Here’s the newest trailer for Fox‘s The Wolverine starring Hugh Jackman that will begin showing this weekend in theaters attached to Fast & Furious 6. The James Mangold-directed 3D pic opens wide July 26 and this offers the clearest look yet at the Japan-set plot.
Hugh Jackman returns as The Wolverine in the Fox superhero movie that bows Stateside on July 26. The James Mangold-directed pic is the sequel to 2009′s X-Men Origins: Wolverine and the latest in the X-Men franchise. It finds Wolverine out of his depth in modern day Japan where he faces his ultimate nemesis in a life-or-death battle that will leave him forever changed. Brian Tee, Will Yun Lee and Hiroyuki Sanada also star, with a cameo by Famke Janssen. Oscar-nominee Jackman will also strap on his Adamantium claws for Bryan Singer’s X-Men: Days Of Future Past that’s out next year. Here’s the domestic trailer Fox released today, followed by the international one:
Hugh Jackman has carved out an image as a major movie star who can easily switch gears from action to drama to comedy and all things in between. But until now the man who made Wolverine a household name has never done a movie musical. That’s a bit surprising since Jackman also happens to be a classically trained musical star outside of movies. He’s starred in stage classics like Oklahoma!, won a Tony on Broadway as Peter Allen in The Boy From Oz, an Emmy for hosting the Tonys, and worldwide recognition for his singing and dancing as host of the Oscars. He recently did a one-man musical show on Broadway, and that’s one of the reasons he says he is even in Les Misérables and making his long-overdue debut as star of a musical on the big screen.
AwardsLine: Would you consider this to be one of the toughest screen roles you’ve done?
Jackman: For sure. There is not an element that really wasn’t the toughest. One of the reasons I did the Broadway show was to make sure I was vocally fit to not only sing it, but sing it all day long, wake up the next day, and have another 12 hours of it. I put on 29 pounds from beginning to end. Tom (Hooper) told me, “I want people to worry, I want your friends to think you’re sick.” The physicality, the emotional (aspect) acting-wise, was tough.
AwardsLine: You rarely see musicals of this size anymore.
Jackman: That’s true. It’s a big risk. I’m not surprised it’s taken 27 years to get there.
“We’ve never seen anything like this. We’re exhausted. We are out every night it seems and the invitations keep coming,” one Oscar-winning Academy member told me recently. He was referring to the glut of invites to parties, lunches, screenings with Q&As and everything else for which Oscar season campaigning has come to be known. He pointedly added that none of it has ever influenced his vote but he is not turning down the elaborate food spreads and the chance to mingle with contenders. “Just don’t tell anyone who invites me to these things, but it doesn’t really have much impact on the way I fill out my ballot,” he added with a smile.
That won’t stop Oscar strategists from trying and the campaign activity this season seems like it pushed into high gear much earlier than normal and hasn’t let up, even as the Christmas break quickly approaches and the town starts to shut down. Don’t tell that to the relentless Weinstein Company who will still have some of their contenders out on the stump even over this holiday weekend. Quentin Tarantino who, despite seeing his Los Angeles premiere for Django Unchained cancelled Tuesday night out of sensitivity to the Newtown tragedy, was out doing a Q&A and reception for a packed screening at the Academy last night and will be doing the same thing for BAFTA-LA Friday night.
The actor and the movie’s director Tom Hooper describe the rigors of performing in the musical in this behind-the-scenes video from Universal:
The official international Website for The Wolverine has released a motion poster depicting a contemplative Hugh Jackman atop a building, in Japan, in the rain. The James Mangold-directed Wolverine is the sequel to 2009′s X-Men Origins: Wolverine and the latest in the X-Men franchise. It’s due out on July 26, 2013. Click over for the poster, but beware the autoplay:
EXCLUSIVE: Alcon Entertainment has added Terrence Howard to round out the impressive cast that has mobilized for Prisoners. The film stars Hugh Jackman, Jake Gyllenhaal, Melissa Leo, Viola Davis, Maria Bello and Paul Dano. The cast has responded to the screenplay by Contraband scribe Aaron Guzikowski, and the chance to work with Oscar-nominated Incendies director Denis Villeneuve. The story revolves around a small-town carpenter (Jackman) whose young daughter and her best friend are abducted. After the cops fail to find them, Keller takes the law into his own hands, but in the process runs up against a detective (Gyllenhaal), a hot-shot cop with confidence to burn, assigned to the case.
Screenwriter Chris Terrio has landed a two-script deal at Warner Bros that will follow his reteaming with Argo producers George Clooney and Grant Heslov on a project with director Paul Greengrass, Deadline has confirmed. The Greengrass project with Clooney and Heslov is at Sony where the pair’s production shingle Smoke House is based. Clooney is attached to star in the original tale that unfolds amid New York crime syndicates. Terrio’s initial script for Warner Bros is expected to be next in line. In addition to his screenplay for Argo, Terrio’s resume includes directing and co-writing Sony Pictures Classics Heights as well as scripting the upcoming Tell No One and A Murder Foretold.
Scott Free Productions and 20th Century Fox are moving forward in developing Hugh Howey’s Wool series of post-apocalyptic e-novelettes with UK writer-director J Blakeson in early talks for the project, Deadline has confirmed. Fox and Scott Free acquired rights to the best-selling e-books earlier this year. Ridley Scott and Steve Zallian are producing. Blakeson wrote and directed The Disappearance of Alice Creed and co-wrote The Descent Part 2.
Don Groves is a Deadline contributor based in Sydney.
The Wolverine starts shooting at the Fox Studios in Sydney next week with no indication yet of who will play the Viper alongside Hugh Jackman in the title role of the 20th Century Fox tentpole. At a media conference here, director James Mangold insisted Jessica Biel was only ever in talks for the role of the mutant villain — she withdrew last week — and deflected questions on whether Tinker, Tailor, Soldier, Spy star Svetlana Khodchenkova would get the part. Acknowledging that the Australian government’s $A12.8 million grant was an added inducement to shoot in Sydney, Jackman said, “I think on the balance sheet side of things it’s a win-win. What you can’t quantify is the skills, is the confidence, is keeping Australia as world-class as we are in filmmaking. Not just in acting but as crews… any industry we can really nurture or encourage — which is about knowledge, is about skills.”
Universal may have been the last of the seven studios participating here in Las Vegas at CinemaCon but their one-hour-and-forty-minute presentation today at Caesars Palace’s Colisseum theatre was perhaps the starriest of all. Hosted with confidence and self-deprecating humor by the studio’s chairman and 13 year U veteran Adam Fogelson, the exec made good use of his background as the studio’s former marketing head to really sell their summer slate – and beyond – with good old- fashioned star power and well-chosen clips. In addition to extended looks at their summer lineup, the show also featured the first glimpse anywhere of footage from upcoming movies Les Miserables, 47 Ronin, Oblivion which just started shooting with Tom Cruise, next summer’s R.I.P.D., and a specially produced animated piece just for CinemaCon to announce the 2013 arrival of Despicable Me 2. But the clear emphasis was on this summer’s promising-looking lineup as Fogelson opened by saying, “it is a good time for Universal”, especially with the studio’s early 2012 box office success that he noted has made them No. 1 in market share so far this year with such films as Contraband, Safe House which has grossed over $200 million globally (Denzel Washington’s second biggest hit), American Reunion which Fogelson said will also surpass the $200 million global figure before it’s done as well as The Lorax which he noted is one of only three animated films since July 2010 to clear $200 million domestically – and two of them are from the studio’s partnership with Illumination.