Is Jennifer Lawrence is heading to San Diego next month? She might be. Lionsgate announced today that talent from The Hunger Games: Catching Fire and I, Frankenstein will be appearing on a panel at Comic-Con 2013 on July 20. Lawrence plays lead Katniss Everdeen in the post-apocalyptic adventure franchise. This is the first time that The Hunger Games will be making an appearance at Comic-Con; Lionsgate did not attend the conference in 2011 to promote the original film before its March 2012 release — the pic was a monster smash, opening with $152.5M in its first weekend and grossing $691.2M worldwide. As part of the panel, moderated by Fandango’s Dave Karger, Lionsgate also said it will be showing a new exclusive trailer for the Hunger Games sequel and never-seen-before footage from I, Frankenstein during the panel. With less than a month until Comic-Con starts on July 18, Lionsgate is the first studio to officially announce what movies it will be presenting at the pop culture confab. They are well-positioned: The Saturday slot is prime real estate at the Comic-Con, with studios rolling out their blockbuster offerings back-to-back in the cavernous …
FilmNation Entertainment will finance and handle sales for The Rules Of Inheritance, which will star Academy Award winner Jennifer Lawrence. Directing is Susanne Bier, who just helmed Serena with Lawrence and Bradley Cooper. Abi Morgan, who scripted The Iron Lady and Shame, wrote the script, based on Claire Bidwell Smith’s memoir about a young woman who loses her family but finds herself in the process. Silver Linings Playbook‘s Bruce Cohen and Lawrence will produce. FilmNation Entertainment will executive produce. FilmNation’s Glen Basner and Aaron Ryder said, “We are thrilled to be working with the dream team of Jennifer Lawrence, Susanne Bier, Abi Morgan and Bruce Cohen. We have no doubt that this inspirational and hopeful book will be turned into an emotionally powerful movie that audiences around the world will fall in love with.” Producer Bruce Cohen commented, “Jennifer, Susanne, Abi and I are incredibly excited to be working on this extraordinary project together. We all believe this film can strike a deeply resonant chord with audiences, just as Claire’s riveting memoir has.”
Claire Bidwell Smith is an only child who, over a 7-year period as a young adult loses both her parents to cancer. While struggling to cope, she propels herself into many romances, adventures and travels in an inspirational, emotionally charged and surprisingly humorous journey that celebrates life, the people we love and lose and the discoveries we make along the way. Smith is represented …
2ND UPDATE: Deadline hears “there was a scheduling conflict” to explain why Jennifer Lawrence wasn’t there. But this appeared to be the last thing the cable network expected as the live MTV Movie Awards scrambled to adjust to the glaring absence of tonight’s biggest star. The newly Academy Award-winning actress was a no-show for the telecast – embarrassing the network which had arranged for a lot of Hunger Games 2 promotion during the telecast for the film’s fans. MTV apparently had to rearrange some categories because of the situation. And MTV punted what was to have been a sketch with host Rebel Wilson and Lawrence playing sisters. Other performers had to make do as well. “Thanks so much. Jen’s not here. I’m sorry,” Bradley Cooper told the audience to what even the MTV website said was an “audibly upset room” about the absent Lawrence. “I know. But, she was great to kiss.” The pair won Best Kiss Category. Lawrence also won Best Female performance after being nominated in several categories. No explanation as yet for why she didn’t appear. Her Hunger Games: Catching Fire co-star Liam Hemsworth was there to present a teaser trailer premiere for the pic.
Lionsgate unveiled the new two and a half minute teaser trailer during the MTV Movie Awards, where Hunger Games star Jennifer Lawrence was up for four awards. Lawrence, Liam Hemsworth, and Josh Hutcherson are back for the Francis Lawrence-directed November 22 sequel. Here’s the teaser:
Probably all that sweat actually attracted buyers for the clothes Jennifer Lawrence wore in her Oscar-winning role in Silver Linings Playbook — in which it seemed she spent most of the film dancing or jogging. Los Angeles auction house Nate D. Sanders tells Reuters the items, including the custom-tailored white pants Lawrence wore in the film’s perspiration-filled ballroom dance scene with her co-star Bradley Cooper, sold for $3,493. And a teal sports bra and blue long-sleeved shirt she wore during her dance rehearsals with Cooper went for $3,175. The wool, full-length winter coat worn by Lawrence in the pic was the top-selling item during the three-day online auction, selling for $4,652. A black tank top owned by Lawrence, but not worn in the film, grabbed $624. The final tally exceeded expectations — the auction house expected the items to bring in between $500-$1,500 each following Lawrence’s Best Actress Oscar win on Sunday, according to Reuters.
Monica Corcoran Harel is contributing to Deadline’s Oscar coverage.
Never mind “Who are you wearing?” When the economy of the Red Carpet at the Oscars could rival the GNP of Zanzibar, the real question tonight should be: “Why are you wearing…?”
