After taking itself off the selling block last summer, Hulu now appears to be focusing its attention on the domestic front. Mike Hopkins, came to Hulu as CEO in October, said in a blog post today that Nippon TV is …
The 2,600 new episodes going to the streaming service in the non-exclusive arrangement will include Undercover Boss, United States Of Tara, Everybody Loves Raymond, and Ghost Whisperer, the companies just announced. Also in the package are hits from the CBS …
CBS has signed a non-exclusive content licensing agreement with Hulu Plus for Blue Bloods, the CBS TV Studios drama that earlier this week landed off-net deals with ION and WGN America. The news of an SVOD partner is the final piece of the multi-platform syndication pie for the Friday cop procedural, now in its fourth season; it’s the same model used to recently sell another CBS TV Distribution product, CBS’ Elementary. Hulu will begin offering the first four seasons of Blue Bloods beginning later this year.
Hulu will premiere its new supernatural comedy Deadbeat on April 9. Directed by Troy Miller, the series is Hulu’s first co-production with Lionsgate TV. Hulu also announced today it is re-upping teen drama East Los High for a second season and will distribute reality TV satire The Hotwives Of Orlando from Paramount Digital Entertainment. Casey Wilson, Angela Kinsey, Kristen Schaal, Tymberlee Hill, Danielle Schneider, and Andrea Savage star as six of Orlando, Florida’s hottest housewives who are ready to drink, fight, and cry, sometimes all at the same time. In addition, Hulu will release the original Scandinavian version of the drama series The Bridge, recently adapted for U.S. audiences by FX, as well as the Canadian reality-style dance drama The Next Step, acquired from BBC Worldwide North America. And the second season of Chris O’Dowd’s semi-autobiographical comedy Moone Boy will make a return in the spring.
In the second half of 2014, Hulu will release second seasons of Seth Meyers and Mike Shoemaker’s animated The Awesomes, Josh Greenbaum’s docu-series Behind The Mask and John Lehr and Nancy Hower’s Western comedy Quick Draw. Tom Hollander also returns in season three of Rev. Click over for the full lineup:
EXCLUSIVE: Hulu and Hulu Plus are getting an infusion of fan-favorite horror titles just in time for Halloween. Fangoria magazine and its distribution partner Brainstorm Media have teamed with Hulu on a new genre channel at …
Listen to (and share) episode 55 of our audio podcast Deadline Big Media With David Lieberman. In this special edition of the podcast, Deadline’s executive business editor talks with Harvard Business School Professor Anita Elberse about her new book, Blockbusters: Hitmaking, Risktaking And The Big Business Of Entertainment, and what it means for making movies in Hollywood these days. David also talks with host David Bloom about how much longer the big bull run for media stocks can continue; a sudden hiccup in the confirmation of a new FCC chairman; and where Hulu might be headed under its just-named CEO as it considers taking on Netflix.
The new Hulu CEO is best known for his years crafting carriage deals for Fox cable channels including FX and, more recently, Fox Sports 1. That suggests a change in strategy — a shift in focus from producing content to expanding distribution — for the streaming service controlled by Fox, Disney and Comcast. Mike Hopkins replaces Andy Forssell, the former SVP Content who championed original programming including The Awesomes after he replaced Jason Kilar on an interim basis beginning in March — and now is leaving Hulu. Hopkins “has a strong understanding of programming, digital distribution and consumer behavior, and a great vision for Hulu’s next chapter,” says Disney/ABC Television Group President Anne Sweeney. Hulu’s fate was in doubt early this year. The owners entertained bids for it before deciding in July to keep it, and supply $750M to accelerate its growth. Many believe that backers will invest even more to turn it into a full-fledged competitor to Netflix, especially as recent shows from broadcast and pay TV services begin to appear on cable and satellite TV Everywhere streaming platforms. Liberty Media’s John Malone raised that possibility last week. And last month Disney CEO Bob Iger said that Netflix hadn’t yet cornered the streaming video market, presumably leaving room for Hulu. Here’s today’s release from Hulu:
Holding on to Hulu and moving forward was all about relationships said Chase Carey today. “I think it is really a case where we’ve always known the importance of these digital platforms and the opportunity specifically in Hulu. I think the real question is partnerships are complicated and can we get the right strategy that we both believe we can execute to be successful,” said the 21st Century Fox COO Tuesday about working with co-owners Disney and Comcast. Carey was speaking on a conference call Tuesday after the company released its Q4 results. He was joined by Deputy COO James Murdoch and CFO John Nallen. “As we went through this process we really found that of all the constituencies coalesced around a vision of how to really build this and how it can be something exciting for content owners and something exciting for the digital marketplace,” he added. After weeks of speculation that Hulu would be sold, 21st Century Fox, Disney and Comcast announced on July 12 that they would keep the company and supply $750 million to push it’s growth.
Hulu came to the press tour today to preach New Model and show off some of its new programming. TV critics showed up in dribs and drabs. Those who came stuck around until the final session — but that’s only because it included Seth Meyers and they wanted to ask him about — NBC’s Saturday Night Live. This morning, Hulu was pitching:
*The Wrong Mans – a comedy/thriller from James Corden and Matthew Baynton about two lowly office workers who become caught in a deadly criminal conspiracy when one of them finds a ringing cell phone at the scene of a horrific car crash.
*Behind The Mask – a documentary about sports mascots.
*Quickdraw — a half hour Western/CSI spoof about a Harvard-educated sheriff trying to introduce the emerging science of forensics to an unruly Kansas town in the late 19th century.