In a category that sometimes seemed like a two-horse race between The Great Beauty and The Hunt, with the possible squeaker of The Broken Circle Breakdown, it was ultimately Paolo Sorrentino’s love letter to Rome that triumphed. Great Beauty is the 11th win for Italy at the Oscars and the first time since Roberto Benigni’s 1998 Life Is Beautiful that the boot has kicked up a Foreign Language score. Sorrentino told me in December that he was very honored by just the nomination. “It’s a great responsibility. It’s a case in which I represent Italy and so it’s important in this moment when Italian cinema isn’t having a great time in its life… I hope we go ahead not only for me, but also for Italian cinema,” he said. Go ahead he did tonight and thanked his inspirations who include Federico Fellini, Martin Scorsese (in the house at the Dolby Theatre), and Argentinian footballer Diego Maradona. Sorrentino also thanked the cities of Rome and Naples, as well as his family.
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The Great Beauty has been compared to the work of Fellini, especially Roma and La Dolce Vita; it’s the story of an aging writer in the Eternal City recollecting his lost youth (see the trailer below). Sorrentino told me late last year that he had long been collecting “little anecdotes” linked to Rome and decided to put them all together into a film so that the lead character would be a witness to that world.
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UPDATE, 12:50 PM: Italy’s Supreme Court has upheld the tax fraud verdict and one-year prison sentence for billionaire Italian politician/media mogul Silvio Berlusconi, but because of his age (he’s 76) it’s unlikely he’ll go to jail, the BBC reports. The court did order a review of a five-year ban on public office that was part of the original sentence. Berlusconi faces house arrest or community service according to the report. The ruling today by Rome’s Court of Cassation came after a three-day hearing.
PREVIOUS, Tuesday: Italy’s Supreme Court will deliver its verdict in the tax fraud case against billionaire Italian politician/media mogul Silvio Berlusconi either tomorrow evening or on Thursday, his attorney said today. The court started hearing the case today and is the last stop on the appeals circuit for the Mediaset chief. He was sentenced in October last year to four years in prison and a five-year ban from politics for having inflated prices paid for broadcast rights to U.S. movies and TV shows via offshore companies controlled by his Fininvest holding company. Berlusconi and other execs were then alleged to have skimmed off part of the money to create illegal slush funds. Mediaset has benefited from an essentially free pass in terms of antitrust and other rules thanks to Berlusconi’s place in politics. But if the mogul were no longer allowed to stand for office, the conglomerate could be subject to any number of unfavorable new laws. Shares in Mediaset and other companies controlled by Fininvest were all up in trading today. Read More »
Following France and India, this is the latest installment in Deadline’s series of reports on the people, projects and polemics that have folks buzzing in various overseas territories.
Italy’s movie business continues to get slammed harder and harder as part of the country’s overall economic crisis. Lately, a kerfuffle over production tax credits threatens to further stymie growth while the country’s government may be on the brink of collapse given media mogul/former Prime Minister Silvio Berlusconi’s legal troubles. And, the lack of a strong VOD offer continues to bedevil an industry plagued by piracy. There have been some bright spots this year including Giuseppe Tornatore’s Warner Bros.-produced The Best Offer which was well-received by audiences and awards bodies and managed to travel some. Meanwhile, local comedy Il Principe Abusivo is currently the No. 2 film at the box office for the year with over $18M in receipts, but that’s a drop from high-performing comedies of recent years. Italian industry execs are not entirely glum, and some are taking the optimistic view that crisis can lead to renewal, but caution still dominates.
Although Rai acquired Sean Penn starrer The Gunman from Studiocanal in Cannes this year – the first straight buy its made in a year – watchers say this doesn’t mean a complete shift. With traditional film partners pulling back on investing, a local distributor says, “It’s almost impossible to finance a movie today. Even if you’re lucky enough to get TV, the amount of money is a lot less than it used to be. Most Italian movies don’t travel” so they “have to make money back inside the territory.” If a movie “ends up getting recognition abroad, that’s icing. It can’t be part of your plan.”
Exacerbating the financing issue is the current production tax credit crisis. Plans are not entirely set in stone, but the government is expected to push forward with a massive cut to the annual 90M euro ($117.6M) fund that gets doled out on a first-come-first-served basis. The credits are expected to be extended for the next three years according to local sources, but the war chest will drop severely to 45M euros or less per year. Italian unions have understandably been up in arms, but an exec tells me, “Given the overall circumstances – everybody has tax cuts – I would say it’s very coherent with what’s happening in the country.” New measures should be entered into the law later this year.
What the cuts mean in reality is that “a lot of movies aren’t going to get made.” In turn, insiders believe that will impact the emergence of new talent. “Up-and-comers are having a very difficult time because fewer films are being produced, and the ones that are being produced seem to be from surefire auteurs. A lot of would-be new talent isn’t getting a shot,” I’m told. Read More »
Silvio Berlusconi’s rivals in the media industry for years have accused him of massive conflicts of interest running the government that regulates Italy’s media industry, of which he is such a big part. Lawsuits, scandals, and plenty of brash talk … Read More »
EXCLUSIVE: I’ve just learned that Oscar’s ever-growing Foreign-Language Film lineup has received shockers from Spain and Italy. Spain didn’t select the presumed favorite, two-time Oscar winner Pedro Almodovar with his The Skin I Live In starring frequent Almodovar collaborator Antonio Banderas. Instead, Spain chose the more obscure Pa Negre (Black … Read More »