BEVERLY HILLS, CA – Last year’s Academy Award® winners Meryl Streep, Jean Dujardin, Octavia Spencer and Christopher Plummer will return to present on this year’s telecast, show producers Craig Zadan and Neil Meron announced today.
“We are honored to have Meryl, Octavia, Christopher and Jean, last year’s Oscar winners in each of the acting categories, return to the Oscar stage,” said Craig Zadan and Neil Meron.
Streep, who is the most nominated actor with 17 nominations, has won three Academy Awards®, including last year’s lead actress award for her performance in “The Iron Lady.” Dujardin won the award for his lead performance in the Best Picture winner “The Artist,” it was his first nomination. Spencer, also a first time nominee, took home the Oscar for her supporting role in Best Picture nominee “The Help.” Plummer, who has twice been nominated, won the award for his supporting role in “Beginners.”
George Clooney Sets Daniel Craig, Bill Murray, Cate Blanchett, Jean Dujardin For WWII Drama ‘Monuments Men’
EXCLUSIVE: What a killer cast George Clooney has put together for The Monuments Men, the period drama he will direct in a co-production between Sony Pictures and 20th Century Fox. Clooney will star with Skyfall‘s Daniel Craig, Bill Murray, Cate Blanchett, The Artist’s Jean Dujardin, Argo‘s John Goodman, Hugh Bonneville and Bob Balaban.
The drama, which was scripted by Clooney and partner Grant Heslov, confronts the final chapter of Germany’s rule, which came down to the absolute destruction of everything that makes a culture keep its standing, including the lives that are lost and the sacrifices that are made. All of this is in danger of being lost forever as Hitler and the Nazis try to cover the tracks of a murderous regime. A crew of art historians and museum curators unite to recover renown works of art that were stolen by Nazis before Hitler destroys them.
Oscars Winners List 2012: ‘The Artist’, Meryl Streep, Jean Dujardin, Michel Hazanavicius, ‘Midnight In Paris’, ‘The Descendants,’ ‘The Muppets’, Christopher Plummer, ‘Rango’, ‘Hugo’, Octavia Spencer
OSCARS: The Good, The Bad And The Uggie — Hammond Analysis
Nikki Finke: Live-Snarking The Oscars
OSCARS: Who Wore What On The Red Carpet
OSCARS: Wins By Studio
OSCARS: Wins By Film
Backstage At The Academy Awards
Actress in a Leading Role
“The Iron Lady” (The Weinstein Company)
Actor in a Leading Role
“The Artist” (The Weinstein Company)
“The Artist” (The Weinstein Company)
OSCARS: Backstage At Academy Awards: ‘Artist’ Producer On Movie’s Color Version, ‘Artist’ Director On His Next Project & More
Brian Brooks, Diane Haithman and Anthony D’Alessandro are contributing to Deadline’s Oscar coverage
After his success with a silent film, how does French actor Jean Dujardin plan to transition back to talkies? “I’m not an American actor, I’m French,” the Best Actor winner said tonight backstage at the Academy Awards. “If I could make another silent movie in America, I would. But I’ll always be a French actor in America. Nonetheless, there are a few ideas I would like to develop.” Dujardin admitted that in the French portion of his acceptance speech he dropped the equivalent of the F-bomb.“I said thank you so much! It was amazing … uh, yeah, I guess I said that.” And as far as the whereabouts of his four-legged co-star Uggie, “He went to bed already,” Dujardin said.
“H-i-i-i-i-i,” drawled Meryl Streep when she finally showed up in the press room long after the show was over to talk about her Best Actress win for The Iron Lady. She was immediately asked to address her self-deprecating comments during her acceptance speech: “When they called my name I had this feeling I could hear half of America going, ‘Oh no. Oh, come on. Why her? Again?” Streep acknowledged she thinks she may be “pushing the tolerance” of the Academy and the fans after 17 nominations and three wins. “I understand ‘Streep Fatigue,’ I really do,” she later said. “Frankly, I’m surprised it didn’t override this tonight.” But getting another Oscar was thrilling, Streep said, adding that she might take a nip of whiskey like Thatcher to celebrate. “I thought I was so old and jaded, but they call your name and you just sort of go into a white light. I was like a kid again,” she said, joking that two of her fellow nominees “were not even conceived” when she won her first Oscar. She also said she was excited by the win of her Iron Lady makeup artists earlier in the evening “not for making a monster, but for making a human being.” Streep confirmed that she wore Ferragamo shoes, Margaret Thatcher’s favorite, to get into character. She did not meet Thatcher, noting, “the challenge was to imagine her present life.” Streep was asked how it felt to see herself for the first time in makeup as Thatcher. She said the change was so gradual there was no shock, but one thing was unnerving. “When we first had the old age makeup on, I saw my Dad. Maybe my Dad looked like Margaret Thatcher.”
