the allegations. “We have launched a series of reviews that aim to understand if there are any issues with the current culture of the BBC or the historic culture and practices from as far back as 1965,” the statement said, “to see what lessons can be learned to prevent this happening again.”
Steven Soderbergh’s look at the tempestuous secret love affair between Liberace and his onstage driver hit some high notes for HBO on Sunday. Helmed by the Oscar-winning director, Behind The Candelabra was watched by 2.4 million viewers on Sunday at 9 PM. That’s the most viewers an HBO original movie premiere has garnered since 2.6 million watched Something The Lord Made on May 30, 2004. Candelabra also did considerably better than HBO’s last biopic, on record producer Phil Spector. Starring Al Pacino and Helen Mirren, the film about Spector’s first trial for the 2003 death of actress Lana Clarkson pulled in 754,000 viewers in its 9 PM airing on March 24. Overall, Phil Spector had 1.039 million viewers over two plays on March 24. Across two plays Sunday, Candelabra had a total of 3.5 million viewers watching the 9 PM and 11 PM broadcasts.
Last year, the Broadcast Television Journalists Association might have helped fuel Homeland‘s surprise Emmy win by awarding its top drama prize to the then-rookie Showtime series. But with today’s announcement of nominees for its 3rd annual Critics’ Choice TV Awards, the group might make more noise with what it spurned than what it honored. HBO and FX lead the network tally with 21 and 19 noms, respectively, and CBS’ The Big Bang Theory and FX’s American Horror Story each drew six to top all programs. However, a look at the Best Comedy and Best Drama races reveal some surprising omissions. Missing from the BJTA’s comedy series hopefuls are three-time defending Emmy champ Modern Family (supporting actress Sarah Hyland is the show’s lone nominee), along with recently wrapped perennial 30 Rock and, perhaps most glaringly, HBO’s hipster darling Girls. And conspicuously absent from the drama series combatants is four-time Emmy winner Mad Men, which also earned only a single nom, for lead actress Elizabeth Moss.
Instead, vying for the Critics’ Choice Award for best drama are Homeland, HBO’s Game Of Thrones, PBS’ Downtown Abbey, CBS’ The Good Wife and AMC’s Breaking Bad — all of which also were nominated in the category last year — along with FX’s freshman The Americans. Up for best comedy are Modern Family‘s Wednesday night companion The Middle, landing its first major awards recognition, as well as Big Bang Theory, FX’s Louie, Fox’s New Girl, NBC’s Parks and Recreation and HBO Veep. (No sign of last year’s winner Community, led by new showrunners Moses Port and David Guarascio.) Netflix’s House Of Cards made an entrance into the awards circles with two acting noms, including one for star Kevin Spacey.
The awards will be handed out June 10 at the Beverly Hilton — not coincidentally during Emmy voting season. Parks and Rec‘s Retta will host. See the complete list of nominees, along with the breakdown of noms by show and network, after the jump:
After two years in a row of heavily influencing the Oscar race, the 66th Cannes Film Festival lineup may make it three this year. Certainly I see very long and winding Croisette lines to pick up press or market credentials at the Palais, which is adorned with posters of Paul Newman and Joanne Woodward in a provocative still shot from their fluffy France-set 1963 comedy A New Kind Of Love. One early clue came when the jury was announced, beginning with President Steven Spielberg and including such Oscar winners as Ang Lee, Nicole Kidman and Christoph Waltz. And if it’s not enough to have those icons prominent at this year’s fest, add The Great Gatsby‘s Baz Lurhmann whose film is the opening night event with a gala after-party, and Martin Scorsese who will also be in town for a yacht party announcement of his longtime gestating directorial effort Silence on May 16th. Certainly many of the Cannes contenders both in and out of competition are from Academy Award winners and Cannes veterans back with intriguing films that make up a high profile and potent selection with advance buzz. Competing are the Coen Brothers, Steven Soderbergh, Roman Polanski and Alexander Payne plus a slew of famous names in front of the cameras both on screen and on the Red Carpet this year.
As for the competition and key sidebars, one perennial Cannes question os whether it’s a good idea to ready or even rush a film designed for year-end release in order to play at the Festival in May. Particularly of that means risking negative reviews which can be a real buzz killer. Take, for instance, Payne’s last minute entry Nebraska from Paramount, which almost didn’t appear here. In the initial forecast Deadline posted on March 13, we thought Payne’s film fit in with the auteurist nature of the fest, it’s in black and white, and its filmmaker is quite a favorite in Cannes. (He has had only one film previously in competition – 2002′s About Schmidt – and won no prize, but he not only headed the jury for Un Certain Regard in 2005 but also was a member of the main competition jury last year.) Yet shortly after this prediction I was told Cannes wasn’t in the cards due to Payne’s fondness for long post-production time. He didn’t want to be rushed. Then the studio saw the film about a week before the Cannes deadline and execs urged Payne to put it into the festival. He took Nebraska to Paris to show to Cannes programming honcho Thierry Fremaux with just two days to go before the press conference announcing the 2013 lineup. Now it is one of the most anticipated screenings even though it ooccurs towards the end of the Festival on May 23. Paramount claims it recently had a successful research screening in Pasadena and has dated the film for November 22nd, right in the heart of Oscar season (Payne is a two-time Screenwriting Oscar winner for Sideways and The Descendants).