In certain cases, the answer is elementary. Jennifer Lawrence showed up in a voluminous pink confection by Dior because she’s the face of the brand’s Miss Dior handbags. (People magazine even predicted that she might wear this gown almost two weeks beforehand.) In fact, the notoriously raw Lawrence — who admitted to Ryan Seacrest that she couldn’t define “haute couture” at the recent Golden Globes — didn’t say that her dress was designed by some dude in Paris. Rather, she pronounced the French term for high fashion with staged aplomb. Someone at Dior probably said, “cut the merde” to her or we won’t cut another check.
Charlize Theron, the face of the house’s J’Adore perfume since 2004, arrived tonight in a Dior Haute Couture gown too, natch. She reportedly makes about $2 million per year to hawk the fragrance — and presumably, wear the pretty dresses too. Tough job.
Of course, stars have long been loyal to designers. Audrey Hepburn favored the frothy frocks of Hubert de Givenchy for 40 years; the couturier even served as a pallbearer for the spritely actress in 1993. Bob Mackie once called Cher his “big Barbie doll” — especially when he outfitted her in a two-foot feathered headdress for the 1986 Oscars. But back in those days, the relationships crested more on affinity than currency.
BREAKING: The Weinstein Company acquired worldwide rights to David O. Russell’s upcoming project The Ends Of The Earth. Jennifer Lawrence, who is up for for an Oscar for Silver Linings Playbook, will star. Scripted by Oscar-nominated Argo scribe Chris Terrio, the film is produced by Todd Black, Steve Tisch and Jason Blumenthal of Escape Artists. Russell signed his deal last night, and Harvey Weinstein expects this to be close to Django Unchained in terms of the epic size and budget.
Lawrence just enlisted in Russell’s next film, the untitled Abscam film that also stars Bradley Cooper, Christian Bale, Amy Adams and Jeremy Renner.
Black and Tisch said “Jennifer Lawrence is one of the most versatile actresses we have ever seen. Her performance in Silver Linings was transcendent and was truly the heart and soul of the film. Jennifer was basically asked to play 4 personalities — depressed, sexy, romantic and a wild dancer — and did them all brilliantly. After seeing that performance we knew we had our anchor for Ends Of The Earth. Her dedication to the craft and all those who work with her is inspiring and if she is the future of our business we are certainly in good hands.”
EXCLUSIVE: Jennifer Lawrence has been tapped to star opposite Christian Bale, Bradley Cooper, Amy Adams and Jeremy Renner in the David O Russell pic formerly known as American Bullshit, the drama written by Eric Singer and Russell about the ’70s FBI sting operation Abscam that took down a bunch of U.S. congressmen. That puts Lawrence back in business with Russell and Cooper, her cohorts on The Weinstein Company’s Silver Linings Playbook that landed them all Oscar nominations; she already has won the SAG Award and a Golden Globe for the role. She will play Bale’s wife in the Abscam movie, which is being produced by Charles Roven and Richard Suckle through Atlas Entertainment, which developed the film at Sony Pictures. The ensemble is being fully financed by Megan Ellison’s Annapurna Pictures. Ellison also is producing and has been developing the script.
BREAKING: Ben Affleck, Jessica Chastain and Jennifer Lawrence all hope they will take the Oscars stage at some point to accept a golden trophy and thank their agents and everybody else they know. But we’re now guaranteed to see them onstage. The trio has joined the lengthy list of Oscar presenters, the Academy has announced. With so much star power milling around backstage, will it blunt host Seth MacFarlane’s ability to make fun of them as he does on Family Guy? It’s so much easier when they are not in proximity to punch you or at least give you the fish eye.
Chastain, who is nominated for her lead performance in the Best Picture nominee “Zero Dark Thirty,” received her first nomination last year for her supporting role in the Best Picture nominee “The Help.”
Lawrence, who received her first nomination in 2010 for her leading role in “Winter’s Bone,” is nominated for her lead performance in the Best Picture nominee “Silver Linings Playbook.”
In a race as tight as the one this year for Best Actress and particularly Best Actor, there were many deserving performances that might have made the cut in any other year but were overlooked because of intense competition. As far as lead acting categories go, this year is one of the most fiercely fought in recent Oscar history. So what was it about the 10 nominated performances in the top two acting categories that sealed the deal with Academy voters? Here’s a look at why they made it to the golden circle.