By the time The Artist producer Thomas Langmann made his way backstage, there wasn’t much left to say about how très excited the cast, producers and creative team were about the film’s endless stream of awards culminating in a Best Picture Oscar. Langmann was asked about an earlier backstage comment by Artist costume designer Mark Bridges that the black-and-white film had been shot in color in case they were unable to sell it in black and white in some markets. Asked if he had any plans for that color footage, Langmann replied cheerfully, “No. Sorry, but no.” He spoke about producer Harvey Weinstein. “Harvey has been really good to us,” Langmann said. “I asked him to come a month before Cannes with a director and cast he’d barely heard of. But he came. I stayed in the screening room to see if everything was OK. He loved the movie and was laughing throughout. I saw in his eyes and attitude that he cared for the movie. He believed that we could possibly be here today. He’s the only distributor who could take this movie here today.” Weinstein was not The Artist‘s only good luck charm — Langmann acknowledged that he had a lucky coin in his pocket given to him by his daughter. As for the possible impact from the success of The Artist, the first silent movie to win a best picture Oscar since the first Academy Awards ceremony 83 years ago, “if The Artist can help another producer be audacious, this is a great thing,” Langmann said. “I’ve shown this movie to kids. Some had never seen a black-and-white movie and after five-10 minutes, they enjoyed it. Silence is a way of telling a story. It’s an experience and maybe it’s as great as a 3D experience.”
Multi-territory distributor Alliance Films has announced the acquisition of 16 titles to go out via Alliance Films in Canada, Aurum Producciones in Spain and Momentum Pictures in the UK and Ireland. Last week, I exclusively reported from the EFM on Momentum’s acquisition of François Ozon’s In The House and Regis Roisnard’s Populaire for the UK and Ireland. Included in that report were pick-ups of other buzz titles like Anton Corbijn’s A Most Wanted Man and Steven Soderbergh’s Bitter Pill in what Alliance SVP of acquisitions and production Robert Walak told me was a better than expected market. Among the additional films Alliance has now confirmed acquiring are Jean Dujardin’s infidelity comedy The Players and Catherine Hardwicke’s erotic thriller Plush with Evan Rachel Wood for the UK and Ireland and Dustin Hoffman’s directorial debut Quartet with Maggie Smith,
EXCLUSIVE: I’m hearing that The Artist star Jean Dujardin will make a surprise appearance on Saturday Night Live in an hour or so. From what I’m told, the producers wanted him, and it was a dream of his to do the show. So he flew in Friday from Paris for …
OSCARS Q&A: ‘The Artist’s Jean Dujardin On His Doubts About The Black-And-White Silent Film And The Joy Of Taking Risks
It’s easy to pass off Jean Dujardin’s swath through awards season as the stuff manufactured by Weinstein machines. Hardly so. When SAG awarded its best acting prize to the unknown French actor Stateside over Hollywood fave George Clooney, it was clear that the status quo voted with their hearts. The Academy felt the same way, bestowing upon him his first Best Actor Oscar nomination. While Clooney morphs his dramatic essence from Michael Clayton through The Descendants, Dujardin — a Clooney-type in his homeland — trumps with his bygone set of dancing and mime skills. Dujardin admits he was daunted by challenges of portraying Hollywood silent film actor George Valentin — a composite of Douglas Fairbanks and Gene Kelly, topped off by the French actor’s uncanny Clark Gable mug. But he’s just being modest: Check out his previous collaboration with The Artist helmer Michel Hazanavicius, the 0SS 117 franchise, and it’s obvious that the actor’s physical talents were already there, the local comedy a mere warm-up before his graduation to silent black-and-white shtick. He spoke with AwardsLine’s Anthony D’Alessandro via a translator about his awards-season run.
AWARDSLINE: I understand you were hesitant before committing to The Artist because it was a silent movie. What worried you?
DUJARDIN: The unknown. I didn’t know King Vidor’s movies and I was worried that Michel would ask me to uphold the entire film. I didn’t want to do a sub-category of Chaplin. Chaplin is unique, but there’s only one. Michel said “No, I want to make a love story.” And he told that with the camera. But there was a short week of doubt of “What am I getting myself into?” Then I regretted ever thinking like that because I never think of the completed film, rather the adventure of what I’m about to live.
