Simon Dickson Exiting As Managing Director Of Shine Group’s Dragonfly
Simon Dickson, Managing Director of Shine Group factual producer Dragonfly, is leaving the company after three years. The exec will step down next month, with Dragonfly Creative Director Mark Raphael and COO Lucinda Hicks taking over as Co-Managing Directors. Dickson joined Dragonfly in April 2011 as the company’s Creative Director before becoming Managing Director in November 2012. Prior to joining Dragonfly, he served as Deputy Head of Documentaries at Channel 4. At Dragonfly, Dickson was executive producer on event documentary The Plane Crash (Discovery and Channel 4) and celebrities-in-the-wilderness series Bear Grylls’ Wild Weekends (Channel 4). Under his stewardship the company has delivered such documentaries as The Horsemeat Banquet (BBC Three), Terror At Sea: The Sinking Of The Concordia (Channel 4) and Hurricane Sandy: Anatomy Of A Superstorm (BBC Two) alongside series People Like Us and What Happens In Kavos for BBC Three and Channel 4, respectively.
Global Showbiz Briefs: Simon Dickson Leaving Shine Group’s Dragonfly; ITV Agrees To Revive ‘Hollywood Squares’ Format; More
Simon Dickson Exiting As Managing Director Of Shine Group’s Dragonfly
Global Showbiz Briefs: Julie Sultan To Run AMBI’s International Sales Unit; ITV Buys Stake In Nordic On-Demand Channel Cirkus; More; More
AMBI Pictures Taps Julie Sultan To Run New International Sales Unit
Julie Sultan has been named as President of Worldwide Sales & Acquisitions at AMBI Distribution Corp, the newly launched international sales division of AMBI Pictures. She will oversee the new company, which represents Beverly Hills-based AMBI’s original productions as well as third-party product from around the world. Sultan has served in senior positions at Lakeshore Entertainment, where she oversaw sales of “Million Dollar Baby,” and the “Underworld” franchise, as well as NBC and Peace Arch Entertainment.
A rash of acquisitions of European and U.S. independent production companies has been steadily spreading over the past year and a bit. One exec says, “We joke that there’s a transaction a day.” Leading the charge is the UK’s ITV, which has been on a shopping spree since it first bought a controlling stake in Duck Dynasty maker Gurney Productions in late 2012. Also acquisitive has been the Pro Sieben-owned Red Arrow, which recently bought Say Yes To The Dress maker Half Yard Prods. But it’s a two-way street: NBCUniversal already owns Downton Abbey producer Carnival Films in the UK as well as Monkey Kingdom and Chocolate Media, among others. Warner Bros last month entered an agreement to take over the global interests, outside the U.S., of Dutch company Eyeworks, and has a majority stake in UK production group Shed Media. Core Media is also known to have its eyes open to UK purchases. What’s more, many of these outfits also own companies in the hot Nordic region. And now there’s word that giant FremantleMedia may be moving in on vast group All3Media. A TV industry exec says, “We had the super-indies and now there’s a new breed of mega-indies.” If FremantleMedia acquires All3Media, it would create what an observer describes as “a very big beast.” Fremantle is a large group with significant turnover and some of their properties are getting older, an exec suggests. “It’s very difficult to replace that scale just through new productions.” However, I’m cautioned that should a deal be done, it won’t be in the imminent future.
So what’s been driving all this consolidation and cross-pollination? For one, with TV channels proliferating in the U.S., whether it be via basic cable or digital platforms, foreign outfits see a prime opportunity to establish a foothold and build scale. In the reverse, U.S. companies moving into the booming UK production sector know that broadcasters are doling out a lot of cash for original content.
ITV has set the roster for its upcoming four-part miniseries that follows the lives and loves of both historical and fictional characters in 1666 London as …
In this week’s audio podcast, Deadline International Editor Nancy Tartaglione and host David Bloom look at the possibility that frenemies John Malone and Rupert Murdoch will combine and snap up the UK’s Channel 5, even as a booming ITV opts out; and Amazon’s new combination platter of Prime services that are challenging Netflix more aggressively in Britain, including through a partnership with the BBC to revive the cancelled period drama Ripper Street. They also preview those other big awards this weekend, France’s Cesars, and take their weekly look at the international box office, as both Frozen and The Hobbit 2: The Desolation Of Smaug continue to rack up huge cumulative grosses.
An average of 8.5 million viewers tuned in for Downton Abbey‘s fourth season finale last night. That’s a personal finale best for the period drama on PBS. The Season 3 finale drew 8.2 million viewers on February 17 last year, a 50% surge from the Season 2 ender in 2012.
This season opened on January 5 with 10.2 million tuned in – up 22% compared to the Season 3 debut of 7.9 million which, in turn had been a leap from the series Season 2 launch crowd of 4.2 mil. Even before this latest cycle started, Downton Abbey has been the highest-rated drama in PBS history.
Global Showbiz Briefs: ‘Vice’ Attracts Berlin Buyers; Umedia Takes ‘Six Dance Lessons’; ITV To Launch New Channel
Proving yet again the affinity global distributors have for Bruce Willis, K5 International has enjoyed a strong sales run at Berlin with Vice. The Willis-starrer has nearly sold out with more than 37 territories biting. The Emmett/Furla/Oasis Films picture, produced by Randall Emmett, George Furla and Adam Goldworm, was picked up across Scandinavia, Russia, Benelux, Japan, China, Indonesia, Hong Kong, Thailand, Israel, Portugal, Russia, Czechoslovakia and France. The film had previously sold to Germany, Poland, ex-Yugoslavia, Latin America, the Middle East, Turkey, Greece, and India. Shooting starts in Alabama next month on the movie that’s set in a resort where the rich live out their most perverse fantasies via synthetic humanoids. When one becomes self-aware and breaks out, she seeks her revenge. Willis plays the resort’s owner and Ambyr Childers is the renegade android. Thomas Jane is also in the cast. Brian A. Miller is directing from a script by Andre Fabrizio and Jeremy Passmore.
Creator Simon Cowell will lead the judging panel when the UK singing competition show returns to ITV for its 11th cycle later this …
Global Showbiz Briefs: ITV Orders Quiz Show ‘The 21st Question’; Eyeworks’ ‘Beat The Blondes’ Format Adapted For China
ITV Orders Quiz Show ‘The 21st Question’
ITV has ordered The 21st Question, a new tactical quiz show from Chocolate Media. In the game, one power player faces 10 challengers through a series of tense “winner stays on” rounds …