BREAKING: Legendary Entertainment chairman and CEO Thomas Tull has promoted Jon Jashni to president, a new post. Jashni, a veteran executive and producer who joined Tull six years ago, will continue to function as chief creative officer and has been a big part of Legendary’s evolution from a co-financier of Warner Bros films to an enterprise that is generating its own films that are released by Warner Bros. Legendary’s rise has been fueled by being partner in such films as The Hangover, Clash of the Titans, the Chris Nolan Batman trilogy and Inception, as well as the upcoming Superman reboot Man of Steel. Tull’s company is generating its own tent pole films, including the Guillermo del Toro-directed alien-invasion film Pacific Rim that stars Charlie Hunnam and Idris Elba, and a reboot of Godzilla. Jashni is a producer on those films as well as the Alex Proyas-directed Paradise Lost that will star Bradley Cooper and Benjamin Walker, and the Sergey Bodrov-directed The Seventh Son, which stars Jeff Bridges, Julianne Moore and Ben Barnes.
BREAKING: NBCUniversal’s new owners at Comcast have given a vote of confidence to the studio’s feature film operation. They’ve exercised an option on Universal Pictures’ Chairman Adam Fogelson and extended his contract through 2014. I’m told that Fogelson is, in turn, in the process of exercising the option of Donna Langley and she will continue as the studio’s co-chairman. They will also keep their executive team intact. Fogelson will continue to have full day-to-day operating responsibility for the Motion Picture Group, reporting to Universal Studios President and Chief Operating Officer Ron Meyer (whose contract was recently re-upped through 2015) and will now also report to NBCUniversal Chief Executive Officer Steve Burke.
While Universal has had its ups and downs, higher-ups are clearly convinced that Fogelson, Langley and their team are making progress. They’ve had recent hits –Bridesmaids, Hop! and Fast Five– but also had some recent misses that include The Dilemma, Change-Up and Cowboys & Aliens. In the latter case, the studio was on the hook for one-third of the film, and shared that third with Relativity Media. It has also been a year in which Fogelson and his team have made some painful decisions and let pricey productions go. That began with the Guillermo Del Toro-directed At the Mountains of Madness, which Universal developed for years and which was ready to go with Tom Cruise, until the studio made a late decision not to go forward because of the possibility the $150M film could carry an R-rating. Universal also dropped two projects that were in advanced stages of development: The Dark Tower, the Akiva Goldsman-directed adaptation of the Stephen King novel series that was to be made into three feature films and two limited-run TV series, with the first film and TV segment directed by Ron Howard and produced by Brian Grazer and Goldsman; and Oiuja, the Hasbro board game that had McG directing and Michael Bay and his Platinum Dunes partners producing with Hasbro. The moves were surprising because Howard and Grazer are cornerstone filmmakers for Universal; and Del Toro and Hasbro have overall deals there. Ouija is one of several Hasbro properties the studio dropped, the others being the Gore Verbinski-directed Clue, the Ridley Scott-directed Monopoly and Magic, The Gathering. These were part of a groundbreaking deal the studio made with the toymaker several years ago, but the studio and Hasbro have re-focused their attention solely on Battleship, Stretch Armstrong, and Candy Land.
EXCLUSIVE: Deadline revealed this morning that Ridley Scott was returning to his sci-fi classic Blade Runner. His Scott Free partner and brother Tony Scott is also getting serious about a new version of a movie classic. Scott …
Let’s see, back on April 28, The Wrap ripped off Deadline’s revelation that Jeff Bridges was negotiating to star with Ryan Reynolds in the Robert Schwentke-directed R.I.P.D. at Universal, after Deadline revealed that Zach Galifianakis wouldn’t be doing the movie. Now, The Wrap is claiming an “exclusive” that …
When I met with Fox Searchlight presidents Stephen Gilula and Nancy Utley at the Cannes Film Festival, it seemed clear that they were not going to take part in one of the most aggressive acquisitions market that Cannes has seen in years. But not only did they walk away with the Palme d’Or prestige badge that will help Terrence Malick’s visionary The Tree of Life find its way when Searchlight releases it in theaters beginning Friday, they also greenlit the first film by Jonathan Dayton and Valerie Faris since Little Miss Sunshine. The new film, He Loves Me, is a reunion. Besides being back in the Searchlight fold, they’ve set as star Paul Dano, whose career was launched by Sunshine. Dano will be paired alongside his girlfriend, Zoe Kazan, who wrote the script. The film also reunites Dayton and Faris with Sunshine producers Albert Berger and Ron Yerxa. Jeff Bridges is being courted to play another role. After Little Miss Sunshine won two Oscars and was a Best Picture nominee, Dayton and Faris were courted like crazy by studios and became attached to a number of projects that didn’t pan. It has been five years since the release of that film, but they start production in July.