Bradley Cooper | Silver Linings Playbook
Coming into the project just shortly before production began, Cooper proves a shrewd choice to play Pat Jr., a volatile man just released from an institution, in denial about his dead marriage, and just trying to put his life back together. Mark Wahlberg was cast in the part originally, but after he dropped out, Cooper got the role and ran with it. It’s a delicate balance of comedy and drama that Cooper must navigate, and he creates a wholly original and likable character, a neat trick considering Pat Jr. isn’t always sympathetic. Coming off popcorn movies like The Hangover and The A Team, Cooper finally shows his true acting chops, and his scenes opposite Robert De Niro and Jennifer Lawrence prove he is a talent to be reckoned with. Watching …
Though the media often refer to Outstanding Cast In A Motion Picture award as the Screen Actors Guild’s version of Best Picture, SAG balks at the comparison. The actors say their winners don’t always match up and in fact are strictly an honor for a cast. But Argo‘s big win in SAG’s marquee film category tonight is a Best Picture award. And there can be no question now that Argo is on a roll. Voters just seem to like this picture, and sometimes that’s all it takes. Right now its key rivals are probably beginning to feel like Argo is holding their Best Picture hopes hostage.
With the PGA win last night, and recent Critics Choice and Golden Globe wins for Picture and Director, Ben Affleck‘s 3rd outing as helmer is so far proving that three’s the charm. Those first two all-important Guild contests have very good predictive track records when it comes to Oscar. As someone connected with Argo‘s campaign emailed me tonight, “We’re making progress.” That’s an understatement. This morning one Academy voter who was angry after the directors branch snubbed Ben Affleck emailed this to me: “I voted for Argo for a SAG award. And if it wins tonight the world will see the all-powerful wizard: the Academy is not so smart.” Not surprisingly that same voter plans to give a first-place Best Picture vote to Argo – and …
OSCARS: Jennifer Lawrence And Jessica Chastain Stir Things Up In Tight Best Actress Race, But Does It Matter?
The tight Oscar race for Best Actress between the presumed co-frontrunners, Silver Linings Playbook’s Jennifer Lawrence and Zero Dark Thirty’s Jessica Chastain, took a few twists and turns this weekend. But will any of it affect the outcome one way or another? Momentum is a fickle thing — you can win it or lose it in an instant.
Related: Jennifer Lawrence Monologue On ‘SNL’
Both young stars are coming off a stellar week where they won Golden Globe and Critics Choice Movie Awards for their performances. And now, just 2 1/2 weeks before Oscar voting begins and smack in the middle of SAG balloting, Chastain pulled off the neat trick of starring in the No. 1 and No. 2 films at the box office (#1 Mama and #2 Zero Dark Thirty). Before Mama opened, some pundits observed that starring in a standard horror film in the midst of Oscar crunch time could hurt Chastain the same way Norbit’s Oscar-time release was perceived to hurt Eddie Murphy when he lost for Dreamgirls. But in fact Mama received generally good reviews (62% fresh at Rotten Tomatoes) and way overperformed at the box office, helping to make the emerging Chastain an even bigger star. And the fact that she simultaneously continues in her Broadway run in The Heiress (a film based on the play won Olivia DeHavilland an Oscar) also helps as voters love actors who move between theatre and movies with ease.
Golden Globes winner and Oscar nominee Jennifer Lawrence elaborated on her Globes acceptance speech and had a few choice words for some of her fellow Oscar nominees. Ahem. Tell us what you think.
Monica Corcoran Harel is contributing to Deadline’s Golden Globes coverage.
Every year of awards shows, the meeting between the entertainment industry and the fashion industry keeps melding. The fashion houses depend on celebs to advertise the brands. The 70th Golden Globes was no exception. So what’s black and white and red all over? The aerial view of the entrance to the Beverly Hilton, with the majority of actresses opted for tried and true names like Chanel, Oscar De La Renta, Versace, and Dior. Besides black, there were varying shades of crimson from deep oxblood to candy apple. It all felt like an ultra chic Fellini funeral procession of widows in black and mistresses wearing scandalous red.
That speck of spectral white, of course, would be the night’s Best Supporting Actress – Comedy or Drama winner Anne Hathaway. The actress, looking like a young French bride with a few cigarettes tucked in her garter, wisely chose a beaded Chanel that made her stand alone in a sea of chic. This year, it was about 53 degrees on the red carpet during arrival time and fashion commentators made a big deal about brave actresses with bare shoulders. Bah. As Renoir once said, “The pain passes, but the beauty remains.”
The red brigade began early, with Zooey Deschanel in a lot of Oscar de la Renta worn with a set of pearls and a high pert ponytail. Thankfully, the snug sweetheart bodice contrasted with her excess of skirt. Claire Danes followed in a lipstick-bright but simple Versace halter gown that just about did the trick. (Danes, with a newborn at home and currently nursing, gets high marks for showing up sans spit-up on her train.) Next, Jennifer Lawrence and Marion Cotillard both sashayed down the carpet in Dior Haute Couture red with matching gold-mirrored belts. (The two are contracted to always wear the venerable design house, so no surprises there.) I particularly liked Lawrence’s retro-inspired bodice and Cotillard’s hip, asymmetrical hemline.