Conversely there was absolutely no doubt Joel and Ethan Coen would be bringing their latest, the 1960′s-set Greenwich Village folk music tale Inside Llewyn Davis screening on May 19. It is their 8th time around this particular block so they are virtually Cannes regulars. CBS Films won’t release the movie stateside until December 6, another prime Oscar date.
Roman Polanski’s Venus In Fur screening on May 25 on the last day of competition is the adaptation of the Tony-winning Broadway play. It brings Polanski back to Cannes for the first time since winning his only Palme d’Or (for 2003′s The Pianist, which resulted in a Best Director Oscar). It stars his wife Emmanuelle Seigner and Mathieu Almarac and though audiences and critics weren’t too impressed with the last Polanski Broadway play adaptation God Of Carnage, this dramatic work could be more up his alley. There’s also strong interest in French director Arnaud Desplechin’s Jimmy P: Psychotherapy Of A Plains Indian screening May 18 largely due to lead actor Benecio Del Toro’s role as a Blackfoot Indian WWII vet. (But someone’s gotta change that lumbering title.) Cannes watchers also are buzzing about new works from three directors who are no strangers on the Croisette: Nicolas Winding Refn who won Best Director in Cannes for 2011′s Drive and has re-teamed with star Ryan Gosling as a drug smuggler in the May 22nd entry Only God Forgives. (I am told Kristin Scott Thomas steals this one as his mother). And though his films don’t make much noise in theatres, James Gray is a Cannes favorite and back with his fourth competition entry, The Immigrant (formerly called Lowlife) screening May 24th with a starry cast of Marion Cotillard, Joaquin Phoenix and Jeremy Renner. Jim Jarmusch brings his new Vampire story Only Lovers Left Alive which stars the always intriguing Tilda Swinton, Tom Hiddleston and Mia Wasikowska . It has the distinction of being the last film to make the list and the last competition film to be screened: in the 10 PM slot on May 25th.
As always with Cannes there is just too damn much to see with many sidebar competitions like Un Certain Regard, Director’s Fortnight, Critics Week, Cannes Classics and so on. Certainly the opener for Un Certain Regard, Sofia Coppola’s The Bling Ring and Ryan Coogler’s Sundance sensation Fruitvale Station (summer releases stateside) are both screening on the sidebar’s first day of May 16th and are instant must-sees in addition to James Franco’s directorial outing, As I Lay Dying, on May 20th.
BAFTA handed out its TV prizes tonight in London with Olivia Colman taking two awards, one for supporting actress for BBC miniseries Accused and the other as actress in a comedy program for Olympics sitcom Twenty Twelve, which was also named best sitcom. Colman will soon be seen by U.S. audiences in ITV’s recent hit drama Broadchurch. Ben Whishaw was best actor for Neal Street Productions co-production with NBC Universal and WNET Thirteen/BBC Two, Richard II (Hollow Crown), and top comedy actor was Steve Coogan for Sky Atlantic‘s Welcome To The Places Of My Life. The best drama series was the BBC’s Last Tango In Halifax while HBO‘s Girls was named best international show. Coming into the evening, the BBC and HBO’s Hitchcock film The Girl was among the most nominated programs, but went home empty-handed. Downton Abbey had no nominations. A full list of winners follows:
NBC led the league at the Sports Emmy Awards, handed out tonight in New York. The Peacock scored 10 wins, including five for its coverage of last year’s London Olympics, and its NFL ratings beast Sunday Night Football won the outstanding live sports series trophy for the fifth consecutive year. HBO was next with six nods, including two for Real Sports with Bryant Gumbel, bringing the veteran show’s career haul to 25. The nascent NBC Sports Network — which launched early last year with the rebranding of Versus — was third with four wins, followed by ESPN, MLB Network, TBS and TNT with three apiece. NATAS doled out its 34th Annual Sports Emmy Awards at Lincoln Center’s Frederick P. Rose Hall in Manhattan.
A list of winners appears after the jump:
Dwayne Johnson To Star In & Produce HBO Pilot About Athletes From Steve Levinson & Mark Wahlberg, Peter Berg To Direct
HBO has given a pilot order to a half-hour dramedy pilot starring Dwayne “The Rock” Johnson. This marks the first TV-starring role for the movie actor/wrestler, who is executive producing the project with his Pain & Gain co-star Mark Wahlberg and Steve Levinson. Peter Berg is on board to direct the pilot and will executive produce, along with Johnson’s manager Dany Garcia who runs his production company. Written by Levinson, the untitled project chronicles the lives of athletes — some retired, some still active — living in Miami. Johnson will play one of them, with filming eyed for the fall.
Johnson’s collaboration with Wahlberg and his manager/ frequent producing partner Levinson on the project, based on an idea by Levinson, stems from Johnson and Wahlberg’s work together on Michael Bay’s action movie Pain & Gain, which opened at No. 1 this past weekend. The two actors also are repped by the same agency, WME.
HBO has renewed comedy series Veep for a 10-episode third season, which will air next year. The pickup comes on the heels of the Washington DC-set comedy hitting a season high in total viewers this past Sunday, drawing 1.3 million viewers, up from 1.1 million on April 21 and 1.2 million for the season debut April 14. Created by Armando Iannucci, Veep stars Julia Louis-Dreyfus as Vice President Selina Meyer, a role which earned her an Emmy last year.
Jeff Bewkes doesn’t fear that his company will be squeezed by Netflix’s growing desire for exclusive programming — a potential issue at Viacom where Netflix says it won’t renew their broad licensing deal at the end of …