Considering they’ve rubbed out characters memorably by feeding them through a wood chipper (Fargo) or with a pneumatic cattle slaughtering gun (No Country For Old Men), setting Joel and Ethan Coen loose with a revenge story in the Old West seems a recipe for mayhem. In fact, True Grit turns out to be the most mainstream audience-friendly film they have made in years. Sticking close to the 42-year Charles Portis novel and not even watching the first movie that won John Wayne his Oscar in 1969, the Coens have made a PG-13 adventure film that gives the starring role to teenager Hailee Steinfeld, and surrounds her with such seasoned actors as Jeff Bridges as salty U.S. Marshall Rooster Cogburn, Matt Damon as the blowhard Texas Ranger LaBeouf, and Josh Brolin and Barry Pepper as the ornery outlaws they are chasing. The film opens today, and could add intrigue to the Oscar race.
DEADLINE: How did you find your way to a 40 year old book you’d have been hard pressed to find in a bookstore?
ETHAN COEN: We both knew the book, and we’d both read it, amongst other Charles Portis novels. A few years ago I read it out loud to my son and that was the point we began talking about it, thinking this might be interesting to do.
JOEL COEN: Fully aware there of course there had been this previous movie. But we hadn’t seen that since it came out, and didn’t really remember it very well.
DEADLINE: The book focuses more squarely than the film did on young Mattie, the bright, headstrong teenager determined to see the man who shot her father swing from a rope. What potential did you see in that that overcame the inevitable comparison to a film considered somewhat iconic?
ETHAN COEN: That is what we liked about the book, that it was told in the first person narrative told by the 14-year old character, Mattie Ross. It’s just a very funny book. It has three really great, really vivid characters. Her, Rooster Cogburn and LaBeouf, the Texas Ranger. And it’s a simple pursuit revenge story. It all just seemed promising material for a movie. Which might sound funny because, as you say, there was this iconic movie. Which we were aware of but which we didn’t remember very well.
JOEL COEN: We didn’t revisit it, either.
ETHAN COEN: And in the course of remaking the movie, we didn’t watch the first one. We weren’t much worried about it, though. You say it’s iconic, and that’s very true. But on the other hand, I must say it’s probably iconic for people our age and older. And we’re not the moviegoing demographic anymore. I don’t think younger people have much of a connection to John Wayne, at all. So it didn’t feel like we were trespassing and we didn’t worry about it. We just had this enthusiasm for the novel.
DEADLINE: I should qualify iconic. It’s called that because John Wayne won an Oscar, but many feel that statue was a reward for a career and not that role.
JOEL COEN: That’s what I’ve read about it too, that it was a kind of valedictory thing.
ETHAN COEN: You’ve been around a long time, we love you, here’s an award.
DEADLINE: How did adapting a book like True Grit compare with adapting Cormac McCarthy’s No Country For Old Men?
ETHAN COEN: Not dissimilar, actually. In the Cormac book that we did, we had this similar issue.
Beverly Hills, CA — Past winners and/or nominees Halle Berry, Jeff Bridges, Sandra Bullock, Marisa Tomei and Oprah Winfrey will present on the 83rd Academy Awards, telecast producers Bruce Cohen and Don Mischer announced today. Academy Awards for outstanding film achievements of 2010 will be presented on February 27.
Joel and Ethan Coen’s True Grit, the most prominent Oscar contender that didn’t get a festival launch, has one now. The film is scheduled for an international premiere at the Berlin International Film Festival on February 10. The picture, which stars Jeff Bridges, Matt Damon, Josh Brolin and newcomer Hailee …