More Warner Bros Movie Rentals On Facebook: ‘Harry Potter’ & ‘Inception’

By | Sunday March 27, 2011 @ 9:16pm PDT

BURBANK, CALIF., March 27, 2011 – Warner Bros. Digital Distribution (WBDD), a market leader in video-on-demand and electronic sell-through, announced it will expand its test offering of movies for rental through Warner Bros. Entertainment’s Facebook Movie Pages.  Starting today

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Tonight’s 83rd Academy Awards Winners



Nikki Finke’s Annual Oscars Live-Snarking…

Winners of the 83rd Annual Academy Awards were announced tonight during the Academy of Motion Picture Arts and Sciences … Read More »

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OSCAR SPOILERS: He’ll Present First Oscar

Pete Hammond

EXCLUSIVE: I’ve learned 2-time Oscar winner and Academy favorite Tom Hanks will be the first presenter and name winners in both the Art Direction and Cinematography categories right off the bat. Best Picture frontrunner The King’s Speech is up for both, so the … Read More »

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Warner Bros Digital Gets Into App Game With Editions of ‘Inception’ And ‘The Dark Knight’

By | Wednesday February 16, 2011 @ 6:59am PST
Mike Fleming

BURBANK, CALIF., February 16, 2011 – Warner Bros. Digital Distribution (WBDD), a market leader in video-on-demand and electronic sell-through, today announced the groundbreaking launch of the “App Editions” of feature films “Inception” and “The Dark Knight,” giving consumers around the world an entirely new way to own special edition

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OSCAR MOGULS: Ryan Kavanaugh Q&A

The Deadline Team of Nikki Finke, Pete Hammond, and Mike Fleming have spent recent days interviewing the studio moguls to gauge their perspective on this very close Oscar race:

RELATIVITY
7 Nominations: 7 The Fighter

DEADLINE’s Nikki Finke: How Read More »

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In Other Deals: French Paper Taps Marion Cotillard For Batflick; Javier Bardem Wins Goya; Broadway Spider-Man Gets SNL Parody, More Bad Press

Mike Fleming

French newspaper Le Figaro reported Marion Cotillard is set for Chris Nolan’s The Dark Knight Rises. We’ll get some clarity today, but the move makes sense given that most everyone in that cast but Anne Hathaway (Catwoman) worked with Nolan … Read More »

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Cinematographers Award Wally Pfister For ‘Inception’, Jonathan Freeman-’Boardwalk Empire’, Stephen Windon-’The Pacific’

By | Sunday February 13, 2011 @ 9:46pm PST

LOS ANGELES, February 13, 2011 – Wally Pfister, ASC, Jonathan Freeman, ASC and Stephen Windon, ACS claimed top honors in the three competitive categories at the 25th Annual American Society of Cinematographers (ASC) Outstanding Achievement Awards celebration here tonight

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BAFTA Awards Tip Hat To Harvey Weinstein

Overall, tonight’s BAFTA awards show — known as “the British Oscars” – was marred by human errors and technical flubs. But the winners didn’t care. I counted 7 name-checks for Harvey Weinstein during the evening. In fact, pretty much every time one … Read More »

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OSCAR MOGULS: Jeff Robinov Q&A

The Deadline Team of Nikki Finke, Pete Hammond, and Mike Fleming have spent recent days interviewing the studio moguls to gauge their perspective on this very close Oscar race:

Warner Bros
12 Nominations: 8 Inception, 1 The Town, 2 Harry Potter And The Deathly Hallows: Part One, 1 Hereafter

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OSCAR: Hammond Polls Academy Voters

Pete Hammond

With ballots out and not due back until 5 PM on February 22nd, I decided to talk to a sampling of Academy Of Motion Picture Arts & Sciences voters directly to see how they’re picking their winners. By doing this very unscientific survey … Read More »

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HAMMOND Goes Inside The WGA Awards

Pete Hammond

In accepting the Best Original Screenplay award for Inception at Saturday night’s Writers Guild Awards, winner Christopher Nolan addressed the elephant in the room by noting that not all the best screenplays were eligible for the prize. The Writers Guild, as they do every year, … Read More »

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15th Annual Arts Directors Guild Awards: ‘King’s Speech’, ‘Inception’, ‘Black Swan’



BEVERLY HILLS, February 5 —The Art Directors Guild (ADG) tonight announced winners of its 15th Annual Excellence in 2010 Production Design Awards in nine categories of film, television, commercials and music videos during black-tie ceremonies at the International Ballroom

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2011 Writers Guild Awards: Christopher Nolan Wins For ‘Inception’, Aaron Sorkin For ‘The Social Network’; ‘Mad Men’, ‘Modern Family’, ’30 Rock’, ‘The Colbert Report’; ‘Boardwalk Empire’, ‘The Pacific’



LOS ANGELES AND NEW YORK (in progress; refresh for updates: Tonight, the Writers Guild of America, West (WGAW) and the Writers Guild of America, East (WGAE) are announcing the winners for outstanding achievement in writing for movies, television, … Read More »

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OSCAR: Now Every Campaign Enters Crucial Final Stretch

Pete Hammond

The Oscar ballots went into the mail today and should be in every one of the 5,755 voting members’ hands by tomorrow, or at least by the weekend depending on how long it takes some of them to travel … Read More »

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Visual Effects Awards: ‘Inception’ Wins 4, ‘How To Train Your Dragon’ 3

