How I Met Your Mother executive producer Chuck Tatham has signed a two-year overall deal with the studio behind the long-running CBS comedy series, 20th Century Fox TV. The pact will keep him on HIMYM as an executive producer and will allow him to develop. Tatham has a long history with 20th TV that goes back to the studio’s Emmy-winning comedy Arrested Development, on which he served as a co-executive producer. Tatham worked in the same capacity on 20th TV’s Fox comedy series Back To You before joining HIMYM at the beginning of Season 4 in 2008, also as a co-executive producer. He was promoted to executive producer at the beginning of last season. “He is legitimately one of the funniest writers out there but he also has the dexterity to write heart,” which makes him “invaluable to the How I Met Your Mother staff,” 20th TV’s EVP Comedy Development and Animation Jonathan Davis said. “We also think that he is due for his own success.” Securing the top-level writer-producers on HIMYM is important as the series’ creators/executive producers Carter Bays and Craig Thomas also have a new series for next season, Fox’s The Goodwin Games, which the duo created with another HIMYM executive producer, Chris Harris. Tatham is repped by WME, The Collective and attorney Shep Rosenman.
Ray Richmond is contributing to Deadline’s TCA coverage.
The trendy new term at TCA is, “That’s a high-class problem,” and the CBS comedy How I Met Your Mother has one. The show is improbably enjoying its best ratings ever during its seventh season and is also CBS’ youngest-skewing series. And while the series is contracted to remain on the air through next season, that doesn’t necessarily mean it will be “8 and out” for the show. Its co-creator and co-showrunner Carter Bays said during a TCA panel this morning that there hasn’t been a discussion about setting a series end date. “Oh, we’ve talked about it,” he admitted, “because we’ve gotten the question a lot. But I don’t think we can say what it will be just now. It’s not a high priority for us. I imagine when we’re going into the final season, we’ll get people hip to that. But right now it’s hard for us to say it will be May 14, 2000-whatever. It will happen when we’re officially out of ideas.” Bays added that he knows what the Mother endgame is going to be but naturally had no inclination to share it. Star Jason Segel added that he’d simply love to see the show go on long enough so the story comes to a natural conclusion, “whether that be 8 or 9 years. I was so relieved when I found out there was an actual plan,” he said.
Beth McCarthy-Miller, 30 Rock (NBC)
Why She Was Nominated: Because the trick that McCarthy-Miller turned here in handling a pair of live performances (one for the East Coast, one for the West Coast) was a huge one, recalling the fly-by-the-seat-of-your-pants trials from TV’s earliest days. It’s her seventh Emmy nomination and second for directing on 30 Rock (the other coming in 2009). Yet McCarthy-Miller still is seeking her first win despite being one of TV’s most respected directors.
Why She Has To Win: It’s safe to say that no one had a bigger series directing challenge during the past year than 30 Rock’s “Live Show.” As McCarthy-Miller told Deadline last month, “It’s fairly hard when you’re live to do that quick kind of dialogue and not fall flat on your face. … There were 108 camera shots before the first commercial break.” In case voters needed added incentive, no woman has won the Emmy for comedy directing in 18 years, or since Betty Thomas took it home for HBO’s Dream On in 1993. Talk about overdue.
Why She Can’t Possibly Win: See above about the last time a woman won in this category. Thomas’ win in ’93 also was the only time a woman earned the Emmy for directing, period. So the TV Academy may have issues giving this statuette to that gender. Too, Modern Family has three entries, and all are awfully strong. That mockumentary style is a director’s dream.
20th Century Fox TV continues to lock in the senior writers of its CBS comedy How I Met Your Mother. The studio has signed a two-year overall deal with the show’s executive producer Stephen Lloyd. Under the pact, he will continue as executive producer on HIMYM, created, executive produced and ran by Carter Bays and Craig Thomas. Additionally, he will also develop original projects for the studio. “Stephen has been a very important part of How I Met Your Mother,” 20th TV chairman Dana Walden said. “He has been critical to Carter and Craig; he has provided a lot of the heart of the stories, he is an excellent writer and a pleasure to work with.” Lloyd’s deal follows the overall pact another veteran How I Met Your Mother writer-producer, Kourtney Kang, recently signed with 20th TV. (Bays and Thomas are in the middle of a rich long-term overall deal.) “Part of the goal over this past summer was to make sure that the key part on the writing staff were given deals that will make them available to continue on the show while also developing,” Walden said. Is this strategy to shore up HIMYM so Bays and Thomas can focus on the development this season?
Here’s is the Deadline/TVline assessment of 2011 Emmy comedy races:
Deadline/TVline: 2011 Comedy Series Overview
Competition for Emmy nominations among this year’s Outstanding Comedy Series contestants is no laughing matter. The showdown between two 20th Century TV hits …
Competition for Emmy nominations among this year’s Outstanding Comedy Series contestants is no laughing matter. The showdown between two 20th Century TV hits is more intense than ever, with Modern Family showrunners Steve Levitan and Christopher Lloyd trying to score their second consecutive Emmy win, while Glee executive producer Ryan Murphy is hoping to edge them out. That is, if one or more of a duo of up-and-comers — Community or Parks and Recreation — don’t act as spoilers. Then again, past Emmy stalwarts 30 Rock or The Office could resurface. Or Showtime’s bold, female-skewing dramedies Nurse Jackie or newbie The Big C might seize the spotlight. And don’t rule out the possibility of CBS’ The Big Bang Theory finally scoring a nod in its fourth season, or How I Met Your Mother receiving recognition in its sixth. And then there are the underdogs. As The Middle’s co-showrunner Eileen Heisler (with DeAnn Heline) says about ABC’s Wednesday night lineup, “We’re really grateful to Modern Family for bringing attention to family shows. We’ve benefi tted from their success, but I think it takes a little longer for people to realize the next door neighbor in The Middle is edgy and wry.”
