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Autopsy Report: ‘I Don’t Know How She Does It’ Dies In Theaters Due To Toon (?)

The Weinstein Co is experiencing a brutal 2011 with every movie it releases that’s not The King’s Speech. In quick succession, Scream 4, Spy Kids 4D, Our Idiot Brother, Apollo 18, and last weekend’s I Don’t Know How She Does It didn’t open worth a damn. And that doesn’t even count the rough reception given Madonna’s W.E. at the Venice Film Festival which Harv is releasing during the awards corridor. (Awards? Not unless he can buy her a Golden Globe.) I don’t know how the studio is going to stay on track with its reorganized finances if Dimension films keep bombing or TWC pics get no traction. If only Harvey Weinstein hadn’t bragged during the Tribeca Film Festival that 2011 was “going to be our best year financially” and that his indie studio was on track to outpace even its most profitable years at Miramax. But that was in April, before The Weinstein Co began its losing streak. That $150M it made from The King’s Speech before ancillary revenue streams kick in won’t last long. Weinstein said he has to rebuild “a model that’s beyond Oscar”. The real question now is whether he even knows how.

I Don’t Know How She Does It was based on a well-known book just like The Weinstein Co’s The Nanny Diaries which women rejected just as summarily.  Problem is, IDKHSDI is such an awful movie (only 17% fresh on Rotten Tomatoes) starring the annoying Sarah Jessica Parker (just go back to television already) in an abominable premise (a working wife under stress). But ask The Weinstein Co why it tanked, and the claim is that the opening weekend of The Lion King 3D took a $6M-$7M bite out of Parker’s pic. Because older women had a choice between seeing Sex And The City‘s Carrie as a clone of themselves or taking themselves and their kids to Lion King 3D – and picked the toon. (Given the choice between IDKHSDI and a kidney transplant, i would have picked the surgery.) Read More »

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FIRST BOX OFFICE: ‘Lion King 3D’ Roars #1

FRIDAY 3PM: Very early numbers show Disney’s Lion King 3D roaring back to #1 with $15M weekend in 2,330 theaters; Warner Bros’ holdover Contagion #2 with $12M in 3,222 theaters, FilmDistrict’s Drive #3 with $11M from 2,886 theaters, Sony/Screen Gem’s Straw Dogs #4 with $8M from 2,408 theaters, and The Weinstein Co’s I Don’t Know How She Does It with $7.5M from 2,476 theaters.

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CANNES: The Weinstein Company Parties (Twice) And Previews Its 2011 Film Slate

Pete Hammond

Still enjoying its post-King’s Speech Best Picture Oscar win from a couple of months ago, The Weinstein Company had plenty of reasons to party Friday night in Cannes, so they threw two soirees instead of just one. It was a packed main event at the Martinez, where the company showed clip reels of its burgeoning 2011 slate. COO David Glasser touted the company’s recent highlights and introduced a beaming Harvey Weinstein, who crowed (sorry) about the upcoming slate mentioning future hoped-for biggies including what he described as perhaps their biggest movie ever, Quentin Tarantino’s Django Unchained, and Paul Thomas Anderson’s The Master. Deadline broke the news Friday of another potential winner that was mentioned, TWC’s acquisition of The Iron Lady, starring Meryl Streep as Britain’s only female Prime Minister, Margaret Thatcher, which TWC will release in the fall in time for Oscar. Then he showed some first looks of upcoming product including My Week With Marilyn, with Michelle Williams glammed up as the legendary Monroe (although it’s clearly a challenge to capture that particular magic) and Kenneth Branagh as Laurence Olivier. I talked to Williams on a phoner from London while she was making the film, and she had a really difficult time articulating the process she was going through. The task was obviously a daunting one, but I can’t wait to see what she does with it in the context of the whole film. I heard Branagh’s brilliant in it.

There were also clips from Our Idiot Brother, with Paul Rudd, and the last-minute Cannes competition entry The Artist, a black-and-white silent movie that will unspool in a prime Sunday night slot at the Palais. Harvey introduced it by saying his associates thought he was off his rocker for buying this black-and-white silent, “just like they thought I was when I did a film about a guy with a left foot and a British king who stutters.” At the party, he made a point of telling me to see the film as soon as possible here. The footage really made it look intriguing, full of old Hollywood pizzazz and style, so I will be checking it out bright and early Sunday morning at the first press screening. Weinstein clearly has a Harv-on for this one and also seemed high on a new comedy just wrapping production, I Don’t Know How She Does It starring Sarah Jessica Parker, Greg Kinnear and Pierce Brosnan. Parker was flown into Cannes for the event and introduced the clips herself. Also part of the proceedings was yet another recent acquisition announced in Cannes (these guys are busy) of Peter Ho-Sun Chan’s Martial Arts film noir, Dragon, which had its official Cannes premiere out of competition just after midnight. The director introduced the entire cast and promised something completely new in the genre. And just to keep the town hopping, Weinstein threw a second party later Friday to celebrate Dragon before their red-carpet stroll.

Elsewhere on Friday, the competition films got international with former Palme d’Or winner Nanni Moretti’s Read More »

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Weinstein Dates ‘Our Idiot Brother’, ‘I Don’t Know How She Does It’, ‘Apollo 18′, ‘Piranha 3DD’

EXCLUSIVE: The Weinstein Company announced release dates for several 2011/2012 movies:

Our Idiot Brother (formerly titled My Idiot Brother) a recent Sundance acquisition, will debut in theaters in wide release on Aug. 26, 2011.

I Don’t Know How She Does It, a Weinstein Co production which just wrapped at the end of February, is set for Sept. 16, 2011, wide.

Apollo 18, a Dimension title formerly set for April 22, 2011, has been moved to Jan. 6, 2012.

Piranha 3DD, a Dimension title formerly dated Sept. 16, 2011, is now set for release on Nov. 23, 2011.

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Donna Gigliotti Named President Of Production For The Weinstein Company

Reaching into their past to (hopefully) repeat some of their glory, Harvey and Bob Weinstein have tapped a familiar face to be The Weinstein Company’s president of production. Donna Gigliotti was was an executive at Miramax from 1993-1996. She was also one of the Oscar-winning producers on Miramax’s Shakespeare In Love back in 1998 and received an Oscar nomination for TWC’s The Reader in 2008.

New York, NY (October 18, 2010) – Having established a relationship for more than seventeen years, The Weinstein Company (TWC) has hired Oscar-winning producer and former Miramax Films Executive Vice President Donna Gigliotti as president of production. She will work directly with TWC Co-Chairmen Bob and Harvey Weinstein, as well as produce several films for the company. Gigliotti’s first production will be I Don’t Know How She Does It, starring Sarah Jessica Parker, which will begin principal photography January 17. She is currently overseeing My Week With Marilyn, starring Michelle Williams shooting in the UK, and will produce David O. Russell’s Silver Linings Playbook in the latter half of 2011.Gigliotti is one of only five women ever to win a Best Picture Oscar. In her first outing as an independent producer, she received the 1998 Academy Award for producing the seven-time Oscar-winning Miramax film Shakespeare in Love, and was subsequently nominated for a Best Picture Oscar for The Weinstein Company’s 2008 romantic drama The Reader.

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