Los Angeles, February 1, 2011 – The Visual Effects Society announced the winners of the 9th Annual VES Awards tonight at the Beverly Hilton Hotel in Beverly Hills, California. The annual event recognizes outstanding visual effects in more … Read More »

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OSCAR: Oh, They Coulda Been Contenders

Pete Hammond

You know the oft-repeated phrase heard this time of year, “It’s an honor just to be nominated”? That was never more true for some who might have actually won the Academy Award but tripped on their way to the Kodak stage by failing to get to first base with a nomination this past Tuesday. This year, presumed frontrunners in different categories weren’t moved forward in the Oscar race because of their own peer group. In case you’re not aware, peer groups pick the individual nominees in their categories. In the final vote, the entire Academy votes for the winners. The membership at large, thought not to be as technically judgmental as the formidable peer groups (or, in some situations, as swayed by petty jealousies), usually tend to select the more obvious choices. But what should be an anomaly happens a lot when it comes to Oscar. In 1989, Driving Miss Daisy was the big winner with four Oscars including Best Picture. Its director Bruce Beresford almost certainly would have made it five except for one small thing: the Director’s branch didn’t nominate him so the Academy at large couldn’t vote for him. It was the first time since Grand Hotel (1931-1932) that a director was not nommed for a movie that won Best Picture. (Instead, Oliver Stone won for Born On The Fouth Of July.) Most famously, Hollywood was shocked when the actors branch didn’t nominate Bette Davis for 1934’s Of Human Bondage even though it was considered one of the greatest female performances ever and its omission  caused  such a stir that the Academy augmented their rules to allow a write-in vote. (The write-in didn’t work, and Claudette Colbert triumphed.) Out of embarrassment, the Academy tried to make amends and gave Davis the Oscar the next year for the much-lesser Dangerous.

For instance, this year in the Best Make Up category, Alice In Wonderland was considered the frontrunner among the seven finalists – but shockingly failed to even be nominated. Instead, the final three nominees were Barney’s Version, The Way Back, and Universal’s early 2010 dud The Wolfman, forcing Academy voters to choose from these far more obscure entries. Which is why I have to ask: Was Paul Giamatti’s disheveled hair in Barney’s Version really better than the Make Up artistry on the Red Queen or the Mad Hatter? It’s all a very closed club, and the answer may not lie in the work itself but in who did the work and who is a member of the club.

For instance, the critically drubbed The Tempest‘s Sandy Powell, a 3-time winner in Oscar’s Costumes category, can get nominated for just about anything she does because she is one of Costume branch’s inner circle. The same is true for the Music branch and John Williams who doesn’t score for movies as much anymore. But any time he does, he’s likely to get a nomination because he’s an icon among musicians.

Regarding the Best Documentary nominations this year, I heard that one Governor of the Academy’s Documentary branch told a consultant that if Waiting For ‘Superman’, Davis Guggenheim’s widely favored education doc from Paramount, received a nomination it would win Best Feature Documentary with the membership at large. But he wasn’t voting for it and neither were some other branch members he knew due to questions they had about the way some of the documentary was conducted. Specifically, objections were raised about one scene recreated for the camera after it happened in real life. The result is that Guggenheim won’t be getting that second Oscar this time around (he won for An Inconvenient Truth) since his documentary didn’t make the cut with his branch.

Christopher Nolan was now infamously passed over in the Best Director category, first for The Dark Knight and this time for Inception. Would he have won this time out for staying true to his passion project? We’ll never know. My guess is there’s a certain level of jealousy because he pretty much can do whatever he wants and wherever he wants. (I often say he could go in and pitch a remake of Howard The Duck and studios would say yes.) Steven Speilberg was famously not nominated as Best Director for the Best Picture nominee Jaws. (Worse, a TV show following around Spielberg that day the Oscar nods were announced showed him anxiously anticipating a nomination that never came.)

Lee Smith’s dazzling Editing for Inception was thought to be an easy winner in that category once it got to the general vote. Problem is, the editors themselves dissed it. No Oscar for Lee this year.

Diane Warren won a Golden Globe this month for the anthem she wrote for Cher in Burlesque called “You Haven’t Seen The Last Of Me”. And she was considered a likely Academy Award winner this time after 6 previous Oscar nominations. Plus, Cher was expected to perform it on the telecast. Unfortunately, the Academy’s grumpy Music branch decided we had seen the last of Warren this awards season and nominated only four tunes, none of them from the critically reviled Burlesque. Talk about a backlash. (A publicist connected with Warren’s campaign even wanted to ask for a recount but knew the Academy would never allow it.) The same Music branch disqualified Clint Mansell’s soaring blend of original music and Tchaikovsky in Black Swan which almost certainly could have triumphed with the general Academy membership when voting starts on February 2nd. Read More »

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OSCAR: Hammond Analyzes Nominations: Where Does The Race Head Now?

Pete Hammond

Has The King’s Speech, fresh off that Producers Guild win and now leading with 12 Oscar nominations, just gone to the front of the class? My guess is this one could be a squeaker. Presumed Academy Awards co-frontrunner and critics favorite The Social Network Read More »

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Kathy Vrabeck Leaves Legendary Post

Kathy Vrabeck is leaving her post as head of Legendary Digital at the end of January. The executive came on board in 2009, but the company has recently decided to focus more on movies and TV and less on games. … Read More »

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OSCAR: Category Nominations Per Picture

83rd Annual Academy Award Nominations

NOMINATIONS BY PICTURE
(In alphabetical order; does not include

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