If Modern Family does repeat, no ABC sitcom has managed that feat since Taxi more than 30 years ago. Of course, NBC’s won three years running. And Frasier took home a record five in succession between 1994 and 1998. So it can be done. But that doesn’t mean Modern Family’s Christopher Lloyd thinks it’s a shoo-in. “Among certain segments of the blogosphere who first anointed the show that everybody is supposed to be watching, there’s another rush to declare that it stinks now. And then there will be others who’ll want to say ‘I told you so’ when it wins again.”
There’s general agreement it would take a miracle for any freshman broadcast network comedy to crash this year’s top comedy series’ Emmy party, with the possible exception of Fox’s Raising Hope. Though there’s a sliver of daylight for a newbie cable show like The Big C, despite the fact it’s a dramedy. Cable continues to make inroads in the comedy series categories, evidenced by Showtime’s Nurse Jackie capturing eight Emmy nominations last year, including one for top comedy; with Showtime’s Weeds as well as HBO’s Entourage and Curb Your Enthusiasm landing series nods in recent years. This year, TV Land’s Hot in Cleveland has Emmy buzz. But only one cable comedy has ever won: HBO’s Sex and the City in 2001.
Here’s our assessment of the chances for this year’s comedy series in alphabetical order:
Although the NBC hitcom’s three-year winning streak ended last year (done in by ABC’s freshman breakout, Modern Family), it remains an industry darling — with good reason. While not as consistent as its earlier seasons, its comedy quality never seems to wane. So, without ever actually going away, it could be primed for a comeback. But the show, which celebrated its 100th episode this season, may also be mistakenly placed in the “been there, done that” category, even with red-hot writer/producer/actress/author Tina Fey at the helm (the recent Tracy Morgan scandal notwithstanding). But if the Academy revisits NBC’s quirky workplace comedies, they just might opt for the newer Parks and Recreation or Community.
THE BIG BANG THEORY
As popular as this CBS smash is, it has yet to be Emmy nominated despite originality in its scripts and ensemble. Kudos to the producers for broadening the cast this season and stepping up the romance for Mayim Bialik’s and Melissa Rauch’s roles, especially after Jim Parsons was acknowledged as last year’s Outstanding Lead Actor in a Comedy Series winner for nerd-chic hilarity. If you’re going to vote for a Chuck Lorre show this year, this one’s decidedly less baggage-laden than Two and a Half Men, which lost its Sheen.
THE BIG C
With lead Laura Linney considered a shoo-in for an Emmy nod, a side effect is that her show’s chances of breaking into the Outstanding Comedy Series Emmy race likely increases as well. Question is, did they increase enough? Is the TV Academy ready to honor a dark comedy centering on a woman’s battle with cancer? Perhaps it’s time. If so, there could be two Showtime noms in this category for the first time, assuming Nurse Jackie repeats. Says showrunner Jenny Bicks, “It’s not going to be an easy fight for us.”
Forever floating on the renewal bubble (it will live on for a fifth and final short season of 13 episodes next season), Chuck has a well-earned reputation as The Little Show that Could. But, plucky as it is, the unlikely spy yarn remains a significant Emmy long-shot. Besides, NBC already has a couple of potential sleeper contenders at the ready in Parks and Recreation and Community.
What is arguably NBC’s most innovative comedy shoots high creatively but has yet to land commensurate ratings. Critics, however, have been quick to sing the show’s praises, perhaps loudly enough to help get it noticed by Emmy voters. Remember when Fox’s Arrested Development used critical praise to trump low viewership? Showrunner Dan Harmon likens Community’s comedy to “Krispy Kreme — we just have to get it into people’s mouths.” Or, in the case of Academy voters, into their DVD players.
In its second season, the wine-soaked “Friends for grownups” really came into its own as an ensemble comedy rather than just a Courteney Cox vehicle. And it’s even poking fun at the icky title that long ago ceased to have anything to do with the series premise. Nonetheless, it’s probably not ABC’s Wednesday night show with the most heat in this comedy category because of Modern Family.
EASTBOUND & DOWN
This back-to-fi rst-base comedy about a washed-up baseball player enjoys the prestige of HBO and the marquee value of Will Ferrell as a producer. But it’s perhaps too raunchy for older TV Academy voters. Given that producer-star Danny McBride says this forthcoming third season will be its last, Eastbound & Down likely will strike out Emmy-wise.
After landing nominations in the top comedy category for three years running, HBO’s Hollywood insider send-up didn’t make the cut the last go-round. If shut out again, it’s because Academy voters have moved on from an aging series that returns for its shortened eighth and final season on July 24th. It didn’t help when news leaked out in May that HBO pulled it from broadcast syndication by Warner Bros Domestic TV.
If the television industry’s insiders love anything more than laughing, it’s laughing at itself (see 30 Rock, Curb Your Enthusiasm). And there’s been buzz about how this Showtime Brits-out-of-water comedy reinvented Matt LeBlanc. But, even if he might, the series probably doesn’t have a high enough profile yet to garner an Emmy nod.
In 2009, the Fox show that wouldn’t die became the first animated series in nearly half a century to win an Emmy nomination for Outstanding Comedy Series. But it was shut out the very next year. So expect the next TV Academy recognition for Family Guy around 2060. One question mark is whether the toon’s unique in-your-face way of campaigning for Emmy helps or hurts to sway voters. Then again, this is the comedy series category.