IFC Films has acquired from Worldview Entertainment the U.S. distribution rights to the Arnaud Desplechin-directed Jimmy P: Psychotherapy of a Plains Indian. The film, which stars Benicio Del Toro and Mathieu Amalric, premiered at Cannes and just screened at the New York Film Festival. Desplechin and Kent Jones and Julie Peyr adapted the script from the George Devereux book Psychotherapy Of A Plains Indian. It is about the author’s relationship and multidisciplinary study of Jimmy Picard, a Blackfoot Indian, who fought in World War II and suffered from psychological distress. Pascal Cauchetuex and Jennifer Roth produced while Worldview’s Christopher Woodrow and Molly Conners executive produced with Patrick Milling Smith and Ben Limberg. IFC is expected to release the film in early 2014. Arianna Bocco brokered for IFC, while CAA repped Worldview.
NEW YORK, NY (September 17, 2013) – IFC Films announced today that the company is acquiring US rights to Liza Johnson’s HATESHIP LOVESHIP. The film, based on a short story by Alice Munro with a screenplay by Mark Poirier, stars Kristen Wiig, Guy Pearce, Hailee Steinfeld, Nick Nolte, Christine Lahti, Jennifer Jason Leigh and Sami Gayle. HATESHIP LOVESHIP was produced by Robert Ogden Barnum, Michael Benaroya, Jamin O’Brien, Dylan Sellers and Cassian Elwes and executive produced by Jacob Pechenik, Michael Raimondi and Abigail Disney. The film made its world premiere as a special presentation at the 2013 Toronto International Film Festival.
IFC Films acquired North American and Latin American rights to Peter Strickland’s The Duke Of Burgundy, which starts in Hungary later this month. Written and directed by Strickland, the film will star Sidse Babett Knudsen and Chiara D’Anna. The dark melodrama will be produced by Rook’s Andy Starke …
NEW YORK, NY (May 9, 2013) – IFC Films announced today that the company is acquiring North American rights to Scott Coffey’s ADULT WORLD, which had its world premiere at last month’s 2013 Tribeca Film Festival. The film, with a screenplay by Andy Cochran, stars Emma Roberts, Evan Peters, John Cusack, Armando Riesco, Cloris Leachman and Shannon Woodward. ADULT WORLD was produced by Justin Nappi and Kevn Turen of Treehouse Pictures with Joy Gorman and Alex Goldstone of Anonymous Content and Manu Gargi. Executive producers are Mohammed Al Turki, Joel Michaely and Paul Green. IFC Films is planning a day and date theatrical and VOD release.
ADULT WORLD stars Emma Roberts as Amy – naïve, awkward and anxious to get her poetry career off the ground. Living with her parents in a seemingly bland upstate New York town and desperate for income, she begrudgingly accepts a job at Adult World, the local sex shop. Owned by a frisky elderly couple and staffed by sweet local boy Alex, Amy balances her work amongst the pornography and sex toys by fiercely pursuing a surefire kick start for her success: a mentorship with reclusive star poet Rat Billings (the hilarious John Cusack). As Amy’s world melds with that of her co-workers, she slowly learns that inspiration can be found in the most improbable places.
The stock price is up nearly 6% pre-market after the company released a Q1 report that showed strong results in most key metrics. AMC Networks generated net income of $61.5M, +42.5% vs the period last year, on revenues of …
BREAKING: IFC has acquired rights to The Canyons, the Paul Schrader-directed film that pairs Lindsay Lohan and porn star James Deen in a drama about decadence and debauchery in Los Angeles. The film has gotten a lot of attention lately, including a very public rejection by the SXSW festival, which prompted an angry response on Deadline from Schrader over the festival’s lack of discretion. The challenges of making the film with its high-maintenance star Lohan was also the subject of a New York Times article.
