Q&A: Brian Grazer And Ron Howard On 25 Years Together As Imagine Partners

Mike Fleming

UPDATE EXCLUSIVE: Imagine Entertainment’s Brian Grazer and Ron Howard have reached a milestone unusual in Hollywood: partners for 25 years. When they first got together, Grazer was a TV producer. Howard, after growing up on the small screen in The Andy Griffith Show and Happy Days, had only directed a couple of TV movies and the low budget Roger Corman-produced Grand Theft Auto. Grazer and Howard have been at it together ever since, building a company that over 25 years has been one of the most consistent generators of content. Their TV series output includes 24, Parenthood, Arrested Development and Friday Night Lights; their movies have grossed $13.5 billion worldwide. That includes A Beautiful Mind, which won Howard the Academy Award for Best Director. Grazer and Howard shared Best Picture Oscars that night as well. Not everything they’ve done has succeeded, of course. They they took their company public and repurchased the shares; they helped launched and fold the online venture Pop.com; their most recent film together, the adult comedy The Dilemma, was a misfire that created controversy over the inclusion of the word “gay” in a trailer. They’ve had way more hits than misses.

In honor of Imagine’s Silver Anniversary, Deadline invited Howard and Grazer to look back over their quarter century together, and into a future that includes something never tried before by anyone in Hollywood. They’re adapting Stephen King’s 7-novel series The Dark Tower into a film trilogy, and a limited run TV series in between. It has pushed the envelope enough that their longtime home studio, Universal  Pictures, postponed a planned late summer start until next year and asked the filmmakers to cut the budget. Some question the studio’s resolve on such a massive undertaking. The studio has to green light the film by next month or the rights revert to Imagine, Akiva Goldsman and King, who are determined to make it regardless.

DEADLINE: Not many marriages of any kind last 25 years in Hollywood. What is most important about the anniversary?
HOWARD: It’s such a challenging time to get movies made. And yet, look at all we have coming out. Tower Heist, the Gus Van Sant movie Restless, J Edgar with Clint Eastwood and Leo DiCaprio, Cowboys & Aliens, this big broad appeal four quadrant fantasy adventure story with Harrison Ford and Daniel Craig. With The Playboy Club getting on the air, and Parenthood getting picked up, I’m proud we’re doing what we’ve always done. A wide variety of projects that got made because we care and put in the energy to get them done in light of how difficult it is these days.

DEADLINE: I’ve watched filmmaker partnerships fail because of jealousy, ego, greed, or lack of sustained success. Why have you avoided those pitfalls?
HOWARD: The bi-coastal relationship!

DEADLINE: Simple as that?
HOWARD: Because I’m in New York, we’re not forced to stare at each other’s faces 24/7. But I think that’s not really it. We love what we’re doing, we have fun doing it and our sensibilities are in sync. In a business that can create so many feelings of anxiety and self-doubt, I learned to trust in that. Brian is smart and cares about me doing well and feeling good about what I’m doing. It’s a partnership built on support. It has been that way since the beginning.
GRAZER: It works because we have similar tastes and not only gravitate toward the same material but also what lives inside the core of the movie it becomes. We’ve done, and Ron has directed, all kinds of genres. We have a common interest in the humanity aspect of a movie, regardless if it’s a comedy or a drama. We also share a similar work ethic.

DEADLINE: When you cover all genres, does Imagine have a wheelhouse? For a company looking to last, is it advisable to have one?
HOWARD: The process is what gets Brian and me excited, whatever the genre. Not specializing has given our company a sense of flexibility and adaptability to whatever the market or the zeitgeist is suggesting. We’ve always respected each other as creative people. If Brian loves something and I don’t quite get it, I’ll tell him that but I’ll never try to impede the progress. He’s the same with me. With Apollo 13, I  wasn’t sure the genre would work, because space films hadn’t done that well. Brian was instantly so excited about it, and made me realize we were onto something. 8 Mile, I don’t know anything about rap. This was something he understood. I didn’t know how to make that movie, but I recognized a great idea. Whenever the two of us get excited, on films like Splash, Night Shift and Parenthood, those have resulted in the building blocks of the company. I’ve always liked TV  but I phased it out for awhile and it was Brian’s perseverance that has made us strong in both TV and films. Independent companies are rarely strong in both.
GRAZER: What we’ve do is agree on the moral center of a project, but nobody’s better at finding the language of a particular movie than Ron. He’s got a grasp of understanding  new vocabularies, whether it’s the The Da Vinci Code, fantasy like Cocoon or Splash, or Backdraft and The Grinch. He is great at inhabiting a world and completely understanding and expressing its language. In A Beautiful Mind, he entered that world and understood the medical science of mental illness. So there have been times where he led the charge, and I was drawn in by his excitement.

DEADLINE: What was the last hard conversation or professional disagreement you can remember?
HOWARD: I can’t think of one offhand, but even when we have disagreements, I can’t think of a case where one of us ever said, ‘Oh, please don’t do this.’ If there’s a lot of passion from one or the other, then the support of the company is going to be there. Read More »

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Jeffrey Donovan Playing RFK in ‘J. Edgar’

Mike Fleming

Burn Notice star Jeffrey Donovan has joined Clint Eastwood’s J. Edgar, playing Hoover’s rival Robert F. Kennedy in the Warner Bros. film. Leonardo DiCaprio stars as the manipulative FBI chief. Besides the distinction of being asked back into a film … Read More »

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‘Gossip Girl’s Ed Westwick joins ‘J. Edgar’

Mike Fleming

Gossip Girl star Ed Westwick has landed a major supporting role in J. Edgar, the Clint Eastwood-directed drama about manipulative FBI director J. Edgar Hoover that stars Leonardo DiCaprio. At the same time, Charlize Theron will not be playing the … Read More »

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Wesley Snipes Plots MLK-Hoover Exposé; But He Still Wants To Do Another ‘Blade’

By | Wednesday October 20, 2010 @ 3:34pm PDT
Mike Fleming

EXCLUSIVE: Despite facing a 3-year jail stretch after a long battle with the IRS, Wesley Snipes has become the catalyst for a feature that explores FBI chief J. Edgar Hoover’s campaign to discredit Martin Luther King Jr. — and the fatal guilt carried by the Hoover henchman charged with wiretapping King’s phone and pulling dirty tricks. Snipes also tells me that he is producing and hopes to play a role in the Justin Stamm-scripted Code Name Zorro, one of several projects Snipes is percolating under his Maandi Media Productions banner. Snipes wouldn’t go into a lot of detail into his current IRS situation, other than to say “It’s all good, put it like that.” But the actor, who recently brightened up the ensemble of Brooklyn’s Finest but had to be replaced in Spike Lee’s Miracle at St. Anna because he couldn’t leave the country, is itching to get busy again.

He has been using that energy to get a sit down with King’s son, Martin Luther King III, and Snipes said he came away with a family endorsement for a film that asks hard questions about how King was treated by Hoover’s FBI because the civil rights leader was seen as a threat. Snipes fell in love with the script and is producing with 4 Reel Entertainment’s Diana Stamm, Ed Elbert and Tony Oppedisano. “I’ve got a lot on my plate right now, and this is an important project that has my focus,” Snipes told me. “Acting is my main lane, and I’m planning to expand that, taking the success of films like Blade and marinating that into something that flourishes.”

So, how about another turn as the iconic Marvel Comics vampire hunter? “Maybe we get around to doing another Blade, except, from what I’m reading, every other actor is talking about playing him, and nobody is talking to Wesley,” he said. “How strange that they don’t come and talk to me about it.”

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