There’s a nice Deadline shoutout at the very end of the video…
EXCLUSIVE: Wild Bunch has added eight French projects to its lineup ahead of the Rendez-Vous With French Cinema in Paris next week. They include works from the talent behind such films as Of Gods And Men, A Prophet and Tell No One, and I’ve got a preview of them below.
The Rendez-Vous brings out some 450 international buyers to sample the wares of local sales companies — and soak up a lot of champagne. Sponsored by France’s film export body Unifrance, it’s a must-attend on the calendar for indie distributors who spend four days at a market and screenings in Paris’ Opéra Garnier district. Although not a lot of business is transacted during the event per se, it remains a key opportunity for French sales companies to offer a glimpse at locally produced films that will circulate throughout the year. Wild Bunch typically uses the Rendez-Vous as a platform for its French pics. Last year, Vincent Maraval and his team started talking about eventual Cannes Jury Prize winner Poliss, which Sundance Selects later picked up. In 2010, the company emphasized Of Gods And Men, which ultimately won the Cannes Grand Prize and the Best Picture César and was acquired by Sony Pictures Classics. This year, along with talking up the new French projects, Wild Bunch will screen The Players for the first time. The star-studded series of vignettes about infidelity is from a group of directors that includes The Artist’s Michel Hazanavicius and Jean Dujardin (starring here in his first role since The Artist). It sold well during AFM while the new titles are also ones to watch given the company’s track record with some of the biggest exports of recent years.
Among those new titles are Tell No One producer Alain Attal’s 14 million euros Populaire, an already buzzy Mad Men-era typing competition romcom starring Romain Duris, Deborah François and Artist breakout Bérénice Bejo. Another romantic comedy on the slate, director Valérie Donzelli’s Hand In Hand, sees a mirror maker with a taste for hip-hop and an opera dance director befallen by a strange phenomenon that leaves them forced to mimic each other’s movements. Wild Bunch recently handled Donzelli’s Declaration Of War, which is this year’s Oscar entry from France. The company is also repping Fidélité Films’ Renoir, about the relationship between artist Auguste Renoir, his filmmaker son Jean and the muse they once shared. Michel Bouquet stars. Also on the slate, Of Gods And Men co-screenwriter Etienne Comar and Vendome Pictures’ Philippe Rousselet are producing Haute Cuisine, based on the true story of French president François Mitterrand and his personal cook.
Santa Barbara, CA – The Santa Barbara International Film Festival, presented by lynda.com, will bestow Jean Dujardin and Bérénice Bejo with the Cinema Vanguard Award on Saturday February 4, 2012. The actors will be honored for their performances in the silent film The Artist with a tribute at the Arlington Theatre at the 27th edition of the Festival which runs January 26-February 5, 2012, it was announced today by SBIFF Executive Director Roger Durling. The Cinema Vanguard Award was created in recognition of an actor who has forged his/her own path – taking artistic risks and making a significant and unique contribution to film. The award has previously been presented to Nicole Kidman, Christoph Waltz, Vera Farmiga, Stanley Tucci, Peter Sarsgaard, Kristin Scott Thomas and Ryan Gosling.
Dujardin remarked, “We are grateful to the Santa Barbara International Film Festival for this incredible honor. Delivering a silent film to the 21st century is no easy task, and it would have in no way been possible without the talent and dedication of the incredible ensemble of actors we had the pleasure of working with: James Cromwell, John Goodman, Penelope Ann Miller, Missi Pyle and Malcolm McDowell. This award is just as much for them as it is for us.”
EXCLUSIVE: The 19th annual Hamptons International Film Festival has set the silent film sensation The Artist to be the closing-night film premiere on Oct. 16 and the Drake Doremus-directed drama Like Crazy to be the Centerpiece Film screening Oct. 15. That film won the Grand Jury Prize at 2011 Sundance, where it was acquired by Paramount and Indian Paintbrush.
The festival will honor its star, Anton Yelchin, as one of this year’s Breakthrough Performers. Other emerging stars will be added as the festival gets closer. HIFF already announced that its opening film will be the Jay and Mark Duplass-directed Jeff Who Lives at Home. The Michel Hazanavicius-directed The Artist, acquired by The Weinstein Company on the eve of Cannes, won Best Actor honors at the festival for Jean Dujardin, who plays a silent-movie superstar at the advent of talking pictures, a development that will ruin his career.