Two specialty titles opening this coming weekend might have had studio backing in the past if not for the changing nature of the biz. Darling Companion and The Moth Diaries traveled a more “independent film” route on their way to the screen, bypassing controls that may have lead to very different films — if they would even have been made at all. Downtown Express used music and the backdrop of New York City to tell its story shot on a tight budget, while Kevin Macdonald’s doc Marley found non-financing challenges on its way through production. Also encountering unexpected turbulence during production, Jesus Henry Christ shot north of the border during some particularly crazy events in Toronto.
Director: Lawrence Kasdan
Writers: Lawrence Kasdan, Meg Kasdan
Cast: Diane Keaton, Kevin Kline, Dianne Wiest
Distributor: Sony Pictures Classics
Lawrence Kasdan’s latest returns his focus to baby boomers reminiscent of some of his past work. In this feature, he spotlights the story of a woman who loves her dog more than her husband. And naturally the situation worsens when he loses the dog. “What we were shooting for is trying to talk to that generation and about their lives as John Updike did in the Rabbit series,” Darling Companions producer Anthony Bregman told Deadline. “It’s along the lines of other [Kasdan] films that check in with that generation.” But unlike the director’s past work including The Accidental Tourist and The Big Chill, studios did not come knocking. “The industry has changed a lot since those films came out,” Bregman said, adding that studios shy away from stories like Darling Companions so the production had to take a different approach in order to get the feature completed. “This time, it was an independent production with a quicker shoot. We didn’t have the same luxuries that are typical of a studio film,” he said. “The challenge was to stick to the agenda while maintaining a high production value and ambitious casting.”