It’s Always Sunny In Philadelphia scored about 757,000 viewers in its season debut on FXX last night at 10 PM – fumbling nearly 300,000 viewers compared to its previous season debut on FX network. But, the …
Diane Haithman contributes to Deadline’s TCA coverage.
Cast and producers of It’s Always Sunny In Philadelphia said today that the show’s 10th season will not necessarily be its last. As previously announced, the FX comedy series is moving to the new youth-oriented FXX channel for its ninth season, launching September 4, and before this morning’s TCA panel on the show FX Networks CEO John Landgraf confirmed that a 10th season of episodes has been ordered. In response to a question, executive producer Rob McElhenny said it’s “not for sure” that the quirky comedy will end with the 10th season. “I feel like we’re doing our best work, “ said McElhenny. The fact that each season has had only 10 episodes, he said “allows us to stay fresh and continue to evolve.” Added executive producer Charlie Day: “I don’t think we’ll run out of outrageous things to do … with 10 episodes a season, you don’t run the risk of burning out.”
FX’s ‘Sunny’ Likely To Go To Season 10, ‘Anger Management’ To Air 45 Eps A Year, John Landgraf On AMC Showrunner Firings
It’s Always Sunny In Philadelphia is the only one of what FX president John Landgraf called the “four cornerstones” of FX (The Shield, Rescue Me, Nip/Tuck and Sunny) that is still on the air. The comedy has already been renewed for a ninth season, and it will likely won’t be the last. “There is a high likelihood for a 10th season,” Landgraf said during the FX portion of TCA this morning. “Whether it goes beyond that depends on whether the people who created the show want to go and whether the audience still wants to watch. But there will definitely be one more year, probably two.”
Landgraf also shed light on FX’s scheduling plans for the back 90 episodes of Charlie Sheen’s Anger Management. “It will stay on the air with no interruption for two years, basically 45 episodes a year,” Landgraf said. That means that, save for major holidays and sports pre-emptions, there will be an original of Anger Management on Thursday night for two years, starting with the Season 2 premiere January 17. The biggest change made following the initial 10 episodes was the addition of Martin Sheen as Charlie Sheen’s father for a multi-generational dimension on the series.
Diane Haithman is contributing to Deadline’s coverage of TCA.
It was announced earlier today at TCA that FX’s comedy Always Sunny in Philadelphia has been renewed for two more seasons to become the longest-running live-action comedy on basic cable, with …
FX has renewed three comedy series. Elijah Wood starrer Wilfred, which has become the highest-rated first-season comedy on the network with a cumulative 5 million viewers a week, has been picked up a second season of 13 episodes. Louie, which just landed an Emmy nomination for star Louis CK and has averaged 3 million viewers a week, has been renewed for a third season of 13 episodes. Meanwhile, veteran It’s Always Sunny In Philadelphia has been renewed for two more seasons — Seasons 8 and 9 — to become the longest-running live-action comedy on basic cable. The network also has an option for a 10th season, FX president John Landgraf said, adding that the show seems to have gotten a second wind in Season 7. Additionally, FX Prods. has signed a three-year exclusive deal with RCG, the production company of Sunny masterminds Rob McElhenney, Charlie Day and Glenn Howerton. I hear the deal is worth $40 million-$50 million for all services. “With Sunny, FX and FX Prods. and RCG reinvented the production model for television comedies,” Landgraf said. “In embracing a low‑cost production model and taking less money upfront, Rob, Glenn, and Charlie were afforded more creative freedom, a true financial partnership, and less pressure on ratings so there was time to let the show find an audience. Sunny not only became a hit, but the cornerstone of FX’s successful comedy brand, establishing a production model that has become favored by many in the creative community and has led to Archer, Louie, The League and Wilfred.” In addition to Sunny, RCG is involved in the new CBS comedy series How To Be a Gentleman, created by and starring Sunny player David Hornsby, and has two comedy projects in the works: Fox’s Living Loaded and FX’s animated Townies.
Competition for Emmy nominations among this year’s Outstanding Comedy Series contestants is no laughing matter. The showdown between two 20th Century TV hits is more intense than ever, with Modern Family showrunners Steve Levitan and Christopher Lloyd trying to score their second consecutive Emmy win, while Glee executive producer Ryan Murphy is hoping to edge them out. That is, if one or more of a duo of up-and-comers — Community or Parks and Recreation — don’t act as spoilers. Then again, past Emmy stalwarts 30 Rock or The Office could resurface. Or Showtime’s bold, female-skewing dramedies Nurse Jackie or newbie The Big C might seize the spotlight. And don’t rule out the possibility of CBS’ The Big Bang Theory finally scoring a nod in its fourth season, or How I Met Your Mother receiving recognition in its sixth. And then there are the underdogs. As The Middle’s co-showrunner Eileen Heisler (with DeAnn Heline) says about ABC’s Wednesday night lineup, “We’re really grateful to Modern Family for bringing attention to family shows. We’ve benefi tted from their success, but I think it takes a little longer for people to realize the next door neighbor in The Middle is edgy and wry.”
If Modern Family does repeat, no ABC sitcom has managed that feat since Taxi more than 30 years ago. Of course, NBC’s won three years running. And Frasier took home a record five in succession between 1994 and 1998. So it can be done. But that doesn’t mean Modern Family’s Christopher Lloyd thinks it’s a shoo-in. “Among certain segments of the blogosphere who first anointed the show that everybody is supposed to be watching, there’s another rush to declare that it stinks now. And then there will be others who’ll want to say ‘I told you so’ when it wins again.”