At the time Schrader was sounding off on SXSW, the film’s reps at WME Global were already fielding offers for the movie, and so it did not need a festival to build the kind of awareness needed to make a sale these days. If anything, a provocative sexy film with Lohan at this point needed, in Schrader’s opinion, a quick path to the release to capitalize on all of the attendant publicity. And a company that could release on a multi-platform was a must. The film cost $90,000, with another $170,000 raised free and clear on Kickstarter, and another $200,000 in actor deferments. The rest goes to the principals of the film, which include Lohan, Schrader and producer Braxton Pope.
Here’s the official word:
IFC Films announced today that the company is acquiring North American rights to director Paul Schrader’s neo-noir thriller THE CANYONS. The modern-day Los Angeles-set film stars Lindsay Lohan and adult film star James Deen. Producer Braxton Pope led the DIY film’s extensive new media strategies which included crowdfunding and online casting. THE CANYONS has been described by Schrader as “cinema for the post-theatrical era.”
The film will premiere day-and-date and on digital platforms in early summer in conjunction with a Special Presentation at the Film Society of Lincoln Center where The Canyons will be screened and followed by a conversation with Schrader and Kent Jones, Director of Programming of the New York Film Festival. Schrader presented a Master Class on crowdsourcing and DIY production at last year’s New York Film Festival and will return to expand upon the process of making the film in a post-screening discussion.
NEW YORK, NY (February 4, 2013) – IFC Films announced today that the company is acquiring North American rights to writer-director Sebastían Silva’s CRYSTAL FAIRY, which premiered at the 2013 Sundance Film Festival. The film, with a screenplay by Silva, stars Michael Cera, Gaby Hoffmann, Juan Andrés Silva, José Miguel Silva, and Agustín Silva, and was produced by Juan de Dios Larraín and Pablo Larraín. CRYSTAL FAIRY was the recipient of the Best Director Award in World Cinema at the Sundance Film Festival.
2ND UPDATE: IFC has finally confirmed this deal. Here’s the release, at the bottom of Deadline’s break on the deal.
UPDATE, 3:35 AM: It was easier for Deadline to splash an exclusive about the Ain’t Them Bodies Saints deal last night than it was for Sundance dealmakers to paper it. But Cassian Elwes and WME Global’s Graham Taylor and Alexis Garcia finally closed with IFC Films‘ Arianna Bocco at 3 AM Los Angeles time, for a bit more than $1 million for U.S. rights. That means the reps will hold a mini-auction for Canadian rights — after they take a nap. I heard this morning from Elwes, who said Saints will benefit from a multi-platform strategy that the dealmaker/producer road-tested with Margin Call, and which he feels is a major reason the indie market is reinvigorated.
On this deal, Elwes had his original flight canceled and had to take another back to L.A. They negotiated until he had to shut off his cell phone, and then continued when he landed. Plane rides factored into the festival more than once, as Wednesday (at 3:36 AM West Coast time), WME Global closed a deal with eOne for the cannibal tale We Are What We Are. I’d heard that the agents were on the same flight with the eOne team, and they were going back and forth — and getting testy at times but not enough where they had to be duct-taped to their seats — on the way back to LA from Park City. By the time they landed, they were all smiling, and probably papered the deal with a Delta cocktail napkin for a platform theatrical release. When I asked Elwes why, like vampires, Sundance sellers and buyers only seem to get anything done between nightfall and dawn, he said: “Unfortunately, you watch the movies during the day and the only time to make a deal is when most people are asleep.” A few more deals and then these agents and buyers all deserve a long winter’s nap when this festival ends, as do the insomniac journalists who stalk them into the wee hours.
The Sundance acquisition logjam appears to be breaking. Deal-making is close on Austenland, and a deal just closed on The Look Of Love, with offers starting to be made on several other films. Word is that FilmDistrict is in talks for Austenland, which stars Keri Russell as an obsessed Jane Austen fan who visits a theme park based on the famed author’s work and her search for romance. Pic’s repped by UTA, which tells me this hasn’t been decided yet.
At the same time, a deal is closing for IFC to acquire North American rights to the Michael Winterbottom-directed Steve Coogan-starrer The Look Of Love. Coogan plays Paul Raymond, who ran Soho’s notorious Raymond Revue Bar and Men Only magazine. UTA consulted for Studiocanal on the deal.