There’s general agreement it would take a miracle for any freshman broadcast network comedy to crash this year’s top comedy series’ Emmy party, with the possible exception of Fox’s Raising Hope. Though there’s a sliver of daylight for a newbie cable show like The Big C, despite the fact it’s a dramedy. Cable continues to make inroads in the comedy series categories, evidenced by Showtime’s Nurse Jackie capturing eight Emmy nominations last year, including one for top comedy; with Showtime’s Weeds as well as HBO’s Entourage and Curb Your Enthusiasm landing series nods in recent years. This year, TV Land’s Hot in Cleveland has Emmy buzz. But only one cable comedy has ever won: HBO’s Sex and the City in 2001.
Here’s our assessment of the chances for this year’s comedy series in alphabetical order:
Although the NBC hitcom’s three-year winning streak ended last year (done in by ABC’s freshman breakout, Modern Family), it remains an industry darling — with good reason. While not as consistent as its earlier seasons, its comedy quality never seems to wane. So, without ever actually going away, it could be primed for a comeback. But the show, which celebrated its 100th episode this season, may also be mistakenly placed in the “been there, done that” category, even with red-hot writer/producer/actress/author Tina Fey at the helm (the recent Tracy Morgan scandal notwithstanding). But if the Academy revisits NBC’s quirky workplace comedies, they just might opt for the newer Parks and Recreation or Community.
THE BIG BANG THEORY
As popular as this CBS smash is, it has yet to be Emmy nominated despite originality in its scripts and ensemble. Kudos to the producers for broadening the cast this season and stepping up the romance for Mayim Bialik’s and Melissa Rauch’s roles, especially after Jim Parsons was acknowledged as last year’s Outstanding Lead Actor in a Comedy Series winner for nerd-chic hilarity. If you’re going to vote for a Chuck Lorre show this year, this one’s decidedly less baggage-laden than Two and a Half Men, which lost its Sheen.
THE BIG C
With lead Laura Linney considered a shoo-in for an Emmy nod, a side effect is that her show’s chances of breaking into the Outstanding Comedy Series Emmy race likely increases as well. Question is, did they increase enough? Is the TV Academy ready to honor a dark comedy centering on a woman’s battle with cancer? Perhaps it’s time. If so, there could be two Showtime noms in this category for the first time, assuming Nurse Jackie repeats. Says showrunner Jenny Bicks, “It’s not going to be an easy fight for us.”
Forever floating on the renewal bubble (it will live on for a fifth and final short season of 13 episodes next season), Chuck has a well-earned reputation as The Little Show that Could. But, plucky as it is, the unlikely spy yarn remains a significant Emmy long-shot. Besides, NBC already has a couple of potential sleeper contenders at the ready in Parks and Recreation and Community.
What is arguably NBC’s most innovative comedy shoots high creatively but has yet to land commensurate ratings. Critics, however, have been quick to sing the show’s praises, perhaps loudly enough to help get it noticed by Emmy voters. Remember when Fox’s Arrested Development used critical praise to trump low viewership? Showrunner Dan Harmon likens Community’s comedy to “Krispy Kreme — we just have to get it into people’s mouths.” Or, in the case of Academy voters, into their DVD players.
In its second season, the wine-soaked “Friends for grownups” really came into its own as an ensemble comedy rather than just a Courteney Cox vehicle. And it’s even poking fun at the icky title that long ago ceased to have anything to do with the series premise. Nonetheless, it’s probably not ABC’s Wednesday night show with the most heat in this comedy category because of Modern Family.
EASTBOUND & DOWN
This back-to-fi rst-base comedy about a washed-up baseball player enjoys the prestige of HBO and the marquee value of Will Ferrell as a producer. But it’s perhaps too raunchy for older TV Academy voters. Given that producer-star Danny McBride says this forthcoming third season will be its last, Eastbound & Down likely will strike out Emmy-wise.
After landing nominations in the top comedy category for three years running, HBO’s Hollywood insider send-up didn’t make the cut the last go-round. If shut out again, it’s because Academy voters have moved on from an aging series that returns for its shortened eighth and final season on July 24th. It didn’t help when news leaked out in May that HBO pulled it from broadcast syndication by Warner Bros Domestic TV.
If the television industry’s insiders love anything more than laughing, it’s laughing at itself (see 30 Rock, Curb Your Enthusiasm). And there’s been buzz about how this Showtime Brits-out-of-water comedy reinvented Matt LeBlanc. But, even if he might, the series probably doesn’t have a high enough profile yet to garner an Emmy nod.
In 2009, the Fox show that wouldn’t die became the first animated series in nearly half a century to win an Emmy nomination for Outstanding Comedy Series. But it was shut out the very next year. So expect the next TV Academy recognition for Family Guy around 2060. One question mark is whether the toon’s unique in-your-face way of campaigning for Emmy helps or hurts to sway voters. Then again, this is the comedy series category.
Comedy Central and MTV networks just announced the nominations for their inaugural Comedy Awards, which will air on April 10. The nominations span 15 categories in TV and film, including best comedy series and film. The best comedy series field includes awards favorites 30 Rock, The Office and Modern Family, along with largely overlooked off-beat comedies It’s Always Sunny in Philadelphia and Eastbound & Down. 30 Rock leads the TV categories with seven noms. The film field is led by Easy A, Cyrus and Kick-Ass with four noms each, including best movie where they will face Get Him to the Greek and The Other Guys.
Ray Richmond is contributing to Deadline’s TCA coverage.
During a Tuesday afternoon panel with two of the three creator-producer-stars of the FX comedy hit It’s Always Sunny in Philadelphia, a critic asked if the immature personalities who populate the series that’s going into its sixth season in September were ever going …
FX is taking a jump on fall season, rolling out its fall premieres in the two weeks before the broadcast networks unleash their new/returning series. Biker drama Sons of Anarchy returns for Season 3 on Tuesday, Sept. 7, …